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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 229 131 it is the complementary color RGB 236 26 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 229 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 229 131 shade: RGB 24 229 126, RGB 41 247 145, RGB 58 255 164, RGB 75 255 183 and RGB 92 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 229 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 229 131 shade: RGB 19 229 131, RGB 2 211 112, RGB 0 193 93, RGB 0 175 74 and RGB 0 157 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 229 131 shade: RGB 18 231 132, RGB 18 231 74, RGB 20 231 18, RGB 77 231 18 and RGB 134 231 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 229 131 shade: RGB 18 231 132, RGB 18 231 189, RGB 18 215 231, RGB 18 158 231 and RGB 18 101 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 229 131 shade matches the following richer shades: RGB 18 231 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 229 131 shade: RGB 18 231 132, RGB 38 210 130, RGB 59 190 129, RGB 79 170 127 and RGB 99 150 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 229 131 shade: RGB 18 231 18, RGB 18 231 75, RGB 18 231 132, RGB 18 231 188 and RGB 18 216 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 229 131 shade: RGB 12 154 88, RGB 15 192 110, RGB 18 231 132, RGB 52 238 151 and RGB 90 241 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 229 131 shade: RGB 19 229 131, RGB 18 75 231 and RGB 231 47 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 229 131 shade: RGB 19 229 131, RGB 132 18 231 and RGB 231 132 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 229 131 shade: RGB 19 229 131, RGB 18 75 231, RGB 231 18 117 and RGB 231 174 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 229 131 shade: RGB 19 229 131, RGB 25 18 231, RGB 231 18 117 and RGB 224 231 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

Complementary color

CMYK 0 / 89 / 47 / 7

HEX #EC1A7C

RGB 236 26 124

HSL 332, 0.85%, 0.51%

LAB 51.87, 77.74, 1.64

 

CMYK 90 / 0 / 45 / 10

HEX #18E57E

RGB 24 229 126

HSL 149.85, 0.81%, 0.5%

LAB 80.59, -67.93, 37.58

 

CMYK 83 / 0 / 41 / 3

HEX #29F791

RGB 41 247 145

HSL 150.29, 0.93%, 0.56%

LAB 86.52, -69.46, 35.9

 

CMYK 77 / 0 / 36 / 0

HEX #3AFFA4

RGB 58 255 164

HSL 152.28, 1%, 0.61%

LAB 89.44, -67.09, 30.33

 

CMYK 71 / 0 / 28 / 0

HEX #4BFFB7

RGB 75 255 183

HSL 156, 1%, 0.65%

LAB 90.06, -61.19, 21.61

 

CMYK 64 / 0 / 21 / 0

HEX #5CFFCA

RGB 92 255 202

HSL 160.49, 1%, 0.68%

LAB 90.81, -54.52, 12.97

 

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

CMYK 99 / 0 / 47 / 17

HEX #02D370

RGB 2 211 112

HSL 151.58, 0.98%, 0.42%

LAB 74.68, -65.28, 36.95

 

CMYK 100 / 0 / 52 / 24

HEX #00C15D

RGB 0 193 93

HSL 148.91, 1%, 0.38%

LAB 68.7, -62.6, 38.85

 

CMYK 100 / 0 / 58 / 31

HEX #00AF4A

RGB 0 175 74

HSL 145.37, 1%, 0.34%

LAB 62.64, -59.66, 40.72

 

CMYK 100 / 0 / 65 / 38

HEX #009D37

RGB 0 157 55

HSL 141.02, 1%, 0.31%

LAB 56.48, -56.47, 42.43

 

CMYK 92 / 0 / 43 / 9

HEX #12E784

RGB 18 231 132

HSL 152.11, 0.86%, 0.49%

LAB 81.26, -67.85, 35.46

 

CMYK 92 / 0 / 68 / 9

HEX #12E74A

RGB 18 231 74

HSL 135.77, 0.86%, 0.49%

LAB 80.61, -75.77, 60.93

 

CMYK 91 / 0 / 92 / 9

HEX #14E712

RGB 20 231 18

HSL 119.44, 0.86%, 0.49%

LAB 80.37, -78.9, 75.58

 

CMYK 67 / 0 / 92 / 9

HEX #4DE712

RGB 77 231 18

HSL 103.38, 0.86%, 0.49%

LAB 81.17, -71.91, 76.57

 

CMYK 42 / 0 / 92 / 9

HEX #86E712

RGB 134 231 18

HSL 87.32, 0.86%, 0.49%

LAB 83.05, -56.95, 78.89

 

CMYK 92 / 0 / 43 / 9

HEX #12E784

RGB 18 231 132

HSL 152.11, 0.86%, 0.49%

LAB 81.26, -67.85, 35.46

 

CMYK 92 / 0 / 18 / 9

HEX #12E7BD

RGB 18 231 189

HSL 168.17, 0.86%, 0.49%

LAB 82.35, -55.56, 7.54

 

CMYK 92 / 7 / 0 / 9

HEX #12D7E7

RGB 18 215 231

HSL 184.51, 0.86%, 0.49%

LAB 78.75, -36.95, -20.11

 

CMYK 92 / 32 / 0 / 9

HEX #129EE7

RGB 18 158 231

HSL 200.56, 0.86%, 0.49%

LAB 61.96, -7.74, -46.09

 

CMYK 92 / 56 / 0 / 9

HEX #1265E7

RGB 18 101 231

HSL 216.62, 0.86%, 0.49%

LAB 45.91, 27.15, -71.84

 

