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Color name
HEX #9F5C51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5C51 it is the complementary color #60A3AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5C51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5C51 shade: #A45C4C, #B56E5F, #C68072, #D79285 and #E8A498

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5C51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5C51 shade: #9F5C51, #8E4A3E, #7D382B, #6C2618 and #5B1405

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5C51 shade: #9F5B50 and #9F5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5C51 shade: #9F5B50, #9F7050, #9F8650, #9F9B50 and #8E9F50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5C51 shade matches the following richer shades: #9F5B50, #B24D3C, #C63F29, #D93116 and #EC2302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5C51 shade: #9F5B50, #8C6963, #787777, #65858A and #51939D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5C51 shade: #9F506F, #9F505A, #9F5A50, #9F6F50 and #9F8550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5C51 shade: #683B34, #834B42, #9F5B50, #B27166 and #C08A82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5C51 shade: #9F5C51, #859F50 and #50659F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5C51 shade: #9F5C51, #509F5A and #5A509F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5C51 shade: #9F5C51, #859F50, #50949F and #6A509F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5C51 shade: #9F5C51, #6D9F50, #50949F and #82509F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 49 / 38

HEX #9F5C51

RGB 159 92 81

HSL 8.46, 0.33%, 0.47%

LAB 46.47, 26.18, 18.18

 

Complementary color

CMYK 45 / 6 / 0 / 32

HEX #60A3AE

RGB 96 163 174

HSL 188.46, 0.33%, 0.53%

LAB 63.13, -18.32, -12.36

 

CMYK 0 / 44 / 54 / 36

HEX #A45C4C

RGB 164 92 76

HSL 10.91, 0.37%, 0.47%

LAB 47.06, 27.74, 22.06

 

CMYK 0 / 39 / 48 / 29

HEX #B56E5F

RGB 181 110 95

HSL 10.47, 0.37%, 0.54%

LAB 53.82, 26.52, 20.33

 

CMYK 0 / 35 / 42 / 22

HEX #C68072

RGB 198 128 114

HSL 10, 0.42%, 0.61%

LAB 60.48, 25.44, 18.83

 

CMYK 0 / 32 / 38 / 16

HEX #D79285

RGB 215 146 133

HSL 9.51, 0.51%, 0.68%

LAB 67.05, 24.48, 17.49

 

CMYK 0 / 29 / 34 / 9

HEX #E8A498

RGB 232 164 152

HSL 9, 0.63%, 0.75%

LAB 73.53, 23.62, 16.28

 

CMYK 0 / 42 / 49 / 38

HEX #9F5C51

RGB 159 92 81

HSL 8.46, 0.33%, 0.47%

LAB 46.47, 26.18, 18.18

 

CMYK 0 / 48 / 56 / 44

HEX #8E4A3E

RGB 142 74 62

HSL 9, 0.39%, 0.4%

LAB 39.57, 27.46, 20.06

 

CMYK 0 / 55 / 66 / 51

HEX #7D382B

RGB 125 56 43

HSL 9.51, 0.49%, 0.33%

LAB 32.62, 28.88, 22.34

 

CMYK 0 / 65 / 78 / 58

HEX #6C2618

RGB 108 38 24

HSL 10, 0.64%, 0.26%

LAB 25.68, 30.33, 25.14

 

CMYK 0 / 78 / 95 / 64

HEX #5B1405

RGB 91 20 5

HSL 10.47, 0.9%, 0.19%

LAB 18.95, 31.45, 26.53

 

CMYK 0 / 43 / 50 / 38

HEX #9F5B50

RGB 159 91 80

HSL 8.35, 0.33%, 0.47%

LAB 46.22, 26.64, 18.44

 

CMYK 0 / 50 / 50 / 38

HEX #9F5050

RGB 159 80 80

HSL 0, 0.33%, 0.47%

LAB 43.78, 32.69, 15.15

 

