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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13667B it is the complementary color #EC9984. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13667B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13667B shade: #186676, #297889, #3A8A9C, #4B9CAF and #5CAEC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13667B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13667B shade: #13667B, #025468, #004255, #003042 and #001E2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13667B shade: #13667B, #134A7B, #132E7B, #14137B and #30137B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13667B shade: #13667B, #134A7B, #132E7B and #13137B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13667B shade matches the following richer shades: #13667B and #076D87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13667B shade: #13667B, #1E5F6F, #2A5864, #355158 and #414A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13667B shade: #137B58, #137B74, #13667B, #134A7B and #132F7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13667B shade: #082B34, #0D4857, #13667B, #18849F and #1EA1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13667B shade: #13667B, #3C137B and #7B6613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13667B shade: #13667B, #7B1366 and #667B13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13667B shade: #13667B, #3C137B, #7B2813 and #517B13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13667B shade: #13667B, #5C137B, #7B2813 and #327B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

Complementary color

CMYK 0 / 35 / 44 / 7

HEX #EC9984

RGB 236 153 132

HSL 12.12, 0.73%, 0.72%

LAB 71.06, 28.75, 23.92

 

CMYK 80 / 14 / 0 / 54

HEX #186676

RGB 24 102 118

HSL 190.21, 0.66%, 0.28%

LAB 39.59, -16.91, -15.57

 

CMYK 70 / 12 / 0 / 46

HEX #297889

RGB 41 120 137

HSL 190.63, 0.54%, 0.35%

LAB 46.59, -17.95, -16.26

 

CMYK 63 / 12 / 0 / 39

HEX #3A8A9C

RGB 58 138 156

HSL 191.02, 0.46%, 0.42%

LAB 53.47, -18.63, -16.85

 

CMYK 57 / 11 / 0 / 31

HEX #4B9CAF

RGB 75 156 175

HSL 191.4, 0.4%, 0.49%

LAB 60.22, -19.1, -17.39

 

CMYK 53 / 10 / 0 / 24

HEX #5CAEC2

RGB 92 174 194

HSL 191.76, 0.46%, 0.56%

LAB 66.86, -19.43, -17.89

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 98 / 19 / 0 / 59

HEX #025468

RGB 2 84 104

HSL 191.76, 0.96%, 0.21%

LAB 32.6, -13.83, -17.67

 

CMYK 100 / 22 / 0 / 67

HEX #004255

RGB 0 66 85

HSL 193.41, 1%, 0.17%

LAB 25.42, -10.8, -16.62

 

CMYK 100 / 27 / 0 / 74

HEX #003042

RGB 0 48 66

HSL 196.36, 1%, 0.13%

LAB 17.95, -7.38, -15.53

 

CMYK 100 / 36 / 0 / 82

HEX #001E2F

RGB 0 30 47

HSL 201.7, 1%, 0.09%

LAB 10.06, -3.6, -14.5

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 85 / 40 / 0 / 52

HEX #134A7B

RGB 19 74 123

HSL 208.27, 0.73%, 0.28%

LAB 30.56, 1.58, -32.76

 

CMYK 85 / 63 / 0 / 52

HEX #132E7B

RGB 19 46 123

HSL 224.42, 0.73%, 0.28%

LAB 22.03, 21.18, -46.52

 

CMYK 84 / 85 / 0 / 52

HEX #14137B

RGB 20 19 123

HSL 240.58, 0.73%, 0.28%

LAB 15.72, 38.58, -56.91

 

CMYK 61 / 85 / 0 / 52

HEX #30137B

RGB 48 19 123

HSL 256.73, 0.73%, 0.28%

LAB 18.03, 41.01, -53.02

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 85 / 40 / 0 / 52

HEX #134A7B

RGB 19 74 123

HSL 208.27, 0.73%, 0.28%

LAB 30.56, 1.58, -32.76

 

CMYK 85 / 63 / 0 / 52

HEX #132E7B

RGB 19 46 123

HSL 224.42, 0.73%, 0.28%

LAB 22.03, 21.18, -46.52

 

