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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15B1A4 it is the complementary color #EA4E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15B1A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15B1A4 shade: #1AB19F, #2BC3B2, #3CD5C5, #4DE7D8 and #5EF9EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15B1A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15B1A4 shade: #15B1A4, #049F91, #008D7E, #007B6B and #006958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15B1A4 shade: #14B2A4, #14B27A, #14B250, #14B225 and #2EB214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15B1A4 shade: #14B2A4, #1494B2, #146AB2, #143FB2 and #1415B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15B1A4 shade matches the following richer shades: #14B2A4 and #04C2B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15B1A4 shade: #14B2A4, #24A197, #35918A, #45817C and #55716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15B1A4 shade: #14B251, #14B27B, #14B2A4, #1495B2 and #146BB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15B1A4 shade: #0C6860, #108D82, #14B2A4, #19D6C7 and #32E6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15B1A4 shade: #15B1A4, #2714B2 and #B26614

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15B1A4 shade: #15B1A4, #A414B2 and #B2A414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15B1A4 shade: #15B1A4, #2714B2, #B21421 and #9FB214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15B1A4 shade: #15B1A4, #5614B2, #B21421 and #70B214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

Complementary color

CMYK 0 / 67 / 61 / 8

HEX #EA4E5B

RGB 234 78 91

HSL 355, 0.79%, 0.61%

LAB 55.78, 60.69, 26.72

 

CMYK 85 / 0 / 10 / 31

HEX #1AB19F

RGB 26 177 159

HSL 172.85, 0.74%, 0.4%

LAB 65.09, -40.67, -1.26

 

CMYK 78 / 0 / 9 / 24

HEX #2BC3B2

RGB 43 195 178

HSL 173.29, 0.64%, 0.47%

LAB 71.39, -41.84, -2.45

 

CMYK 72 / 0 / 8 / 16

HEX #3CD5C5

RGB 60 213 197

HSL 173.73, 0.65%, 0.54%

LAB 77.63, -42.69, -3.53

 

CMYK 67 / 0 / 6 / 9

HEX #4DE7D8

RGB 77 231 216

HSL 174.16, 0.76%, 0.6%

LAB 83.8, -43.3, -4.51

 

CMYK 62 / 0 / 6 / 2

HEX #5EF9EB

RGB 94 249 235

HSL 174.58, 0.93%, 0.67%

LAB 89.92, -43.75, -5.41

 

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

CMYK 97 / 0 / 9 / 38

HEX #049F91

RGB 4 159 145

HSL 174.58, 0.95%, 0.32%

LAB 58.85, -37.86, -2.59

 

CMYK 100 / 0 / 11 / 45

HEX #008D7E

RGB 0 141 126

HSL 173.62, 1%, 0.28%

LAB 52.46, -35.57, -1.09

 

CMYK 100 / 0 / 13 / 52

HEX #007B6B

RGB 0 123 107

HSL 172.2, 1%, 0.24%

LAB 45.94, -33.05, 0.53

 

CMYK 100 / 0 / 16 / 59

HEX #006958

RGB 0 105 88

HSL 170.29, 1%, 0.21%

LAB 39.25, -30.47, 2.23

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 89 / 0 / 31 / 30

HEX #14B27A

RGB 20 178 122

HSL 158.73, 0.8%, 0.39%

LAB 64.48, -50.88, 18.25

 

CMYK 89 / 0 / 55 / 30

HEX #14B250

RGB 20 178 80

HSL 142.78, 0.8%, 0.39%

LAB 63.81, -58.71, 39.26

 

CMYK 89 / 0 / 79 / 30

HEX #14B225

RGB 20 178 37

HSL 126.46, 0.8%, 0.39%

LAB 63.44, -63.27, 56.55

 

CMYK 74 / 0 / 89 / 30

HEX #2EB214

RGB 46 178 20

HSL 110.13, 0.8%, 0.39%

LAB 63.73, -61, 61.26

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 89 / 17 / 0 / 30

HEX #1494B2

RGB 20 148 178

HSL 191.39, 0.8%, 0.39%

LAB 56.63, -21.14, -24.7

 

CMYK 89 / 40 / 0 / 30

HEX #146AB2

RGB 20 106 178

HSL 207.34, 0.8%, 0.39%

LAB 43.76, 3.16, -44.89

 

CMYK 89 / 65 / 0 / 30

HEX #143FB2

RGB 20 63 178

HSL 223.67, 0.8%, 0.39%

LAB 31.62, 31.58, -64.54

 

