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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 185 76 it is the complementary color RGB 243 70 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 185 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 185 76 shade: RGB 17 185 71, RGB 34 203 90, RGB 51 221 109, RGB 68 239 128 and RGB 85 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 185 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 185 76 shade: RGB 12 185 76, RGB 0 167 57, RGB 0 149 38, RGB 0 131 19 and RGB 0 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 185 76 shade: RGB 11 186 76, RGB 11 186 29, RGB 41 186 11, RGB 88 186 11 and RGB 135 186 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 185 76 shade: RGB 11 186 76, RGB 11 186 123, RGB 11 186 171, RGB 11 155 186 and RGB 11 108 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 185 76 shade matches the following richer shades: RGB 11 186 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 185 76 shade: RGB 11 186 76, RGB 28 170 80, RGB 44 154 85, RGB 60 138 89 and RGB 76 122 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 185 76 shade: RGB 41 186 11, RGB 11 186 29, RGB 11 186 76, RGB 11 186 122 and RGB 11 186 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 185 76 shade: RGB 6 109 44, RGB 9 148 60, RGB 11 186 76, RGB 14 225 92 and RGB 40 241 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 185 76 shade: RGB 12 185 76, RGB 11 87 186 and RGB 186 11 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 185 76 shade: RGB 12 185 76, RGB 76 11 186 and RGB 186 76 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 185 76 shade: RGB 12 185 76, RGB 11 87 186, RGB 186 11 122 and RGB 186 111 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 185 76 shade: RGB 12 185 76, RGB 11 35 186, RGB 186 11 122 and RGB 186 163 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

Complementary color

CMYK 0 / 71 / 26 / 5

HEX #F346B3

RGB 243 70 179

HSL 322.2, 0.88%, 0.61%

LAB 58.69, 74.27, -20.54

 

CMYK 91 / 0 / 62 / 27

HEX #11B947

RGB 17 185 71

HSL 139.29, 0.83%, 0.4%

LAB 65.96, -62.38, 46

 

CMYK 83 / 0 / 56 / 20

HEX #22CB5A

RGB 34 203 90

HSL 139.88, 0.71%, 0.46%

LAB 72.09, -64.27, 44.46

 

CMYK 77 / 0 / 51 / 13

HEX #33DD6D

RGB 51 221 109

HSL 140.47, 0.71%, 0.53%

LAB 78.18, -65.59, 42.89

 

CMYK 72 / 0 / 46 / 6

HEX #44EF80

RGB 68 239 128

HSL 141.05, 0.84%, 0.6%

LAB 84.24, -66.49, 41.36

 

CMYK 67 / 0 / 42 / 0

HEX #55FF93

RGB 85 255 147

HSL 141.88, 1%, 0.67%

LAB 89.65, -66.36, 39.13

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

CMYK 100 / 0 / 66 / 35

HEX #00A739

RGB 0 167 57

HSL 140.48, 1%, 0.33%

LAB 59.83, -59.33, 45.28

 

CMYK 100 / 0 / 74 / 42

HEX #009526

RGB 0 149 38

HSL 135.3, 1%, 0.29%

LAB 53.64, -55.78, 46.47

 

CMYK 100 / 0 / 85 / 49

HEX #008313

RGB 0 131 19

HSL 128.7, 1%, 0.26%

LAB 47.34, -51.78, 46.7

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 94 / 0 / 84 / 27

HEX #0BBA1D

RGB 11 186 29

HSL 126.17, 0.89%, 0.39%

LAB 65.96, -66.6, 61.09

 

CMYK 78 / 0 / 94 / 27

HEX #29BA0B

RGB 41 186 11

HSL 109.71, 0.89%, 0.39%

LAB 66.22, -64.47, 64.76

 

CMYK 53 / 0 / 94 / 27

HEX #58BA0B

RGB 88 186 11

HSL 93.6, 0.89%, 0.39%

LAB 67.44, -54.32, 66.26

 

CMYK 27 / 0 / 94 / 27

HEX #87BA0B

RGB 135 186 11

HSL 77.49, 0.89%, 0.39%

LAB 69.68, -38.16, 69

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 94 / 0 / 34 / 27

HEX #0BBA7B

RGB 11 186 123

HSL 158.4, 0.89%, 0.39%

LAB 66.99, -54.15, 21.13

 

CMYK 94 / 0 / 8 / 27

HEX #0BBAAB

RGB 11 186 171

HSL 174.86, 0.89%, 0.39%

LAB 68.12, -42.01, -3.47

 

CMYK 94 / 17 / 0 / 27

HEX #0B9BBA

RGB 11 155 186

HSL 190.63, 0.89%, 0.39%

LAB 59.03, -22.47, -25.54

 