CMYK 92 / 0 / 43 / 9

HEX #12E784

RGB 18 231 132

HSL 152.11, 0.86%, 0.49%

LAB 81.26, -67.85, 35.46

 

CMYK 92 / 0 / 43 / 9

HEX #12E784

RGB 18 231 132

HSL 152.11, 0.86%, 0.49%

LAB 81.26, -67.85, 35.46

 

CMYK 82 / 0 / 38 / 18

HEX #26D282

RGB 38 210 130

HSL 152.09, 0.69%, 0.49%

LAB 74.9, -59.61, 28.13

 

CMYK 69 / 0 / 32 / 25

HEX #3BBE81

RGB 59 190 129

HSL 152.06, 0.53%, 0.49%

LAB 69, -49.56, 20.76

 

CMYK 54 / 0 / 25 / 33

HEX #4FAA7F

RGB 79 170 127

HSL 151.65, 0.37%, 0.49%

LAB 63.3, -37.48, 14.06

 

CMYK 34 / 0 / 16 / 41

HEX #63967E

RGB 99 150 126

HSL 151.76, 0.2%, 0.49%

LAB 58.01, -22.52, 7.28

 

CMYK 92 / 0 / 92 / 9

HEX #12E712

RGB 18 231 18

HSL 120, 0.86%, 0.49%

LAB 80.36, -79, 75.57

 

CMYK 92 / 0 / 68 / 9

HEX #12E74B

RGB 18 231 75

HSL 136.06, 0.86%, 0.49%

LAB 80.62, -75.68, 60.56

 

CMYK 92 / 0 / 43 / 9

HEX #12E784

RGB 18 231 132

HSL 152.11, 0.86%, 0.49%

LAB 81.26, -67.85, 35.46

 

CMYK 92 / 0 / 19 / 9

HEX #12E7BC

RGB 18 231 188

HSL 167.89, 0.86%, 0.49%

LAB 82.33, -55.81, 8.03

 

CMYK 92 / 6 / 0 / 9

HEX #12D8E7

RGB 18 216 231

HSL 184.23, 0.86%, 0.49%

LAB 79.05, -37.41, -19.67

 

CMYK 92 / 0 / 43 / 40

HEX #0C9A58

RGB 12 154 88

HSL 152.11, 0.86%, 0.33%

LAB 55.98, -49.59, 25.28

 

CMYK 92 / 0 / 43 / 25

HEX #0FC06E

RGB 15 192 110

HSL 152.2, 0.86%, 0.41%

LAB 68.7, -58.73, 30.27

 

CMYK 92 / 0 / 43 / 9

HEX #12E784

RGB 18 231 132

HSL 152.11, 0.86%, 0.49%

LAB 81.26, -67.85, 35.46

 

CMYK 78 / 0 / 37 / 7

HEX #34EE97

RGB 52 238 151

HSL 151.94, 0.85%, 0.57%

LAB 84.02, -64.17, 29.61

 

CMYK 63 / 0 / 29 / 5

HEX #5AF1AB

RGB 90 241 171

HSL 152.19, 0.84%, 0.65%

LAB 86.02, -55.83, 22.22

 

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

CMYK 92 / 68 / 0 / 9

HEX #124BE7

RGB 18 75 231

HSL 223.94, 0.86%, 0.49%

LAB 39.46, 43.69, -82.41

 

CMYK 0 / 80 / 92 / 9

HEX #E72F12

RGB 231 47 18

HSL 8.17, 0.86%, 0.49%

LAB 50.76, 67.44, 58.6

 

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

CMYK 43 / 92 / 0 / 9

HEX #8412E7

RGB 132 18 231

HSL 272.11, 0.86%, 0.49%

LAB 39.76, 76.36, -81.64

 

CMYK 0 / 43 / 92 / 9

HEX #E78412

RGB 231 132 18

HSL 32.11, 0.86%, 0.49%

LAB 64.59, 31.38, 67.97

 

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

CMYK 92 / 68 / 0 / 9

HEX #124BE7

RGB 18 75 231

HSL 223.94, 0.86%, 0.49%

LAB 39.46, 43.69, -82.41

 

CMYK 0 / 92 / 49 / 9

HEX #E71275

RGB 231 18 117

HSL 332.11, 0.86%, 0.49%

LAB 50.34, 77.09, 3.56

 

CMYK 0 / 25 / 92 / 9

HEX #E7AE12

RGB 231 174 18

HSL 43.94, 0.86%, 0.49%

LAB 74.38, 9.14, 75.1

 

CMYK 92 / 0 / 43 / 10

HEX #13E583

RGB 19 229 131

HSL 152, 0.85%, 0.49%

LAB 80.64, -67.31, 35.15

 

CMYK 89 / 92 / 0 / 9

HEX #1912E7

RGB 25 18 231

HSL 241.97, 0.86%, 0.49%

LAB 30.42, 70.36, -97.41

 

CMYK 0 / 92 / 49 / 9

HEX #E71275

RGB 231 18 117

HSL 332.11, 0.86%, 0.49%

LAB 50.34, 77.09, 3.56

 

CMYK 3 / 0 / 92 / 9

HEX #E0E712

RGB 224 231 18

HSL 61.97, 0.86%, 0.49%

LAB 88.47, -22.75, 85.47

 

Description

Color code: RGB 19 229 131 | qconv.com Color code: RGB 19 229 131 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 229 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 229 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 43 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 43% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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