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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1286BB it is the complementary color #ED7944. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1286BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1286BB shade: #1786B6, #2898C9, #39AADC, #4ABCEF and #5BCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1286BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1286BB shade: #1286BB, #0174A8, #006295, #005082 and #003E6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1286BB shade: #1285B9, #1258B9, #122AB9, #2612B9 and #5312B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1286BB shade: #1285B9, #1258B9, #122AB9 and #1212B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1286BB shade matches the following richer shades: #1285B9 and #018BCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1286BB shade: #1285B9, #227FA9, #337898, #437288 and #546C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1286BB shade: #12B992, #12B4B9, #1287B9, #125AB9 and #122EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1286BB shade: #0A4F6E, #0E6A94, #1285B9, #16A0DF and #33B1EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1286BB shade: #1286BB, #6612B9 and #B9A812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1286BB shade: #1286BB, #B91287 and #87B912

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1286BB shade: #1286BB, #6612B9, #B94412 and #66B912

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1286BB shade: #1286BB, #9812B9, #B94412 and #33B912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 28 / 0 / 27

HEX #1286BB

RGB 18 134 187

HSL 198.82, 0.82%, 0.4%

LAB 52.69, -10.33, -35.95

 

Complementary color

CMYK 0 / 49 / 71 / 7

HEX #ED7944

RGB 237 121 68

HSL 18.82, 0.82%, 0.6%

LAB 63.42, 40.92, 48.52

 

CMYK 87 / 26 / 0 / 29

HEX #1786B6

RGB 23 134 182

HSL 198.11, 0.78%, 0.4%

LAB 52.52, -11.86, -33.36

 

CMYK 80 / 24 / 0 / 21

HEX #2898C9

RGB 40 152 201

HSL 198.26, 0.67%, 0.47%

LAB 59.09, -13.69, -33.86

 

CMYK 74 / 23 / 0 / 14

HEX #39AADC

RGB 57 170 220

HSL 198.4, 0.7%, 0.54%

LAB 65.58, -15.12, -34.3

 

CMYK 69 / 21 / 0 / 6

HEX #4ABCEF

RGB 74 188 239

HSL 198.55, 0.84%, 0.61%

LAB 72, -16.24, -34.7

 

CMYK 64 / 19 / 0 / 0

HEX #5BCEFF

RGB 91 206 255

HSL 197.93, 1%, 0.68%

LAB 78.22, -18.06, -33.63

 

CMYK 90 / 28 / 0 / 27

HEX #1286BB

RGB 18 134 187

HSL 198.82, 0.82%, 0.4%

LAB 52.69, -10.33, -35.95

 

CMYK 99 / 31 / 0 / 34

HEX #0174A8

RGB 1 116 168

HSL 198.68, 0.99%, 0.33%

LAB 46.08, -7.82, -35.37

 

CMYK 100 / 34 / 0 / 42

HEX #006295

RGB 0 98 149

HSL 200.54, 1%, 0.29%

LAB 39.42, -4.48, -34.62

 

CMYK 100 / 38 / 0 / 49

HEX #005082

RGB 0 80 130

HSL 203.08, 1%, 0.25%

LAB 32.59, -0.87, -33.89

 

CMYK 100 / 44 / 0 / 56

HEX #003E6F

RGB 0 62 111

HSL 206.49, 1%, 0.22%

LAB 25.54, 3.04, -33.21

 

CMYK 90 / 28 / 0 / 27

HEX #1285B9

RGB 18 133 185

HSL 198.68, 0.82%, 0.4%

LAB 52.29, -10.5, -35.43

 

CMYK 90 / 52 / 0 / 27

HEX #1258B9

RGB 18 88 185

HSL 214.85, 0.82%, 0.4%

LAB 38.92, 17.53, -56.77

 

CMYK 90 / 77 / 0 / 27

HEX #122AB9

RGB 18 42 185

HSL 231.38, 0.82%, 0.4%

LAB 27.54, 47.07, -75.44

 

CMYK 79 / 90 / 0 / 27

HEX #2612B9

RGB 38 18 185

HSL 247.19, 0.82%, 0.4%

LAB 24.79, 58.43, -79.99

 

CMYK 55 / 90 / 0 / 27

HEX #5312B9

RGB 83 18 185

HSL 263.35, 0.82%, 0.4%

LAB 28.84, 61.29, -73.15

 

CMYK 90 / 28 / 0 / 27

HEX #1285B9

RGB 18 133 185

HSL 198.68, 0.82%, 0.4%

LAB 52.29, -10.5, -35.43

 

CMYK 90 / 52 / 0 / 27

HEX #1258B9

RGB 18 88 185

HSL 214.85, 0.82%, 0.4%

LAB 38.92, 17.53, -56.77

 

CMYK 90 / 77 / 0 / 27

HEX #122AB9

RGB 18 42 185

HSL 231.38, 0.82%, 0.4%

LAB 27.54, 47.07, -75.44

 

CMYK 90 / 90 / 0 / 27

HEX #1212B9

RGB 18 18 185

HSL 240, 0.82%, 0.4%

LAB 23.88, 57.86, -81.52

 

CMYK 90 / 28 / 0 / 27

HEX #1285B9

RGB 18 133 185

HSL 198.68, 0.82%, 0.4%

LAB 52.29, -10.5, -35.43

 

CMYK 100 / 31 / 0 / 21

HEX #018BCA

RGB 1 139 202

HSL 198.81, 0.99%, 0.4%

LAB 54.8, -8.24, -41.18

 

