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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1590B6 it is the complementary color #EA6F49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1590B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1590B6 shade: #1A90B1, #2BA2C4, #3CB4D7, #4DC6EA and #5ED8FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1590B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1590B6 shade: #1590B6, #047EA3, #006C90, #005A7D and #00486A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1590B6 shade: #1590B6, #1565B6, #1539B6, #1C15B6 and #4815B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1590B6 shade: #1590B6, #1565B6, #1539B6 and #1515B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1590B6 shade matches the following richer shades: #1590B6 and #0499C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1590B6 shade: #1590B6, #2587A6, #367F95, #467685 and #576D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1590B6 shade: #15B686, #15B6B1, #1590B6, #1566B6 and #153BB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1590B6 shade: #0C566C, #117391, #1590B6, #19ADDB and #36BDE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1590B6 shade: #1590B6, #5B15B6 and #B69B15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1590B6 shade: #1590B6, #B61590 and #90B615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1590B6 shade: #1590B6, #5B15B6, #B63B15 and #70B615

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1590B6 shade: #1590B6, #8B15B6, #B63B15 and #40B615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

Complementary color

CMYK 0 / 53 / 69 / 8

HEX #EA6F49

RGB 234 111 73

HSL 14.16, 0.79%, 0.6%

LAB 61.08, 44.98, 43.22

 

CMYK 85 / 19 / 0 / 31

HEX #1A90B1

RGB 26 144 177

HSL 193.11, 0.74%, 0.4%

LAB 55.42, -18.95, -25.98

 

CMYK 78 / 17 / 0 / 23

HEX #2BA2C4

RGB 43 162 196

HSL 193.33, 0.64%, 0.47%

LAB 61.95, -20.47, -26.63

 

CMYK 72 / 16 / 0 / 16

HEX #3CB4D7

RGB 60 180 215

HSL 193.55, 0.66%, 0.54%

LAB 68.39, -21.64, -27.2

 

CMYK 67 / 15 / 0 / 8

HEX #4DC6EA

RGB 77 198 234

HSL 193.76, 0.79%, 0.61%

LAB 74.77, -22.55, -27.72

 

CMYK 63 / 15 / 0 / 1

HEX #5ED8FD

RGB 94 216 253

HSL 193.96, 0.98%, 0.68%

LAB 81.06, -23.26, -28.19

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 98 / 23 / 0 / 36

HEX #047EA3

RGB 4 126 163

HSL 193.96, 0.95%, 0.33%

LAB 49, -15.34, -27.88

 

CMYK 100 / 25 / 0 / 44

HEX #006C90

RGB 0 108 144

HSL 195, 1%, 0.28%

LAB 42.37, -12.46, -27

 

CMYK 100 / 28 / 0 / 51

HEX #005A7D

RGB 0 90 125

HSL 196.8, 1%, 0.25%

LAB 35.58, -9.24, -26.09

 

CMYK 100 / 32 / 0 / 58

HEX #00486A

RGB 0 72 106

HSL 199.25, 1%, 0.21%

LAB 28.58, -5.82, -25.21

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 88 / 45 / 0 / 29

HEX #1565B6

RGB 21 101 182

HSL 210.19, 0.79%, 0.4%

LAB 42.53, 8, -49.19

 

CMYK 88 / 69 / 0 / 29

HEX #1539B6

RGB 21 57 182

HSL 226.58, 0.79%, 0.4%

LAB 30.55, 37.07, -68.67

 

CMYK 85 / 88 / 0 / 29

HEX #1C15B6

RGB 28 21 182

HSL 242.61, 0.79%, 0.4%

LAB 24.2, 56.24, -79.2

 

CMYK 60 / 88 / 0 / 29

HEX #4815B6

RGB 72 21 182

HSL 259.01, 0.79%, 0.4%

LAB 27.55, 58.75, -73.53

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 88 / 45 / 0 / 29

HEX #1565B6

RGB 21 101 182

HSL 210.19, 0.79%, 0.4%

LAB 42.53, 8, -49.19

 

CMYK 88 / 69 / 0 / 29

HEX #1539B6

RGB 21 57 182

HSL 226.58, 0.79%, 0.4%

LAB 30.55, 37.07, -68.67

 

CMYK 88 / 88 / 0 / 29

HEX #1515B6

RGB 21 21 182

HSL 240, 0.79%, 0.4%

LAB 23.91, 56.04, -79.68

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 98 / 23 / 0 / 22

HEX #0499C7

RGB 4 153 199

HSL 194.15, 0.96%, 0.4%

LAB 58.91, -17.06, -33.05

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 78 / 19 / 0 / 35

HEX #2587A6

RGB 37 135 166

HSL 194.42, 0.64%, 0.4%

LAB 52.37, -16.85, -24.36

 

