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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BE1FF it is the complementary color #941E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BE1FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BE1FF shade: #70E1FA, #81F3FF, #92FFFF, #A3FFFF and #B4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BE1FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BE1FF shade: #6BE1FF, #5ACFEC, #49BDD9, #38ABC6 and #2799B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BE1FF shade: #6BE1FF, #6BB9FF, #6B91FF, #6C6BFF and #946BFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BE1FF shade: #6BE1FF, #6BB9FF, #6B91FF and #6B6BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BE1FF shade matches the following richer shades: #6BE1FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BE1FF shade: #6BE1FF, #77D9F3, #83D2E7, #8ECBDB and #9AC4CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BE1FF shade: #6BFFCD, #6BFFF5, #6BE1FF, #6BB9FF and #6B92FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BE1FF shade: #18D0FF, #41D8FF, #6BE1FF, #94E9FF and #BDF1FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BE1FF shade: #6BE1FF, #A66BFF and #FFE16B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BE1FF shade: #6BE1FF, #FF6BE1 and #E1FF6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BE1FF shade: #6BE1FF, #A66BFF, #FF886B and #C3FF6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BE1FF shade: #6BE1FF, #D26BFF, #FF886B and #97FF6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

Complementary color

CMYK 0 / 80 / 100 / 42

HEX #941E00

RGB 148 30 0

HSL 12.16, 1%, 0.29%

LAB 32.31, 47.22, 45.32

 

CMYK 55 / 10 / 0 / 2

HEX #70E1FA

RGB 112 225 250

HSL 190.87, 0.93%, 0.71%

LAB 84.07, -25.39, -21.97

 

CMYK 49 / 5 / 0 / 0

HEX #81F3FF

RGB 129 243 255

HSL 185.71, 1%, 0.75%

LAB 89.85, -29.37, -15.81

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 62 / 12 / 0 / 7

HEX #5ACFEC

RGB 90 207 236

HSL 191.92, 0.79%, 0.64%

LAB 77.79, -24.43, -24.14

 

CMYK 66 / 13 / 0 / 15

HEX #49BDD9

RGB 73 189 217

HSL 191.67, 0.65%, 0.57%

LAB 71.43, -23.79, -23.61

 

CMYK 72 / 14 / 0 / 22

HEX #38ABC6

RGB 56 171 198

HSL 191.41, 0.56%, 0.5%

LAB 65, -22.95, -23.04

 

CMYK 78 / 15 / 0 / 30

HEX #2799B3

RGB 39 153 179

HSL 191.14, 0.64%, 0.43%

LAB 58.48, -21.84, -22.4

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 58 / 27 / 0 / 0

HEX #6BB9FF

RGB 107 185 255

HSL 208.38, 1%, 0.71%

LAB 72.92, -4.07, -41.82

 

CMYK 58 / 43 / 0 / 0

HEX #6B91FF

RGB 107 145 255

HSL 224.59, 1%, 0.71%

LAB 62.17, 18.84, -58.8

 

CMYK 58 / 58 / 0 / 0

HEX #6C6BFF

RGB 108 107 255

HSL 240.41, 1%, 0.71%

LAB 52.87, 41.67, -73.77

 

CMYK 42 / 58 / 0 / 0

HEX #946BFF

RGB 148 107 255

HSL 256.62, 1%, 0.71%

LAB 56.12, 49.29, -68.35

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 58 / 27 / 0 / 0

HEX #6BB9FF

RGB 107 185 255

HSL 208.38, 1%, 0.71%

LAB 72.92, -4.07, -41.82

 

CMYK 58 / 43 / 0 / 0

HEX #6B91FF

RGB 107 145 255

HSL 224.59, 1%, 0.71%

LAB 62.17, 18.84, -58.8

 

CMYK 58 / 58 / 0 / 0

HEX #6B6BFF

RGB 107 107 255

HSL 240, 1%, 0.71%

LAB 52.8, 41.5, -73.88

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 51 / 11 / 0 / 5

HEX #77D9F3

RGB 119 217 243

HSL 192.58, 0.84%, 0.71%

LAB 81.85, -21.94, -21.61

 

