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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCCB5 it is the complementary color #D3334A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCCB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCCB5 shade: #31CCB0, #42DEC3, #53F0D6, #64FFE9 and #75FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCCB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCCB5 shade: #2CCCB5, #1BBAA2, #0AA88F, #00967C and #008469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCCB5 shade: #2BCEB6, #2BCE8B, #2BCE5F, #2BCE33 and #4FCE2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCCB5 shade: #2BCEB6, #2BB9CE, #2B8DCE, #2B62CE and #2B36CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCCB5 shade matches the following richer shades: #2BCEB6, #17E2C5 and #03F6D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCCB5 shade: #2BCEB6, #3FB9A8, #54A59A, #68918B and #7C7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCCB5 shade: #2BCE5F, #2BCE8A, #2BCEB5, #2BBBCE and #2B8FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCCB5 shade: #1D8A7A, #24AC98, #2BCEB6, #4AD8C4 and #6CDFCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCCB5 shade: #2CCCB5, #332BCE and #CE742B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCCB5 shade: #2CCCB5, #B52BCE and #CEB52B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCCB5 shade: #2CCCB5, #332BCE, #CE2B44 and #C6CE2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCCB5 shade: #2CCCB5, #642BCE, #CE2B44 and #95CE2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 11 / 20

HEX #2CCCB5

RGB 44 204 181

HSL 171.38, 0.65%, 0.49%

LAB 74.23, -44.84, 0.07

 

Complementary color

CMYK 0 / 76 / 65 / 17

HEX #D3334A

RGB 211 51 74

HSL 351.38, 0.65%, 0.51%

LAB 47.89, 62.3, 25.84

 

CMYK 76 / 0 / 14 / 20

HEX #31CCB0

RGB 49 204 176

HSL 169.16, 0.61%, 0.5%

LAB 74.17, -45.63, 2.7

 

CMYK 70 / 0 / 12 / 13

HEX #42DEC3

RGB 66 222 195

HSL 169.62, 0.7%, 0.56%

LAB 80.37, -46.35, 1.57

 

CMYK 65 / 0 / 11 / 6

HEX #53F0D6

RGB 83 240 214

HSL 170.06, 0.84%, 0.63%

LAB 86.51, -46.85, 0.53

 

CMYK 61 / 0 / 9 / 0

HEX #64FFE9

RGB 100 255 233

HSL 171.48, 1%, 0.7%

LAB 91.74, -45.9, -1.68

 

CMYK 54 / 0 / 1 / 0

HEX #75FFFC

RGB 117 255 252

HSL 178.7, 1%, 0.73%

LAB 92.72, -38.12, -10.01

 

CMYK 78 / 0 / 11 / 20

HEX #2CCCB5

RGB 44 204 181

HSL 171.38, 0.65%, 0.49%

LAB 74.23, -44.84, 0.07

 

CMYK 85 / 0 / 13 / 27

HEX #1BBAA2

RGB 27 186 162

HSL 170.94, 0.75%, 0.42%

LAB 67.99, -43.68, 1.31

 

CMYK 94 / 0 / 15 / 34

HEX #0AA88F

RGB 10 168 143

HSL 170.51, 0.89%, 0.35%

LAB 61.7, -42.12, 2.7

 

CMYK 100 / 0 / 17 / 41

HEX #00967C

RGB 0 150 124

HSL 169.6, 1%, 0.29%

LAB 55.35, -40.09, 4.26

 

CMYK 100 / 0 / 20 / 48

HEX #008469

RGB 0 132 105

HSL 167.73, 1%, 0.26%

LAB 48.91, -37.61, 5.99

 

CMYK 79 / 0 / 12 / 19

HEX #2BCEB6

RGB 43 206 182

HSL 171.17, 0.65%, 0.49%

LAB 74.85, -45.52, 0.43

 

