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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B94412 it is the complementary color #46BBED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B94412. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B94412 shade: #BE440D, #CF5620, #E06833, #F17A46 and #FF8C59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B94412. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B94412 shade: #B94412, #A83200, #972000, #860E00 and #750000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B94412 shade: #B94412, #B91712 and #B91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B94412 shade: #B94412, #B97112, #B99E12, #A7B912 and #7AB912

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B94412 shade matches the following richer shades: #B94412 and #CA3D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B94412 shade: #B94412, #A94B22, #985133, #885843 and #775E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B94412 shade: #B9123C, #B91512, #B94112, #B96E12 and #B99A12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B94412 shade: #6E280A, #94360E, #B94412, #DF5216 and #EA6A33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B94412 shade: #B94412, #68B912 and #1225B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B94412 shade: #B94412, #12B941 and #4112B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B94412 shade: #B94412, #68B912, #128AB9 and #6312B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B94412 shade: #B94412, #36B912, #128AB9 and #9512B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

Complementary color

CMYK 70 / 21 / 0 / 7

HEX #46BBED

RGB 70 187 237

HSL 197.96, 0.82%, 0.6%

LAB 71.53, -16.91, -34.35

 

CMYK 0 / 64 / 93 / 25

HEX #BE440D

RGB 190 68 13

HSL 18.64, 0.87%, 0.4%

LAB 45.79, 46.95, 53.19

 

CMYK 0 / 58 / 85 / 19

HEX #CF5620

RGB 207 86 32

HSL 18.51, 0.73%, 0.47%

LAB 51.87, 45.32, 52.31

 

CMYK 0 / 54 / 77 / 12

HEX #E06833

RGB 224 104 51

HSL 18.38, 0.74%, 0.54%

LAB 58.02, 43.65, 50.54

 

CMYK 0 / 49 / 71 / 5

HEX #F17A46

RGB 241 122 70

HSL 18.25, 0.86%, 0.61%

LAB 64.21, 42.05, 48.55

 

CMYK 0 / 45 / 65 / 0

HEX #FF8C59

RGB 255 140 89

HSL 18.43, 1%, 0.67%

LAB 69.99, 39.39, 46.01

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 0 / 70 / 100 / 34

HEX #A83200

RGB 168 50 0

HSL 17.86, 1%, 0.33%

LAB 38.91, 46.62, 50.97

 

CMYK 0 / 79 / 100 / 41

HEX #972000

RGB 151 32 0

HSL 12.72, 1%, 0.3%

LAB 33.16, 47.54, 46.17

 

CMYK 0 / 90 / 100 / 47

HEX #860E00

RGB 134 14 0

HSL 6.27, 1%, 0.26%

LAB 27.8, 47.17, 40.6

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 0 / 88 / 90 / 27

HEX #B91712

RGB 185 23 18

HSL 1.8, 0.82%, 0.4%

LAB 39.53, 60.12, 46.62

 

CMYK 0 / 90 / 90 / 27

HEX #B91212

RGB 185 18 18

HSL 0, 0.82%, 0.4%

LAB 39.23, 61, 46.4

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 0 / 39 / 90 / 27

HEX #B97112

RGB 185 113 18

HSL 34.13, 0.82%, 0.4%

LAB 54.21, 22.06, 57.58

 

CMYK 0 / 15 / 90 / 27

HEX #B99E12

RGB 185 158 18

HSL 50.3, 0.82%, 0.4%

LAB 65.6, -2.66, 66.37

 

CMYK 10 / 0 / 90 / 27

HEX #A7B912

RGB 167 185 18

HSL 66.47, 0.82%, 0.4%

LAB 71.53, -24.45, 70.39

 

CMYK 34 / 0 / 90 / 27

HEX #7AB912

RGB 122 185 18

HSL 82.63, 0.82%, 0.4%

LAB 68.66, -42.52, 66.88

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 0 / 70 / 100 / 21

HEX #CA3D01

RGB 202 61 1

HSL 17.91, 0.99%, 0.4%

LAB 46.84, 53.85, 58.11

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 0 / 56 / 80 / 34

HEX #A94B22

RGB 169 75 34

HSL 18.22, 0.67%, 0.4%

LAB 43.63, 36.19, 41.57

 

