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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #275C8F it is the complementary color #D8A370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #275C8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #275C8F shade: #2C5C8A, #3D6E9D, #4E80B0, #5F92C3 and #70A4D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #275C8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #275C8F shade: #275C8F, #164A7C, #053869, #002656 and #001443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #275C8F shade: #275C90, #274090, #2A2790, #462790 and #632790

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #275C8F shade: #275C90, #274090 and #272790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #275C8F shade matches the following richer shades: #275C90, #185D9E and #095DAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #275C8F shade: #275C90, #365C81, #455C72, #545B63 and #625B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #275C8F shade: #27908A, #277990, #275D90, #274190 and #292790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #275C8F shade: #15334F, #1E476F, #275C90, #3071B0 and #3F86CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #275C8F shade: #275C8F, #6E2790 and #879027

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #275C8F shade: #275C8F, #90275D and #5D9027

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #275C8F shade: #275C8F, #6E2790, #905A27 and #489027

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #275C8F shade: #275C8F, #8E2790, #905A27 and #299027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 36 / 0 / 44

HEX #275C8F

RGB 39 92 143

HSL 209.42, 0.57%, 0.36%

LAB 37.97, 0.42, -33.26

 

Complementary color

CMYK 0 / 25 / 48 / 15

HEX #D8A370

RGB 216 163 112

HSL 29.42, 0.57%, 0.64%

LAB 70.85, 13.45, 34.01

 

CMYK 68 / 33 / 0 / 46

HEX #2C5C8A

RGB 44 92 138

HSL 209.36, 0.52%, 0.36%

LAB 37.89, -0.61, -30.34

 

CMYK 61 / 30 / 0 / 38

HEX #3D6E9D

RGB 61 110 157

HSL 209.38, 0.44%, 0.43%

LAB 45.05, -1.72, -30.42

 

CMYK 56 / 27 / 0 / 31

HEX #4E80B0

RGB 78 128 176

HSL 209.39, 0.39%, 0.5%

LAB 52.05, -2.54, -30.51

 

CMYK 51 / 25 / 0 / 24

HEX #5F92C3

RGB 95 146 195

HSL 209.4, 0.45%, 0.57%

LAB 58.91, -3.18, -30.62

 

CMYK 48 / 23 / 0 / 16

HEX #70A4D6

RGB 112 164 214

HSL 209.41, 0.55%, 0.64%

LAB 65.63, -3.68, -30.75

 

CMYK 73 / 36 / 0 / 44

HEX #275C8F

RGB 39 92 143

HSL 209.42, 0.57%, 0.36%

LAB 37.97, 0.42, -33.26

 

CMYK 82 / 40 / 0 / 51

HEX #164A7C

RGB 22 74 124

HSL 209.41, 0.7%, 0.29%

LAB 30.7, 2.33, -33.16

 

CMYK 95 / 47 / 0 / 59

HEX #053869

RGB 5 56 105

HSL 209.4, 0.91%, 0.22%

LAB 23.27, 5.02, -33

 

CMYK 100 / 56 / 0 / 66

HEX #002656

RGB 0 38 86

HSL 213.49, 1%, 0.17%

LAB 15.79, 9.11, -32.56

 

CMYK 100 / 70 / 0 / 74

HEX #001443

RGB 0 20 67

HSL 222.09, 1%, 0.13%

LAB 8.18, 14.22, -31.88

 

CMYK 73 / 36 / 0 / 44

HEX #275C90

RGB 39 92 144

HSL 209.71, 0.57%, 0.36%

LAB 38.02, 0.8, -33.78

 

CMYK 73 / 56 / 0 / 44

HEX #274090

RGB 39 64 144

HSL 225.71, 0.57%, 0.36%

LAB 29.69, 19.44, -47.12

 

CMYK 71 / 73 / 0 / 44

HEX #2A2790

RGB 42 39 144

HSL 241.71, 0.57%, 0.36%

LAB 23.53, 36.31, -57.18

 

CMYK 51 / 73 / 0 / 44

HEX #462790

RGB 70 39 144

HSL 257.71, 0.57%, 0.36%

LAB 26.06, 40.41, -52.93

 

CMYK 31 / 73 / 0 / 44

HEX #632790

RGB 99 39 144

HSL 274.29, 0.57%, 0.36%

LAB 29.71, 45.95, -46.83

 

CMYK 73 / 36 / 0 / 44

HEX #275C90

RGB 39 92 144

HSL 209.71, 0.57%, 0.36%

LAB 38.02, 0.8, -33.78

 

CMYK 73 / 56 / 0 / 44

HEX #274090

RGB 39 64 144

HSL 225.71, 0.57%, 0.36%

LAB 29.69, 19.44, -47.12

 

CMYK 73 / 73 / 0 / 44

HEX #272790

RGB 39 39 144

HSL 240, 0.57%, 0.36%

LAB 23.32, 35.97, -57.52

 

CMYK 73 / 36 / 0 / 44

HEX #275C90

RGB 39 92 144

HSL 209.71, 0.57%, 0.36%

LAB 38.02, 0.8, -33.78

 

CMYK 85 / 41 / 0 / 38

HEX #185D9E

RGB 24 93 158

HSL 209.1, 0.74%, 0.36%

LAB 38.71, 3.81, -41.12

 

CMYK 95 / 46 / 0 / 32

HEX #095DAD

RGB 9 93 173

HSL 209.27, 0.9%, 0.36%

LAB 39.42, 8.93, -48.91

 