CMYK 94 / 42 / 0 / 27

HEX #0B6CBA

RGB 11 108 186

HSL 206.74, 0.89%, 0.39%

LAB 44.72, 4.61, -48.02

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 84 / 0 / 53 / 33

HEX #1CAA50

RGB 28 170 80

HSL 141.97, 0.72%, 0.39%

LAB 61.29, -55.33, 36.21

 

CMYK 71 / 0 / 45 / 40

HEX #2C9A55

RGB 44 154 85

HSL 142.36, 0.56%, 0.39%

LAB 56.39, -46.5, 27.52

 

CMYK 57 / 0 / 36 / 46

HEX #3C8A59

RGB 60 138 89

HSL 142.31, 0.39%, 0.39%

LAB 51.68, -35.72, 19.19

 

CMYK 38 / 0 / 24 / 52

HEX #4C7A5D

RGB 76 122 93

HSL 142.17, 0.23%, 0.39%

LAB 47.3, -22.58, 10.99

 

CMYK 78 / 0 / 94 / 27

HEX #29BA0B

RGB 41 186 11

HSL 109.71, 0.89%, 0.39%

LAB 66.22, -64.47, 64.76

 

CMYK 94 / 0 / 84 / 27

HEX #0BBA1D

RGB 11 186 29

HSL 126.17, 0.89%, 0.39%

LAB 65.96, -66.6, 61.09

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 94 / 0 / 34 / 27

HEX #0BBA7A

RGB 11 186 122

HSL 158.06, 0.89%, 0.39%

LAB 66.97, -54.36, 21.64

 

CMYK 94 / 0 / 9 / 27

HEX #0BBAA9

RGB 11 186 169

HSL 174.17, 0.89%, 0.39%

LAB 68.06, -42.57, -2.45

 

CMYK 94 / 0 / 60 / 57

HEX #066D2C

RGB 6 109 44

HSL 142.14, 0.9%, 0.23%

LAB 39.85, -41.64, 28.6

 

CMYK 94 / 0 / 59 / 42

HEX #09943C

RGB 9 148 60

HSL 142.01, 0.89%, 0.31%

LAB 53.56, -52.4, 36.76

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 94 / 0 / 59 / 12

HEX #0EE15C

RGB 14 225 92

HSL 142.18, 0.88%, 0.47%

LAB 78.88, -72.2, 51.51

 

CMYK 83 / 0 / 53 / 5

HEX #28F172

RGB 40 241 114

HSL 142.09, 0.88%, 0.55%

LAB 84.27, -72.54, 47.97

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

CMYK 94 / 53 / 0 / 27

HEX #0B57BA

RGB 11 87 186

HSL 213.94, 0.89%, 0.39%

LAB 38.61, 18.27, -57.87

 

CMYK 0 / 94 / 91 / 27

HEX #BA0B11

RGB 186 11 17

HSL 357.94, 0.89%, 0.39%

LAB 39.1, 62.2, 46.84

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

CMYK 59 / 94 / 0 / 27

HEX #4C0BBA

RGB 76 11 186

HSL 262.29, 0.89%, 0.39%

LAB 27.63, 62.51, -75.77

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

CMYK 94 / 53 / 0 / 27

HEX #0B57BA

RGB 11 87 186

HSL 213.94, 0.89%, 0.39%

LAB 38.61, 18.27, -57.87

 

CMYK 0 / 94 / 34 / 27

HEX #BA0B7A

RGB 186 11 122

HSL 321.94, 0.89%, 0.39%

LAB 41.35, 68.32, -13.83

 

CMYK 0 / 40 / 94 / 27

HEX #BA6F0B

RGB 186 111 11

HSL 34.29, 0.89%, 0.39%

LAB 53.85, 23.48, 58.96

 

CMYK 94 / 0 / 59 / 27

HEX #0CB94C

RGB 12 185 76

HSL 142.2, 0.88%, 0.39%

LAB 65.98, -62.01, 43.73

 

CMYK 94 / 81 / 0 / 27

HEX #0B23BA

RGB 11 35 186

HSL 231.77, 0.89%, 0.39%

LAB 26.21, 50.92, -78.24

 

CMYK 0 / 94 / 34 / 27

HEX #BA0B7A

RGB 186 11 122

HSL 321.94, 0.89%, 0.39%

LAB 41.35, 68.32, -13.83

 

CMYK 0 / 12 / 94 / 27

HEX #BAA30B

RGB 186 163 11

HSL 52.11, 0.89%, 0.39%

LAB 67.02, -4.98, 68.62

 

Description

Color code: RGB 12 185 76 | qconv.com Color code: RGB 12 185 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 185 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 185 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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