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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CE7CC it is the complementary color #E31833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CE7CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CE7CC shade: #21E7C7, #32F9DA, #43FFED, #54FFFF and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CE7CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CE7CC shade: #1CE7CC, #0BD5B9, #00C3A6, #00B193 and #009F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CE7CC shade: #1CE7CC, #1CE795, #1CE75F, #1CE728 and #47E71C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CE7CC shade: #1CE7CC, #1CCBE7, #1C95E7, #1C5EE7 and #1C27E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CE7CC shade matches the following richer shades: #1CE7CC and #08FBDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CE7CC shade: #1CE7CC, #31D3BD, #45BEAE, #59AA9F and #6D9690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CE7CC shade: #1CE760, #1CE796, #1CE7CC, #1CCCE7 and #1C96E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CE7CC shade: #10A08D, #14C6AE, #1CE7CC, #42EBD4 and #67EFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CE7CC shade: #1CE7CC, #2A1CE7 and #E77B1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CE7CC shade: #1CE7CC, #CC1CE7 and #E7CC1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CE7CC shade: #1CE7CC, #2A1CE7, #E71C37 and #D9E71C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CE7CC shade: #1CE7CC, #671CE7, #E71C37 and #9DE71C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

Complementary color

CMYK 0 / 89 / 78 / 11

HEX #E31833

RGB 227 24 51

HSL 352.02, 0.81%, 0.49%

LAB 48.54, 71.82, 40.93

 

CMYK 86 / 0 / 14 / 9

HEX #21E7C7

RGB 33 231 199

HSL 170.3, 0.8%, 0.52%

LAB 82.7, -52.26, 2.78

 

CMYK 80 / 0 / 12 / 2

HEX #32F9DA

RGB 50 249 218

HSL 170.65, 0.94%, 0.59%

LAB 88.68, -53.47, 1.54

 

CMYK 74 / 0 / 7 / 0

HEX #43FFED

RGB 67 255 237

HSL 174.26, 1%, 0.63%

LAB 91.16, -49.41, -4.68

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 95 / 0 / 13 / 16

HEX #0BD5B9

RGB 11 213 185

HSL 171.68, 0.9%, 0.44%

LAB 76.78, -49.59, 1.6

 

CMYK 100 / 0 / 15 / 24

HEX #00C3A6

RGB 0 195 166

HSL 171.08, 1%, 0.38%

LAB 70.72, -47.58, 3.07

 

CMYK 100 / 0 / 17 / 31

HEX #00B193

RGB 0 177 147

HSL 169.83, 1%, 0.35%

LAB 64.6, -45.22, 4.67

 

CMYK 100 / 0 / 19 / 38

HEX #009F80

RGB 0 159 128

HSL 168.3, 1%, 0.31%

LAB 58.37, -42.81, 6.33

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 88 / 0 / 35 / 9

HEX #1CE795

RGB 28 231 149

HSL 155.76, 0.81%, 0.51%

LAB 81.6, -64.11, 27.33

 

CMYK 88 / 0 / 59 / 9

HEX #1CE75F

RGB 28 231 95

HSL 139.8, 0.81%, 0.51%

LAB 80.86, -72.9, 52.52

 

CMYK 88 / 0 / 83 / 9

HEX #1CE728

RGB 28 231 40

HSL 123.55, 0.81%, 0.51%

LAB 80.49, -77.61, 71.65

 

CMYK 69 / 0 / 88 / 9

HEX #47E71C

RGB 71 231 28

HSL 107.29, 0.81%, 0.51%

LAB 81.06, -72.76, 74.9

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 88 / 12 / 0 / 9

HEX #1CCBE7

RGB 28 203 231

HSL 188.28, 0.81%, 0.51%

LAB 75.28, -30.83, -25.39

 

CMYK 88 / 35 / 0 / 9

HEX #1C95E7

RGB 28 149 231

HSL 204.24, 0.81%, 0.51%

LAB 59.44, -2.08, -50.06

 

CMYK 88 / 59 / 0 / 9

HEX #1C5EE7

RGB 28 94 231

HSL 220.49, 0.81%, 0.51%

LAB 44.26, 32.11, -74.52

 

CMYK 88 / 83 / 0 / 9

HEX #1C27E7

RGB 28 39 231

HSL 236.75, 0.81%, 0.51%

LAB 32.85, 63.37, -93.36

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 97 / 0 / 13 / 2

HEX #08FBDB

RGB 8 251 219

HSL 172.1, 0.97%, 0.51%

LAB 89, -56.12, 1.44

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 77 / 0 / 10 / 17

HEX #31D3BD

RGB 49 211 189

HSL 171.85, 0.65%, 0.51%

LAB 76.63, -45.21, -0.72

 

