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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14E6BD it is the complementary color #EB1942. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14E6BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14E6BD shade: #19E6B8, #2AF8CB, #3BFFDE, #4CFFF1 and #5DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14E6BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14E6BD shade: #14E6BD, #03D4AA, #00C297, #00B084 and #009E71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14E6BD shade: #13E5BC, #13E584, #13E54B, #14E513 and #4DE513

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14E6BD shade: #13E5BC, #13D6E5, #139DE5, #1365E5 and #132CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14E6BD shade matches the following richer shades: #13E5BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14E6BD shade: #13E5BC, #28D1B0, #3CBDA4, #50A997 and #64958B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14E6BD shade: #13E54B, #13E583, #13E5BB, #13D7E5 and #139FE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14E6BD shade: #0D997E, #10BF9D, #13E5BC, #35EDC9 and #5BF0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14E6BD shade: #14E6BD, #1313E5 and #E56713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14E6BD shade: #14E6BD, #BB13E5 and #E5BB13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14E6BD shade: #14E6BD, #1313E5, #E5133D and #E5E513

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14E6BD shade: #14E6BD, #5213E5, #E5133D and #A6E513

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 18 / 10

HEX #14E6BD

RGB 20 230 189

HSL 168.29, 0.84%, 0.49%

LAB 82.06, -55.09, 7.12

 

Complementary color

CMYK 0 / 89 / 72 / 8

HEX #EB1942

RGB 235 25 66

HSL 348.29, 0.84%, 0.51%

LAB 50.39, 74.21, 34.75

 

CMYK 89 / 0 / 20 / 10

HEX #19E6B8

RGB 25 230 184

HSL 166.54, 0.8%, 0.5%

LAB 81.98, -56.1, 9.64

 

CMYK 83 / 0 / 18 / 3

HEX #2AF8CB

RGB 42 248 203

HSL 166.89, 0.94%, 0.57%

LAB 87.94, -57.45, 8.25

 

CMYK 77 / 0 / 13 / 0

HEX #3BFFDE

RGB 59 255 222

HSL 169.9, 1%, 0.62%

LAB 90.65, -54.08, 2.34

 

CMYK 70 / 0 / 5 / 0

HEX #4CFFF1

RGB 76 255 241

HSL 175.31, 1%, 0.65%

LAB 91.42, -47.32, -6.35

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 91 / 0 / 18 / 10

HEX #14E6BD

RGB 20 230 189

HSL 168.29, 0.84%, 0.49%

LAB 82.06, -55.09, 7.12

 

CMYK 99 / 0 / 20 / 17

HEX #03D4AA

RGB 3 212 170

HSL 167.94, 0.97%, 0.42%

LAB 76.07, -53.3, 8.62

 

CMYK 100 / 0 / 22 / 24

HEX #00C297

RGB 0 194 151

HSL 166.7, 1%, 0.38%

LAB 70.05, -51.06, 10.26

 

CMYK 100 / 0 / 25 / 31

HEX #00B084

RGB 0 176 132

HSL 165, 1%, 0.35%

LAB 63.93, -48.68, 12

 

CMYK 100 / 0 / 28 / 38

HEX #009E71

RGB 0 158 113

HSL 162.91, 1%, 0.31%

LAB 57.7, -46.23, 13.81

 

CMYK 92 / 0 / 18 / 10

HEX #13E5BC

RGB 19 229 188

HSL 168.29, 0.85%, 0.49%

LAB 81.73, -54.99, 7.17

 

CMYK 92 / 0 / 42 / 10

HEX #13E584

RGB 19 229 132

HSL 152.29, 0.85%, 0.49%

LAB 80.65, -67.13, 34.67

 

CMYK 92 / 0 / 67 / 10

HEX #13E54B

RGB 19 229 75

HSL 136, 0.85%, 0.49%

LAB 80, -75.05, 59.89

 

CMYK 91 / 0 / 92 / 10

HEX #14E513

RGB 20 229 19

HSL 119.71, 0.85%, 0.49%

LAB 79.75, -78.33, 74.93

 

CMYK 66 / 0 / 92 / 10

HEX #4DE513

RGB 77 229 19

HSL 103.43, 0.85%, 0.49%

LAB 80.55, -71.27, 75.93

 

CMYK 92 / 0 / 18 / 10

HEX #13E5BC

RGB 19 229 188

HSL 168.29, 0.85%, 0.49%

LAB 81.73, -54.99, 7.17

 

CMYK 92 / 7 / 0 / 10

HEX #13D6E5

RGB 19 214 229

HSL 184.29, 0.85%, 0.49%

LAB 78.4, -37.07, -19.58

 

CMYK 92 / 31 / 0 / 10

HEX #139DE5

RGB 19 157 229

HSL 200.57, 0.85%, 0.49%

LAB 61.58, -7.87, -45.59

 

CMYK 92 / 56 / 0 / 10

HEX #1365E5

RGB 19 101 229

HSL 216.57, 0.85%, 0.49%

LAB 45.77, 26.42, -70.93

 

CMYK 92 / 81 / 0 / 10

HEX #132CE5

RGB 19 44 229

HSL 232.86, 0.85%, 0.49%

LAB 33.13, 60.3, -91.76

 

CMYK 92 / 0 / 18 / 10

HEX #13E5BC

RGB 19 229 188

HSL 168.29, 0.85%, 0.49%

LAB 81.73, -54.99, 7.17

 

