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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF6C0F it is the complementary color #1093F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF6C0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF6C0F shade: #F46C0A, #FF7E1D, #FF9030, #FFA243 and #FFB456

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF6C0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF6C0F shade: #EF6C0F, #DE5A00, #CD4800, #BC3600 and #AB2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF6C0F shade: #EF6C0F, #EF2F0F and #EF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF6C0F shade: #EF6C0F, #EFA80F, #EFE50F, #BDEF0F and #80EF0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF6C0F shade matches the following richer shades: #EF6C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF6C0F shade: #EF6C0F, #DB6F23, #C67338, #B1764D and #9D7A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF6C0F shade: #EF0F2D, #EF2D0F, #EF690F, #EFA40F and #EFE00F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF6C0F shade: #A2490A, #C85A0C, #EF6C0F, #F28436 and #F49B5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF6C0F shade: #EF6C0F, #69EF0F and #0F0FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF6C0F shade: #EF6C0F, #0FEF69 and #690FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF6C0F shade: #EF6C0F, #69EF0F, #0F95EF and #950FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF6C0F shade: #EF6C0F, #25EF0F, #0F95EF and #D90FEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

Complementary color

CMYK 93 / 39 / 0 / 6

HEX #1093F0

RGB 16 147 240

HSL 204.91, 0.88%, 0.5%

LAB 59.22, 1.9, -55.4

 

CMYK 0 / 56 / 96 / 4

HEX #F46C0A

RGB 244 108 10

HSL 25.13, 0.92%, 0.5%

LAB 61.64, 48.38, 68.37

 

CMYK 0 / 51 / 89 / 0

HEX #FF7E1D

RGB 255 126 29

HSL 25.75, 1%, 0.56%

LAB 66.73, 44.13, 68.32

 

CMYK 0 / 44 / 81 / 0

HEX #FF9030

RGB 255 144 48

HSL 27.83, 1%, 0.59%

LAB 70.47, 35.56, 65.1

 

CMYK 0 / 36 / 74 / 0

HEX #FFA243

RGB 255 162 67

HSL 30.32, 1%, 0.63%

LAB 74.51, 26.96, 61.32

 

CMYK 0 / 29 / 66 / 0

HEX #FFB456

RGB 255 180 86

HSL 33.37, 1%, 0.67%

LAB 78.8, 18.5, 57.43

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 0 / 59 / 100 / 13

HEX #DE5A00

RGB 222 90 0

HSL 24.32, 1%, 0.44%

LAB 54.91, 48.53, 64.45

 

CMYK 0 / 65 / 100 / 20

HEX #CD4800

RGB 205 72 0

HSL 21.07, 1%, 0.4%

LAB 49.02, 50.4, 59.78

 

CMYK 0 / 71 / 100 / 26

HEX #BC3600

RGB 188 54 0

HSL 17.23, 1%, 0.37%

LAB 43.26, 51.85, 55.2

 

CMYK 0 / 79 / 100 / 33

HEX #AB2400

RGB 171 36 0

HSL 12.63, 1%, 0.34%

LAB 37.7, 52.59, 50.75

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 0 / 80 / 94 / 6

HEX #EF2F0F

RGB 239 47 15

HSL 8.57, 0.88%, 0.5%

LAB 52.31, 69.67, 61.24

 

CMYK 0 / 94 / 94 / 6

HEX #EF0F0F

RGB 239 15 15

HSL 0, 0.88%, 0.5%

LAB 50.37, 75.21, 60.14

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 0 / 30 / 94 / 6

HEX #EFA80F

RGB 239 168 15

HSL 40.98, 0.88%, 0.5%

LAB 73.8, 15.72, 75.52

 

CMYK 0 / 4 / 94 / 6

HEX #EFE50F

RGB 239 229 15

HSL 57.32, 0.88%, 0.5%

LAB 89.12, -15.55, 86.82

 

CMYK 21 / 0 / 94 / 6

HEX #BDEF0F

RGB 189 239 15

HSL 73.39, 0.88%, 0.5%

LAB 88.25, -40.57, 84.59

 

CMYK 46 / 0 / 94 / 6

HEX #80EF0F

RGB 128 239 15

HSL 89.73, 0.88%, 0.5%

LAB 85.18, -61.87, 80.85

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 0 / 49 / 84 / 14

HEX #DB6F23

RGB 219 111 35

HSL 24.78, 0.72%, 0.5%

LAB 58.56, 37.71, 57.6

 

