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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 206 189 it is the complementary color RGB 218 49 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 206 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 206 189 shade: RGB 42 206 184, RGB 59 224 203, RGB 76 242 222, RGB 93 255 241 and RGB 110 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 206 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 206 189 shade: RGB 37 206 189, RGB 20 188 170, RGB 3 170 151, RGB 0 152 132 and RGB 0 134 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 206 189 shade: RGB 36 208 190, RGB 36 208 144, RGB 36 208 98, RGB 36 208 52 and RGB 67 208 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 206 189 shade: RGB 36 208 190, RGB 36 179 208, RGB 36 132 208, RGB 36 86 208 and RGB 36 40 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 206 189 shade matches the following richer shades: RGB 36 208 190 and RGB 16 227 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 206 189 shade: RGB 36 208 190, RGB 56 188 175, RGB 76 168 159, RGB 96 148 143 and RGB 115 128 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 206 189 shade: RGB 36 208 96, RGB 36 208 142, RGB 36 208 188, RGB 36 182 208 and RGB 36 136 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 206 189 shade: RGB 24 137 126, RGB 30 173 158, RGB 36 208 190, RGB 64 221 205 and RGB 99 227 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 206 189 shade: RGB 37 206 189, RGB 50 36 208 and RGB 208 119 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 206 189 shade: RGB 37 206 189, RGB 188 36 208 and RGB 208 188 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 206 189 shade: RGB 37 206 189, RGB 50 36 208, RGB 208 36 56 and RGB 193 208 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 206 189 shade: RGB 37 206 189, RGB 102 36 208, RGB 208 36 56 and RGB 142 208 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

Complementary color

CMYK 0 / 78 / 70 / 15

HEX #DA3142

RGB 218 49 66

HSL 353.96, 0.7%, 0.52%

LAB 48.88, 64.51, 32.13

 

CMYK 80 / 0 / 11 / 19

HEX #2ACEB8

RGB 42 206 184

HSL 171.95, 0.66%, 0.49%

LAB 74.89, -45.08, -0.59

 

CMYK 74 / 0 / 9 / 12

HEX #3BE0CB

RGB 59 224 203

HSL 172.36, 0.73%, 0.55%

LAB 81.05, -46, -1.71

 

CMYK 69 / 0 / 8 / 5

HEX #4CF2DE

RGB 76 242 222

HSL 172.77, 0.86%, 0.62%

LAB 87.15, -46.67, -2.74

 

CMYK 64 / 0 / 5 / 0

HEX #5DFFF1

RGB 93 255 241

HSL 174.81, 1%, 0.68%

LAB 91.77, -45, -5.79

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

CMYK 89 / 0 / 10 / 26

HEX #14BCAA

RGB 20 188 170

HSL 173.57, 0.81%, 0.41%

LAB 68.76, -42.77, -1.96

 

CMYK 98 / 0 / 11 / 33

HEX #03AA97

RGB 3 170 151

HSL 173.17, 0.97%, 0.34%

LAB 62.51, -41.02, -0.6

 

CMYK 100 / 0 / 13 / 40

HEX #009884

RGB 0 152 132

HSL 172.11, 1%, 0.3%

LAB 56.21, -38.71, 0.94

 

CMYK 100 / 0 / 16 / 47

HEX #008671

RGB 0 134 113

HSL 170.6, 1%, 0.26%

LAB 49.79, -36.23, 2.58

 

CMYK 83 / 0 / 9 / 18

HEX #24D0BE

RGB 36 208 190

HSL 173.72, 0.7%, 0.48%

LAB 75.58, -44.82, -2.82

 

CMYK 83 / 0 / 31 / 18

HEX #24D090

RGB 36 208 144

HSL 157.67, 0.7%, 0.48%

LAB 74.51, -56.18, 20.28

 

CMYK 83 / 0 / 53 / 18

HEX #24D062

RGB 36 208 98

HSL 141.63, 0.7%, 0.48%

LAB 73.78, -64.57, 42.72

 

CMYK 83 / 0 / 75 / 18

HEX #24D034

RGB 36 208 52

HSL 125.58, 0.7%, 0.48%

LAB 73.37, -69.62, 61.46

 

CMYK 68 / 0 / 83 / 18

HEX #43D024

RGB 67 208 36

HSL 109.19, 0.7%, 0.48%

LAB 73.83, -66.01, 66.78

 

CMYK 83 / 0 / 9 / 18

HEX #24D0BE

RGB 36 208 190

HSL 173.72, 0.7%, 0.48%

LAB 75.58, -44.82, -2.82

 

CMYK 83 / 14 / 0 / 18

HEX #24B3D0

RGB 36 179 208

HSL 190.12, 0.7%, 0.48%

LAB 67.4, -25.89, -24.91

 

CMYK 83 / 37 / 0 / 18

HEX #2484D0

RGB 36 132 208

HSL 206.51, 0.7%, 0.48%

LAB 53.42, -0.03, -46.74

 

CMYK 83 / 59 / 0 / 18

HEX #2456D0

RGB 36 86 208

HSL 222.56, 0.7%, 0.48%

LAB 40.55, 29.08, -67.46

 

CMYK 83 / 81 / 0 / 18

HEX #2428D0

RGB 36 40 208

HSL 238.6, 0.7%, 0.48%

LAB 30.51, 56.28, -83.99

 