CMYK 89 / 88 / 0 / 30

HEX #1415B2

RGB 20 21 178

HSL 239.62, 0.8%, 0.39%

LAB 23.34, 54.85, -78.25

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 98 / 0 / 8 / 24

HEX #04C2B2

RGB 4 194 178

HSL 174.95, 0.96%, 0.39%

LAB 70.75, -43.71, -3.44

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 78 / 0 / 6 / 37

HEX #24A197

RGB 36 161 151

HSL 175.2, 0.63%, 0.39%

LAB 59.98, -34.84, -4.29

 

CMYK 63 / 0 / 5 / 43

HEX #35918A

RGB 53 145 138

HSL 175.43, 0.46%, 0.39%

LAB 54.91, -28.53, -4.32

 

CMYK 47 / 0 / 4 / 49

HEX #45817C

RGB 69 129 124

HSL 175, 0.3%, 0.39%

LAB 50, -20.8, -3.36

 

CMYK 25 / 0 / 2 / 56

HEX #55716F

RGB 85 113 111

HSL 175.71, 0.14%, 0.39%

LAB 45.48, -10.6, -2.22

 

CMYK 89 / 0 / 54 / 30

HEX #14B251

RGB 20 178 81

HSL 143.16, 0.8%, 0.39%

LAB 63.82, -58.57, 38.79

 

CMYK 89 / 0 / 31 / 30

HEX #14B27B

RGB 20 178 123

HSL 159.11, 0.8%, 0.39%

LAB 64.5, -50.66, 17.73

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 89 / 16 / 0 / 30

HEX #1495B2

RGB 20 149 178

HSL 191.01, 0.8%, 0.39%

LAB 56.94, -21.66, -24.22

 

CMYK 89 / 40 / 0 / 30

HEX #146BB2

RGB 20 107 178

HSL 206.96, 0.8%, 0.39%

LAB 44.06, 2.53, -44.41

 

CMYK 88 / 0 / 8 / 59

HEX #0C6860

RGB 12 104 96

HSL 174.78, 0.79%, 0.23%

LAB 39.28, -26.59, -2.6

 

CMYK 89 / 0 / 8 / 45

HEX #108D82

RGB 16 141 130

HSL 174.72, 0.8%, 0.31%

LAB 52.7, -33.52, -3.04

 

CMYK 89 / 0 / 8 / 30

HEX #14B2A4

RGB 20 178 164

HSL 174.68, 0.8%, 0.39%

LAB 65.49, -40.08, -3.46

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C7

RGB 25 214 199

HSL 175.24, 0.79%, 0.47%

LAB 77.53, -45.61, -4.79

 

CMYK 78 / 0 / 7 / 10

HEX #32E6D7

RGB 50 230 215

HSL 175, 0.78%, 0.55%

LAB 83.01, -46.29, -5.2

 

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

CMYK 78 / 89 / 0 / 30

HEX #2714B2

RGB 39 20 178

HSL 247.22, 0.8%, 0.39%

LAB 24.15, 55.87, -76.87

 

CMYK 0 / 43 / 89 / 30

HEX #B26614

RGB 178 102 20

HSL 31.14, 0.8%, 0.39%

LAB 50.71, 25.11, 53.89

 

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

CMYK 8 / 89 / 0 / 30

HEX #A414B2

RGB 164 20 178

HSL 294.68, 0.8%, 0.39%

LAB 40.58, 70.35, -49.31

 

CMYK 0 / 8 / 89 / 30

HEX #B2A414

RGB 178 164 20

HSL 54.68, 0.8%, 0.39%

LAB 66.57, -8.94, 66.47

 

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

CMYK 78 / 89 / 0 / 30

HEX #2714B2

RGB 39 20 178

HSL 247.22, 0.8%, 0.39%

LAB 24.15, 55.87, -76.87

 

CMYK 0 / 89 / 81 / 30

HEX #B21421

RGB 178 20 33

HSL 355.06, 0.8%, 0.39%

LAB 37.98, 59.1, 37.08

 

CMYK 11 / 0 / 89 / 30

HEX #9FB214

RGB 159 178 20

HSL 67.22, 0.8%, 0.39%

LAB 68.94, -24.39, 67.72

 

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

CMYK 52 / 89 / 0 / 30

HEX #5614B2

RGB 86 20 178

HSL 265.06, 0.8%, 0.39%

LAB 28.62, 59.34, -69.32

 

CMYK 0 / 89 / 81 / 30

HEX #B21421

RGB 178 20 33

HSL 355.06, 0.8%, 0.39%

LAB 37.98, 59.1, 37.08

 

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

Description

Color code: HEX #15B1A4 | qconv.com Color code: HEX #15B1A4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 177 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 177 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 7 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 7% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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