CMYK 90 / 28 / 0 / 27

HEX #1285B9

RGB 18 133 185

HSL 198.68, 0.82%, 0.4%

LAB 52.29, -10.5, -35.43

 

CMYK 80 / 25 / 0 / 34

HEX #227FA9

RGB 34 127 169

HSL 198.67, 0.67%, 0.4%

LAB 49.96, -11.66, -29.84

 

CMYK 66 / 21 / 0 / 40

HEX #337898

RGB 51 120 152

HSL 199.01, 0.5%, 0.4%

LAB 47.5, -11.23, -23.69

 

CMYK 51 / 16 / 0 / 47

HEX #437288

RGB 67 114 136

HSL 199.13, 0.34%, 0.4%

LAB 45.64, -9.57, -17.03

 

CMYK 29 / 9 / 0 / 53

HEX #546C77

RGB 84 108 119

HSL 198.86, 0.17%, 0.4%

LAB 44.15, -6.03, -9.01

 

CMYK 90 / 0 / 21 / 27

HEX #12B992

RGB 18 185 146

HSL 165.99, 0.82%, 0.4%

LAB 67.2, -48.02, 8.95

 

CMYK 90 / 3 / 0 / 27

HEX #12B4B9

RGB 18 180 185

HSL 181.8, 0.82%, 0.4%

LAB 66.73, -34.84, -13.26

 

CMYK 90 / 27 / 0 / 27

HEX #1287B9

RGB 18 135 185

HSL 197.96, 0.82%, 0.4%

LAB 52.9, -11.64, -34.48

 

CMYK 90 / 51 / 0 / 27

HEX #125AB9

RGB 18 90 185

HSL 214.13, 0.82%, 0.4%

LAB 39.49, 16.21, -55.85

 

CMYK 90 / 75 / 0 / 27

HEX #122EB9

RGB 18 46 185

HSL 229.94, 0.82%, 0.4%

LAB 28.34, 44.79, -74.11

 

CMYK 91 / 28 / 0 / 57

HEX #0A4F6E

RGB 10 79 110

HSL 198.6, 0.83%, 0.24%

LAB 31.31, -7.79, -23.44

 

CMYK 91 / 28 / 0 / 42

HEX #0E6A94

RGB 14 106 148

HSL 198.81, 0.83%, 0.32%

LAB 42.06, -8.98, -29.85

 

CMYK 90 / 28 / 0 / 27

HEX #1285B9

RGB 18 133 185

HSL 198.68, 0.82%, 0.4%

LAB 52.29, -10.5, -35.43

 

CMYK 90 / 28 / 0 / 13

HEX #16A0DF

RGB 22 160 223

HSL 198.81, 0.82%, 0.48%

LAB 62.2, -11.59, -41.28

 

CMYK 78 / 24 / 0 / 8

HEX #33B1EA

RGB 51 177 234

HSL 198.69, 0.81%, 0.56%

LAB 68.09, -14.83, -38.1

 

CMYK 90 / 28 / 0 / 27

HEX #1286BB

RGB 18 134 187

HSL 198.82, 0.82%, 0.4%

LAB 52.69, -10.33, -35.95

 

CMYK 45 / 90 / 0 / 27

HEX #6612B9

RGB 102 18 185

HSL 270.18, 0.82%, 0.4%

LAB 31.25, 63.19, -69.08

 

CMYK 0 / 9 / 90 / 27

HEX #B9A812

RGB 185 168 18

HSL 53.89, 0.82%, 0.4%

LAB 68.29, -7.96, 68.47

 

CMYK 90 / 28 / 0 / 27

HEX #1286BB

RGB 18 134 187

HSL 198.82, 0.82%, 0.4%

LAB 52.69, -10.33, -35.95

 

CMYK 0 / 90 / 27 / 27

HEX #B91287

RGB 185 18 135

HSL 317.96, 0.82%, 0.4%

LAB 41.99, 68.65, -20.89

 

CMYK 27 / 0 / 90 / 27

HEX #87B912

RGB 135 185 18

HSL 77.96, 0.82%, 0.4%

LAB 69.39, -37.57, 67.78

 

CMYK 90 / 28 / 0 / 27

HEX #1286BB

RGB 18 134 187

HSL 198.82, 0.82%, 0.4%

LAB 52.69, -10.33, -35.95

 

CMYK 45 / 90 / 0 / 27

HEX #6612B9

RGB 102 18 185

HSL 270.18, 0.82%, 0.4%

LAB 31.25, 63.19, -69.08

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 45 / 0 / 90 / 27

HEX #66B912

RGB 102 185 18

HSL 89.82, 0.82%, 0.4%

LAB 67.7, -49.48, 65.69

 

CMYK 90 / 28 / 0 / 27

HEX #1286BB

RGB 18 134 187

HSL 198.82, 0.82%, 0.4%

LAB 52.69, -10.33, -35.95

 

CMYK 18 / 90 / 0 / 27

HEX #9812B9

RGB 152 18 185

HSL 288.14, 0.82%, 0.4%

LAB 38.92, 69.92, -56.24

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 72 / 0 / 90 / 27

HEX #33B912

RGB 51 185 18

HSL 108.14, 0.82%, 0.4%

LAB 66.09, -62.41, 63.69

 

Description

Color code: HEX #1286BB | qconv.com Color code: HEX #1286BB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 134 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 134 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 28 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 28% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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