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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #266EA6 it is the complementary color #D99159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #266EA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #266EA6 shade: #2B6EA1, #3C80B4, #4D92C7, #5EA4DA and #6FB6ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #266EA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #266EA6 shade: #266EA6, #155C93, #044A80, #00386D and #00265A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #266EA6 shade: #256EA6, #254BA6, #2528A6, #4525A6 and #6825A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #266EA6 shade: #256EA6, #254BA6, #2528A6 and #2525A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #266EA6 shade matches the following richer shades: #256EA6, #1570B6 and #0472C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #266EA6 shade: #256EA6, #366B95, #466985, #576774 and #676564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #266EA6 shade: #25A699, #2590A6, #256EA6, #254CA6 and #252AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #266EA6 shade: #164163, #1E5784, #256EA6, #2D84C7 and #4898D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #266EA6 shade: #266EA6, #7725A6 and #A1A625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #266EA6 shade: #266EA6, #A6256E and #6EA625

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #266EA6 shade: #266EA6, #7725A6, #A65D25 and #54A625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #266EA6 shade: #266EA6, #9D25A6, #A65D25 and #2EA625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 34 / 0 / 35

HEX #266EA6

RGB 38 110 166

HSL 206.25, 0.63%, 0.4%

LAB 44.68, -2.26, -36.36

 

Complementary color

CMYK 0 / 33 / 59 / 15

HEX #D99159

RGB 217 145 89

HSL 26.25, 0.63%, 0.6%

LAB 66.31, 21.61, 40.46

 

CMYK 73 / 32 / 0 / 37

HEX #2B6EA1

RGB 43 110 161

HSL 205.93, 0.58%, 0.4%

LAB 44.57, -3.44, -33.58

 

CMYK 67 / 29 / 0 / 29

HEX #3C80B4

RGB 60 128 180

HSL 206, 0.5%, 0.47%

LAB 51.49, -4.73, -33.75

 

CMYK 61 / 27 / 0 / 22

HEX #4D92C7

RGB 77 146 199

HSL 206.07, 0.52%, 0.54%

LAB 58.28, -5.7, -33.92

 

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

CMYK 53 / 23 / 0 / 7

HEX #6FB6ED

RGB 111 182 237

HSL 206.19, 0.78%, 0.68%

LAB 71.52, -7.07, -34.25

 

CMYK 77 / 34 / 0 / 35

HEX #266EA6

RGB 38 110 166

HSL 206.25, 0.63%, 0.4%

LAB 44.68, -2.26, -36.36

 

CMYK 86 / 37 / 0 / 42

HEX #155C93

RGB 21 92 147

HSL 206.19, 0.75%, 0.33%

LAB 37.7, -0.21, -36.13

 

CMYK 97 / 42 / 0 / 50

HEX #044A80

RGB 4 74 128

HSL 206.13, 0.94%, 0.26%

LAB 30.6, 2.51, -35.83

 

CMYK 100 / 49 / 0 / 57

HEX #00386D

RGB 0 56 109

HSL 209.17, 1%, 0.21%

LAB 23.45, 6.38, -35.3

 

CMYK 100 / 58 / 0 / 65

HEX #00265A

RGB 0 38 90

HSL 214.67, 1%, 0.18%

LAB 16.13, 10.98, -34.69

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 78 / 55 / 0 / 35

HEX #254BA6

RGB 37 75 166

HSL 222.33, 0.64%, 0.4%

LAB 34.35, 20.27, -52.9

 

CMYK 78 / 76 / 0 / 35

HEX #2528A6

RGB 37 40 166

HSL 238.6, 0.64%, 0.4%

LAB 25.76, 42.78, -66.98

 

CMYK 58 / 78 / 0 / 35

HEX #4525A6

RGB 69 37 166

HSL 254.88, 0.64%, 0.4%

LAB 27.69, 47.73, -63.71

 

CMYK 37 / 78 / 0 / 35

HEX #6825A6

RGB 104 37 166

HSL 271.16, 0.64%, 0.4%

LAB 31.85, 53.02, -56.73

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 78 / 55 / 0 / 35

HEX #254BA6

RGB 37 75 166

HSL 222.33, 0.64%, 0.4%

LAB 34.35, 20.27, -52.9

 

CMYK 78 / 76 / 0 / 35

HEX #2528A6

RGB 37 40 166

HSL 238.6, 0.64%, 0.4%

LAB 25.76, 42.78, -66.98

 

CMYK 78 / 78 / 0 / 35

HEX #2525A6

RGB 37 37 166

HSL 240, 0.64%, 0.4%

LAB 25.17, 44.45, -67.96

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 88 / 38 / 0 / 29

HEX #1570B6

RGB 21 112 182

HSL 206.09, 0.79%, 0.4%

LAB 45.81, 1.05, -43.95

 

CMYK 98 / 43 / 0 / 22

HEX #0472C7

RGB 4 114 199

HSL 206.15, 0.96%, 0.4%

LAB 47.21, 5.75, -51.53

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 64 / 28 / 0 / 42

HEX #366B95

RGB 54 107 149

HSL 206.53, 0.47%, 0.4%

LAB 43.46, -4.06, -28.18

 