CMYK 43 / 9 / 0 / 9

HEX #83D2E7

RGB 131 210 231

HSL 192.6, 0.68%, 0.71%

LAB 80, -18.9, -17.96

 

CMYK 35 / 7 / 0 / 14

HEX #8ECBDB

RGB 142 203 219

HSL 192.47, 0.52%, 0.71%

LAB 78.21, -15.54, -14.17

 

CMYK 26 / 5 / 0 / 19

HEX #9AC4CF

RGB 154 196 207

HSL 192.45, 0.36%, 0.71%

LAB 76.59, -11.35, -10.06

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCD

RGB 107 255 205

HSL 159.73, 1%, 0.71%

LAB 91.26, -51.18, 12.12

 

CMYK 58 / 0 / 4 / 0

HEX #6BFFF5

RGB 107 255 245

HSL 175.95, 1%, 0.71%

LAB 92.24, -41.7, -7.14

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 58 / 27 / 0 / 0

HEX #6BB9FF

RGB 107 185 255

HSL 208.38, 1%, 0.71%

LAB 72.92, -4.07, -41.82

 

CMYK 58 / 43 / 0 / 0

HEX #6B92FF

RGB 107 146 255

HSL 224.19, 1%, 0.71%

LAB 62.43, 18.25, -58.38

 

CMYK 91 / 18 / 0 / 0

HEX #18D0FF

RGB 24 208 255

HSL 192.21, 1%, 0.55%

LAB 77.59, -25.69, -34.7

 

CMYK 75 / 15 / 0 / 0

HEX #41D8FF

RGB 65 216 255

HSL 192.32, 1%, 0.63%

LAB 80.44, -26.59, -30.28

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 42 / 9 / 0 / 0

HEX #94E9FF

RGB 148 233 255

HSL 192.34, 1%, 0.79%

LAB 87.87, -20.22, -18.72

 

CMYK 26 / 5 / 0 / 0

HEX #BDF1FF

RGB 189 241 255

HSL 192.73, 1%, 0.87%

LAB 92.11, -13.4, -12.15

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 35 / 58 / 0 / 0

HEX #A66BFF

RGB 166 107 255

HSL 263.92, 1%, 0.71%

LAB 57.89, 53.17, -65.41

 

CMYK 0 / 12 / 58 / 0

HEX #FFE16B

RGB 255 225 107

HSL 47.84, 1%, 0.71%

LAB 89.94, -3.35, 60.38

HEX #FFE16B

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 0 / 58 / 12 / 0

HEX #FF6BE1

RGB 255 107 225

HSL 312.16, 1%, 0.71%

LAB 67.44, 69.49, -32.97

 

CMYK 12 / 0 / 58 / 0

HEX #E1FF6B

RGB 225 255 107

HSL 72.16, 1%, 0.71%

LAB 95.41, -29.83, 65.9

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 35 / 58 / 0 / 0

HEX #A66BFF

RGB 166 107 255

HSL 263.92, 1%, 0.71%

LAB 57.89, 53.17, -65.41

 

CMYK 0 / 47 / 58 / 0

HEX #FF886B

RGB 255 136 107

HSL 11.76, 1%, 0.71%

LAB 69.42, 42.57, 35.83

 

CMYK 24 / 0 / 58 / 0

HEX #C3FF6B

RGB 195 255 107

HSL 84.32, 1%, 0.71%

LAB 93.53, -41.01, 63.27

 

CMYK 58 / 12 / 0 / 0

HEX #6BE1FF

RGB 107 225 255

HSL 192.16, 1%, 0.71%

LAB 84.07, -24.92, -24.63

 

CMYK 18 / 58 / 0 / 0

HEX #D26BFF

RGB 210 107 255

HSL 281.76, 1%, 0.71%

LAB 62.87, 63.34, -57.14

 

CMYK 0 / 47 / 58 / 0

HEX #FF886B

RGB 255 136 107

HSL 11.76, 1%, 0.71%

LAB 69.42, 42.57, 35.83

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6B

RGB 151 255 107

HSL 102.16, 1%, 0.71%

LAB 91.31, -55.76, 60.15

 

Description

Color code: HEX #6BE1FF | qconv.com Color code: HEX #6BE1FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 225 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 225 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 12 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 12% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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