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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C70D8 it is the complementary color #F38F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C70D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C70D8 shade: #1170D3, #2282E6, #3394F9, #44A6FF and #55B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C70D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C70D8 shade: #0C70D8, #005EC5, #004CB2, #003A9F and #00288C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C70D8 shade: #0C70D8, #0C39D8, #160CD8, #4D0CD8 and #840CD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C70D8 shade: #0C70D8, #0C39D8 and #0C0CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C70D8 shade matches the following richer shades: #0C70D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C70D8 shade: #0C70D8, #1F71C6, #3171B3, #4471A1 and #56728E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C70D8 shade: #0CD8D2, #0CA9D8, #0C72D8, #0C3CD8 and #130CD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C70D8 shade: #08488A, #0A5CB1, #0C70D8, #1C85F1 and #439AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C70D8 shade: #0C70D8, #9B0CD8 and #C4D80C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C70D8 shade: #0C70D8, #D80C72 and #72D80C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C70D8 shade: #0C70D8, #9B0CD8, #D8720C and #49D80C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C70D8 shade: #0C70D8, #D80CD8, #D8720C and #0CD80C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

Complementary color

CMYK 0 / 41 / 84 / 5

HEX #F38F27

RGB 243 143 39

HSL 30.59, 0.89%, 0.55%

LAB 68.64, 30.98, 66.07

 

CMYK 92 / 47 / 0 / 17

HEX #1170D3

RGB 17 112 211

HSL 210.62, 0.85%, 0.45%

LAB 47.51, 12.23, -57.91

 

CMYK 85 / 43 / 0 / 10

HEX #2282E6

RGB 34 130 230

HSL 210.61, 0.8%, 0.52%

LAB 54.05, 9.31, -58.11

 

CMYK 80 / 41 / 0 / 2

HEX #3394F9

RGB 51 148 249

HSL 210.61, 0.94%, 0.59%

LAB 60.54, 6.92, -58.23

 

CMYK 73 / 35 / 0 / 0

HEX #44A6FF

RGB 68 166 255

HSL 208.56, 1%, 0.63%

LAB 66.31, 0.41, -52.31

 

CMYK 67 / 28 / 0 / 0

HEX #55B8FF

RGB 85 184 255

HSL 205.06, 1%, 0.67%

LAB 71.85, -7.31, -43.55

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 100 / 52 / 0 / 23

HEX #005EC5

RGB 0 94 197

HSL 211.37, 1%, 0.39%

LAB 41.27, 17.69, -59.96

 

CMYK 100 / 57 / 0 / 30

HEX #004CB2

RGB 0 76 178

HSL 214.38, 1%, 0.35%

LAB 34.77, 22, -59.4

 

CMYK 100 / 64 / 0 / 38

HEX #003A9F

RGB 0 58 159

HSL 218.11, 1%, 0.31%

LAB 28.19, 26.53, -58.77

 

CMYK 100 / 71 / 0 / 45

HEX #00288C

RGB 0 40 140

HSL 222.86, 1%, 0.27%

LAB 21.62, 31.15, -57.9

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 94 / 74 / 0 / 15

HEX #0C39D8

RGB 12 57 216

HSL 226.76, 0.89%, 0.45%

LAB 33.9, 49.01, -83.02

 

CMYK 90 / 94 / 0 / 15

HEX #160CD8

RGB 22 12 216

HSL 242.94, 0.89%, 0.45%

LAB 27.82, 67.78, -93.13

 

CMYK 64 / 94 / 0 / 15

HEX #4D0CD8

RGB 77 12 216

HSL 259.12, 0.89%, 0.45%

LAB 31.34, 69.61, -87.17

 

CMYK 39 / 94 / 0 / 15

HEX #840CD8

RGB 132 12 216

HSL 275.29, 0.89%, 0.45%

LAB 38.07, 74.14, -75.83

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 94 / 74 / 0 / 15

HEX #0C39D8

RGB 12 57 216

HSL 226.76, 0.89%, 0.45%

LAB 33.9, 49.01, -83.02

 

CMYK 94 / 94 / 0 / 15

HEX #0C0CD8

RGB 12 12 216

HSL 240, 0.89%, 0.45%

LAB 27.57, 67.67, -93.56

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 84 / 43 / 0 / 22

HEX #1F71C6

RGB 31 113 198

HSL 210.54, 0.73%, 0.45%

LAB 47.21, 7.39, -50.95

 

