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Color name
RGB 20 198 174

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 198 174 it is the complementary color RGB 235 57 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 198 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 198 174 shade: RGB 25 198 169, RGB 42 216 188, RGB 59 234 207, RGB 76 252 226 and RGB 93 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 198 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 198 174 shade: RGB 20 198 174, RGB 3 180 155, RGB 0 162 136, RGB 0 144 117 and RGB 0 126 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 198 174 shade: RGB 19 199 175, RGB 19 199 126, RGB 19 199 78, RGB 19 199 29 and RGB 58 199 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 198 174 shade: RGB 19 199 175, RGB 19 175 199, RGB 19 126 199, RGB 19 78 199 and RGB 19 29 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 198 174 shade matches the following richer shades: RGB 19 199 175 and RGB 1 217 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 198 174 shade: RGB 19 199 175, RGB 37 181 162, RGB 55 164 149, RGB 72 146 136 and RGB 90 128 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 198 174 shade: RGB 19 199 76, RGB 19 199 124, RGB 19 199 172, RGB 19 178 199 and RGB 19 130 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 198 174 shade: RGB 12 124 109, RGB 16 162 142, RGB 19 199 175, RGB 28 232 204 and RGB 65 236 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 198 174 shade: RGB 20 198 174, RGB 28 19 199 and RGB 199 100 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 198 174 shade: RGB 20 198 174, RGB 172 19 199 and RGB 199 172 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 198 174 shade: RGB 20 198 174, RGB 28 19 199, RGB 199 19 46 and RGB 190 199 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 198 174 shade: RGB 20 198 174, RGB 82 19 199, RGB 199 19 46 and RGB 136 199 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

Complementary color

CMYK 0 / 76 / 66 / 8

HEX #EB3951

RGB 235 57 81

HSL 351.91, 0.82%, 0.57%

LAB 53.15, 67.72, 29.25

 

CMYK 87 / 0 / 15 / 22

HEX #19C6A9

RGB 25 198 169

HSL 169.94, 0.78%, 0.44%

LAB 71.87, -47.01, 3.11

 

CMYK 81 / 0 / 13 / 15

HEX #2AD8BC

RGB 42 216 188

HSL 170.34, 0.69%, 0.51%

LAB 78.01, -48.26, 1.82

 

CMYK 75 / 0 / 12 / 8

HEX #3BEACF

RGB 59 234 207

HSL 170.74, 0.81%, 0.57%

LAB 84.11, -49.21, 0.65

 

CMYK 70 / 0 / 10 / 1

HEX #4CFCE2

RGB 76 252 226

HSL 171.14, 0.97%, 0.64%

LAB 90.16, -49.91, -0.42

 

CMYK 64 / 0 / 4 / 0

HEX #5DFFF5

RGB 93 255 245

HSL 176.3, 1%, 0.68%

LAB 91.88, -43.96, -7.7

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 98 / 0 / 14 / 29

HEX #03B49B

RGB 3 180 155

HSL 171.53, 0.97%, 0.36%

LAB 65.77, -44.19, 1.93

 

CMYK 100 / 0 / 16 / 36

HEX #00A288

RGB 0 162 136

HSL 170.37, 1%, 0.32%

LAB 59.54, -41.9, 3.51

 

CMYK 100 / 0 / 19 / 44

HEX #009075

RGB 0 144 117

HSL 168.75, 1%, 0.28%

LAB 53.2, -39.46, 5.18

 

CMYK 100 / 0 / 22 / 51

HEX #007E62

RGB 0 126 98

HSL 166.67, 1%, 0.25%

LAB 46.72, -36.95, 6.95

 

CMYK 90 / 0 / 12 / 22

HEX #13C7AF

RGB 19 199 175

HSL 172, 0.83%, 0.43%

LAB 72.28, -46.14, 0.45

 

CMYK 90 / 0 / 37 / 22

HEX #13C77E

RGB 19 199 126

HSL 155.67, 0.83%, 0.43%

LAB 71.21, -57.87, 25.25

 

CMYK 90 / 0 / 61 / 22

HEX #13C74E

RGB 19 199 78

HSL 139.67, 0.83%, 0.43%

LAB 70.55, -65.75, 48.13

 

CMYK 90 / 0 / 85 / 22

HEX #13C71D

RGB 19 199 29

HSL 123.33, 0.83%, 0.43%

LAB 70.23, -69.81, 64.94

 

CMYK 71 / 0 / 90 / 22

HEX #3AC713

RGB 58 199 19

HSL 107, 0.83%, 0.43%

LAB 70.73, -65.51, 67.52

 

CMYK 90 / 0 / 12 / 22

HEX #13C7AF

RGB 19 199 175

HSL 172, 0.83%, 0.43%

LAB 72.28, -46.14, 0.45

 

CMYK 90 / 12 / 0 / 22

HEX #13AFC7

RGB 19 175 199

HSL 188, 0.83%, 0.43%

LAB 65.69, -27.91, -22.59

 

CMYK 90 / 37 / 0 / 22

HEX #137EC7

RGB 19 126 199

HSL 204.33, 0.83%, 0.43%

LAB 50.9, -1.03, -45.64

 

CMYK 90 / 61 / 0 / 22

HEX #134EC7

RGB 19 78 199

HSL 220.33, 0.83%, 0.43%

LAB 37.32, 29.77, -67.55

 