CMYK 73 / 36 / 0 / 44

HEX #275C90

RGB 39 92 144

HSL 209.71, 0.57%, 0.36%

LAB 38.02, 0.8, -33.78

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 39 / 19 / 0 / 55

HEX #455C72

RGB 69 92 114

HSL 209.33, 0.25%, 0.36%

LAB 38.08, -2.56, -15.25

 

CMYK 15 / 8 / 0 / 61

HEX #545B63

RGB 84 91 99

HSL 212, 0.08%, 0.36%

LAB 38.32, -0.88, -5.53

 

CMYK 0 / 7 / 14 / 62

HEX #625B54

RGB 98 91 84

HSL 30, 0.08%, 0.36%

LAB 39.1, 1.47, 5.04

 

CMYK 73 / 0 / 4 / 44

HEX #27908A

RGB 39 144 138

HSL 176.57, 0.57%, 0.36%

LAB 54.25, -30.24, -5.33

 

CMYK 73 / 16 / 0 / 44

HEX #277990

RGB 39 121 144

HSL 193.14, 0.57%, 0.36%

LAB 47.13, -16.44, -19.58

 

CMYK 73 / 35 / 0 / 44

HEX #275D90

RGB 39 93 144

HSL 209.14, 0.57%, 0.36%

LAB 38.33, 0.16, -33.29

 

CMYK 73 / 55 / 0 / 44

HEX #274190

RGB 39 65 144

HSL 225.14, 0.57%, 0.36%

LAB 29.97, 18.75, -46.66

 

CMYK 72 / 73 / 0 / 44

HEX #292790

RGB 41 39 144

HSL 241.14, 0.57%, 0.36%

LAB 23.46, 36.2, -57.3

 

CMYK 73 / 35 / 0 / 69

HEX #15334F

RGB 21 51 79

HSL 208.97, 0.58%, 0.2%

LAB 20.41, -0.61, -20.44

 

CMYK 73 / 36 / 0 / 56

HEX #1E476F

RGB 30 71 111

HSL 209.63, 0.57%, 0.28%

LAB 29.24, 0.25, -27.29

 

CMYK 73 / 36 / 0 / 44

HEX #275C90

RGB 39 92 144

HSL 209.71, 0.57%, 0.36%

LAB 38.02, 0.8, -33.78

 

CMYK 73 / 36 / 0 / 31

HEX #3071B0

RGB 48 113 176

HSL 209.53, 0.57%, 0.44%

LAB 46.41, 0.96, -39.46

 

CMYK 69 / 34 / 0 / 21

HEX #3F86CA

RGB 63 134 202

HSL 209.35, 0.57%, 0.52%

LAB 54.42, -0.13, -41.71

 

CMYK 73 / 36 / 0 / 44

HEX #275C8F

RGB 39 92 143

HSL 209.42, 0.57%, 0.36%

LAB 37.97, 0.42, -33.26

 

CMYK 24 / 73 / 0 / 44

HEX #6E2790

RGB 110 39 144

HSL 280.57, 0.57%, 0.36%

LAB 31.3, 48.27, -44.18

 

CMYK 6 / 0 / 73 / 44

HEX #879027

RGB 135 144 39

HSL 65.14, 0.57%, 0.36%

LAB 57.31, -16.97, 51.49

 

CMYK 73 / 36 / 0 / 44

HEX #275C8F

RGB 39 92 143

HSL 209.42, 0.57%, 0.36%

LAB 37.97, 0.42, -33.26

 

CMYK 0 / 73 / 35 / 44

HEX #90275D

RGB 144 39 93

HSL 329.14, 0.57%, 0.36%

LAB 34.34, 48.36, -6.88

 

CMYK 35 / 0 / 73 / 44

HEX #5D9027

RGB 93 144 39

HSL 89.14, 0.57%, 0.36%

LAB 54.47, -34.43, 47.73

 

CMYK 73 / 36 / 0 / 44

HEX #275C8F

RGB 39 92 143

HSL 209.42, 0.57%, 0.36%

LAB 37.97, 0.42, -33.26

 

CMYK 24 / 73 / 0 / 44

HEX #6E2790

RGB 110 39 144

HSL 280.57, 0.57%, 0.36%

LAB 31.3, 48.27, -44.18

 

CMYK 0 / 38 / 73 / 44

HEX #905A27

RGB 144 90 39

HSL 29.14, 0.57%, 0.36%

LAB 43.34, 17.53, 37.62

 

CMYK 50 / 0 / 73 / 44

HEX #489027

RGB 72 144 39

HSL 101.14, 0.57%, 0.36%

LAB 53.46, -41.71, 46.38

 

CMYK 73 / 36 / 0 / 44

HEX #275C8F

RGB 39 92 143

HSL 209.42, 0.57%, 0.36%

LAB 37.97, 0.42, -33.26

 

CMYK 1 / 73 / 0 / 44

HEX #8E2790

RGB 142 39 144

HSL 298.86, 0.57%, 0.36%

LAB 36.4, 55.4, -35.73

 

CMYK 0 / 38 / 73 / 44

HEX #905A27

RGB 144 90 39

HSL 29.14, 0.57%, 0.36%

LAB 43.34, 17.53, 37.62

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

Description

Color code: HEX #275C8F | qconv.com Color code: HEX #275C8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 92 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 92 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 36 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 36% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - Sofid
Link: http://www.sofid.eu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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