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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2299F5 it is the complementary color #DD660A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2299F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2299F5 shade: #2799F0, #38ABFF, #49BDFF, #5ACFFF and #6BE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2299F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2299F5 shade: #2299F5, #1187E2, #0075CF, #0063BC and #0051A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2299F5 shade: #2399F4, #2361F4, #2328F4, #5623F4 and #8F23F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2299F5 shade: #2399F4, #2361F4, #2328F4 and #2323F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2299F5 shade matches the following richer shades: #2399F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2299F5 shade: #2399F4, #3697E2, #4894CF, #5B92BC and #6E90AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2299F5 shade: #23F4DF, #23D1F4, #239AF4, #2362F4 and #232AF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2299F5 shade: #086EBD, #0A85E4, #2399F4, #4BABF6 and #72BEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2299F5 shade: #2299F5, #A823F4 and #EDF423

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2299F5 shade: #2299F5, #F4239A and #9AF423

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2299F5 shade: #2299F5, #A823F4, #F47E23 and #70F423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2299F5 shade: #2299F5, #E623F4, #F47E23 and #31F423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 38 / 0 / 4

HEX #2299F5

RGB 34 153 245

HSL 206.16, 0.91%, 0.55%

LAB 61.41, 1.13, -54.66

 

Complementary color

CMYK 0 / 54 / 95 / 13

HEX #DD660A

RGB 221 102 10

HSL 26.16, 0.91%, 0.45%

LAB 56.97, 42.55, 63.67

 

CMYK 84 / 36 / 0 / 6

HEX #2799F0

RGB 39 153 240

HSL 205.97, 0.87%, 0.55%

LAB 61.22, -0.35, -52.2

 

CMYK 78 / 33 / 0 / 0

HEX #38ABFF

RGB 56 171 255

HSL 205.33, 1%, 0.61%

LAB 67.42, -3.77, -50.57

 

CMYK 71 / 26 / 0 / 0

HEX #49BDFF

RGB 73 189 255

HSL 201.76, 1%, 0.64%

LAB 72.91, -11.71, -41.91

 

CMYK 65 / 19 / 0 / 0

HEX #5ACFFF

RGB 90 207 255

HSL 197.45, 1%, 0.68%

LAB 78.47, -18.73, -33.25

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 86 / 38 / 0 / 4

HEX #2299F5

RGB 34 153 245

HSL 206.16, 0.91%, 0.55%

LAB 61.41, 1.13, -54.66

 

CMYK 92 / 40 / 0 / 11

HEX #1187E2

RGB 17 135 226

HSL 206.12, 0.86%, 0.48%

LAB 55.01, 3.79, -54.35

 

CMYK 100 / 43 / 0 / 19

HEX #0075CF

RGB 0 117 207

HSL 206.09, 1%, 0.41%

LAB 48.55, 6.9, -53.97

 

CMYK 100 / 47 / 0 / 26

HEX #0063BC

RGB 0 99 188

HSL 208.4, 1%, 0.37%

LAB 42.08, 10.76, -53.42

 

CMYK 100 / 52 / 0 / 34

HEX #0051A9

RGB 0 81 169

HSL 211.24, 1%, 0.33%

LAB 35.5, 14.89, -52.87

 

CMYK 86 / 37 / 0 / 4

HEX #2399F4

RGB 35 153 244

HSL 206.12, 0.9%, 0.55%

LAB 61.37, 0.83, -54.17

 

CMYK 86 / 60 / 0 / 4

HEX #2361F4

RGB 35 97 244

HSL 222.2, 0.9%, 0.55%

LAB 46.23, 35.46, -78.61

 

CMYK 86 / 84 / 0 / 4

HEX #2328F4

RGB 35 40 244

HSL 238.56, 0.9%, 0.55%

LAB 34.82, 66.93, -97.46

 

CMYK 65 / 86 / 0 / 4

HEX #5623F4

RGB 86 35 244

HSL 254.64, 0.9%, 0.55%

LAB 37.32, 71.32, -93.21

 

CMYK 41 / 86 / 0 / 4

HEX #8F23F4

RGB 143 35 244

HSL 271, 0.9%, 0.55%

LAB 43.61, 76.75, -82.6

 

CMYK 86 / 37 / 0 / 4

HEX #2399F4

RGB 35 153 244

HSL 206.12, 0.9%, 0.55%

LAB 61.37, 0.83, -54.17

 

CMYK 86 / 60 / 0 / 4

HEX #2361F4

RGB 35 97 244

HSL 222.2, 0.9%, 0.55%

LAB 46.23, 35.46, -78.61

 

CMYK 86 / 84 / 0 / 4

HEX #2328F4

RGB 35 40 244

HSL 238.56, 0.9%, 0.55%

LAB 34.82, 66.93, -97.46

 

CMYK 86 / 86 / 0 / 4

HEX #2323F4

RGB 35 35 244

HSL 240, 0.9%, 0.55%

LAB 34.17, 68.86, -98.53

 

CMYK 86 / 37 / 0 / 4

HEX #2399F4

RGB 35 153 244

HSL 206.12, 0.9%, 0.55%

LAB 61.37, 0.83, -54.17

 

CMYK 86 / 37 / 0 / 4

HEX #2399F4

RGB 35 153 244

HSL 206.12, 0.9%, 0.55%

LAB 61.37, 0.83, -54.17

 

CMYK 76 / 33 / 0 / 11

HEX #3697E2

RGB 54 151 226

HSL 206.16, 0.75%, 0.55%

LAB 60.26, -2.81, -45.97

 