CMYK 0 / 43 / 50 / 38

HEX #9F5B50

RGB 159 91 80

HSL 8.35, 0.33%, 0.47%

LAB 46.22, 26.64, 18.44

 

CMYK 0 / 30 / 50 / 38

HEX #9F7050

RGB 159 112 80

HSL 24.3, 0.33%, 0.47%

LAB 51.31, 14.71, 25.15

 

CMYK 0 / 16 / 50 / 38

HEX #9F8650

RGB 159 134 80

HSL 41.01, 0.33%, 0.47%

LAB 57.08, 2.23, 32.46

 

CMYK 0 / 3 / 50 / 38

HEX #9F9B50

RGB 159 155 80

HSL 56.96, 0.33%, 0.47%

LAB 62.84, -9.25, 39.51

 

CMYK 11 / 0 / 50 / 38

HEX #8E9F50

RGB 142 159 80

HSL 72.91, 0.33%, 0.47%

LAB 62.61, -18.49, 38.91

 

CMYK 0 / 43 / 50 / 38

HEX #9F5B50

RGB 159 91 80

HSL 8.35, 0.33%, 0.47%

LAB 46.22, 26.64, 18.44

 

CMYK 0 / 57 / 66 / 30

HEX #B24D3C

RGB 178 77 60

HSL 8.64, 0.5%, 0.47%

LAB 45.77, 39.95, 30.23

 

CMYK 0 / 68 / 79 / 22

HEX #C63F29

RGB 198 63 41

HSL 8.41, 0.66%, 0.47%

LAB 46.61, 52.49, 42.64

 

CMYK 0 / 77 / 90 / 15

HEX #D93116

RGB 217 49 22

HSL 8.31, 0.82%, 0.47%

LAB 48.27, 62.88, 54.21

 

CMYK 0 / 85 / 99 / 7

HEX #EC2302

RGB 236 35 2

HSL 8.46, 0.98%, 0.47%

LAB 50.73, 71.43, 63.39

 

CMYK 0 / 43 / 50 / 38

HEX #9F5B50

RGB 159 91 80

HSL 8.35, 0.33%, 0.47%

LAB 46.22, 26.64, 18.44

 

CMYK 0 / 25 / 29 / 45

HEX #8C6963

RGB 140 105 99

HSL 8.78, 0.17%, 0.47%

LAB 47.73, 13.08, 8.81

 

CMYK 0 / 1 / 1 / 53

HEX #787777

RGB 120 119 119

HSL 0, 0%, 0.47%

LAB 50.12, 0.38, 0.13

 

CMYK 27 / 4 / 0 / 46

HEX #65858A

RGB 101 133 138

HSL 188.11, 0.15%, 0.47%

LAB 53.36, -10.02, -6.38

 

CMYK 48 / 6 / 0 / 38

HEX #51939D

RGB 81 147 157

HSL 187.89, 0.32%, 0.47%

LAB 57.13, -18.23, -11.81

 

CMYK 0 / 50 / 30 / 38

HEX #9F506F

RGB 159 80 111

HSL 336.46, 0.33%, 0.47%

LAB 44.6, 36.38, -2.65

 

CMYK 0 / 50 / 43 / 38

HEX #9F505A

RGB 159 80 90

HSL 352.41, 0.33%, 0.47%

LAB 44.01, 33.74, 9.36

 

CMYK 0 / 43 / 50 / 38

HEX #9F5A50

RGB 159 90 80

HSL 7.59, 0.33%, 0.47%

LAB 45.99, 27.2, 18.14

 

CMYK 0 / 30 / 50 / 38

HEX #9F6F50

RGB 159 111 80

HSL 23.54, 0.33%, 0.47%

LAB 51.06, 15.28, 24.82

 

CMYK 0 / 16 / 50 / 38

HEX #9F8550

RGB 159 133 80

HSL 40.25, 0.33%, 0.47%

LAB 56.81, 2.79, 32.13

 