CMYK 0 / 47 / 66 / 40

HEX #985133

RGB 152 81 51

HSL 17.82, 0.5%, 0.4%

LAB 42.46, 26.88, 30.47

 

CMYK 0 / 35 / 51 / 47

HEX #885843

RGB 136 88 67

HSL 18.26, 0.34%, 0.4%

LAB 42.18, 17.33, 20.3

 

CMYK 0 / 21 / 29 / 53

HEX #775E54

RGB 119 94 84

HSL 17.14, 0.17%, 0.4%

LAB 42.1, 8.55, 9.59

 

CMYK 0 / 90 / 68 / 27

HEX #B9123C

RGB 185 18 60

HSL 344.91, 0.82%, 0.4%

LAB 39.7, 62.36, 23

 

CMYK 0 / 89 / 90 / 27

HEX #B91512

RGB 185 21 18

HSL 1.08, 0.82%, 0.4%

LAB 39.4, 60.49, 46.53

 

CMYK 0 / 65 / 90 / 27

HEX #B94112

RGB 185 65 18

HSL 16.89, 0.82%, 0.4%

LAB 44.43, 46.55, 50.21

 

CMYK 0 / 41 / 90 / 27

HEX #B96E12

RGB 185 110 18

HSL 33.05, 0.82%, 0.4%

LAB 53.5, 23.71, 57.04

 

CMYK 0 / 17 / 90 / 27

HEX #B99A12

RGB 185 154 18

HSL 48.86, 0.82%, 0.4%

LAB 64.54, -0.51, 65.55

 

CMYK 0 / 64 / 91 / 57

HEX #6E280A

RGB 110 40 10

HSL 18, 0.83%, 0.24%

LAB 26.32, 29.59, 33.32

 

CMYK 0 / 64 / 91 / 42

HEX #94360E

RGB 148 54 14

HSL 17.91, 0.83%, 0.32%

LAB 35.92, 37.8, 42.34

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 0 / 63 / 90 / 13

HEX #DF5216

RGB 223 82 22

HSL 17.91, 0.82%, 0.48%

LAB 53.79, 52.68, 58.66

 

CMYK 0 / 55 / 78 / 8

HEX #EA6A33

RGB 234 106 51

HSL 18.03, 0.81%, 0.56%

LAB 59.92, 46.44, 52.93

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 44 / 0 / 90 / 27

HEX #68B912

RGB 104 185 18

HSL 89.1, 0.82%, 0.4%

LAB 67.79, -48.82, 65.8

 

CMYK 90 / 80 / 0 / 27

HEX #1225B9

RGB 18 37 185

HSL 233.17, 0.82%, 0.4%

LAB 26.6, 49.76, -76.99

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 90 / 0 / 65 / 27

HEX #12B941

RGB 18 185 65

HSL 136.89, 0.82%, 0.4%

LAB 65.91, -63.02, 48.59

 

CMYK 65 / 90 / 0 / 27

HEX #4112B9

RGB 65 18 185

HSL 256.89, 0.82%, 0.4%

LAB 26.9, 59.86, -76.41

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 44 / 0 / 90 / 27

HEX #68B912

RGB 104 185 18

HSL 89.1, 0.82%, 0.4%

LAB 67.79, -48.82, 65.8

 

CMYK 90 / 25 / 0 / 27

HEX #128AB9

RGB 18 138 185

HSL 196.89, 0.82%, 0.4%

LAB 53.82, -13.33, -33.04

 

CMYK 46 / 90 / 0 / 27

HEX #6312B9

RGB 99 18 185

HSL 269.1, 0.82%, 0.4%

LAB 30.85, 62.86, -69.76

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 71 / 0 / 90 / 27

HEX #36B912

RGB 54 185 18

HSL 107.07, 0.82%, 0.4%

LAB 66.16, -61.87, 63.77

 

CMYK 90 / 25 / 0 / 27

HEX #128AB9

RGB 18 138 185

HSL 196.89, 0.82%, 0.4%

LAB 53.82, -13.33, -33.04

 

CMYK 19 / 90 / 0 / 27

HEX #9512B9

RGB 149 18 185

HSL 287.07, 0.82%, 0.4%

LAB 38.42, 69.46, -57.07

 

Description

Color code: HEX #B94412 | qconv.com Color code: HEX #B94412 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 68 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 68 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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