CMYK 83 / 0 / 9 / 18

HEX #24D0BE

RGB 36 208 190

HSL 173.72, 0.7%, 0.48%

LAB 75.58, -44.82, -2.82

 

CMYK 93 / 0 / 9 / 11

HEX #10E3CE

RGB 16 227 206

HSL 174.03, 0.87%, 0.48%

LAB 81.57, -49.57, -2.59

 

CMYK 83 / 0 / 9 / 18

HEX #24D0BE

RGB 36 208 190

HSL 173.72, 0.7%, 0.48%

LAB 75.58, -44.82, -2.82

 

CMYK 70 / 0 / 7 / 26

HEX #38BCAF

RGB 56 188 175

HSL 174.09, 0.54%, 0.48%

LAB 69.4, -38, -3.71

 

CMYK 55 / 0 / 5 / 34

HEX #4CA89F

RGB 76 168 159

HSL 174.13, 0.38%, 0.48%

LAB 63.38, -29.49, -3.65

 

CMYK 35 / 0 / 3 / 42

HEX #60948F

RGB 96 148 143

HSL 174.23, 0.21%, 0.48%

LAB 57.7, -18.46, -2.87

 

CMYK 10 / 0 / 1 / 50

HEX #73807F

RGB 115 128 127

HSL 175.38, 0.05%, 0.48%

LAB 52.53, -4.98, -1.09

 

CMYK 83 / 0 / 54 / 18

HEX #24D060

RGB 36 208 96

HSL 140.93, 0.7%, 0.48%

LAB 73.76, -64.86, 43.65

 

CMYK 83 / 0 / 32 / 18

HEX #24D08E

RGB 36 208 142

HSL 156.98, 0.7%, 0.48%

LAB 74.47, -56.61, 21.28

 

CMYK 83 / 0 / 10 / 18

HEX #24D0BC

RGB 36 208 188

HSL 173.02, 0.7%, 0.48%

LAB 75.52, -45.37, -1.82

 

CMYK 83 / 13 / 0 / 18

HEX #24B6D0

RGB 36 182 208

HSL 189.07, 0.7%, 0.48%

LAB 68.3, -27.39, -23.54

 

CMYK 83 / 35 / 0 / 18

HEX #2488D0

RGB 36 136 208

HSL 205.12, 0.7%, 0.48%

LAB 54.59, -2.41, -44.88

 

CMYK 82 / 0 / 8 / 46

HEX #18897E

RGB 24 137 126

HSL 174.16, 0.7%, 0.32%

LAB 51.37, -32.2, -2.66

 

CMYK 83 / 0 / 9 / 32

HEX #1EAD9E

RGB 30 173 158

HSL 173.71, 0.7%, 0.4%

LAB 63.86, -38.87, -2.51

 

CMYK 83 / 0 / 9 / 18

HEX #24D0BE

RGB 36 208 190

HSL 173.72, 0.7%, 0.48%

LAB 75.58, -44.82, -2.82

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 56 / 0 / 6 / 11

HEX #63E3D6

RGB 99 227 214

HSL 173.91, 0.7%, 0.64%

LAB 83.15, -38.39, -4.35

 

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

CMYK 76 / 83 / 0 / 18

HEX #3224D0

RGB 50 36 208

HSL 244.88, 0.7%, 0.48%

LAB 30.63, 58.81, -83.78

 

CMYK 0 / 43 / 83 / 18

HEX #D07724

RGB 208 119 36

HSL 28.95, 0.7%, 0.48%

LAB 58.72, 29.08, 56.77

 

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

CMYK 10 / 83 / 0 / 18

HEX #BC24D0

RGB 188 36 208

HSL 293.02, 0.7%, 0.48%

LAB 47.63, 76.27, -55.28

 

CMYK 0 / 10 / 83 / 18

HEX #D0BC24

RGB 208 188 36

HSL 53.02, 0.7%, 0.48%

LAB 75.76, -7.83, 71.45

 

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

CMYK 76 / 83 / 0 / 18

HEX #3224D0

RGB 50 36 208

HSL 244.88, 0.7%, 0.48%

LAB 30.63, 58.81, -83.78

 

CMYK 0 / 83 / 73 / 18

HEX #D02438

RGB 208 36 56

HSL 353.02, 0.7%, 0.48%

LAB 45.58, 64.72, 33.67

 

CMYK 7 / 0 / 83 / 18

HEX #C1D024

RGB 193 208 36

HSL 65.23, 0.7%, 0.48%

LAB 79.94, -24.23, 74.51

 

CMYK 82 / 0 / 8 / 19

HEX #25CEBD

RGB 37 206 189

HSL 173.96, 0.7%, 0.48%

LAB 74.96, -44.15, -3.19

 

CMYK 51 / 83 / 0 / 18

HEX #6624D0

RGB 102 36 208

HSL 263.02, 0.7%, 0.48%

LAB 35.28, 63.38, -75.93

 

CMYK 0 / 83 / 73 / 18

HEX #D02438

RGB 208 36 56

HSL 353.02, 0.7%, 0.48%

LAB 45.58, 64.72, 33.67

 

CMYK 32 / 0 / 83 / 18

HEX #8ED024

RGB 142 208 36

HSL 83.02, 0.7%, 0.48%

LAB 76.67, -44.41, 70.4

 

Description

Color code: RGB 37 206 189 | qconv.com Color code: RGB 37 206 189 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 206 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 206 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 8 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 8% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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