CMYK 73 / 37 / 0 / 30

HEX #3171B3

RGB 49 113 179

HSL 210.46, 0.57%, 0.45%

LAB 46.6, 2.2, -40.9

 

CMYK 58 / 30 / 0 / 37

HEX #4471A1

RGB 68 113 161

HSL 210.97, 0.41%, 0.45%

LAB 46.46, -0.71, -30.55

 

CMYK 39 / 20 / 0 / 44

HEX #56728E

RGB 86 114 142

HSL 210, 0.25%, 0.45%

LAB 46.93, -2.63, -18.53

 

CMYK 94 / 0 / 3 / 15

HEX #0CD8D2

RGB 12 216 210

HSL 178.24, 0.89%, 0.45%

LAB 78.37, -43.87, -9.45

 

CMYK 94 / 22 / 0 / 15

HEX #0CA9D8

RGB 12 169 216

HSL 193.82, 0.89%, 0.45%

LAB 64.49, -19.35, -33.84

 

CMYK 94 / 47 / 0 / 15

HEX #0C72D8

RGB 12 114 216

HSL 210, 0.89%, 0.45%

LAB 48.35, 12.73, -59.4

 

CMYK 94 / 72 / 0 / 15

HEX #0C3CD8

RGB 12 60 216

HSL 225.88, 0.89%, 0.45%

LAB 34.53, 47.25, -81.97

 

CMYK 91 / 94 / 0 / 15

HEX #130CD8

RGB 19 12 216

HSL 242.06, 0.89%, 0.45%

LAB 27.73, 67.74, -93.28

 

CMYK 94 / 48 / 0 / 46

HEX #08488A

RGB 8 72 138

HSL 210.46, 0.89%, 0.29%

LAB 30.69, 8.38, -41.86

 

CMYK 94 / 48 / 0 / 31

HEX #0A5CB1

RGB 10 92 177

HSL 210.54, 0.89%, 0.37%

LAB 39.4, 11.26, -51.3

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 88 / 45 / 0 / 5

HEX #1C85F1

RGB 28 133 241

HSL 210.42, 0.88%, 0.53%

LAB 55.45, 11.27, -61.98

 

CMYK 73 / 37 / 0 / 4

HEX #439AF4

RGB 67 154 244

HSL 210.51, 0.89%, 0.61%

LAB 62.37, 3.39, -52.54

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 28 / 94 / 0 / 15

HEX #9B0CD8

RGB 155 12 216

HSL 282.06, 0.89%, 0.45%

LAB 41.52, 76.84, -70.05

 

CMYK 9 / 0 / 94 / 15

HEX #C4D80C

RGB 196 216 12

HSL 65.88, 0.89%, 0.45%

LAB 82.31, -27.28, 80.49

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 0 / 94 / 47 / 15

HEX #D80C72

RGB 216 12 114

HSL 330, 0.89%, 0.45%

LAB 47.08, 74.09, 0.29

 

CMYK 47 / 0 / 94 / 15

HEX #72D80C

RGB 114 216 12

HSL 90, 0.89%, 0.45%

LAB 77.71, -57.67, 74.9

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 28 / 94 / 0 / 15

HEX #9B0CD8

RGB 155 12 216

HSL 282.06, 0.89%, 0.45%

LAB 41.52, 76.84, -70.05

 

CMYK 0 / 47 / 94 / 15

HEX #D8720C

RGB 216 114 12

HSL 30, 0.89%, 0.45%

LAB 58.66, 34.53, 64.05

 

CMYK 66 / 0 / 94 / 15

HEX #49D80C

RGB 73 216 12

HSL 102.06, 0.89%, 0.45%

LAB 76.41, -68.13, 73.3

 

CMYK 94 / 48 / 0 / 15

HEX #0C70D8

RGB 12 112 216

HSL 210.59, 0.89%, 0.45%

LAB 47.78, 14, -60.32

 

CMYK 0 / 94 / 0 / 15

HEX #D80CD8

RGB 216 12 216

HSL 300, 0.89%, 0.45%

LAB 51.63, 85.79, -53.2

 

CMYK 0 / 47 / 94 / 15

HEX #D8720C

RGB 216 114 12

HSL 30, 0.89%, 0.45%

LAB 58.66, 34.53, 64.05

 

CMYK 94 / 0 / 94 / 15

HEX #0CD80C

RGB 12 216 12

HSL 120, 0.89%, 0.45%

LAB 75.59, -75.38, 72.29

 

Description

Color code: HEX #0C70D8 | qconv.com Color code: HEX #0C70D8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 112 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 112 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 48 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 48% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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