CMYK 0 / 43 / 50 / 59

HEX #683B34

RGB 104 59 52

HSL 8.08, 0.33%, 0.31%

LAB 30.2, 18.99, 12.89

 

CMYK 0 / 43 / 50 / 49

HEX #834B42

RGB 131 75 66

HSL 8.31, 0.33%, 0.39%

LAB 38.29, 22.68, 15.62

 

CMYK 0 / 43 / 50 / 38

HEX #9F5B50

RGB 159 91 80

HSL 8.35, 0.33%, 0.47%

LAB 46.22, 26.64, 18.44

 

CMYK 0 / 37 / 43 / 30

HEX #B27166

RGB 178 113 102

HSL 8.68, 0.33%, 0.55%

LAB 54.27, 24.4, 16.83

 

CMYK 0 / 28 / 32 / 25

HEX #C08A82

RGB 192 138 130

HSL 7.74, 0.33%, 0.63%

LAB 62.5, 19.51, 12.45

 

CMYK 0 / 42 / 49 / 38

HEX #9F5C51

RGB 159 92 81

HSL 8.46, 0.33%, 0.47%

LAB 46.47, 26.18, 18.18

 

CMYK 16 / 0 / 50 / 38

HEX #859F50

RGB 133 159 80

HSL 79.75, 0.33%, 0.47%

LAB 61.97, -22.15, 37.98

 

CMYK 50 / 36 / 0 / 38

HEX #50659F

RGB 80 101 159

HSL 224.05, 0.33%, 0.47%

LAB 43.53, 8.84, -33.92

 

CMYK 0 / 42 / 49 / 38

HEX #9F5C51

RGB 159 92 81

HSL 8.46, 0.33%, 0.47%

LAB 46.47, 26.18, 18.18

 

CMYK 50 / 0 / 43 / 38

HEX #509F5A

RGB 80 159 90

HSL 127.59, 0.33%, 0.47%

LAB 59.2, -39.39, 28.69

 

CMYK 43 / 50 / 0 / 38

HEX #5A509F

RGB 90 80 159

HSL 247.59, 0.33%, 0.47%

LAB 38.58, 24.62, -41.73

 

CMYK 0 / 42 / 49 / 38

HEX #9F5C51

RGB 159 92 81

HSL 8.46, 0.33%, 0.47%

LAB 46.47, 26.18, 18.18

 

CMYK 16 / 0 / 50 / 38

HEX #859F50

RGB 133 159 80

HSL 79.75, 0.33%, 0.47%

LAB 61.97, -22.15, 37.98

 

CMYK 50 / 7 / 0 / 38

HEX #50949F

RGB 80 148 159

HSL 188.35, 0.33%, 0.47%

LAB 57.45, -18.44, -12.47

 

CMYK 33 / 50 / 0 / 38

HEX #6A509F

RGB 106 80 159

HSL 259.75, 0.33%, 0.47%

LAB 40.09, 28.86, -39.23

 

CMYK 0 / 42 / 49 / 38

HEX #9F5C51

RGB 159 92 81

HSL 8.46, 0.33%, 0.47%

LAB 46.47, 26.18, 18.18

 

CMYK 31 / 0 / 50 / 38

HEX #6D9F50

RGB 109 159 80

HSL 97.97, 0.33%, 0.47%

LAB 60.45, -31.38, 35.78

 

CMYK 50 / 7 / 0 / 38

HEX #50949F

RGB 80 148 159

HSL 188.35, 0.33%, 0.47%

LAB 57.45, -18.44, -12.47

 

CMYK 18 / 50 / 0 / 38

HEX #82509F

RGB 130 80 159

HSL 277.97, 0.33%, 0.47%

LAB 42.74, 35.69, -34.86

 

Description

Color code: HEX #9F5C51 | qconv.com Color code: HEX #9F5C51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 92 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 92 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 49 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 49% 38% C M Y K

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Provide designers and agencies with accurate color values.

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