CMYK 92 / 0 / 18 / 10

HEX #13E5BC

RGB 19 229 188

HSL 168.29, 0.85%, 0.49%

LAB 81.73, -54.99, 7.17

 

CMYK 81 / 0 / 16 / 18

HEX #28D1B0

RGB 40 209 176

HSL 168.28, 0.68%, 0.49%

LAB 75.57, -48.63, 4.71

 

CMYK 68 / 0 / 13 / 26

HEX #3CBDA4

RGB 60 189 164

HSL 168.37, 0.52%, 0.49%

LAB 69.5, -40.8, 2.47

 

CMYK 53 / 0 / 11 / 34

HEX #50A997

RGB 80 169 151

HSL 167.87, 0.36%, 0.49%

LAB 63.6, -31.17, 1.16

 

CMYK 33 / 0 / 7 / 42

HEX #64958B

RGB 100 149 139

HSL 167.76, 0.2%, 0.49%

LAB 58.1, -18.76, 0.02

 

CMYK 92 / 0 / 67 / 10

HEX #13E54B

RGB 19 229 75

HSL 136, 0.85%, 0.49%

LAB 80, -75.05, 59.89

 

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

CMYK 92 / 0 / 18 / 10

HEX #13E5BB

RGB 19 229 187

HSL 168, 0.85%, 0.49%

LAB 81.71, -55.24, 7.67

 

CMYK 92 / 6 / 0 / 10

HEX #13D7E5

RGB 19 215 229

HSL 184, 0.85%, 0.49%

LAB 78.69, -37.53, -19.13

 

CMYK 92 / 31 / 0 / 10

HEX #139FE5

RGB 19 159 229

HSL 200, 0.85%, 0.49%

LAB 62.16, -8.99, -44.67

 

CMYK 92 / 0 / 18 / 40

HEX #0D997E

RGB 13 153 126

HSL 168.43, 0.84%, 0.33%

LAB 56.46, -40.2, 4.73

 

CMYK 92 / 0 / 18 / 25

HEX #10BF9D

RGB 16 191 157

HSL 168.34, 0.85%, 0.41%

LAB 69.33, -47.75, 5.98

 

CMYK 92 / 0 / 18 / 10

HEX #13E5BC

RGB 19 229 188

HSL 168.29, 0.85%, 0.49%

LAB 81.73, -54.99, 7.17

 

CMYK 78 / 0 / 15 / 7

HEX #35EDC9

RGB 53 237 201

HSL 168.26, 0.84%, 0.57%

LAB 84.76, -52.59, 4.74

 

CMYK 62 / 0 / 12 / 6

HEX #5BF0D3

RGB 91 240 211

HSL 168.32, 0.83%, 0.65%

LAB 86.63, -46.32, 2.29

 

CMYK 91 / 0 / 18 / 10

HEX #14E6BD

RGB 20 230 189

HSL 168.29, 0.84%, 0.49%

LAB 82.06, -55.09, 7.12

 

CMYK 92 / 92 / 0 / 10

HEX #1313E5

RGB 19 19 229

HSL 240, 0.85%, 0.49%

LAB 30.06, 69.5, -96.87

 

CMYK 0 / 55 / 92 / 10

HEX #E56713

RGB 229 103 19

HSL 24, 0.85%, 0.49%

LAB 58.42, 45.23, 63.25

 

CMYK 91 / 0 / 18 / 10

HEX #14E6BD

RGB 20 230 189

HSL 168.29, 0.84%, 0.49%

LAB 82.06, -55.09, 7.12

 

CMYK 18 / 92 / 0 / 10

HEX #BB13E5

RGB 187 19 229

HSL 288, 0.85%, 0.49%

LAB 47.86, 82.66, -66.92

 

CMYK 0 / 18 / 92 / 10

HEX #E5BB13

RGB 229 187 19

HSL 48, 0.85%, 0.49%

LAB 77.43, 1.46, 77.12

 

CMYK 91 / 0 / 18 / 10

HEX #14E6BD

RGB 20 230 189

HSL 168.29, 0.84%, 0.49%

LAB 82.06, -55.09, 7.12

 

CMYK 92 / 92 / 0 / 10

HEX #1313E5

RGB 19 19 229

HSL 240, 0.85%, 0.49%

LAB 30.06, 69.5, -96.87

 

CMYK 0 / 92 / 73 / 10

HEX #E5133D

RGB 229 19 61

HSL 348, 0.85%, 0.49%

LAB 48.84, 73.33, 35.57

 

CMYK 0 / 0 / 92 / 10

HEX #E5E513

RGB 229 229 19

HSL 60, 0.85%, 0.49%

LAB 88.33, -19.69, 85.41

 

CMYK 91 / 0 / 18 / 10

HEX #14E6BD

RGB 20 230 189

HSL 168.29, 0.84%, 0.49%

LAB 82.06, -55.09, 7.12

 

CMYK 64 / 92 / 0 / 10

HEX #5213E5

RGB 82 19 229

HSL 258, 0.85%, 0.49%

LAB 33.81, 71.67, -90.53

 

CMYK 0 / 92 / 73 / 10

HEX #E5133D

RGB 229 19 61

HSL 348, 0.85%, 0.49%

LAB 48.84, 73.33, 35.57

 

CMYK 28 / 0 / 92 / 10

HEX #A6E513

RGB 166 229 19

HSL 78, 0.85%, 0.49%

LAB 84.07, -44.93, 80.25

 

Description

Color code: HEX #14E6BD | qconv.com Color code: HEX #14E6BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 230 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 230 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 18 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 18% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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