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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15B6B3 it is the complementary color #EA494C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15B6B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15B6B3 shade: #1AB6AE, #2BC8C1, #3CDAD4, #4DECE7 and #5EFEFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15B6B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15B6B3 shade: #15B6B3, #04A4A0, #00928D, #00807A and #006E67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15B6B3 shade: #15B6B3, #15B688, #15B65C, #15B631 and #25B615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15B6B3 shade: #15B6B3, #158EB6, #1562B6, #1537B6 and #1515B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15B6B3 shade matches the following richer shades: #15B6B3 and #04C7C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15B6B3 shade: #15B6B3, #25A6A3, #369593, #468583 and #577474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15B6B3 shade: #15B65B, #15B686, #15B6B1, #1590B6 and #1566B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15B6B3 shade: #0C6C6A, #11918F, #15B6B3, #19DBD7 and #36E7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15B6B3 shade: #15B6B3, #3015B6 and #B67015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15B6B3 shade: #15B6B3, #B115B6 and #B6B115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15B6B3 shade: #15B6B3, #3015B6, #B6151A and #9BB615

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15B6B3 shade: #15B6B3, #6015B6, #B6151A and #6BB615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

Complementary color

CMYK 0 / 69 / 68 / 8

HEX #EA494C

RGB 234 73 76

HSL 358.88, 0.79%, 0.6%

LAB 54.84, 61.74, 34.22

 

CMYK 86 / 0 / 4 / 29

HEX #1AB6AE

RGB 26 182 174

HSL 176.92, 0.75%, 0.41%

LAB 67.08, -38.61, -6.65

 

CMYK 79 / 0 / 4 / 22

HEX #2BC8C1

RGB 43 200 193

HSL 177.32, 0.65%, 0.48%

LAB 73.33, -39.86, -7.75

 

CMYK 72 / 0 / 3 / 15

HEX #3CDAD4

RGB 60 218 212

HSL 177.72, 0.68%, 0.55%

LAB 79.53, -40.81, -8.74

 

CMYK 67 / 0 / 2 / 7

HEX #4DECE7

RGB 77 236 231

HSL 178.11, 0.81%, 0.61%

LAB 85.67, -41.52, -9.64

 

CMYK 63 / 0 / 2 / 0

HEX #5EFEFA

RGB 94 254 250

HSL 178.5, 0.99%, 0.68%

LAB 91.76, -42.06, -10.47

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 98 / 0 / 2 / 36

HEX #04A4A0

RGB 4 164 160

HSL 178.5, 0.95%, 0.33%

LAB 60.88, -35.64, -8.06

 

CMYK 100 / 0 / 3 / 43

HEX #00928D

RGB 0 146 141

HSL 177.95, 1%, 0.29%

LAB 54.53, -33.3, -6.69

 

CMYK 100 / 0 / 5 / 50

HEX #00807A

RGB 0 128 122

HSL 177.19, 1%, 0.25%

LAB 48.06, -30.77, -5.23

 

CMYK 100 / 0 / 6 / 57

HEX #006E67

RGB 0 110 103

HSL 176.18, 1%, 0.22%

LAB 41.42, -28.17, -3.71

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 88 / 0 / 25 / 29

HEX #15B688

RGB 21 182 136

HSL 162.86, 0.79%, 0.4%

LAB 66.05, -49.12, 12.8

 

CMYK 88 / 0 / 49 / 29

HEX #15B65C

RGB 21 182 92

HSL 146.46, 0.79%, 0.4%

LAB 65.27, -58.1, 35.1

 

CMYK 88 / 0 / 73 / 29

HEX #15B631

RGB 21 182 49

HSL 130.43, 0.79%, 0.4%

LAB 64.83, -63.47, 53.86

 

CMYK 80 / 0 / 88 / 29

HEX #25B615

RGB 37 182 21

HSL 114.04, 0.79%, 0.4%

LAB 64.89, -63.51, 62

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 88 / 22 / 0 / 29

HEX #158EB6

RGB 21 142 182

HSL 194.91, 0.79%, 0.4%

LAB 54.95, -16.45, -29.57

 

CMYK 88 / 46 / 0 / 29

HEX #1562B6

RGB 21 98 182

HSL 211.3, 0.79%, 0.4%

LAB 41.65, 9.94, -50.61

 

CMYK 88 / 70 / 0 / 29

HEX #1537B6

RGB 21 55 182

HSL 227.33, 0.79%, 0.4%

LAB 30.08, 38.35, -69.45

 

