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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB97A it is the complementary color #F24685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB97A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB97A shade: #12B975, #23CB88, #34DD9B, #45EFAE and #56FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB97A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB97A shade: #0DB97A, #00A767, #009554, #008341 and #00712E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB97A shade: #0CB97A, #0CB94B, #0CB91D, #2BB90C and #59B90C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB97A shade: #0CB97A, #0CB9A9, #0C9CB9, #0C6DB9 and #0C3EB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB97A shade matches the following richer shades: #0CB97A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB97A shade: #0CB97A, #1DA976, #2D9971, #3D896D and #4D7969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB97A shade: #0CB91E, #0CB94C, #0CB97A, #0CB9A8 and #0C9DB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB97A shade: #076C47, #0A9361, #0CB97A, #0FE094 and #29F0A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB97A shade: #0DB97A, #0C29B9 and #B9350C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB97A shade: #0DB97A, #7A0CB9 and #B97A0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB97A shade: #0DB97A, #0C29B9, #B90C4C and #B99D0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB97A shade: #0DB97A, #240CB9, #B90C4C and #A2B90C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 34 / 27

HEX #0DB97A

RGB 13 185 122

HSL 158.02, 0.87%, 0.39%

LAB 66.66, -53.9, 21.23

 

Complementary color

CMYK 0 / 71 / 45 / 5

HEX #F24685

RGB 242 70 133

HSL 338.02, 0.87%, 0.61%

LAB 57.03, 69.19, 3.87

 

CMYK 90 / 0 / 37 / 27

HEX #12B975

RGB 18 185 117

HSL 155.57, 0.82%, 0.4%

LAB 66.6, -54.7, 23.83

 

CMYK 83 / 0 / 33 / 20

HEX #23CB88

RGB 35 203 136

HSL 156.07, 0.71%, 0.47%

LAB 72.79, -56.11, 22.15

 

CMYK 76 / 0 / 30 / 13

HEX #34DD9B

RGB 52 221 155

HSL 156.57, 0.71%, 0.54%

LAB 78.93, -57.1, 20.63

 

CMYK 71 / 0 / 27 / 6

HEX #45EFAE

RGB 69 239 174

HSL 157.06, 0.84%, 0.6%

LAB 85.02, -57.78, 19.23

 

CMYK 66 / 0 / 24 / 0

HEX #56FFC1

RGB 86 255 193

HSL 157.99, 1%, 0.67%

LAB 90.48, -57.45, 17.12

 

CMYK 93 / 0 / 34 / 27

HEX #0DB97A

RGB 13 185 122

HSL 158.02, 0.87%, 0.39%

LAB 66.66, -53.9, 21.23

 

CMYK 100 / 0 / 38 / 35

HEX #00A767

RGB 0 167 103

HSL 157.01, 1%, 0.33%

LAB 60.44, -51.89, 23.06

 

CMYK 100 / 0 / 44 / 42

HEX #009554

RGB 0 149 84

HSL 153.83, 1%, 0.29%

LAB 54.17, -49.22, 25.07

 

CMYK 100 / 0 / 50 / 49

HEX #008341

RGB 0 131 65

HSL 149.77, 1%, 0.26%

LAB 47.77, -46.38, 27.14

 

CMYK 100 / 0 / 59 / 56

HEX #00712E

RGB 0 113 46

HSL 144.42, 1%, 0.22%

LAB 41.23, -43.28, 29.19

 

CMYK 94 / 0 / 34 / 27

HEX #0CB97A

RGB 12 185 122

HSL 158.15, 0.88%, 0.39%

LAB 66.66, -53.95, 21.22

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94B

RGB 12 185 75

HSL 141.85, 0.88%, 0.39%

LAB 65.97, -62.14, 44.18

 

CMYK 94 / 0 / 84 / 27

HEX #0CB91D

RGB 12 185 29

HSL 125.9, 0.88%, 0.39%

LAB 65.64, -66.26, 60.8

 

CMYK 77 / 0 / 94 / 27

HEX #2BB90C

RGB 43 185 12

HSL 109.25, 0.88%, 0.39%

LAB 65.93, -63.86, 64.41

 

CMYK 52 / 0 / 94 / 27

HEX #59B90C

RGB 89 185 12

HSL 93.29, 0.88%, 0.39%

LAB 67.16, -53.64, 65.93

 

CMYK 94 / 0 / 34 / 27

HEX #0CB97A

RGB 12 185 122

HSL 158.15, 0.88%, 0.39%

LAB 66.66, -53.95, 21.22

 

CMYK 94 / 0 / 9 / 27

HEX #0CB9A9

RGB 12 185 169

HSL 174.45, 0.88%, 0.39%

LAB 67.75, -42.1, -2.9

 

CMYK 94 / 16 / 0 / 27

HEX #0C9CB9

RGB 12 156 185

HSL 190.06, 0.88%, 0.39%

LAB 59.3, -23.29, -24.55

 

CMYK 94 / 41 / 0 / 27

HEX #0C6DB9

RGB 12 109 185

HSL 206.36, 0.88%, 0.39%

LAB 44.97, 3.62, -47.04

 

CMYK 94 / 66 / 0 / 27

HEX #0C3EB9

RGB 12 62 185

HSL 222.66, 0.88%, 0.39%

LAB 31.87, 34.59, -68.29

 

CMYK 94 / 0 / 34 / 27

HEX #0CB97A

RGB 12 185 122

HSL 158.15, 0.88%, 0.39%

LAB 66.66, -53.95, 21.22

 

