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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D453 it is the complementary color #EA2BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D453 shade: #1AD44E, #2BE661, #3CF874, #4DFF87 and #5EFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D453 shade: #15D453, #04C240, #00B02D, #009E1A and #008C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D453 shade: #15D553, #15D51F, #3ED515, #72D515 and #A6D515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D453 shade: #15D553, #15D587, #15D5BB, #15BBD5 and #1587D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D453 shade matches the following richer shades: #15D553 and #02E84C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D453 shade: #15D553, #28C25A, #3BAF60, #4E9C67 and #61896E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D453 shade: #3ED515, #15D51E, #15D552, #15D585 and #15D5B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D453 shade: #0D8A36, #11AF44, #15D553, #29E968 and #4FED82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D453 shade: #15D453, #1572D5 and #D51525

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D453 shade: #15D453, #5215D5 and #D55215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D453 shade: #15D453, #1572D5, #D51598 and #D57815

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D453 shade: #15D453, #1538D5, #D51598 and #D5B215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 61 / 17

HEX #15D453

RGB 21 212 83

HSL 139.48, 0.82%, 0.46%

LAB 74.74, -69.02, 50.73

 

Complementary color

CMYK 0 / 82 / 26 / 8

HEX #EA2BAC

RGB 234 43 172

HSL 319.48, 0.82%, 0.54%

LAB 54.24, 78.82, -23.43

 

CMYK 88 / 0 / 63 / 17

HEX #1AD44E

RGB 26 212 78

HSL 136.77, 0.78%, 0.47%

LAB 74.73, -69.27, 52.89

 

CMYK 81 / 0 / 58 / 10

HEX #2BE661

RGB 43 230 97

HSL 137.33, 0.79%, 0.54%

LAB 80.72, -71.07, 51.5

 

CMYK 76 / 0 / 53 / 3

HEX #3CF874

RGB 60 248 116

HSL 137.87, 0.93%, 0.6%

LAB 86.68, -72.37, 50.04

 

CMYK 70 / 0 / 47 / 0

HEX #4DFF87

RGB 77 255 135

HSL 139.55, 1%, 0.65%

LAB 89.32, -69.56, 44.46

 

CMYK 63 / 0 / 40 / 0

HEX #5EFF9A

RGB 94 255 154

HSL 142.36, 1%, 0.68%

LAB 89.97, -63.6, 36.14

 

CMYK 90 / 0 / 61 / 17

HEX #15D453

RGB 21 212 83

HSL 139.48, 0.82%, 0.46%

LAB 74.74, -69.02, 50.73

 

CMYK 98 / 0 / 67 / 24

HEX #04C240

RGB 4 194 64

HSL 138.95, 0.96%, 0.39%

LAB 68.74, -66.53, 52.09

 

CMYK 100 / 0 / 74 / 31

HEX #00B02D

RGB 0 176 45

HSL 135.34, 1%, 0.35%

LAB 62.71, -63.2, 53.11

 

CMYK 100 / 0 / 84 / 38

HEX #009E1A

RGB 0 158 26

HSL 129.87, 1%, 0.31%

LAB 56.61, -59.31, 53.3

 

CMYK 100 / 0 / 95 / 45

HEX #008C07

RGB 0 140 7

HSL 123, 1%, 0.27%

LAB 50.42, -54.93, 51.98

 

CMYK 90 / 0 / 61 / 16

HEX #15D553

RGB 21 213 83

HSL 139.38, 0.82%, 0.46%

LAB 75.06, -69.32, 51.09

 

CMYK 90 / 0 / 85 / 16

HEX #15D51F

RGB 21 213 31

HSL 123.13, 0.82%, 0.46%

LAB 74.73, -73.51, 68.51

 

CMYK 71 / 0 / 90 / 16

HEX #3ED515

RGB 62 213 21

HSL 107.19, 0.82%, 0.46%

LAB 75.24, -69.07, 71.05

 

CMYK 46 / 0 / 90 / 16

HEX #72D515

RGB 114 213 21

HSL 90.94, 0.82%, 0.46%

LAB 76.81, -56.36, 73

 

CMYK 22 / 0 / 90 / 16

HEX #A6D515

RGB 166 213 21

HSL 74.69, 0.82%, 0.46%

LAB 79.47, -37.9, 76.27

 

CMYK 90 / 0 / 61 / 16

HEX #15D553

RGB 21 213 83

HSL 139.38, 0.82%, 0.46%

LAB 75.06, -69.32, 51.09

 

CMYK 90 / 0 / 37 / 16

HEX #15D587

RGB 21 213 135

HSL 155.63, 0.82%, 0.46%

LAB 75.76, -60.95, 26.67

 

CMYK 90 / 0 / 12 / 16

HEX #15D5BB

RGB 21 213 187

HSL 171.88, 0.82%, 0.46%

LAB 76.88, -48.67, 0.69

 

CMYK 90 / 12 / 0 / 16

HEX #15BBD5

RGB 21 187 213

HSL 188.13, 0.82%, 0.46%

LAB 69.83, -29.17, -23.96

 

CMYK 90 / 37 / 0 / 16

HEX #1587D5

RGB 21 135 213

HSL 204.38, 0.82%, 0.46%

LAB 54.33, -0.98, -48.12

 

CMYK 90 / 0 / 61 / 16

HEX #15D553

RGB 21 213 83

HSL 139.38, 0.82%, 0.46%

LAB 75.06, -69.32, 51.09

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 90 / 0 / 61 / 16

HEX #15D553

RGB 21 213 83

HSL 139.38, 0.82%, 0.46%

LAB 75.06, -69.32, 51.09

 

