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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F91EF it is the complementary color #F06E10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F91EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F91EF shade: #1491EA, #25A3FD, #36B5FF, #47C7FF and #58D9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F91EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F91EF shade: #0F91EF, #007FDC, #006DC9, #005BB6 and #0049A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F91EF shade: #0F91EF, #0F55EF, #0F18EF, #420FEF and #7F0FEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F91EF shade: #0F91EF, #0F55EF, #0F18EF and #0F0FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F91EF shade matches the following richer shades: #0F91EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F91EF shade: #0F91EF, #238EDB, #388AC6, #4D87B1 and #61849D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F91EF shade: #0FEFD5, #0FCEEF, #0F92EF, #0F56EF and #0F1AEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F91EF shade: #0A62A2, #0C79C8, #0F91EF, #36A3F2 and #5CB4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F91EF shade: #0F91EF, #990FEF and #EBEF0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F91EF shade: #0F91EF, #EF0F92 and #92EF0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F91EF shade: #0F91EF, #990FEF, #EF6C0F and #65EF0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F91EF shade: #0F91EF, #DD0FEF, #EF6C0F and #21EF0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

Complementary color

CMYK 0 / 54 / 93 / 6

HEX #F06E10

RGB 240 110 16

HSL 25.18, 0.88%, 0.5%

LAB 61.41, 45.99, 66.79

 

CMYK 91 / 38 / 0 / 8

HEX #1491EA

RGB 20 145 234

HSL 204.95, 0.84%, 0.5%

LAB 58.36, 0.98, -53.46

 

CMYK 85 / 36 / 0 / 1

HEX #25A3FD

RGB 37 163 253

HSL 205, 0.98%, 0.57%

LAB 64.71, -1.53, -53.8

 

CMYK 79 / 29 / 0 / 0

HEX #36B5FF

RGB 54 181 255

HSL 202.09, 1%, 0.61%

LAB 70.21, -9.52, -46.17

 

CMYK 72 / 22 / 0 / 0

HEX #47C7FF

RGB 71 199 255

HSL 198.26, 1%, 0.64%

LAB 75.7, -17.26, -37.57

 

CMYK 65 / 15 / 0 / 0

HEX #58D9FF

RGB 88 217 255

HSL 193.65, 1%, 0.67%

LAB 81.25, -24.1, -28.99

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 100 / 42 / 0 / 14

HEX #007FDC

RGB 0 127 220

HSL 205.36, 1%, 0.43%

LAB 52.23, 5.81, -55.44

 

CMYK 100 / 46 / 0 / 21

HEX #006DC9

RGB 0 109 201

HSL 207.46, 1%, 0.39%

LAB 45.84, 9.57, -54.88

 

CMYK 100 / 50 / 0 / 29

HEX #005BB6

RGB 0 91 182

HSL 210, 1%, 0.36%

LAB 39.34, 13.57, -54.34

 

CMYK 100 / 55 / 0 / 36

HEX #0049A3

RGB 0 73 163

HSL 213.13, 1%, 0.32%

LAB 32.72, 17.84, -53.79

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 94 / 64 / 0 / 6

HEX #0F55EF

RGB 15 85 239

HSL 221.25, 0.88%, 0.5%

LAB 42.51, 40.3, -81.92

 

CMYK 94 / 90 / 0 / 6

HEX #0F18EF

RGB 15 24 239

HSL 237.59, 0.88%, 0.5%

LAB 31.78, 70.74, -99.71

 

CMYK 72 / 94 / 0 / 6

HEX #420FEF

RGB 66 15 239

HSL 253.66, 0.88%, 0.5%

LAB 33.42, 74.11, -96.91

 

CMYK 47 / 94 / 0 / 6

HEX #7F0FEF

RGB 127 15 239

HSL 270, 0.88%, 0.5%

LAB 39.72, 78.03, -86.26

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 94 / 64 / 0 / 6

HEX #0F55EF

RGB 15 85 239

HSL 221.25, 0.88%, 0.5%

LAB 42.51, 40.3, -81.92

 

CMYK 94 / 90 / 0 / 6

HEX #0F18EF

RGB 15 24 239

HSL 237.59, 0.88%, 0.5%

LAB 31.78, 70.74, -99.71

 

CMYK 94 / 94 / 0 / 6

HEX #0F0FEF

RGB 15 15 239

HSL 240, 0.88%, 0.5%

LAB 31.06, 72.95, -100.91

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 84 / 35 / 0 / 14

HEX #238EDB

RGB 35 142 219

HSL 205.11, 0.72%, 0.5%

LAB 56.9, -1.95, -47.41

 