CMYK 94 / 0 / 34 / 27

HEX #0CB97A

RGB 12 185 122

HSL 158.15, 0.88%, 0.39%

LAB 66.66, -53.95, 21.22

 

CMYK 83 / 0 / 30 / 34

HEX #1DA976

RGB 29 169 118

HSL 158.14, 0.71%, 0.39%

LAB 61.61, -47.57, 16.49

 

CMYK 71 / 0 / 26 / 40

HEX #2D9971

RGB 45 153 113

HSL 157.78, 0.55%, 0.39%

LAB 56.62, -40.1, 12.38

 

CMYK 55 / 0 / 20 / 46

HEX #3D896D

RGB 61 137 109

HSL 157.89, 0.38%, 0.39%

LAB 51.82, -30.63, 7.97

 

CMYK 36 / 0 / 13 / 53

HEX #4D7969

RGB 77 121 105

HSL 158.18, 0.22%, 0.39%

LAB 47.33, -19.06, 3.98

 

CMYK 94 / 0 / 84 / 27

HEX #0CB91E

RGB 12 185 30

HSL 126.24, 0.88%, 0.39%

LAB 65.65, -66.21, 60.56

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

CMYK 94 / 0 / 34 / 27

HEX #0CB97A

RGB 12 185 122

HSL 158.15, 0.88%, 0.39%

LAB 66.66, -53.95, 21.22

 

CMYK 94 / 0 / 9 / 27

HEX #0CB9A8

RGB 12 185 168

HSL 174.1, 0.88%, 0.39%

LAB 67.73, -42.39, -2.39

 

CMYK 94 / 15 / 0 / 27

HEX #0C9DB9

RGB 12 157 185

HSL 189.71, 0.88%, 0.39%

LAB 59.61, -23.81, -24.08

 

CMYK 94 / 0 / 34 / 58

HEX #076C47

RGB 7 108 71

HSL 158.02, 0.88%, 0.23%

LAB 39.96, -35.81, 13.48

 

CMYK 93 / 0 / 34 / 42

HEX #0A9361

RGB 10 147 97

HSL 158.1, 0.87%, 0.31%

LAB 53.81, -45.17, 17.42

 

CMYK 94 / 0 / 34 / 27

HEX #0CB97A

RGB 12 185 122

HSL 158.15, 0.88%, 0.39%

LAB 66.66, -53.95, 21.22

 

CMYK 93 / 0 / 34 / 12

HEX #0FE094

RGB 15 224 148

HSL 158.18, 0.87%, 0.47%

LAB 79.36, -62.47, 24.79

 

CMYK 83 / 0 / 30 / 6

HEX #29F0A7

RGB 41 240 167

HSL 157.99, 0.87%, 0.55%

LAB 84.78, -62.7, 22.44

 

CMYK 93 / 0 / 34 / 27

HEX #0DB97A

RGB 13 185 122

HSL 158.02, 0.87%, 0.39%

LAB 66.66, -53.9, 21.23

 

CMYK 94 / 78 / 0 / 27

HEX #0C29B9

RGB 12 41 185

HSL 229.94, 0.88%, 0.39%

LAB 27.2, 47.44, -76

 

CMYK 0 / 71 / 94 / 27

HEX #B9350C

RGB 185 53 12

HSL 14.22, 0.88%, 0.39%

LAB 42.59, 51.37, 50.93

 

CMYK 93 / 0 / 34 / 27

HEX #0DB97A

RGB 13 185 122

HSL 158.02, 0.87%, 0.39%

LAB 66.66, -53.9, 21.23

 

CMYK 34 / 94 / 0 / 27

HEX #7A0CB9

RGB 122 12 185

HSL 278.15, 0.88%, 0.39%

LAB 33.78, 66.67, -64.82

 

CMYK 0 / 34 / 94 / 27

HEX #B97A0C

RGB 185 122 12

HSL 38.15, 0.88%, 0.39%

LAB 56.35, 16.98, 60.51

 

CMYK 93 / 0 / 34 / 27

HEX #0DB97A

RGB 13 185 122

HSL 158.02, 0.87%, 0.39%

LAB 66.66, -53.9, 21.23

 

CMYK 94 / 78 / 0 / 27

HEX #0C29B9

RGB 12 41 185

HSL 229.94, 0.88%, 0.39%

LAB 27.2, 47.44, -76

 

CMYK 0 / 94 / 59 / 27

HEX #B90C4C

RGB 185 12 76

HSL 337.8, 0.88%, 0.39%

LAB 39.75, 64.1, 12.88

 

CMYK 0 / 15 / 94 / 27

HEX #B99D0C

RGB 185 157 12

HSL 50.29, 0.88%, 0.39%

LAB 65.32, -2.22, 67.16

 

CMYK 93 / 0 / 34 / 27

HEX #0DB97A

RGB 13 185 122

HSL 158.02, 0.87%, 0.39%

LAB 66.66, -53.9, 21.23

 

CMYK 81 / 94 / 0 / 27

HEX #240CB9

RGB 36 12 185

HSL 248.32, 0.88%, 0.39%

LAB 24.13, 60, -81.09

 

CMYK 0 / 94 / 59 / 27

HEX #B90C4C

RGB 185 12 76

HSL 337.8, 0.88%, 0.39%

LAB 39.75, 64.1, 12.88

 

CMYK 12 / 0 / 94 / 27

HEX #A2B90C

RGB 162 185 12

HSL 67.98, 0.88%, 0.39%

LAB 71.15, -26.67, 70.79

 

Description

Color code: HEX #0DB97A | qconv.com Color code: HEX #0DB97A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 185 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 185 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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