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Color name
RGB 112 178 20

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 178 20 it is the complementary color RGB 143 77 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 178 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 178 20 shade: RGB 117 178 15, RGB 134 196 34, RGB 151 214 53, RGB 168 232 72 and RGB 185 250 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 178 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 178 20 shade: RGB 112 178 20, RGB 95 160 1, RGB 78 142 0, RGB 61 124 0 and RGB 44 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 178 20 shade: RGB 112 179 19, RGB 155 179 19, RGB 179 159 19, RGB 179 116 19 and RGB 179 73 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 178 20 shade: RGB 112 179 19, RGB 69 179 19, RGB 26 179 19, RGB 19 179 55 and RGB 19 179 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 178 20 shade matches the following richer shades: RGB 112 179 19 and RGB 115 195 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 178 20 shade: RGB 112 179 19, RGB 109 162 35, RGB 107 146 52, RGB 104 130 68 and RGB 101 114 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 178 20 shade: RGB 179 160 19, RGB 155 179 19, RGB 112 179 19, RGB 70 179 19 and RGB 27 179 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 178 20 shade: RGB 65 104 11, RGB 89 141 15, RGB 112 179 19, RGB 135 216 24 and RGB 155 232 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 178 20 shade: RGB 112 178 20, RGB 19 179 118 and RGB 179 19 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 178 20 shade: RGB 112 178 20, RGB 19 112 179 and RGB 179 19 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 178 20 shade: RGB 112 178 20, RGB 19 179 118, RGB 86 19 179 and RGB 179 19 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 178 20 shade: RGB 112 178 20, RGB 19 179 165, RGB 86 19 179 and RGB 179 19 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

Complementary color

CMYK 39 / 67 / 0 / 8

HEX #8F4DEB

RGB 143 77 235

HSL 265.06, 0.8%, 0.61%

LAB 48.44, 58.75, -69.65

 

CMYK 34 / 0 / 92 / 30

HEX #75B20F

RGB 117 178 15

HSL 82.45, 0.84%, 0.38%

LAB 66.26, -41.44, 65.28

 

CMYK 32 / 0 / 83 / 23

HEX #86C422

RGB 134 196 34

HSL 82.96, 0.7%, 0.45%

LAB 72.67, -42.3, 67.2

 

CMYK 29 / 0 / 75 / 16

HEX #97D635

RGB 151 214 53

HSL 83.48, 0.66%, 0.52%

LAB 79, -42.92, 67.91

 

CMYK 28 / 0 / 69 / 9

HEX #A8E848

RGB 168 232 72

HSL 84, 0.78%, 0.6%

LAB 85.25, -43.38, 67.87

 

CMYK 26 / 0 / 64 / 2

HEX #B9FA5B

RGB 185 250 91

HSL 84.53, 0.94%, 0.67%

LAB 91.43, -43.71, 67.38

 

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

CMYK 41 / 0 / 99 / 37

HEX #5FA001

RGB 95 160 1

HSL 84.53, 0.99%, 0.32%

LAB 59.5, -42.11, 61.34

 

CMYK 45 / 0 / 100 / 44

HEX #4E8E00

RGB 78 142 0

HSL 87.04, 1%, 0.28%

LAB 52.91, -40.65, 56.01

 

CMYK 51 / 0 / 100 / 51

HEX #3D7C00

RGB 61 124 0

HSL 90.48, 1%, 0.24%

LAB 46.19, -39.04, 50.43

 

CMYK 58 / 0 / 100 / 58

HEX #2C6A00

RGB 44 106 0

HSL 95.09, 1%, 0.21%

LAB 39.32, -37.23, 44.74

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 13 / 0 / 89 / 30

HEX #9BB313

RGB 155 179 19

HSL 69, 0.81%, 0.39%

LAB 68.94, -26.6, 67.78

 

CMYK 0 / 11 / 89 / 30

HEX #B39F13

RGB 179 159 19

HSL 52.5, 0.81%, 0.39%

LAB 65.3, -5.87, 65.7

 

CMYK 0 / 35 / 89 / 30

HEX #B37413

RGB 179 116 19

HSL 36.38, 0.81%, 0.39%

LAB 54.16, 17.76, 56.94

 

CMYK 0 / 59 / 89 / 30

HEX #B34913

RGB 179 73 19

HSL 20.25, 0.81%, 0.39%

LAB 44.8, 40.66, 49.67

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 61 / 0 / 89 / 30

HEX #45B313

RGB 69 179 19

HSL 101.25, 0.81%, 0.39%

LAB 64.61, -56.67, 62.42

 

CMYK 85 / 0 / 89 / 30

HEX #1AB313

RGB 26 179 19

HSL 117.38, 0.81%, 0.39%

LAB 63.76, -63.95, 61.36

 

CMYK 89 / 0 / 69 / 30

HEX #13B337

RGB 19 179 55

HSL 133.5, 0.81%, 0.39%

LAB 63.88, -62.17, 50.55

 