CMYK 79 / 0 / 33 / 19

HEX #2BCE8B

RGB 43 206 139

HSL 155.34, 0.65%, 0.49%

LAB 73.88, -55.81, 22.07

 

CMYK 79 / 0 / 54 / 19

HEX #2BCE5F

RGB 43 206 95

HSL 139.14, 0.65%, 0.49%

LAB 73.21, -63.59, 43.47

 

CMYK 79 / 0 / 75 / 19

HEX #2BCE33

RGB 43 206 51

HSL 122.94, 0.65%, 0.49%

LAB 72.82, -68.3, 61.28

 

CMYK 62 / 0 / 79 / 19

HEX #4FCE2B

RGB 79 206 43

HSL 106.75, 0.65%, 0.49%

LAB 73.53, -62.46, 64.72

 

CMYK 79 / 0 / 12 / 19

HEX #2BCEB6

RGB 43 206 182

HSL 171.17, 0.65%, 0.49%

LAB 74.85, -45.52, 0.43

 

CMYK 79 / 10 / 0 / 19

HEX #2BB9CE

RGB 43 185 206

HSL 187.73, 0.65%, 0.49%

LAB 69.23, -28.9, -21.01

 

CMYK 79 / 32 / 0 / 19

HEX #2B8DCE

RGB 43 141 206

HSL 203.93, 0.65%, 0.49%

LAB 56.11, -5.39, -41.35

 

CMYK 79 / 52 / 0 / 19

HEX #2B62CE

RGB 43 98 206

HSL 219.75, 0.65%, 0.49%

LAB 43.81, 21.16, -61.01

 

CMYK 79 / 74 / 0 / 19

HEX #2B36CE

RGB 43 54 206

HSL 235.95, 0.65%, 0.49%

LAB 33.15, 48.73, -78.45

 

CMYK 79 / 0 / 12 / 19

HEX #2BCEB6

RGB 43 206 182

HSL 171.17, 0.65%, 0.49%

LAB 74.85, -45.52, 0.43

 

CMYK 90 / 0 / 13 / 11

HEX #17E2C5

RGB 23 226 197

HSL 171.43, 0.82%, 0.49%

LAB 81.07, -51.29, 1.46

 

CMYK 99 / 0 / 14 / 4

HEX #03F6D3

RGB 3 246 211

HSL 171.36, 0.98%, 0.49%

LAB 87.31, -56.31, 3.15

 

CMYK 79 / 0 / 12 / 19

HEX #2BCEB6

RGB 43 206 182

HSL 171.17, 0.65%, 0.49%

LAB 74.85, -45.52, 0.43

 

CMYK 66 / 0 / 9 / 27

HEX #3FB9A8

RGB 63 185 168

HSL 171.64, 0.49%, 0.49%

LAB 68.45, -37.49, -1.25

 

CMYK 49 / 0 / 7 / 35

HEX #54A59A

RGB 84 165 154

HSL 171.85, 0.33%, 0.49%

LAB 62.62, -27.54, -1.94

 

CMYK 28 / 0 / 4 / 43

HEX #68918B

RGB 104 145 139

HSL 171.22, 0.16%, 0.49%

LAB 57.13, -15.4, -1.37

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 79 / 0 / 54 / 19

HEX #2BCE5F

RGB 43 206 95

HSL 139.14, 0.65%, 0.49%

LAB 73.21, -63.59, 43.47

 

CMYK 79 / 0 / 33 / 19

HEX #2BCE8A

RGB 43 206 138

HSL 154.97, 0.65%, 0.49%

LAB 73.86, -56.02, 22.58

 

CMYK 79 / 0 / 12 / 19

HEX #2BCEB5

RGB 43 206 181

HSL 170.8, 0.65%, 0.49%

LAB 74.82, -45.79, 0.94

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 79 / 31 / 0 / 19

HEX #2B8FCE

RGB 43 143 206

HSL 203.19, 0.65%, 0.49%

LAB 56.7, -6.55, -40.42

 

