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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C137B it is the complementary color #A3EC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C137B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C137B shade: #611376, #722589, #83379C, #9449AF and #A55BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C137B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C137B shade: #5C137B, #4B0168, #3A0055, #290042 and #18002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C137B shade: #5C137B, #78137B, #7B1362, #7B1346 and #7B132A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C137B shade: #5C137B, #40137B, #24137B and #13137B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C137B shade matches the following richer shades: #5C137B and #610787

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C137B shade: #5C137B, #571E6F, #532A64, #4E3558 and #49414D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C137B shade: #24137B, #40137B, #5C137B, #78137B and #7B1363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C137B shade: #270834, #410D57, #5C137B, #77189F and #911EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C137B shade: #5C137B, #7B131D and #137B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C137B shade: #5C137B, #7B5C13 and #137B5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C137B shade: #5C137B, #7B131D, #327B13 and #137B71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C137B shade: #5C137B, #7B2813, #327B13 and #13667B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

Complementary color

CMYK 31 / 0 / 44 / 7

HEX #A3EC84

RGB 163 236 132

HSL 102.12, 0.73%, 0.72%

LAB 86.72, -41.13, 43.26

 

CMYK 18 / 84 / 0 / 54

HEX #611376

RGB 97 19 118

HSL 287.27, 0.72%, 0.27%

LAB 24.69, 47.63, -38.65

 

CMYK 17 / 73 / 0 / 46

HEX #722589

RGB 114 37 137

HSL 286.2, 0.57%, 0.34%

LAB 31.13, 48.5, -40.09

 

CMYK 16 / 65 / 0 / 39

HEX #83379C

RGB 131 55 156

HSL 285.15, 0.48%, 0.41%

LAB 37.77, 48.44, -40.95

 

CMYK 15 / 58 / 0 / 31

HEX #9449AF

RGB 148 73 175

HSL 284.12, 0.41%, 0.49%

LAB 44.46, 47.95, -41.48

 

CMYK 15 / 53 / 0 / 24

HEX #A55BC2

RGB 165 91 194

HSL 283.11, 0.46%, 0.56%

LAB 51.12, 47.26, -41.84

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 28 / 99 / 0 / 59

HEX #4B0168

RGB 75 1 104

HSL 283.11, 0.98%, 0.21%

LAB 18, 45.82, -40.61

 

CMYK 32 / 100 / 0 / 67

HEX #3A0055

RGB 58 0 85

HSL 280.94, 1%, 0.17%

LAB 12.96, 39.69, -36.27

 

CMYK 38 / 100 / 0 / 74

HEX #290042

RGB 41 0 66

HSL 277.27, 1%, 0.13%

LAB 7.81, 33.01, -31.61

 

CMYK 49 / 100 / 0 / 82

HEX #18002F

RGB 24 0 47

HSL 270.64, 1%, 0.09%

LAB 3.61, 20.86, -24.66

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 2 / 85 / 0 / 52

HEX #78137B

RGB 120 19 123

HSL 298.27, 0.73%, 0.28%

LAB 29.13, 53.16, -34.47

 

CMYK 0 / 85 / 20 / 52

HEX #7B1362

RGB 123 19 98

HSL 314.42, 0.73%, 0.28%

LAB 28.27, 49.9, -19.75

 

CMYK 0 / 85 / 43 / 52

HEX #7B1346

RGB 123 19 70

HSL 330.58, 0.73%, 0.28%

LAB 27.07, 46.45, -3.02

 

CMYK 0 / 85 / 66 / 52

HEX #7B132A

RGB 123 19 42

HSL 346.73, 0.73%, 0.28%

LAB 26.29, 44.1, 14.87

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 48 / 85 / 0 / 52

HEX #40137B

RGB 64 19 123

HSL 265.96, 0.73%, 0.28%

LAB 19.99, 43.11, -49.72

 

CMYK 71 / 85 / 0 / 52

HEX #24137B

RGB 36 19 123

HSL 249.81, 0.73%, 0.28%

LAB 16.85, 39.77, -55

 

CMYK 85 / 85 / 0 / 52

HEX #13137B

RGB 19 19 123

HSL 240, 0.73%, 0.28%

LAB 15.67, 38.53, -57

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 28 / 95 / 0 / 47

HEX #610787

RGB 97 7 135

HSL 282.19, 0.9%, 0.28%

LAB 25.08, 53.97, -48.77

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 22 / 73 / 0 / 56

HEX #571E6F

RGB 87 30 111

HSL 282.22, 0.57%, 0.28%

LAB 24.01, 39.74, -35.33

 