CMYK 64 / 15 / 0 / 42

HEX #367F95

RGB 54 127 149

HSL 193.89, 0.47%, 0.4%

LAB 49.66, -15.62, -18.61

 

CMYK 47 / 11 / 0 / 48

HEX #467685

RGB 70 118 133

HSL 194.29, 0.31%, 0.4%

LAB 46.91, -12, -13.3

 

CMYK 25 / 6 / 0 / 55

HEX #576D74

RGB 87 109 116

HSL 194.48, 0.14%, 0.4%

LAB 44.55, -6.39, -6.58

 

CMYK 88 / 0 / 26 / 29

HEX #15B686

RGB 21 182 134

HSL 162.11, 0.79%, 0.4%

LAB 66.01, -49.6, 13.84

 

CMYK 88 / 0 / 3 / 29

HEX #15B6B1

RGB 21 182 177

HSL 178.14, 0.79%, 0.4%

LAB 67.12, -38.03, -8.25

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 88 / 44 / 0 / 29

HEX #1566B6

RGB 21 102 182

HSL 209.81, 0.79%, 0.4%

LAB 42.82, 7.36, -48.72

 

CMYK 88 / 68 / 0 / 29

HEX #153BB6

RGB 21 59 182

HSL 225.84, 0.79%, 0.4%

LAB 31.03, 35.79, -67.89

 

CMYK 89 / 20 / 0 / 58

HEX #0C566C

RGB 12 86 108

HSL 193.75, 0.8%, 0.24%

LAB 33.6, -12.66, -18.62

 

CMYK 88 / 21 / 0 / 43

HEX #117391

RGB 17 115 145

HSL 194.06, 0.79%, 0.32%

LAB 44.84, -15.12, -23.74

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 89 / 21 / 0 / 14

HEX #19ADDB

RGB 25 173 219

HSL 194.23, 0.8%, 0.48%

LAB 65.91, -19.85, -33.28

 

CMYK 77 / 18 / 0 / 9

HEX #36BDE7

RGB 54 189 231

HSL 194.24, 0.79%, 0.56%

LAB 71.52, -21.81, -31.13

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 50 / 88 / 0 / 29

HEX #5B15B6

RGB 91 21 182

HSL 266.09, 0.79%, 0.4%

LAB 29.76, 60.56, -69.81

 

CMYK 0 / 15 / 88 / 29

HEX #B69B15

RGB 182 155 21

HSL 49.94, 0.79%, 0.4%

LAB 64.52, -2.34, 64.79

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 0 / 88 / 21 / 29

HEX #B61590

RGB 182 21 144

HSL 314.16, 0.79%, 0.4%

LAB 41.99, 68.65, -26.44

 

CMYK 21 / 0 / 88 / 29

HEX #90B615

RGB 144 182 21

HSL 74.16, 0.79%, 0.4%

LAB 69.07, -32.54, 67.21

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 50 / 88 / 0 / 29

HEX #5B15B6

RGB 91 21 182

HSL 266.09, 0.79%, 0.4%

LAB 29.76, 60.56, -69.81

 

CMYK 0 / 68 / 88 / 29

HEX #B63B15

RGB 182 59 21

HSL 14.16, 0.79%, 0.4%

LAB 42.95, 48.11, 47.7

 

CMYK 38 / 0 / 88 / 29

HEX #70B615

RGB 112 182 21

HSL 86.09, 0.79%, 0.4%

LAB 67.24, -44.79, 64.95

 

CMYK 88 / 21 / 0 / 29

HEX #1590B6

RGB 21 144 182

HSL 194.16, 0.79%, 0.4%

LAB 55.57, -17.54, -28.61

 

CMYK 24 / 88 / 0 / 29

HEX #8B15B6

RGB 139 21 182

HSL 283.98, 0.79%, 0.4%

LAB 36.75, 66.82, -58.09

 

CMYK 0 / 68 / 88 / 29

HEX #B63B15

RGB 182 59 21

HSL 14.16, 0.79%, 0.4%

LAB 42.95, 48.11, 47.7

 

CMYK 65 / 0 / 88 / 29

HEX #40B615

RGB 64 182 21

HSL 103.98, 0.79%, 0.4%

LAB 65.44, -58.78, 62.69

 

Description

Color code: HEX #1590B6 | qconv.com Color code: HEX #1590B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 144 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 144 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 21 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 21% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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