CMYK 0 / 42 / 72 / 22

HEX #C67338

RGB 198 115 56

HSL 24.93, 0.56%, 0.5%

LAB 56.64, 27.85, 45.53

 

CMYK 0 / 33 / 56 / 31

HEX #B1764D

RGB 177 118 77

HSL 24.6, 0.39%, 0.5%

LAB 54.91, 18.73, 31.83

 

CMYK 0 / 22 / 38 / 38

HEX #9D7A61

RGB 157 122 97

HSL 25, 0.24%, 0.5%

LAB 53.97, 10.06, 18.91

 

CMYK 0 / 94 / 81 / 6

HEX #EF0F2D

RGB 239 15 45

HSL 351.96, 0.88%, 0.5%

LAB 50.55, 75.72, 47.07

 

CMYK 0 / 81 / 94 / 6

HEX #EF2D0F

RGB 239 45 15

HSL 8.04, 0.88%, 0.5%

LAB 52.13, 70.16, 61.14

 

CMYK 0 / 56 / 94 / 6

HEX #EF690F

RGB 239 105 15

HSL 24.11, 0.88%, 0.5%

LAB 60.33, 47.98, 66.22

 

CMYK 0 / 31 / 94 / 6

HEX #EFA40F

RGB 239 164 15

HSL 39.91, 0.88%, 0.5%

LAB 72.85, 17.83, 74.84

 

CMYK 0 / 6 / 94 / 6

HEX #EFE00F

RGB 239 224 15

HSL 55.98, 0.88%, 0.5%

LAB 87.82, -13.09, 85.84

 

CMYK 0 / 55 / 94 / 36

HEX #A2490A

RGB 162 73 10

HSL 24.87, 0.88%, 0.34%

LAB 41.95, 33.78, 49.16

 

CMYK 0 / 55 / 94 / 22

HEX #C85A0C

RGB 200 90 12

HSL 24.89, 0.89%, 0.42%

LAB 51.4, 40.34, 58.01

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 0 / 45 / 78 / 5

HEX #F28436

RGB 242 132 54

HSL 24.89, 0.88%, 0.58%

LAB 66.25, 36.72, 58.14

 

CMYK 0 / 36 / 62 / 4

HEX #F49B5C

RGB 244 155 92

HSL 24.87, 0.87%, 0.66%

LAB 71.86, 27.5, 46.32

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 56 / 0 / 94 / 6

HEX #69EF0F

RGB 105 239 15

HSL 95.89, 0.88%, 0.5%

LAB 84.37, -68.26, 79.85

 

CMYK 94 / 94 / 0 / 6

HEX #0F0FEF

RGB 15 15 239

HSL 240, 0.88%, 0.5%

LAB 31.06, 72.95, -100.91

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 94 / 0 / 56 / 6

HEX #0FEF69

RGB 15 239 105

HSL 144.11, 0.88%, 0.5%

LAB 83.37, -74.72, 50.97

 

CMYK 56 / 94 / 0 / 6

HEX #690FEF

RGB 105 15 239

HSL 264.11, 0.88%, 0.5%

LAB 37.07, 76.25, -90.73

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 56 / 0 / 94 / 6

HEX #69EF0F

RGB 105 239 15

HSL 95.89, 0.88%, 0.5%

LAB 84.37, -68.26, 79.85

 

CMYK 94 / 38 / 0 / 6

HEX #0F95EF

RGB 15 149 239

HSL 204.11, 0.88%, 0.5%

LAB 59.73, 0.31, -54.04

 

CMYK 38 / 94 / 0 / 6

HEX #950FEF

RGB 149 15 239

HSL 275.89, 0.88%, 0.5%

LAB 42.71, 80.22, -81.24

 

CMYK 0 / 55 / 94 / 6

HEX #EF6C0F

RGB 239 108 15

HSL 24.91, 0.88%, 0.5%

LAB 60.88, 46.56, 66.58

 

CMYK 85 / 0 / 94 / 6

HEX #25EF0F

RGB 37 239 15

HSL 114.11, 0.88%, 0.5%

LAB 83, -79.92, 78.17

 

CMYK 94 / 38 / 0 / 6

HEX #0F95EF

RGB 15 149 239

HSL 204.11, 0.88%, 0.5%

LAB 59.73, 0.31, -54.04

 

CMYK 9 / 94 / 0 / 6

HEX #D90FEF

RGB 217 15 239

HSL 294.11, 0.88%, 0.5%

LAB 53.3, 89.14, -63.53

 

Description

Color code: HEX #EF6C0F | qconv.com Color code: HEX #EF6C0F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 108 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 108 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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