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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BBBCE it is the complementary color #D44431. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BBBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BBBCE shade: #30BBC9, #41CDDC, #52DFEF, #63F1FF and #74FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BBBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BBBCE shade: #2BBBCE, #1AA9BB, #0997A8, #008595 and #007382

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BBBCE shade: #2BBBCE, #2B8FCE, #2B63CE, #2B37CE and #4B2BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BBBCE shade: #2BBBCE, #2B8FCE, #2B63CE, #2B37CE and #2B2BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BBBCE shade matches the following richer shades: #2BBBCE, #17CAE2 and #03DAF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BBBCE shade: #2BBBCE, #3FABB9, #549CA5, #688C91 and #7C7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BBBCE shade: #2BCE87, #2BCEB3, #2BBDCE, #2B92CE and #2B67CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BBBCE shade: #1D7D8A, #249CAC, #2BBBCE, #4AC8D8 and #6CD2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BBBCE shade: #2BBBCE, #5C2BCE and #CE9D2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BBBCE shade: #2BBBCE, #CE2BBD and #BDCE2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BBBCE shade: #2BBBCE, #5C2BCE, #CE3B2B and #9DCE2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BBBCE shade: #2BBBCE, #8D2BCE, #CE3B2B and #6CCE2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

Complementary color

CMYK 0 / 68 / 77 / 17

HEX #D44431

RGB 212 68 49

HSL 6.99, 0.65%, 0.51%

LAB 49.92, 55.43, 42.62

 

CMYK 76 / 7 / 0 / 21

HEX #30BBC9

RGB 48 187 201

HSL 185.49, 0.61%, 0.49%

LAB 69.74, -30.93, -17.49

 

CMYK 70 / 7 / 0 / 14

HEX #41CDDC

RGB 65 205 220

HSL 185.81, 0.69%, 0.56%

LAB 76.04, -31.88, -18.26

 

CMYK 66 / 7 / 0 / 6

HEX #52DFEF

RGB 82 223 239

HSL 186.11, 0.83%, 0.63%

LAB 82.27, -32.6, -18.96

 

CMYK 61 / 5 / 0 / 0

HEX #63F1FF

RGB 99 241 255

HSL 185.38, 1%, 0.69%

LAB 88.34, -33.99, -18.18

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 86 / 10 / 0 / 27

HEX #1AA9BB

RGB 26 169 187

HSL 186.71, 0.76%, 0.42%

LAB 63.49, -28.46, -19.25

 

CMYK 95 / 10 / 0 / 34

HEX #0997A8

RGB 9 151 168

HSL 186.42, 0.9%, 0.35%

LAB 57.09, -26.62, -18.3

 

CMYK 100 / 11 / 0 / 42

HEX #008595

RGB 0 133 149

HSL 186.44, 1%, 0.29%

LAB 50.62, -24.29, -17.22

 

CMYK 100 / 12 / 0 / 49

HEX #007382

RGB 0 115 130

HSL 186.92, 1%, 0.25%

LAB 44.05, -21.54, -16.03

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 79 / 31 / 0 / 19

HEX #2B8FCE

RGB 43 143 206

HSL 203.19, 0.65%, 0.49%

LAB 56.7, -6.55, -40.42

 

CMYK 79 / 52 / 0 / 19

HEX #2B63CE

RGB 43 99 206

HSL 219.39, 0.65%, 0.49%

LAB 44.08, 20.51, -60.56

 

CMYK 79 / 73 / 0 / 19

HEX #2B37CE

RGB 43 55 206

HSL 235.58, 0.65%, 0.49%

LAB 33.35, 48.16, -78.11

 

CMYK 64 / 79 / 0 / 19

HEX #4B2BCE

RGB 75 43 206

HSL 251.78, 0.65%, 0.49%

LAB 33.31, 57.11, -78.12

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 79 / 31 / 0 / 19

HEX #2B8FCE

RGB 43 143 206

HSL 203.19, 0.65%, 0.49%

LAB 56.7, -6.55, -40.42

 

CMYK 79 / 52 / 0 / 19

HEX #2B63CE

RGB 43 99 206

HSL 219.39, 0.65%, 0.49%

LAB 44.08, 20.51, -60.56

 

CMYK 79 / 73 / 0 / 19

HEX #2B37CE

RGB 43 55 206

HSL 235.58, 0.65%, 0.49%

LAB 33.35, 48.16, -78.11

 

CMYK 79 / 79 / 0 / 19

HEX #2B2BCE

RGB 43 43 206

HSL 240, 0.65%, 0.49%

LAB 31.11, 54.57, -81.83

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 90 / 11 / 0 / 11

HEX #17CAE2

RGB 23 202 226

HSL 187.09, 0.82%, 0.49%

LAB 74.77, -32.19, -23.48

 