CMYK 79 / 0 / 12 / 46

HEX #1D8A7A

RGB 29 138 122

HSL 171.19, 0.65%, 0.33%

LAB 51.66, -33.31, 0.1

 

CMYK 79 / 0 / 12 / 33

HEX #24AC98

RGB 36 172 152

HSL 171.18, 0.65%, 0.41%

LAB 63.46, -39.54, 0.27

 

CMYK 79 / 0 / 12 / 19

HEX #2BCEB6

RGB 43 206 182

HSL 171.17, 0.65%, 0.49%

LAB 74.85, -45.52, 0.43

 

CMYK 66 / 0 / 9 / 15

HEX #4AD8C4

RGB 74 216 196

HSL 171.55, 0.65%, 0.57%

LAB 78.78, -42.34, -1.26

 

CMYK 52 / 0 / 7 / 13

HEX #6CDFCF

RGB 108 223 207

HSL 171.65, 0.64%, 0.65%

LAB 82.09, -36.51, -2.16

 

CMYK 78 / 0 / 11 / 20

HEX #2CCCB5

RGB 44 204 181

HSL 171.38, 0.65%, 0.49%

LAB 74.23, -44.84, 0.07

 

CMYK 75 / 79 / 0 / 19

HEX #332BCE

RGB 51 43 206

HSL 242.94, 0.65%, 0.49%

LAB 31.55, 55.08, -81.09

 

CMYK 0 / 44 / 79 / 19

HEX #CE742B

RGB 206 116 43

HSL 26.87, 0.65%, 0.49%

LAB 57.83, 30.07, 53.06

 

CMYK 78 / 0 / 11 / 20

HEX #2CCCB5

RGB 44 204 181

HSL 171.38, 0.65%, 0.49%

LAB 74.23, -44.84, 0.07

 

CMYK 12 / 79 / 0 / 19

HEX #B52BCE

RGB 181 43 206

HSL 290.8, 0.65%, 0.49%

LAB 46.98, 72.91, -55.23

 

CMYK 0 / 12 / 79 / 19

HEX #CEB52B

RGB 206 181 43

HSL 50.8, 0.65%, 0.49%

LAB 73.77, -4.85, 67.67

 

CMYK 78 / 0 / 11 / 20

HEX #2CCCB5

RGB 44 204 181

HSL 171.38, 0.65%, 0.49%

LAB 74.23, -44.84, 0.07

 

CMYK 75 / 79 / 0 / 19

HEX #332BCE

RGB 51 43 206

HSL 242.94, 0.65%, 0.49%

LAB 31.55, 55.08, -81.09

 

CMYK 0 / 79 / 67 / 19

HEX #CE2B44

RGB 206 43 68

HSL 350.8, 0.65%, 0.49%

LAB 46, 62.91, 26.87

 

CMYK 4 / 0 / 79 / 19

HEX #C6CE2B

RGB 198 206 43

HSL 62.94, 0.65%, 0.49%

LAB 79.8, -20.94, 72.75

 

CMYK 78 / 0 / 11 / 20

HEX #2CCCB5

RGB 44 204 181

HSL 171.38, 0.65%, 0.49%

LAB 74.23, -44.84, 0.07

 

CMYK 51 / 79 / 0 / 19

HEX #642BCE

RGB 100 43 206

HSL 260.98, 0.65%, 0.49%

LAB 35.78, 59.96, -73.96

 

CMYK 0 / 79 / 67 / 19

HEX #CE2B44

RGB 206 43 68

HSL 350.8, 0.65%, 0.49%

LAB 46, 62.91, 26.87

 

CMYK 28 / 0 / 79 / 19

HEX #95CE2B

RGB 149 206 43

HSL 80.98, 0.65%, 0.49%

LAB 76.5, -40.66, 68.55

 

Description

Color code: HEX #2CCCB5 | qconv.com Color code: HEX #2CCCB5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 204 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 204 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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