CMYK 79 / 0 / 54 / 24

HEX #28C25A

RGB 40 194 90

HSL 139.48, 0.66%, 0.46%

LAB 69.31, -60.65, 41.13

 

CMYK 66 / 0 / 45 / 31

HEX #3BAF60

RGB 59 175 96

HSL 139.14, 0.5%, 0.46%

LAB 63.7, -49.93, 31.19

 

CMYK 50 / 0 / 34 / 39

HEX #4E9C67

RGB 78 156 103

HSL 139.23, 0.33%, 0.46%

LAB 58.39, -36.32, 20.56

 

CMYK 29 / 0 / 20 / 46

HEX #61896E

RGB 97 137 110

HSL 139.5, 0.17%, 0.46%

LAB 53.56, -19.82, 10.09

 

CMYK 71 / 0 / 90 / 16

HEX #3ED515

RGB 62 213 21

HSL 107.19, 0.82%, 0.46%

LAB 75.24, -69.07, 71.05

 

CMYK 90 / 0 / 86 / 16

HEX #15D51E

RGB 21 213 30

HSL 122.81, 0.82%, 0.46%

LAB 74.72, -73.55, 68.72

 

CMYK 90 / 0 / 62 / 16

HEX #15D552

RGB 21 213 82

HSL 139.06, 0.82%, 0.46%

LAB 75.05, -69.44, 51.52

 

CMYK 90 / 0 / 38 / 16

HEX #15D585

RGB 21 213 133

HSL 155, 0.82%, 0.46%

LAB 75.73, -61.34, 27.66

 

CMYK 90 / 0 / 14 / 16

HEX #15D5B8

RGB 21 213 184

HSL 170.94, 0.82%, 0.46%

LAB 76.81, -49.47, 2.18

 

CMYK 91 / 0 / 61 / 46

HEX #0D8A36

RGB 13 138 54

HSL 139.68, 0.83%, 0.3%

LAB 50.13, -49.64, 35.68

 

CMYK 90 / 0 / 61 / 31

HEX #11AF44

RGB 17 175 68

HSL 139.37, 0.82%, 0.38%

LAB 62.67, -59.6, 43.59

 

CMYK 90 / 0 / 61 / 16

HEX #15D553

RGB 21 213 83

HSL 139.38, 0.82%, 0.46%

LAB 75.06, -69.32, 51.09

 

CMYK 82 / 0 / 55 / 9

HEX #29E968

RGB 41 233 104

HSL 139.69, 0.81%, 0.54%

LAB 81.7, -71.3, 49.49

 

CMYK 67 / 0 / 45 / 7

HEX #4FED82

RGB 79 237 130

HSL 139.37, 0.81%, 0.62%

LAB 83.88, -63.69, 39.99

 

CMYK 90 / 0 / 61 / 17

HEX #15D453

RGB 21 212 83

HSL 139.48, 0.82%, 0.46%

LAB 74.74, -69.02, 50.73

 

CMYK 90 / 46 / 0 / 16

HEX #1572D5

RGB 21 114 213

HSL 210.94, 0.82%, 0.46%

LAB 48.26, 11.94, -57.84

 

CMYK 0 / 90 / 83 / 16

HEX #D51525

RGB 213 21 37

HSL 355, 0.82%, 0.46%

LAB 45.38, 68.29, 44.55

 

CMYK 90 / 0 / 61 / 17

HEX #15D453

RGB 21 212 83

HSL 139.48, 0.82%, 0.46%

LAB 74.74, -69.02, 50.73

 

CMYK 62 / 90 / 0 / 16

HEX #5215D5

RGB 82 21 213

HSL 259.06, 0.82%, 0.46%

LAB 32.11, 67.31, -84.14

 

CMYK 0 / 62 / 90 / 16

HEX #D55215

RGB 213 82 21

HSL 19.06, 0.82%, 0.46%

LAB 52.1, 49.12, 56.99

 

CMYK 90 / 0 / 61 / 17

HEX #15D453

RGB 21 212 83

HSL 139.48, 0.82%, 0.46%

LAB 74.74, -69.02, 50.73

 

CMYK 90 / 46 / 0 / 16

HEX #1572D5

RGB 21 114 213

HSL 210.94, 0.82%, 0.46%

LAB 48.26, 11.94, -57.84

 

CMYK 0 / 90 / 29 / 16

HEX #D51598

RGB 213 21 152

HSL 319.06, 0.82%, 0.46%

LAB 48.2, 76.04, -21.2

 

CMYK 0 / 44 / 90 / 16

HEX #D57815

RGB 213 120 21

HSL 30.94, 0.82%, 0.46%

LAB 59.56, 30.28, 62.5

 

CMYK 90 / 0 / 61 / 17

HEX #15D453

RGB 21 212 83

HSL 139.48, 0.82%, 0.46%

LAB 74.74, -69.02, 50.73

 

CMYK 90 / 74 / 0 / 16

HEX #1538D5

RGB 21 56 213

HSL 229.06, 0.82%, 0.46%

LAB 33.55, 48.81, -81.88

 

CMYK 0 / 90 / 29 / 16

HEX #D51598

RGB 213 21 152

HSL 319.06, 0.82%, 0.46%

LAB 48.2, 76.04, -21.2

 

CMYK 0 / 16 / 90 / 16

HEX #D5B215

RGB 213 178 21

HSL 49.06, 0.82%, 0.46%

LAB 73.57, -0.78, 73.17

 

Description

Color code: HEX #15D453 | qconv.com Color code: HEX #15D453 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 212 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 212 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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