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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA4DA it is the complementary color #A15B25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA4DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA4DA shade: #63A4D5, #74B6E8, #85C8FB, #96DAFF and #A7ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA4DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA4DA shade: #5EA4DA, #4D92C7, #3C80B4, #2B6EA1 and #1A5C8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA4DA shade: #5CA3DA, #5C81DA, #5C60DA, #7B5CDA and #9D5CDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA4DA shade: #5CA3DA, #5C81DA, #5C60DA and #5C5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA4DA shade matches the following richer shades: #5CA3DA, #4CA5EA and #3CA7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA4DA shade: #5CA3DA, #6CA1CA, #7D9FBA, #8D9DA9 and #9D9B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA4DA shade: #5CDACD, #5CC5DA, #5CA3DA, #5C82DA and #5C61DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA4DA shade: #2A7BBA, #3B90D2, #5CA3DA, #7EB6E1 and #A0C9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA4DA shade: #5EA4DA, #AC5CDA and #D6DA5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA4DA shade: #5EA4DA, #DA5CA3 and #A3DA5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA4DA shade: #5EA4DA, #AC5CDA, #DA935C and #8ADA5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA4DA shade: #5EA4DA, #D15CDA, #DA935C and #65DA5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

Complementary color

CMYK 0 / 43 / 77 / 37

HEX #A15B25

RGB 161 91 37

HSL 26.13, 0.63%, 0.39%

LAB 45.9, 24.39, 41.98

 

CMYK 54 / 23 / 0 / 16

HEX #63A4D5

RGB 99 164 213

HSL 205.79, 0.58%, 0.61%

LAB 64.97, -6.95, -31.28

 

CMYK 50 / 22 / 0 / 9

HEX #74B6E8

RGB 116 182 232

HSL 205.86, 0.72%, 0.68%

LAB 71.55, -7.44, -31.46

 

CMYK 47 / 20 / 0 / 2

HEX #85C8FB

RGB 133 200 251

HSL 205.93, 0.94%, 0.75%

LAB 78.03, -7.84, -31.66

 

CMYK 41 / 15 / 0 / 0

HEX #96DAFF

RGB 150 218 255

HSL 201.14, 1%, 0.79%

LAB 83.89, -12.13, -24.74

 

CMYK 35 / 7 / 0 / 0

HEX #A7ECFF

RGB 167 236 255

HSL 192.95, 1%, 0.83%

LAB 89.59, -16.94, -16.03

 

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

CMYK 61 / 27 / 0 / 22

HEX #4D92C7

RGB 77 146 199

HSL 206.07, 0.52%, 0.54%

LAB 58.28, -5.7, -33.92

 

CMYK 67 / 29 / 0 / 29

HEX #3C80B4

RGB 60 128 180

HSL 206, 0.5%, 0.47%

LAB 51.49, -4.73, -33.75

 

CMYK 73 / 32 / 0 / 37

HEX #2B6EA1

RGB 43 110 161

HSL 205.93, 0.58%, 0.4%

LAB 44.57, -3.44, -33.58

 

CMYK 82 / 35 / 0 / 44

HEX #1A5C8E

RGB 26 92 142

HSL 205.86, 0.69%, 0.33%

LAB 37.53, -1.7, -33.37

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 58 / 41 / 0 / 15

HEX #5C81DA

RGB 92 129 218

HSL 222.38, 0.63%, 0.61%

LAB 55.11, 13.5, -49.57

 

CMYK 58 / 56 / 0 / 15

HEX #5C60DA

RGB 92 96 218

HSL 238.1, 0.63%, 0.61%

LAB 46.58, 33.72, -63.25

 

CMYK 44 / 58 / 0 / 15

HEX #7B5CDA

RGB 123 92 218

HSL 254.76, 0.63%, 0.61%

LAB 48.17, 42.27, -60.57

 

CMYK 28 / 58 / 0 / 15

HEX #9D5CDA

RGB 157 92 218

HSL 270.95, 0.63%, 0.61%

LAB 51.71, 50.05, -54.69

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 58 / 41 / 0 / 15

HEX #5C81DA

RGB 92 129 218

HSL 222.38, 0.63%, 0.61%

LAB 55.11, 13.5, -49.57

 

CMYK 58 / 56 / 0 / 15

HEX #5C60DA

RGB 92 96 218

HSL 238.1, 0.63%, 0.61%

LAB 46.58, 33.72, -63.25

 

CMYK 58 / 58 / 0 / 15

HEX #5C5CDA

RGB 92 92 218

HSL 240, 0.63%, 0.61%

LAB 45.62, 36.16, -64.81

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 68 / 29 / 0 / 8

HEX #4CA5EA

RGB 76 165 234

HSL 206.2, 0.79%, 0.61%

LAB 65.27, -5.06, -42.46

 