CMYK 89 / 0 / 45 / 30

HEX #13B362

RGB 19 179 98

HSL 149.63, 0.81%, 0.39%

LAB 64.37, -56.18, 30.89

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 41 / 0 / 98 / 24

HEX #73C303

RGB 115 195 3

HSL 85, 0.97%, 0.39%

LAB 71.34, -49.4, 70.76

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 33 / 0 / 78 / 36

HEX #6DA223

RGB 109 162 35

HSL 85.04, 0.64%, 0.39%

LAB 60.97, -36.72, 55.76

 

CMYK 27 / 0 / 64 / 43

HEX #6B9234

RGB 107 146 52

HSL 84.89, 0.47%, 0.39%

LAB 56.02, -28.92, 44.15

 

CMYK 20 / 0 / 48 / 49

HEX #688244

RGB 104 130 68

HSL 85.16, 0.31%, 0.39%

LAB 51.07, -20.48, 30.41

 

CMYK 11 / 0 / 26 / 55

HEX #657254

RGB 101 114 84

HSL 86, 0.15%, 0.39%

LAB 46.23, -10.73, 15.05

 

CMYK 0 / 11 / 89 / 30

HEX #B3A013

RGB 179 160 19

HSL 52.88, 0.81%, 0.39%

LAB 65.57, -6.4, 65.91

 

CMYK 13 / 0 / 89 / 30

HEX #9BB313

RGB 155 179 19

HSL 69, 0.81%, 0.39%

LAB 68.94, -26.6, 67.78

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 61 / 0 / 89 / 30

HEX #46B313

RGB 70 179 19

HSL 100.88, 0.81%, 0.39%

LAB 64.64, -56.43, 62.45

 

CMYK 85 / 0 / 89 / 30

HEX #1BB313

RGB 27 179 19

HSL 117, 0.81%, 0.39%

LAB 63.77, -63.85, 61.37

 

CMYK 38 / 0 / 89 / 59

HEX #41680B

RGB 65 104 11

HSL 85.16, 0.81%, 0.23%

LAB 39.66, -28.45, 42.59

 

CMYK 37 / 0 / 89 / 45

HEX #598D0F

RGB 89 141 15

HSL 84.76, 0.81%, 0.31%

LAB 53.18, -35.82, 53.79

 

CMYK 37 / 0 / 89 / 30

HEX #70B313

RGB 112 179 19

HSL 85.13, 0.81%, 0.39%

LAB 66.31, -43.59, 64.55

 

CMYK 38 / 0 / 89 / 15

HEX #87D818

RGB 135 216 24

HSL 85.31, 0.8%, 0.47%

LAB 78.65, -50.59, 74.42

 

CMYK 33 / 0 / 79 / 9

HEX #9BE831

RGB 155 232 49

HSL 85.25, 0.8%, 0.55%

LAB 84.43, -49.28, 74.25

 

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

CMYK 89 / 0 / 34 / 30

HEX #13B376

RGB 19 179 118

HSL 157.13, 0.81%, 0.39%

LAB 64.71, -52.21, 20.73

 

CMYK 0 / 89 / 2 / 30

HEX #B313B0

RGB 179 19 176

HSL 301.13, 0.81%, 0.39%

LAB 43.04, 72.82, -44.04

 

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

CMYK 89 / 37 / 0 / 30

HEX #1370B3

RGB 19 112 179

HSL 205.13, 0.81%, 0.39%

LAB 45.61, -0.25, -42.52

 

CMYK 0 / 89 / 37 / 30

HEX #B31370

RGB 179 19 112

HSL 325.13, 0.81%, 0.39%

LAB 39.95, 64.67, -9.84

 

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

CMYK 89 / 0 / 34 / 30

HEX #13B376

RGB 19 179 118

HSL 157.13, 0.81%, 0.39%

LAB 64.71, -52.21, 20.73

 

CMYK 52 / 89 / 0 / 30

HEX #5613B3

RGB 86 19 179

HSL 265.13, 0.81%, 0.39%

LAB 28.64, 59.86, -69.89

 

CMYK 0 / 89 / 55 / 30

HEX #B31350

RGB 179 19 80

HSL 337.13, 0.81%, 0.39%

LAB 38.95, 61.89, 9.02

 

CMYK 37 / 0 / 89 / 30

HEX #70B214

RGB 112 178 20

HSL 85.06, 0.8%, 0.39%

LAB 66.01, -43.14, 64.1

 

CMYK 89 / 0 / 8 / 30

HEX #13B3A5

RGB 19 179 165

HSL 174.75, 0.81%, 0.39%

LAB 65.82, -40.29, -3.53

 

CMYK 52 / 89 / 0 / 30

HEX #5613B3

RGB 86 19 179

HSL 265.13, 0.81%, 0.39%

LAB 28.64, 59.86, -69.89

 

CMYK 0 / 89 / 82 / 30

HEX #B31321

RGB 179 19 33

HSL 354.75, 0.81%, 0.39%

LAB 38.13, 59.55, 37.3

 

Description

Color code: RGB 112 178 20 | qconv.com Color code: RGB 112 178 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 178 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 178 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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