CMYK 65 / 29 / 0 / 19

HEX #4894CF

RGB 72 148 207

HSL 206.22, 0.58%, 0.55%

LAB 59.03, -5.1, -37.26

 

CMYK 52 / 22 / 0 / 26

HEX #5B92BC

RGB 91 146 188

HSL 205.98, 0.42%, 0.55%

LAB 58.43, -6.23, -27.43

 

CMYK 35 / 15 / 0 / 33

HEX #6E90AA

RGB 110 144 170

HSL 206, 0.26%, 0.55%

LAB 58.19, -5.27, -17.48

 

CMYK 86 / 0 / 9 / 4

HEX #23F4DF

RGB 35 244 223

HSL 173.97, 0.9%, 0.55%

LAB 87.19, -51.17, -3.28

 

CMYK 86 / 14 / 0 / 4

HEX #23D1F4

RGB 35 209 244

HSL 190.05, 0.9%, 0.55%

LAB 77.57, -29.19, -28.85

 

CMYK 86 / 37 / 0 / 4

HEX #239AF4

RGB 35 154 244

HSL 205.84, 0.9%, 0.55%

LAB 61.65, 0.25, -53.72

 

CMYK 86 / 60 / 0 / 4

HEX #2362F4

RGB 35 98 244

HSL 221.91, 0.9%, 0.55%

LAB 46.48, 34.83, -78.21

 

CMYK 86 / 83 / 0 / 4

HEX #232AF4

RGB 35 42 244

HSL 237.99, 0.9%, 0.55%

LAB 35.09, 66.11, -97

 

CMYK 96 / 42 / 0 / 26

HEX #086EBD

RGB 8 110 189

HSL 206.19, 0.92%, 0.39%

LAB 45.47, 4.43, -48.56

 

CMYK 96 / 42 / 0 / 11

HEX #0A85E4

RGB 10 133 228

HSL 206.15, 0.92%, 0.47%

LAB 54.49, 5.53, -56.3

 

CMYK 86 / 37 / 0 / 4

HEX #2399F4

RGB 35 153 244

HSL 206.12, 0.9%, 0.55%

LAB 61.37, 0.83, -54.17

 

CMYK 70 / 30 / 0 / 4

HEX #4BABF6

RGB 75 171 246

HSL 206.32, 0.9%, 0.63%

LAB 67.48, -4.56, -45.54

 

CMYK 54 / 23 / 0 / 3

HEX #72BEF8

RGB 114 190 248

HSL 205.97, 0.91%, 0.71%

LAB 74.31, -7.52, -35.87

 

CMYK 86 / 38 / 0 / 4

HEX #2299F5

RGB 34 153 245

HSL 206.16, 0.91%, 0.55%

LAB 61.41, 1.13, -54.66

 

CMYK 31 / 86 / 0 / 4

HEX #A823F4

RGB 168 35 244

HSL 278.18, 0.9%, 0.55%

LAB 47.05, 79.93, -76.84

 

CMYK 3 / 0 / 86 / 4

HEX #EDF423

RGB 237 244 35

HSL 62.01, 0.9%, 0.55%

LAB 92.94, -23.3, 86.84

 

CMYK 86 / 38 / 0 / 4

HEX #2299F5

RGB 34 153 245

HSL 206.16, 0.91%, 0.55%

LAB 61.41, 1.13, -54.66

 

CMYK 0 / 86 / 37 / 4

HEX #F4239A

RGB 244 35 154

HSL 325.84, 0.9%, 0.55%

LAB 54.83, 80.72, -11.76

 

CMYK 37 / 0 / 86 / 4

HEX #9AF423

RGB 154 244 35

HSL 85.84, 0.9%, 0.55%

LAB 87.82, -54.99, 80.51

 

CMYK 86 / 38 / 0 / 4

HEX #2299F5

RGB 34 153 245

HSL 206.16, 0.91%, 0.55%

LAB 61.41, 1.13, -54.66

 

CMYK 31 / 86 / 0 / 4

HEX #A823F4

RGB 168 35 244

HSL 278.18, 0.9%, 0.55%

LAB 47.05, 79.93, -76.84

 

CMYK 0 / 48 / 86 / 4

HEX #F47E23

RGB 244 126 35

HSL 26.12, 0.9%, 0.55%

LAB 65.18, 39.99, 64.58

 

CMYK 54 / 0 / 86 / 4

HEX #70F423

RGB 112 244 35

HSL 97.89, 0.9%, 0.55%

LAB 86.14, -67.65, 78.4

 

CMYK 86 / 38 / 0 / 4

HEX #2299F5

RGB 34 153 245

HSL 206.16, 0.91%, 0.55%

LAB 61.41, 1.13, -54.66

 

CMYK 6 / 86 / 0 / 4

HEX #E623F4

RGB 230 35 244

HSL 295.98, 0.9%, 0.55%

LAB 56.64, 89.34, -60.85

 

CMYK 0 / 48 / 86 / 4

HEX #F47E23

RGB 244 126 35

HSL 26.12, 0.9%, 0.55%

LAB 65.18, 39.99, 64.58

 

CMYK 80 / 0 / 86 / 4

HEX #31F423

RGB 49 244 35

HSL 115.98, 0.9%, 0.55%

LAB 84.73, -79.51, 76.62

 

Description

Color code: HEX #2299F5 | qconv.com Color code: HEX #2299F5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 153 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 153 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 38 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 38% 0% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Brackets - A modern,...
Link: http://brackets.io

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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