CMYK 64 / 0 / 8 / 25

HEX #45BEAE

RGB 69 190 174

HSL 172.07, 0.48%, 0.51%

LAB 70.28, -37.2, -1.84

 

CMYK 48 / 0 / 6 / 33

HEX #59AA9F

RGB 89 170 159

HSL 171.85, 0.32%, 0.51%

LAB 64.46, -27.53, -2

 

CMYK 27 / 0 / 4 / 41

HEX #6D9690

RGB 109 150 144

HSL 171.22, 0.16%, 0.51%

LAB 59.05, -15.33, -1.38

 

CMYK 88 / 0 / 58 / 9

HEX #1CE760

RGB 28 231 96

HSL 140.1, 0.81%, 0.51%

LAB 80.87, -72.77, 52.09

 

CMYK 88 / 0 / 35 / 9

HEX #1CE796

RGB 28 231 150

HSL 156.06, 0.81%, 0.51%

LAB 81.62, -63.91, 26.84

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 88 / 12 / 0 / 9

HEX #1CCCE7

RGB 28 204 231

HSL 187.98, 0.81%, 0.51%

LAB 75.58, -31.31, -24.94

 

CMYK 88 / 35 / 0 / 9

HEX #1C96E7

RGB 28 150 231

HSL 203.94, 0.81%, 0.51%

LAB 59.73, -2.66, -49.6

 

CMYK 90 / 0 / 12 / 37

HEX #10A08D

RGB 16 160 141

HSL 172.08, 0.82%, 0.35%

LAB 59.14, -38.91, 0.1

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 72 / 0 / 10 / 8

HEX #42EBD4

RGB 66 235 212

HSL 171.83, 0.81%, 0.59%

LAB 84.65, -47.53, -1.18

 

CMYK 57 / 0 / 8 / 6

HEX #67EFDD

RGB 103 239 221

HSL 172.06, 0.81%, 0.67%

LAB 86.92, -41.3, -2.48

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 82 / 88 / 0 / 9

HEX #2A1CE7

RGB 42 28 231

HSL 244.14, 0.81%, 0.51%

LAB 32.02, 67.92, -94.73

 

CMYK 0 / 47 / 88 / 9

HEX #E77B1C

RGB 231 123 28

HSL 28.08, 0.81%, 0.51%

LAB 62.71, 36.2, 64.05

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 12 / 88 / 0 / 9

HEX #CC1CE7

RGB 204 28 231

HSL 292.02, 0.81%, 0.51%

LAB 51.2, 84.25, -62.53

 

CMYK 0 / 12 / 88 / 9

HEX #E7CC1C

RGB 231 204 28

HSL 52.02, 0.81%, 0.51%

LAB 81.98, -6.28, 79.17

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 82 / 88 / 0 / 9

HEX #2A1CE7

RGB 42 28 231

HSL 244.14, 0.81%, 0.51%

LAB 32.02, 67.92, -94.73

 

CMYK 0 / 88 / 76 / 9

HEX #E71C37

RGB 231 28 55

HSL 352.02, 0.81%, 0.51%

LAB 49.61, 72.34, 40.04

 

CMYK 6 / 0 / 88 / 9

HEX #D9E71C

RGB 217 231 28

HSL 64.14, 0.81%, 0.51%

LAB 87.96, -25.48, 83.44

 

CMYK 88 / 0 / 12 / 9

HEX #1CE7CC

RGB 28 231 204

HSL 172.02, 0.81%, 0.51%

LAB 82.78, -51.25, 0.26

 

CMYK 55 / 88 / 0 / 9

HEX #671CE7

RGB 103 28 231

HSL 262.17, 0.81%, 0.51%

LAB 36.9, 71.51, -86.48

 

CMYK 0 / 88 / 76 / 9

HEX #E71C37

RGB 231 28 55

HSL 352.02, 0.81%, 0.51%

LAB 49.61, 72.34, 40.04

 

CMYK 32 / 0 / 88 / 9

HEX #9DE71C

RGB 157 231 28

HSL 81.87, 0.81%, 0.51%

LAB 84.18, -48.88, 78.79

 

Description

Color code: HEX #1CE7CC | qconv.com Color code: HEX #1CE7CC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 231 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 231 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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