CMYK 85 / 85 / 0 / 52

HEX #13137B

RGB 19 19 123

HSL 240, 0.73%, 0.28%

LAB 15.67, 38.53, -57

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 95 / 19 / 0 / 47

HEX #076D87

RGB 7 109 135

HSL 192.19, 0.9%, 0.28%

LAB 42.36, -16.05, -21.62

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 73 / 14 / 0 / 56

HEX #1E5F6F

RGB 30 95 111

HSL 191.85, 0.57%, 0.28%

LAB 37.13, -14.58, -15.02

 

CMYK 58 / 12 / 0 / 61

HEX #2A5864

RGB 42 88 100

HSL 192.41, 0.41%, 0.28%

LAB 34.79, -11.9, -11.72

 

CMYK 40 / 8 / 0 / 65

HEX #355158

RGB 53 81 88

HSL 192, 0.25%, 0.28%

LAB 32.58, -8.44, -7.44

 

CMYK 16 / 4 / 0 / 70

HEX #414A4D

RGB 65 74 77

HSL 195, 0.08%, 0.28%

LAB 30.78, -2.89, -3.02

 

CMYK 85 / 0 / 28 / 52

HEX #137B58

RGB 19 123 88

HSL 159.81, 0.73%, 0.28%

LAB 45.65, -36.87, 11.34

 

CMYK 85 / 0 / 6 / 52

HEX #137B74

RGB 19 123 116

HSL 175.96, 0.73%, 0.28%

LAB 46.4, -29.02, -4.13

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 85 / 40 / 0 / 52

HEX #134A7B

RGB 19 74 123

HSL 208.27, 0.73%, 0.28%

LAB 30.56, 1.58, -32.76

 

CMYK 85 / 62 / 0 / 52

HEX #132F7B

RGB 19 47 123

HSL 223.85, 0.73%, 0.28%

LAB 22.31, 20.47, -46.06

 

CMYK 85 / 17 / 0 / 80

HEX #082B34

RGB 8 43 52

HSL 192.27, 0.73%, 0.12%

LAB 15.63, -8.62, -9.4

 

CMYK 85 / 17 / 0 / 66

HEX #0D4857

RGB 13 72 87

HSL 192.16, 0.74%, 0.2%

LAB 27.87, -12.27, -14.11

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 85 / 17 / 0 / 38

HEX #18849F

RGB 24 132 159

HSL 192, 0.74%, 0.36%

LAB 50.92, -18.93, -22.56

 

CMYK 85 / 17 / 0 / 24

HEX #1EA1C2

RGB 30 161 194

HSL 192.07, 0.73%, 0.44%

LAB 61.36, -21.79, -26.43

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 51 / 85 / 0 / 52

HEX #3C137B

RGB 60 19 123

HSL 263.65, 0.73%, 0.28%

LAB 19.46, 42.54, -50.61

 

CMYK 0 / 17 / 85 / 52

HEX #7B6613

RGB 123 102 19

HSL 47.88, 0.73%, 0.28%

LAB 43.89, -0.28, 45.77

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 0 / 85 / 17 / 52

HEX #7B1366

RGB 123 19 102

HSL 312.12, 0.73%, 0.28%

LAB 28.47, 50.47, -22.03

 

CMYK 17 / 0 / 85 / 52

HEX #667B13

RGB 102 123 19

HSL 72.12, 0.73%, 0.28%

LAB 48.31, -21.7, 48.92

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 51 / 85 / 0 / 52

HEX #3C137B

RGB 60 19 123

HSL 263.65, 0.73%, 0.28%

LAB 19.46, 42.54, -50.61

 

CMYK 0 / 67 / 85 / 52

HEX #7B2813

RGB 123 40 19

HSL 12.12, 0.73%, 0.28%

LAB 28.84, 35, 32.14

 

CMYK 34 / 0 / 85 / 52

HEX #517B13

RGB 81 123 19

HSL 84.23, 0.73%, 0.28%

LAB 46.92, -30.6, 47.17

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 0 / 67 / 85 / 52

HEX #7B2813

RGB 123 40 19

HSL 12.12, 0.73%, 0.28%

LAB 28.84, 35, 32.14

 

CMYK 59 / 0 / 85 / 52

HEX #327B13

RGB 50 123 19

HSL 102.12, 0.73%, 0.28%

LAB 45.48, -41.28, 45.32

 

Description

Color code: HEX #13667B | qconv.com Color code: HEX #13667B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 102 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 102 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 17 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 17% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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