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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02E84C it is the complementary color #FD17B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02E84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02E84C shade: #07E847, #18FA5A, #29FF6D, #3AFF80 and #4BFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02E84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02E84C shade: #02E84C, #00D639, #00C426, #00B213 and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02E84C shade: #02E84C, #02E80E, #34E802, #72E802 and #B0E802

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02E84C shade: #02E84C, #02E88A, #02E8C8, #02CAE8 and #028CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02E84C shade matches the following richer shades: #02E84C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02E84C shade: #02E84C, #15D553, #28C259, #3BAF60 and #4E9C67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02E84C shade: #34E802, #02E80D, #02E84B, #02E888 and #02E8C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02E84C shade: #019631, #01BF3E, #02E84C, #17FC61 and #40FD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02E84C shade: #02E84C, #0271E8 and #E80215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02E84C shade: #02E84C, #4B02E8 and #E84B02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02E84C shade: #02E84C, #0271E8, #E8029F and #E87902

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02E84C shade: #02E84C, #022CE8, #E8029F and #E8BE02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

Complementary color

CMYK 0 / 91 / 29 / 1

HEX #FD17B3

RGB 253 23 179

HSL 319.3, 0.98%, 0.54%

LAB 56.83, 86.86, -23.23

 

CMYK 97 / 0 / 69 / 9

HEX #07E847

RGB 7 232 71

HSL 137.07, 0.94%, 0.47%

LAB 80.86, -76.75, 62.32

 

CMYK 90 / 0 / 64 / 2

HEX #18FA5A

RGB 24 250 90

HSL 137.52, 0.96%, 0.54%

LAB 86.65, -79.35, 61.2

 

CMYK 84 / 0 / 57 / 0

HEX #29FF6D

RGB 41 255 109

HSL 139.07, 1%, 0.58%

LAB 88.49, -77.48, 55.29

 

CMYK 77 / 0 / 50 / 0

HEX #3AFF80

RGB 58 255 128

HSL 141.32, 1%, 0.61%

LAB 88.91, -73.19, 47.2

 

CMYK 71 / 0 / 42 / 0

HEX #4BFF93

RGB 75 255 147

HSL 144, 1%, 0.65%

LAB 89.45, -67.95, 38.82

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 100 / 0 / 73 / 16

HEX #00D639

RGB 0 214 57

HSL 135.98, 1%, 0.42%

LAB 75.07, -73.1, 61.38

 

CMYK 100 / 0 / 81 / 23

HEX #00C426

RGB 0 196 38

HSL 131.63, 1%, 0.38%

LAB 69.2, -69.39, 61.68

 

CMYK 100 / 0 / 89 / 30

HEX #00B213

RGB 0 178 19

HSL 126.4, 1%, 0.35%

LAB 63.25, -65.3, 60.85

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 99 / 0 / 94 / 9

HEX #02E80E

RGB 2 232 14

HSL 123.13, 0.98%, 0.46%

LAB 80.6, -79.94, 76.21

 

CMYK 78 / 0 / 99 / 9

HEX #34E802

RGB 52 232 2

HSL 106.96, 0.98%, 0.46%

LAB 80.99, -76.55, 77.76

 

CMYK 51 / 0 / 99 / 9

HEX #72E802

RGB 114 232 2

HSL 90.78, 0.98%, 0.46%

LAB 82.54, -63.61, 79.65

 

CMYK 24 / 0 / 99 / 9

HEX #B0E802

RGB 176 232 2

HSL 74.61, 0.98%, 0.46%

LAB 85.48, -42.66, 83.2

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 99 / 0 / 41 / 9

HEX #02E88A

RGB 2 232 138

HSL 155.48, 0.98%, 0.46%

LAB 81.6, -67.61, 32.88

 

CMYK 99 / 0 / 14 / 9

HEX #02E8C8

RGB 2 232 200

HSL 171.65, 0.98%, 0.46%

LAB 82.86, -53.6, 2.46

 

CMYK 99 / 13 / 0 / 9

HEX #02CAE8

RGB 2 202 232

HSL 187.83, 0.98%, 0.46%

LAB 74.88, -30.91, -26.56

 

CMYK 99 / 40 / 0 / 9

HEX #028CE8

RGB 2 140 232

HSL 204, 0.98%, 0.46%

LAB 56.68, 2.62, -55.03

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 90 / 0 / 61 / 16

HEX #15D553

RGB 21 213 83

HSL 139.38, 0.82%, 0.46%

LAB 75.06, -69.32, 51.09

 