CMYK 88 / 88 / 0 / 29

HEX #1515B6

RGB 21 21 182

HSL 240, 0.79%, 0.4%

LAB 23.91, 56.04, -79.68

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 98 / 0 / 2 / 22

HEX #04C7C3

RGB 4 199 195

HSL 178.77, 0.96%, 0.4%

LAB 72.77, -40.97, -9.71

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 78 / 0 / 2 / 35

HEX #25A6A3

RGB 37 166 163

HSL 178.6, 0.64%, 0.4%

LAB 61.92, -33.55, -8.17

 

CMYK 64 / 0 / 1 / 42

HEX #369593

RGB 54 149 147

HSL 178.74, 0.47%, 0.4%

LAB 56.47, -27.74, -7.16

 

CMYK 47 / 0 / 2 / 48

HEX #468583

RGB 70 133 131

HSL 178.1, 0.31%, 0.4%

LAB 51.51, -20.75, -5.22

 

CMYK 25 / 0 / 0 / 55

HEX #577474

RGB 87 116 116

HSL 180, 0.14%, 0.4%

LAB 46.68, -10.41, -3.43

 

CMYK 88 / 0 / 50 / 29

HEX #15B65B

RGB 21 182 91

HSL 146.09, 0.79%, 0.4%

LAB 65.26, -58.27, 35.59

 

CMYK 88 / 0 / 26 / 29

HEX #15B686

RGB 21 182 134

HSL 162.11, 0.79%, 0.4%

LAB 66.01, -49.6, 13.84

 

CMYK 88 / 0 / 3 / 29

HEX #15B6B1

RGB 21 182 177

HSL 178.14, 0.79%, 0.4%

LAB 67.12, -38.03, -8.25

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 88 / 44 / 0 / 29

HEX #1566B6

RGB 21 102 182

HSL 209.81, 0.79%, 0.4%

LAB 42.82, 7.36, -48.72

 

CMYK 89 / 0 / 2 / 58

HEX #0C6C6A

RGB 12 108 106

HSL 178.75, 0.8%, 0.24%

LAB 40.97, -25.37, -6.2

 

CMYK 88 / 0 / 1 / 43

HEX #11918F

RGB 17 145 143

HSL 179.06, 0.79%, 0.32%

LAB 54.4, -31.37, -8.03

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 89 / 0 / 2 / 14

HEX #19DBD7

RGB 25 219 215

HSL 178.76, 0.8%, 0.48%

LAB 79.49, -43.24, -10.46

 

CMYK 77 / 0 / 1 / 9

HEX #36E7E4

RGB 54 231 228

HSL 178.98, 0.79%, 0.56%

LAB 83.72, -42.76, -11.01

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 74 / 88 / 0 / 29

HEX #3015B6

RGB 48 21 182

HSL 250.06, 0.79%, 0.4%

LAB 25.39, 57.1, -77.18

 

CMYK 0 / 38 / 88 / 29

HEX #B67015

RGB 182 112 21

HSL 33.91, 0.79%, 0.4%

LAB 53.59, 21.36, 56.1

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 3 / 88 / 0 / 29

HEX #B115B6

RGB 177 21 182

HSL 298.14, 0.79%, 0.4%

LAB 43.15, 73.07, -47.43

 

CMYK 0 / 3 / 88 / 29

HEX #B6B115

RGB 182 177 21

HSL 58.14, 0.79%, 0.4%

LAB 70.49, -13.89, 69.54

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 74 / 88 / 0 / 29

HEX #3015B6

RGB 48 21 182

HSL 250.06, 0.79%, 0.4%

LAB 25.39, 57.1, -77.18

 

CMYK 0 / 88 / 86 / 29

HEX #B6151A

RGB 182 21 26

HSL 358.14, 0.79%, 0.4%

LAB 38.82, 59.83, 41.98

 

CMYK 15 / 0 / 88 / 29

HEX #9BB615

RGB 155 182 21

HSL 70.06, 0.79%, 0.4%

LAB 69.81, -28, 68.13

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 47 / 88 / 0 / 29

HEX #6015B6

RGB 96 21 182

HSL 267.95, 0.79%, 0.4%

LAB 30.4, 61.1, -68.73

 

CMYK 0 / 88 / 86 / 29

HEX #B6151A

RGB 182 21 26

HSL 358.14, 0.79%, 0.4%

LAB 38.82, 59.83, 41.98

 

CMYK 41 / 0 / 88 / 29

HEX #6BB615

RGB 107 182 21

HSL 87.95, 0.79%, 0.4%

LAB 67, -46.52, 64.65

 

Description

Color code: HEX #15B6B3 | qconv.com Color code: HEX #15B6B3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 182 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 182 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 2 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 2% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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