CMYK 17 / 58 / 0 / 61

HEX #532A64

RGB 83 42 100

HSL 282.41, 0.41%, 0.28%

LAB 25, 29.78, -26.66

 

CMYK 11 / 40 / 0 / 65

HEX #4E3558

RGB 78 53 88

HSL 282.86, 0.25%, 0.28%

LAB 26.36, 18.42, -16.73

 

CMYK 5 / 16 / 0 / 70

HEX #49414D

RGB 73 65 77

HSL 280, 0.08%, 0.28%

LAB 28.73, 6.04, -5.99

 

CMYK 71 / 85 / 0 / 52

HEX #24137B

RGB 36 19 123

HSL 249.81, 0.73%, 0.28%

LAB 16.85, 39.77, -55

 

CMYK 48 / 85 / 0 / 52

HEX #40137B

RGB 64 19 123

HSL 265.96, 0.73%, 0.28%

LAB 19.99, 43.11, -49.72

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 2 / 85 / 0 / 52

HEX #78137B

RGB 120 19 123

HSL 298.27, 0.73%, 0.28%

LAB 29.13, 53.16, -34.47

 

CMYK 0 / 85 / 20 / 52

HEX #7B1363

RGB 123 19 99

HSL 313.85, 0.73%, 0.28%

LAB 28.32, 50.04, -20.32

 

CMYK 25 / 85 / 0 / 80

HEX #270834

RGB 39 8 52

HSL 282.27, 0.73%, 0.12%

LAB 7.7, 24.44, -21.69

 

CMYK 25 / 85 / 0 / 66

HEX #410D57

RGB 65 13 87

HSL 282.16, 0.74%, 0.2%

LAB 16, 36.61, -32.61

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 25 / 85 / 0 / 38

HEX #77189F

RGB 119 24 159

HSL 282.22, 0.74%, 0.36%

LAB 31.98, 58.43, -52.18

 

CMYK 25 / 85 / 0 / 24

HEX #911EC2

RGB 145 30 194

HSL 282.07, 0.73%, 0.44%

LAB 39.32, 68, -60.94

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 0 / 85 / 76 / 52

HEX #7B131D

RGB 123 19 29

HSL 354.23, 0.73%, 0.28%

LAB 26.06, 43.39, 23.24

 

CMYK 85 / 0 / 59 / 52

HEX #137B32

RGB 19 123 50

HSL 137.88, 0.73%, 0.28%

LAB 44.99, -44.43, 31.65

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 0 / 25 / 85 / 52

HEX #7B5C13

RGB 123 92 19

HSL 42.12, 0.73%, 0.28%

LAB 41.08, 5.6, 43.31

 

CMYK 85 / 0 / 25 / 52

HEX #137B5C

RGB 19 123 92

HSL 162.12, 0.73%, 0.28%

LAB 45.74, -35.86, 9.13

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 0 / 85 / 76 / 52

HEX #7B131D

RGB 123 19 29

HSL 354.23, 0.73%, 0.28%

LAB 26.06, 43.39, 23.24

 

CMYK 59 / 0 / 85 / 52

HEX #327B13

RGB 50 123 19

HSL 102.12, 0.73%, 0.28%

LAB 45.48, -41.28, 45.32

 

CMYK 85 / 0 / 8 / 52

HEX #137B71

RGB 19 123 113

HSL 174.23, 0.73%, 0.28%

LAB 46.31, -29.94, -2.48

 

CMYK 25 / 85 / 0 / 52

HEX #5C137B

RGB 92 19 123

HSL 282.12, 0.73%, 0.28%

LAB 24.23, 47.73, -42.62

 

CMYK 0 / 67 / 85 / 52

HEX #7B2813

RGB 123 40 19

HSL 12.12, 0.73%, 0.28%

LAB 28.84, 35, 32.14

 

CMYK 59 / 0 / 85 / 52

HEX #327B13

RGB 50 123 19

HSL 102.12, 0.73%, 0.28%

LAB 45.48, -41.28, 45.32

 

CMYK 85 / 17 / 0 / 52

HEX #13667B

RGB 19 102 123

HSL 192.12, 0.73%, 0.28%

LAB 39.7, -15.66, -18.45

 

Description

Color code: HEX #5C137B | qconv.com Color code: HEX #5C137B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 19 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 19 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 85 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 85% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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