CMYK 47 / 21 / 0 / 48

HEX #466985

RGB 70 105 133

HSL 206.67, 0.31%, 0.4%

LAB 42.91, -4.42, -19.4

 

CMYK 25 / 11 / 0 / 55

HEX #576774

RGB 87 103 116

HSL 206.9, 0.14%, 0.4%

LAB 42.74, -2.84, -9.29

 

CMYK 0 / 2 / 3 / 60

HEX #676564

RGB 103 101 100

HSL 20, 0.01%, 0.4%

LAB 42.93, 0.58, 0.84

 

CMYK 78 / 0 / 8 / 35

HEX #25A699

RGB 37 166 153

HSL 173.95, 0.64%, 0.4%

LAB 61.62, -36.46, -2.98

 

CMYK 78 / 13 / 0 / 35

HEX #2590A6

RGB 37 144 166

HSL 190.23, 0.64%, 0.4%

LAB 55.17, -21.67, -20.06

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 78 / 54 / 0 / 35

HEX #254CA6

RGB 37 76 166

HSL 221.86, 0.64%, 0.4%

LAB 34.63, 19.6, -52.45

 

CMYK 78 / 75 / 0 / 35

HEX #252AA6

RGB 37 42 166

HSL 237.67, 0.64%, 0.4%

LAB 26.16, 41.62, -66.31

 

CMYK 78 / 34 / 0 / 61

HEX #164163

RGB 22 65 99

HSL 206.49, 0.64%, 0.24%

LAB 26.31, -1.84, -24.27

 

CMYK 77 / 34 / 0 / 48

HEX #1E5784

RGB 30 87 132

HSL 206.47, 0.63%, 0.32%

LAB 35.51, -1.94, -30.45

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 77 / 34 / 0 / 22

HEX #2D84C7

RGB 45 132 199

HSL 206.1, 0.63%, 0.48%

LAB 53.15, -2.45, -42.05

 

CMYK 66 / 29 / 0 / 16

HEX #4898D5

RGB 72 152 213

HSL 205.96, 0.63%, 0.56%

LAB 60.46, -5.37, -38.38

 

CMYK 77 / 34 / 0 / 35

HEX #266EA6

RGB 38 110 166

HSL 206.25, 0.63%, 0.4%

LAB 44.68, -2.26, -36.36

 

CMYK 28 / 78 / 0 / 35

HEX #7725A6

RGB 119 37 166

HSL 278.14, 0.64%, 0.4%

LAB 33.98, 55.68, -53.17

 

CMYK 3 / 0 / 78 / 35

HEX #A1A625

RGB 161 166 37

HSL 62.33, 0.64%, 0.4%

LAB 65.74, -16.99, 60.83

 

CMYK 77 / 34 / 0 / 35

HEX #266EA6

RGB 38 110 166

HSL 206.25, 0.63%, 0.4%

LAB 44.68, -2.26, -36.36

 

CMYK 0 / 78 / 34 / 35

HEX #A6256E

RGB 166 37 110

HSL 326.05, 0.64%, 0.4%

LAB 38.82, 57.08, -10.53

 

CMYK 34 / 0 / 78 / 35

HEX #6EA625

RGB 110 166 37

HSL 86.05, 0.64%, 0.4%

LAB 62.27, -38.01, 56.37

 

CMYK 77 / 34 / 0 / 35

HEX #266EA6

RGB 38 110 166

HSL 206.25, 0.63%, 0.4%

LAB 44.68, -2.26, -36.36

 

CMYK 28 / 78 / 0 / 35

HEX #7725A6

RGB 119 37 166

HSL 278.14, 0.64%, 0.4%

LAB 33.98, 55.68, -53.17

 

CMYK 0 / 44 / 78 / 35

HEX #A65D25

RGB 166 93 37

HSL 26.05, 0.64%, 0.4%

LAB 47.07, 25.43, 43.38

 

CMYK 49 / 0 / 78 / 35

HEX #54A625

RGB 84 166 37

HSL 98.14, 0.64%, 0.4%

LAB 61.04, -46.93, 54.76

 

CMYK 77 / 34 / 0 / 35

HEX #266EA6

RGB 38 110 166

HSL 206.25, 0.63%, 0.4%

LAB 44.68, -2.26, -36.36

 

CMYK 5 / 78 / 0 / 35

HEX #9D25A6

RGB 157 37 166

HSL 295.81, 0.64%, 0.4%

LAB 39.99, 63.08, -43.18

 

CMYK 0 / 44 / 78 / 35

HEX #A65D25

RGB 166 93 37

HSL 26.05, 0.64%, 0.4%

LAB 47.07, 25.43, 43.38

 

CMYK 72 / 0 / 78 / 35

HEX #2EA625

RGB 46 166 37

HSL 115.81, 0.64%, 0.4%

LAB 59.88, -56.27, 53.24

 

Description

Color code: HEX #266EA6 | qconv.com Color code: HEX #266EA6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 110 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 110 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 34 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 34% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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