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Color name
HEX #26CD64

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26CD64 it is the complementary color #D9329B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26CD64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26CD64 shade: #2BCD5F, #3CDF72, #4DF185, #5EFF98 and #6FFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26CD64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26CD64 shade: #26CD64, #15BB51, #04A93E, #00972B and #008518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26CD64 shade: #25CE64, #25CE37, #42CE25, #6FCE25 and #9DCE25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26CD64 shade: #25CE64, #25CE92, #25CEBF, #25B0CE and #2582CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26CD64 shade matches the following richer shades: #25CE64 and #12E25F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26CD64 shade: #25CE64, #39BB69, #4DA76E, #619373 and #757F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26CD64 shade: #42CE25, #25CE36, #25CE63, #25CE90 and #25CEBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26CD64 shade: #198942, #1FAB53, #25CE64, #41DC7B and #64E293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26CD64 shade: #26CD64, #256FCE and #CE252B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26CD64 shade: #26CD64, #6325CE and #CE6325

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26CD64 shade: #26CD64, #256FCE, #CE2590 and #CE8525

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26CD64 shade: #26CD64, #253CCE, #CE2590 and #CEB825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 51 / 20

HEX #26CD64

RGB 38 205 100

HSL 142.28, 0.69%, 0.48%

LAB 72.89, -63.08, 40.66

 

Complementary color

CMYK 0 / 77 / 29 / 15

HEX #D9329B

RGB 217 50 155

HSL 322.28, 0.69%, 0.52%

LAB 51.15, 71.22, -18.39

 

CMYK 79 / 0 / 54 / 20

HEX #2BCD5F

RGB 43 205 95

HSL 139.26, 0.65%, 0.49%

LAB 72.89, -63.26, 43.09

 

CMYK 73 / 0 / 49 / 13

HEX #3CDF72

RGB 60 223 114

HSL 139.88, 0.72%, 0.55%

LAB 79.01, -64.3, 41.55

 

CMYK 68 / 0 / 45 / 5

HEX #4DF185

RGB 77 241 133

HSL 140.49, 0.85%, 0.62%

LAB 85.09, -64.98, 40.05

 

CMYK 63 / 0 / 40 / 0

HEX #5EFF98

RGB 94 255 152

HSL 141.61, 1%, 0.68%

LAB 89.94, -63.94, 37.08

 

CMYK 56 / 0 / 33 / 0

HEX #6FFFAB

RGB 111 255 171

HSL 145, 1%, 0.72%

LAB 90.71, -57.22, 28.72

 

CMYK 81 / 0 / 51 / 20

HEX #26CD64

RGB 38 205 100

HSL 142.28, 0.69%, 0.48%

LAB 72.89, -63.08, 40.66

 

CMYK 89 / 0 / 57 / 27

HEX #15BB51

RGB 21 187 81

HSL 141.69, 0.8%, 0.41%

LAB 66.74, -61.43, 42.3

 

CMYK 98 / 0 / 63 / 34

HEX #04A93E

RGB 4 169 62

HSL 141.09, 0.95%, 0.34%

LAB 60.56, -59.15, 43.89

 

CMYK 100 / 0 / 72 / 41

HEX #00972B

RGB 0 151 43

HSL 137.09, 1%, 0.3%

LAB 54.35, -55.92, 45.25

 

CMYK 100 / 0 / 82 / 48

HEX #008518

RGB 0 133 24

HSL 130.83, 1%, 0.26%

LAB 48.06, -52.06, 45.88

 

CMYK 82 / 0 / 51 / 19

HEX #25CE64

RGB 37 206 100

HSL 142.37, 0.7%, 0.48%

LAB 73.19, -63.51, 41.03

 

CMYK 82 / 0 / 73 / 19

HEX #25CE37

RGB 37 206 55

HSL 126.39, 0.7%, 0.48%

LAB 72.77, -68.69, 59.83

 

CMYK 68 / 0 / 82 / 19

HEX #42CE25

RGB 66 206 37

HSL 109.7, 0.7%, 0.48%

LAB 73.18, -65.52, 65.93

 

CMYK 46 / 0 / 82 / 19

HEX #6FCE25

RGB 111 206 37

HSL 93.73, 0.7%, 0.48%

LAB 74.61, -54.09, 67.76

 

CMYK 24 / 0 / 82 / 19

HEX #9DCE25

RGB 157 206 37

HSL 77.4, 0.7%, 0.48%

LAB 76.95, -37.84, 70.73

 

CMYK 82 / 0 / 51 / 19

HEX #25CE64

RGB 37 206 100

HSL 142.37, 0.7%, 0.48%

LAB 73.19, -63.51, 41.03

 

CMYK 82 / 0 / 29 / 19

HEX #25CE92

RGB 37 206 146

HSL 158.7, 0.7%, 0.48%

LAB 73.94, -54.89, 18.44

 

CMYK 82 / 0 / 7 / 19

HEX #25CEBF

RGB 37 206 191

HSL 174.67, 0.7%, 0.48%

LAB 75.01, -43.6, -4.19

 

CMYK 82 / 15 / 0 / 19

HEX #25B0CE

RGB 37 176 206

HSL 190.65, 0.7%, 0.48%

LAB 66.44, -24.95, -25.28

 

CMYK 82 / 37 / 0 / 19

HEX #2582CE

RGB 37 130 206

HSL 206.98, 0.7%, 0.48%

LAB 52.75, 0.51, -46.67

 

CMYK 82 / 0 / 51 / 19

HEX #25CE64

RGB 37 206 100

HSL 142.37, 0.7%, 0.48%

LAB 73.19, -63.51, 41.03

 