CMYK 76 / 33 / 0 / 2

HEX #3CA7FA

RGB 60 167 250

HSL 206.21, 0.95%, 0.61%

LAB 66.14, -2.84, -49.87

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 47 / 20 / 0 / 21

HEX #6CA1CA

RGB 108 161 202

HSL 206.17, 0.47%, 0.61%

LAB 64.11, -6.45, -26.45

 

CMYK 33 / 15 / 0 / 27

HEX #7D9FBA

RGB 125 159 186

HSL 206.56, 0.31%, 0.61%

LAB 63.92, -5.11, -17.73

 

CMYK 17 / 7 / 0 / 34

HEX #8D9DA9

RGB 141 157 169

HSL 205.71, 0.14%, 0.61%

LAB 63.87, -3.07, -8.16

 

CMYK 0 / 1 / 3 / 38

HEX #9D9B99

RGB 157 155 153

HSL 30, 0.02%, 0.61%

LAB 64.09, 0.35, 1.29

 

CMYK 58 / 0 / 6 / 15

HEX #5CDACD

RGB 92 218 205

HSL 173.81, 0.63%, 0.61%

LAB 80.08, -37.88, -4.11

 

CMYK 58 / 10 / 0 / 15

HEX #5CC5DA

RGB 92 197 218

HSL 190, 0.63%, 0.61%

LAB 74.36, -24.29, -19.65

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 58 / 40 / 0 / 15

HEX #5C82DA

RGB 92 130 218

HSL 221.9, 0.63%, 0.61%

LAB 55.38, 12.89, -49.13

 

CMYK 58 / 56 / 0 / 15

HEX #5C61DA

RGB 92 97 218

HSL 237.62, 0.63%, 0.61%

LAB 46.83, 33.11, -62.86

 

CMYK 77 / 34 / 0 / 27

HEX #2A7BBA

RGB 42 123 186

HSL 206.25, 0.63%, 0.45%

LAB 49.74, -2.21, -40

 

CMYK 72 / 31 / 0 / 18

HEX #3B90D2

RGB 59 144 210

HSL 206.23, 0.63%, 0.53%

LAB 57.59, -3.77, -41.24

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 44 / 19 / 0 / 12

HEX #7EB6E1

RGB 126 182 225

HSL 206.06, 0.62%, 0.69%

LAB 71.78, -7.05, -27.27

 

CMYK 31 / 14 / 0 / 9

HEX #A0C9E9

RGB 160 201 233

HSL 206.3, 0.62%, 0.77%

LAB 79.12, -6.11, -20.23

 

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

CMYK 21 / 58 / 0 / 15

HEX #AC5CDA

RGB 172 92 218

HSL 278.1, 0.63%, 0.61%

LAB 53.48, 53.7, -51.76

 

CMYK 2 / 0 / 58 / 15

HEX #D6DA5C

RGB 214 218 92

HSL 61.9, 0.63%, 0.61%

LAB 84.59, -17.6, 60.07

 

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

CMYK 0 / 58 / 25 / 15

HEX #DA5CA3

RGB 218 92 163

HSL 326.19, 0.63%, 0.61%

LAB 57.27, 56.82, -13.78

 

CMYK 25 / 0 / 58 / 15

HEX #A3DA5C

RGB 163 218 92

HSL 86.19, 0.63%, 0.61%

LAB 81.13, -37.49, 55.24

 

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

CMYK 21 / 58 / 0 / 15

HEX #AC5CDA

RGB 172 92 218

HSL 278.1, 0.63%, 0.61%

LAB 53.48, 53.7, -51.76

 

CMYK 0 / 33 / 58 / 15

HEX #DA935C

RGB 218 147 92

HSL 26.19, 0.63%, 0.61%

LAB 66.93, 21.17, 39.69

 

CMYK 37 / 0 / 58 / 15

HEX #8ADA5C

RGB 138 218 92

HSL 98.1, 0.63%, 0.61%

LAB 79.79, -46.24, 53.36

 

CMYK 57 / 25 / 0 / 15

HEX #5EA4DA

RGB 94 164 218

HSL 206.13, 0.63%, 0.61%

LAB 64.96, -6.46, -34.08

 

CMYK 4 / 58 / 0 / 15

HEX #D15CDA

RGB 209 92 218

HSL 295.71, 0.63%, 0.61%

LAB 58.29, 62.94, -43.82

 

CMYK 0 / 33 / 58 / 15

HEX #DA935C

RGB 218 147 92

HSL 26.19, 0.63%, 0.61%

LAB 66.93, 21.17, 39.69

 

CMYK 54 / 0 / 58 / 15

HEX #65DA5C

RGB 101 218 92

HSL 115.71, 0.63%, 0.61%

LAB 78.28, -57.19, 51.21

 

Description

Color code: HEX #5EA4DA | qconv.com Color code: HEX #5EA4DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 164 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 164 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 25 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 25% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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