CMYK 99 / 11 / 0 / 4

HEX #03DAF6

RGB 3 218 246

HSL 186.91, 0.98%, 0.49%

LAB 80.08, -34.06, -26.1

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 66 / 8 / 0 / 27

HEX #3FABB9

RGB 63 171 185

HSL 186.89, 0.49%, 0.49%

LAB 64.71, -25.97, -16.23

 

CMYK 49 / 5 / 0 / 35

HEX #549CA5

RGB 84 156 165

HSL 186.67, 0.33%, 0.49%

LAB 60.23, -20.02, -11.69

 

CMYK 28 / 3 / 0 / 43

HEX #688C91

RGB 104 140 145

HSL 187.32, 0.16%, 0.49%

LAB 55.83, -11.24, -6.74

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 79 / 0 / 34 / 19

HEX #2BCE87

RGB 43 206 135

HSL 153.87, 0.65%, 0.49%

LAB 73.81, -56.64, 24.08

 

CMYK 79 / 0 / 13 / 19

HEX #2BCEB3

RGB 43 206 179

HSL 170.06, 0.65%, 0.49%

LAB 74.77, -46.32, 1.94

 

CMYK 79 / 8 / 0 / 19

HEX #2BBDCE

RGB 43 189 206

HSL 186.26, 0.65%, 0.49%

LAB 70.43, -30.85, -19.19

 

CMYK 79 / 29 / 0 / 19

HEX #2B92CE

RGB 43 146 206

HSL 202.09, 0.65%, 0.49%

LAB 57.59, -8.26, -39.02

 

CMYK 79 / 50 / 0 / 19

HEX #2B67CE

RGB 43 103 206

HSL 217.91, 0.65%, 0.49%

LAB 45.18, 17.94, -58.79

 

CMYK 79 / 9 / 0 / 46

HEX #1D7D8A

RGB 29 125 138

HSL 187.16, 0.65%, 0.33%

LAB 47.96, -21.91, -14.79

 

CMYK 79 / 9 / 0 / 33

HEX #249CAC

RGB 36 156 172

HSL 187.06, 0.65%, 0.41%

LAB 59.09, -25.98, -17.5

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 66 / 7 / 0 / 15

HEX #4AC8D8

RGB 74 200 216

HSL 186.76, 0.65%, 0.57%

LAB 74.65, -29.39, -18.18

 

CMYK 52 / 6 / 0 / 13

HEX #6CD2DF

RGB 108 210 223

HSL 186.78, 0.64%, 0.65%

LAB 78.82, -26.19, -15.56

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 55 / 79 / 0 / 19

HEX #5C2BCE

RGB 92 43 206

HSL 258.04, 0.65%, 0.49%

LAB 34.92, 58.97, -75.4

 

CMYK 0 / 24 / 79 / 19

HEX #CE9D2B

RGB 206 157 43

HSL 41.96, 0.65%, 0.49%

LAB 67.58, 7.9, 62.1

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 0 / 79 / 8 / 19

HEX #CE2BBD

RGB 206 43 189

HSL 306.26, 0.65%, 0.49%

LAB 50.13, 75.07, -40.14

 

CMYK 8 / 0 / 79 / 19

HEX #BDCE2B

RGB 189 206 43

HSL 66.26, 0.65%, 0.49%

LAB 79.12, -24.7, 71.89

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 55 / 79 / 0 / 19

HEX #5C2BCE

RGB 92 43 206

HSL 258.04, 0.65%, 0.49%

LAB 34.92, 58.97, -75.4

 

CMYK 0 / 71 / 79 / 19

HEX #CE3B2B

RGB 206 59 43

HSL 5.89, 0.65%, 0.49%

LAB 47.53, 56.69, 42.99

 

CMYK 24 / 0 / 79 / 19

HEX #9DCE2B

RGB 157 206 43

HSL 78.04, 0.65%, 0.49%

LAB 76.97, -37.6, 69.16

 

CMYK 79 / 9 / 0 / 19

HEX #2BBBCE

RGB 43 187 206

HSL 186.99, 0.65%, 0.49%

LAB 69.83, -29.88, -20.1

 

CMYK 32 / 79 / 0 / 19

HEX #8D2BCE

RGB 141 43 206

HSL 276.07, 0.65%, 0.49%

LAB 40.97, 65.96, -65.26

 

CMYK 0 / 71 / 79 / 19

HEX #CE3B2B

RGB 206 59 43

HSL 5.89, 0.65%, 0.49%

LAB 47.53, 56.69, 42.99

 

CMYK 48 / 0 / 79 / 19

HEX #6CCE2B

RGB 108 206 43

HSL 96.07, 0.65%, 0.49%

LAB 74.51, -54.73, 65.99

 

Description

Color code: HEX #2BBBCE | qconv.com Color code: HEX #2BBBCE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 187 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 187 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 9 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 9% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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