CMYK 92 / 0 / 58 / 11

HEX #12E25F

RGB 18 226 95

HSL 142.21, 0.85%, 0.48%

LAB 79.24, -71.95, 50.61

 

CMYK 82 / 0 / 51 / 19

HEX #25CE64

RGB 37 206 100

HSL 142.37, 0.7%, 0.48%

LAB 73.19, -63.51, 41.03

 

CMYK 70 / 0 / 44 / 27

HEX #39BB69

RGB 57 187 105

HSL 142.15, 0.53%, 0.48%

LAB 67.6, -53.31, 31.54

 

CMYK 54 / 0 / 34 / 35

HEX #4DA76E

RGB 77 167 110

HSL 142, 0.37%, 0.48%

LAB 61.95, -40.11, 21.52

 

CMYK 34 / 0 / 22 / 42

HEX #619373

RGB 97 147 115

HSL 141.6, 0.2%, 0.48%

LAB 56.73, -23.94, 11.7

 

CMYK 8 / 0 / 5 / 50

HEX #757F79

RGB 117 127 121

HSL 144, 0.04%, 0.48%

LAB 52.22, -4.93, 1.98

 

CMYK 68 / 0 / 82 / 19

HEX #42CE25

RGB 66 206 37

HSL 109.7, 0.7%, 0.48%

LAB 73.18, -65.52, 65.93

 

CMYK 82 / 0 / 74 / 19

HEX #25CE36

RGB 37 206 54

HSL 126.04, 0.7%, 0.48%

LAB 72.76, -68.77, 60.17

 

CMYK 82 / 0 / 52 / 19

HEX #25CE63

RGB 37 206 99

HSL 142.01, 0.7%, 0.48%

LAB 73.18, -63.66, 41.5

 

CMYK 82 / 0 / 30 / 19

HEX #25CE90

RGB 37 206 144

HSL 157.99, 0.7%, 0.48%

LAB 73.9, -55.33, 19.45

 

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

CMYK 82 / 0 / 52 / 46

HEX #198942

RGB 25 137 66

HSL 141.96, 0.69%, 0.32%

LAB 50.09, -46.25, 29.56

 

CMYK 82 / 0 / 51 / 33

HEX #1FAB53

RGB 31 171 83

HSL 142.29, 0.69%, 0.4%

LAB 61.69, -54.89, 35.21

 

CMYK 82 / 0 / 51 / 19

HEX #25CE64

RGB 37 206 100

HSL 142.37, 0.7%, 0.48%

LAB 73.19, -63.51, 41.03

 

CMYK 70 / 0 / 44 / 14

HEX #41DC7B

RGB 65 220 123

HSL 142.45, 0.69%, 0.56%

LAB 78.31, -61.05, 36.24

 

CMYK 56 / 0 / 35 / 11

HEX #64E293

RGB 100 226 147

HSL 142.38, 0.68%, 0.64%

LAB 81.41, -52.42, 28.32

 

CMYK 81 / 0 / 51 / 20

HEX #26CD64

RGB 38 205 100

HSL 142.28, 0.69%, 0.48%

LAB 72.89, -63.08, 40.66

 

CMYK 82 / 46 / 0 / 19

HEX #256FCE

RGB 37 111 206

HSL 213.73, 0.7%, 0.48%

LAB 47.26, 12.25, -55.44

 

CMYK 0 / 82 / 79 / 19

HEX #CE252B

RGB 206 37 43

HSL 357.87, 0.7%, 0.48%

LAB 45.11, 63.45, 40.53

 

CMYK 81 / 0 / 51 / 20

HEX #26CD64

RGB 38 205 100

HSL 142.28, 0.69%, 0.48%

LAB 72.89, -63.08, 40.66

 

CMYK 52 / 82 / 0 / 19

HEX #6325CE

RGB 99 37 206

HSL 262.01, 0.7%, 0.48%

LAB 34.87, 62.17, -75.47

 

CMYK 0 / 52 / 82 / 19

HEX #CE6325

RGB 206 99 37

HSL 22.01, 0.7%, 0.48%

LAB 54.22, 38.72, 52.24

 

CMYK 81 / 0 / 51 / 20

HEX #26CD64

RGB 38 205 100

HSL 142.28, 0.69%, 0.48%

LAB 72.89, -63.08, 40.66

 

CMYK 82 / 46 / 0 / 19

HEX #256FCE

RGB 37 111 206

HSL 213.73, 0.7%, 0.48%

LAB 47.26, 12.25, -55.44

 

CMYK 0 / 82 / 30 / 19

HEX #CE2590

RGB 206 37 144

HSL 322.01, 0.7%, 0.48%

LAB 47.57, 70.71, -17.46

 

CMYK 0 / 35 / 82 / 19

HEX #CE8525

RGB 206 133 37

HSL 34.08, 0.7%, 0.48%

LAB 61.68, 20.71, 58.92

 

CMYK 81 / 0 / 51 / 20

HEX #26CD64

RGB 38 205 100

HSL 142.28, 0.69%, 0.48%

LAB 72.89, -63.08, 40.66

 

CMYK 82 / 71 / 0 / 19

HEX #253CCE

RGB 37 60 206

HSL 231.83, 0.7%, 0.48%

LAB 34.15, 44.83, -76.8

 

CMYK 0 / 82 / 30 / 19

HEX #CE2590

RGB 206 37 144

HSL 322.01, 0.7%, 0.48%

LAB 47.57, 70.71, -17.46

 

CMYK 0 / 11 / 82 / 19

HEX #CEB825

RGB 206 184 37

HSL 52.19, 0.7%, 0.48%

LAB 74.53, -6.6, 70.07

 

Description

Color code: HEX #26CD64 | qconv.com Color code: HEX #26CD64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 205 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 205 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 51 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 51% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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