CMYK 79 / 0 / 54 / 24

HEX #28C259

RGB 40 194 89

HSL 139.09, 0.66%, 0.46%

LAB 69.3, -60.8, 41.59

 

CMYK 66 / 0 / 45 / 31

HEX #3BAF60

RGB 59 175 96

HSL 139.14, 0.5%, 0.46%

LAB 63.7, -49.93, 31.19

 

CMYK 50 / 0 / 34 / 39

HEX #4E9C67

RGB 78 156 103

HSL 139.23, 0.33%, 0.46%

LAB 58.39, -36.32, 20.56

 

CMYK 78 / 0 / 99 / 9

HEX #34E802

RGB 52 232 2

HSL 106.96, 0.98%, 0.46%

LAB 80.99, -76.55, 77.76

 

CMYK 99 / 0 / 94 / 9

HEX #02E80D

RGB 2 232 13

HSL 122.87, 0.98%, 0.46%

LAB 80.6, -79.96, 76.31

 

CMYK 99 / 0 / 68 / 9

HEX #02E84B

RGB 2 232 75

HSL 139.04, 0.98%, 0.46%

LAB 80.87, -76.53, 60.8

 

CMYK 99 / 0 / 41 / 9

HEX #02E888

RGB 2 232 136

HSL 154.96, 0.98%, 0.46%

LAB 81.57, -67.98, 33.85

 

CMYK 99 / 0 / 15 / 9

HEX #02E8C5

RGB 2 232 197

HSL 170.87, 0.98%, 0.46%

LAB 82.78, -54.38, 3.93

 

CMYK 99 / 0 / 67 / 41

HEX #019631

RGB 1 150 49

HSL 139.33, 0.99%, 0.3%

LAB 54.07, -54.92, 42.42

 

CMYK 99 / 0 / 68 / 25

HEX #01BF3E

RGB 1 191 62

HSL 139.26, 0.99%, 0.38%

LAB 67.74, -65.97, 51.82

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 91 / 0 / 62 / 1

HEX #17FC61

RGB 23 252 97

HSL 139.39, 0.97%, 0.54%

LAB 87.32, -79.22, 59.06

 

CMYK 75 / 0 / 51 / 1

HEX #40FD7C

RGB 64 253 124

HSL 139.05, 0.98%, 0.62%

LAB 88.35, -72.37, 48.39

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 99 / 51 / 0 / 9

HEX #0271E8

RGB 2 113 232

HSL 211.04, 0.98%, 0.46%

LAB 49.07, 19.37, -67.28

 

CMYK 0 / 99 / 91 / 9

HEX #E80215

RGB 232 2 21

HSL 355.04, 0.98%, 0.46%

LAB 48.58, 74.61, 56.24

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 68 / 99 / 0 / 9

HEX #4B02E8

RGB 75 2 232

HSL 259.04, 0.98%, 0.46%

LAB 32.62, 74.8, -94.23

 

CMYK 0 / 68 / 99 / 9

HEX #E84B02

RGB 232 75 2

HSL 19.04, 0.98%, 0.46%

LAB 54.23, 58.39, 64.59

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 99 / 51 / 0 / 9

HEX #0271E8

RGB 2 113 232

HSL 211.04, 0.98%, 0.46%

LAB 49.07, 19.37, -67.28

 

CMYK 0 / 99 / 31 / 9

HEX #E8029F

RGB 232 2 159

HSL 319.04, 0.98%, 0.46%

LAB 51.5, 82.37, -20

 

CMYK 0 / 48 / 99 / 9

HEX #E87902

RGB 232 121 2

HSL 31.04, 0.98%, 0.46%

LAB 62.37, 37.3, 69.22

 

CMYK 99 / 0 / 67 / 9

HEX #02E84C

RGB 2 232 76

HSL 139.3, 0.98%, 0.46%

LAB 80.88, -76.44, 60.42

 

CMYK 99 / 81 / 0 / 9

HEX #022CE8

RGB 2 44 232

HSL 229.04, 0.98%, 0.46%

LAB 33.22, 60.95, -93.32

 

CMYK 0 / 99 / 31 / 9

HEX #E8029F

RGB 232 2 159

HSL 319.04, 0.98%, 0.46%

LAB 51.5, 82.37, -20

 

CMYK 0 / 18 / 99 / 9

HEX #E8BE02

RGB 232 190 2

HSL 49.04, 0.98%, 0.46%

LAB 78.45, 1.03, 79.96

 

Description

Color code: HEX #02E84C | qconv.com Color code: HEX #02E84C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 232 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 232 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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