CMYK 72 / 30 / 0 / 22

HEX #388AC6

RGB 56 138 198

HSL 205.35, 0.56%, 0.5%

LAB 55.17, -4.92, -38.28

 

CMYK 56 / 24 / 0 / 31

HEX #4D87B1

RGB 77 135 177

HSL 205.2, 0.39%, 0.5%

LAB 54.11, -6.5, -27.89

 

CMYK 38 / 16 / 0 / 38

HEX #61849D

RGB 97 132 157

HSL 205, 0.24%, 0.5%

LAB 53.47, -5.72, -17.27

 

CMYK 94 / 0 / 11 / 6

HEX #0FEFD5

RGB 15 239 213

HSL 173.04, 0.88%, 0.5%

LAB 85.32, -52.67, -0.79

 

CMYK 94 / 14 / 0 / 6

HEX #0FCEEF

RGB 15 206 239

HSL 188.84, 0.88%, 0.5%

LAB 76.36, -30.25, -28.04

 

CMYK 94 / 39 / 0 / 6

HEX #0F92EF

RGB 15 146 239

HSL 204.91, 0.88%, 0.5%

LAB 58.87, 2.08, -55.41

 

CMYK 94 / 64 / 0 / 6

HEX #0F56EF

RGB 15 86 239

HSL 220.98, 0.88%, 0.5%

LAB 42.75, 39.67, -81.53

 

CMYK 94 / 89 / 0 / 6

HEX #0F1AEF

RGB 15 26 239

HSL 237.05, 0.88%, 0.5%

LAB 31.97, 70.14, -99.38

 

CMYK 94 / 40 / 0 / 36

HEX #0A62A2

RGB 10 98 162

HSL 205.26, 0.88%, 0.34%

LAB 40.26, 1.27, -41.04

 

CMYK 94 / 40 / 0 / 22

HEX #0C79C8

RGB 12 121 200

HSL 205.21, 0.89%, 0.42%

LAB 49.4, 2.08, -48.6

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 78 / 33 / 0 / 5

HEX #36A3F2

RGB 54 163 242

HSL 205.21, 0.88%, 0.58%

LAB 64.48, -4.02, -48.13

 

CMYK 62 / 26 / 0 / 4

HEX #5CB4F4

RGB 92 180 244

HSL 205.26, 0.87%, 0.66%

LAB 70.49, -7.51, -39.71

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 36 / 94 / 0 / 6

HEX #990FEF

RGB 153 15 239

HSL 276.96, 0.88%, 0.5%

LAB 43.28, 80.65, -80.28

 

CMYK 2 / 0 / 94 / 6

HEX #EBEF0F

RGB 235 239 15

HSL 61.07, 0.88%, 0.5%

LAB 91.43, -22.06, 88.42

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 0 / 94 / 39 / 6

HEX #EF0F92

RGB 239 15 146

HSL 324.91, 0.88%, 0.5%

LAB 52.69, 81.56, -10.31

 

CMYK 39 / 0 / 94 / 6

HEX #92EF0F

RGB 146 239 15

HSL 84.91, 0.88%, 0.5%

LAB 85.95, -56.16, 81.79

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 36 / 94 / 0 / 6

HEX #990FEF

RGB 153 15 239

HSL 276.96, 0.88%, 0.5%

LAB 43.28, 80.65, -80.28

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 58 / 0 / 94 / 6

HEX #65EF0F

RGB 101 239 15

HSL 96.96, 0.88%, 0.5%

LAB 84.24, -69.25, 79.7

 

CMYK 94 / 39 / 0 / 6

HEX #0F91EF

RGB 15 145 239

HSL 205.18, 0.88%, 0.5%

LAB 58.59, 2.67, -55.86

 

CMYK 8 / 94 / 0 / 6

HEX #DD0FEF

RGB 221 15 239

HSL 295.18, 0.88%, 0.5%

LAB 53.97, 89.74, -62.42

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 86 / 0 / 94 / 6

HEX #21EF0F

RGB 33 239 15

HSL 115.18, 0.88%, 0.5%

LAB 82.96, -80.25, 78.12

 

Description

Color code: HEX #0F91EF | qconv.com Color code: HEX #0F91EF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 145 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 145 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 39 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 39% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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