CMYK 90 / 85 / 0 / 22

HEX #131DC7

RGB 19 29 199

HSL 236.67, 0.83%, 0.43%

LAB 27.13, 57.87, -84.38

 

CMYK 90 / 0 / 12 / 22

HEX #13C7AF

RGB 19 199 175

HSL 172, 0.83%, 0.43%

LAB 72.28, -46.14, 0.45

 

CMYK 100 / 0 / 13 / 15

HEX #01D9BC

RGB 1 217 188

HSL 171.94, 0.99%, 0.43%

LAB 78.03, -50.71, 1.81

 

CMYK 90 / 0 / 12 / 22

HEX #13C7AF

RGB 19 199 175

HSL 172, 0.83%, 0.43%

LAB 72.28, -46.14, 0.45

 

CMYK 80 / 0 / 10 / 29

HEX #25B5A2

RGB 37 181 162

HSL 172.08, 0.66%, 0.43%

LAB 66.56, -40.67, -0.76

 

CMYK 66 / 0 / 9 / 36

HEX #37A495

RGB 55 164 149

HSL 171.74, 0.5%, 0.43%

LAB 61.25, -34.21, -1.24

 

CMYK 51 / 0 / 7 / 43

HEX #489288

RGB 72 146 136

HSL 171.89, 0.34%, 0.43%

LAB 55.8, -25.6, -1.79

 

CMYK 30 / 0 / 4 / 50

HEX #5A807B

RGB 90 128 123

HSL 172.11, 0.17%, 0.43%

LAB 50.74, -14.42, -1.58

 

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

CMYK 90 / 0 / 38 / 22

HEX #13C77C

RGB 19 199 124

HSL 155, 0.83%, 0.43%

LAB 71.17, -58.28, 26.25

 

CMYK 90 / 0 / 14 / 22

HEX #13C7AC

RGB 19 199 172

HSL 171, 0.83%, 0.43%

LAB 72.2, -46.95, 1.97

 

CMYK 90 / 11 / 0 / 22

HEX #13B2C7

RGB 19 178 199

HSL 187, 0.83%, 0.43%

LAB 66.6, -29.39, -21.2

 

CMYK 90 / 35 / 0 / 22

HEX #1382C7

RGB 19 130 199

HSL 203, 0.83%, 0.43%

LAB 52.09, -3.43, -43.75

 

CMYK 90 / 0 / 12 / 51

HEX #0C7C6D

RGB 12 124 109

HSL 171.96, 0.82%, 0.27%

LAB 46.44, -32.17, 0.08

 

CMYK 90 / 0 / 12 / 36

HEX #10A28E

RGB 16 162 142

HSL 171.78, 0.82%, 0.35%

LAB 59.8, -39.51, 0.51

 

CMYK 90 / 0 / 12 / 22

HEX #13C7AF

RGB 19 199 175

HSL 172, 0.83%, 0.43%

LAB 72.28, -46.14, 0.45

 

CMYK 88 / 0 / 12 / 9

HEX #1CE8CC

RGB 28 232 204

HSL 171.76, 0.82%, 0.51%

LAB 83.08, -51.66, 0.69

 

CMYK 72 / 0 / 10 / 7

HEX #41ECD5

RGB 65 236 213

HSL 171.93, 0.82%, 0.59%

LAB 84.95, -47.82, -1.26

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 86 / 90 / 0 / 22

HEX #1C13C7

RGB 28 19 199

HSL 243, 0.83%, 0.43%

LAB 26.26, 61.65, -85.82

 

CMYK 0 / 50 / 90 / 22

HEX #C76413

RGB 199 100 19

HSL 27, 0.83%, 0.43%

LAB 53.28, 34.97, 57.47

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 14 / 90 / 0 / 22

HEX #AC13C7

RGB 172 19 199

HSL 291, 0.83%, 0.43%

LAB 43.3, 75.31, -57.19

 

CMYK 0 / 14 / 90 / 22

HEX #C7AC13

RGB 199 172 19

HSL 51, 0.83%, 0.43%

LAB 70.66, -3.83, 70.7

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 86 / 90 / 0 / 22

HEX #1C13C7

RGB 28 19 199

HSL 243, 0.83%, 0.43%

LAB 26.26, 61.65, -85.82

 

CMYK 0 / 90 / 77 / 22

HEX #C7132E

RGB 199 19 46

HSL 351, 0.83%, 0.43%

LAB 42.47, 65.23, 35.58

 

CMYK 5 / 0 / 90 / 22

HEX #BEC713

RGB 190 199 19

HSL 63, 0.83%, 0.43%

LAB 77.19, -21.5, 75.45

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 59 / 90 / 0 / 22

HEX #5213C7

RGB 82 19 199

HSL 261, 0.83%, 0.43%

LAB 30.36, 64.37, -78.89

 

CMYK 0 / 90 / 77 / 22

HEX #C7132E

RGB 199 19 46

HSL 351, 0.83%, 0.43%

LAB 42.47, 65.23, 35.58

 

CMYK 32 / 0 / 90 / 22

HEX #88C713

RGB 136 199 19

HSL 81, 0.83%, 0.43%

LAB 73.63, -43.29, 71.11

 

Description

Color code: RGB 20 198 174 | qconv.com Color code: RGB 20 198 174 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 198 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 198 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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