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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E1FE4 it is the complementary color #61E01B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E1FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E1FE4 shade: #A31FDF, #B431F2, #C543FF, #D655FF and #E767FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E1FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E1FE4 shade: #9E1FE4, #8D0DD1, #7C00BE, #6B00AB and #5A0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E1FE4 shade: #9E20E3, #D220E3, #E320BF, #E3208B and #E32056

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E1FE4 shade: #9E20E3, #6920E3, #3520E3 and #2020E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E1FE4 shade matches the following richer shades: #9E20E3 and #A40CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E1FE4 shade: #9E20E3, #9834CF, #9249BB, #8C5DA6 and #867192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E1FE4 shade: #3420E3, #6820E3, #9C20E3, #D020E3 and #E320C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E1FE4 shade: #6C139E, #8618C2, #9E20E3, #AE45E8 and #BE6AEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E1FE4 shade: #9E1FE4, #E32041 and #20E34E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E1FE4 shade: #9E1FE4, #E39C20 and #20E39C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E1FE4 shade: #9E1FE4, #E32041, #68E320 and #20E3C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E1FE4 shade: #9E1FE4, #E33A20, #68E320 and #20C9E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 86 / 0 / 11

HEX #9E1FE4

RGB 158 31 228

HSL 278.68, 0.78%, 0.51%

LAB 44.02, 76.33, -72.81

 

Complementary color

CMYK 57 / 0 / 88 / 12

HEX #61E01B

RGB 97 224 27

HSL 98.68, 0.78%, 0.49%

LAB 79.58, -64.91, 74.08

 

CMYK 27 / 86 / 0 / 13

HEX #A31FDF

RGB 163 31 223

HSL 281.25, 0.76%, 0.5%

LAB 44.37, 76.07, -69.36

 

CMYK 26 / 80 / 0 / 5

HEX #B431F2

RGB 180 49 242

HSL 280.73, 0.88%, 0.57%

LAB 49.87, 77.66, -71.05

 

CMYK 23 / 74 / 0 / 0

HEX #C543FF

RGB 197 67 255

HSL 281.49, 1%, 0.63%

LAB 55.18, 77.27, -69.58

 

CMYK 16 / 67 / 0 / 0

HEX #D655FF

RGB 214 85 255

HSL 285.53, 1%, 0.67%

LAB 59.9, 73.84, -61.86

 

CMYK 9 / 60 / 0 / 0

HEX #E767FF

RGB 231 103 255

HSL 290.53, 1%, 0.7%

LAB 64.89, 70.14, -53.77

 

CMYK 31 / 86 / 0 / 11

HEX #9E1FE4

RGB 158 31 228

HSL 278.68, 0.78%, 0.51%

LAB 44.02, 76.33, -72.81

 

CMYK 33 / 94 / 0 / 18

HEX #8D0DD1

RGB 141 13 209

HSL 279.18, 0.88%, 0.44%

LAB 38.82, 73.64, -70.51

 

CMYK 35 / 100 / 0 / 25

HEX #7C00BE

RGB 124 0 190

HSL 279.16, 1%, 0.37%

LAB 33.99, 69.56, -67.42

 

CMYK 37 / 100 / 0 / 33

HEX #6B00AB

RGB 107 0 171

HSL 277.54, 1%, 0.34%

LAB 29.58, 63.86, -63.44

 

CMYK 41 / 100 / 0 / 40

HEX #5A0098

RGB 90 0 152

HSL 275.53, 1%, 0.3%

LAB 25.08, 58.07, -59.38

 

CMYK 30 / 86 / 0 / 11

HEX #9E20E3

RGB 158 32 227

HSL 278.77, 0.78%, 0.51%

LAB 44.01, 75.91, -72.25

 

CMYK 7 / 86 / 0 / 11

HEX #D220E3

RGB 210 32 227

HSL 294.77, 0.78%, 0.51%

LAB 52.15, 83.9, -58.67

 

CMYK 0 / 86 / 16 / 11

HEX #E320BF

RGB 227 32 191

HSL 311.08, 0.78%, 0.51%

LAB 53.09, 81.84, -36.39

 

CMYK 0 / 86 / 39 / 11

HEX #E3208B

RGB 227 32 139

HSL 327.08, 0.78%, 0.51%

LAB 50.95, 76.02, -8.95

 

CMYK 0 / 86 / 62 / 11

HEX #E32056

RGB 227 32 86

HSL 343.38, 0.78%, 0.51%

LAB 49.54, 72, 21.28

 

CMYK 30 / 86 / 0 / 11

HEX #9E20E3

RGB 158 32 227

HSL 278.77, 0.78%, 0.51%

LAB 44.01, 75.91, -72.25

 

CMYK 54 / 86 / 0 / 11

HEX #6920E3

RGB 105 32 227

HSL 262.46, 0.78%, 0.51%

LAB 37.08, 69.62, -83.89

 

CMYK 77 / 86 / 0 / 11

HEX #3520E3

RGB 53 32 227

HSL 246.46, 0.78%, 0.51%

LAB 32.56, 65.9, -91.52

 

CMYK 86 / 86 / 0 / 11

HEX #2020E3

RGB 32 32 227

HSL 240, 0.78%, 0.51%

LAB 31.55, 65.12, -93.24

 

CMYK 30 / 86 / 0 / 11

HEX #9E20E3

RGB 158 32 227

HSL 278.77, 0.78%, 0.51%

LAB 44.01, 75.91, -72.25

 

CMYK 34 / 95 / 0 / 3

HEX #A40CF7

RGB 164 12 247

HSL 278.81, 0.94%, 0.51%

LAB 45.46, 83.77, -81.16

 

CMYK 30 / 86 / 0 / 11

HEX #9E20E3

RGB 158 32 227

HSL 278.77, 0.78%, 0.51%

LAB 44.01, 75.91, -72.25

 

CMYK 27 / 75 / 0 / 19

HEX #9834CF

RGB 152 52 207

HSL 278.71, 0.62%, 0.51%

LAB 43.71, 64.87, -61.32

 

CMYK 22 / 61 / 0 / 27

HEX #9249BB

RGB 146 73 187

HSL 278.42, 0.46%, 0.51%

LAB 44.89, 50.04, -47.84

 

CMYK 16 / 44 / 0 / 35

HEX #8C5DA6

RGB 140 93 166

HSL 278.63, 0.29%, 0.51%

LAB 47.18, 32.85, -31.95

 

CMYK 8 / 23 / 0 / 43

HEX #867192

RGB 134 113 146

HSL 278.18, 0.13%, 0.51%

LAB 50.63, 14.7, -14.89

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 54 / 86 / 0 / 11

HEX #6820E3

RGB 104 32 227

HSL 262.15, 0.78%, 0.51%

LAB 36.97, 69.52, -84.08

 

CMYK 31 / 86 / 0 / 11

HEX #9C20E3

RGB 156 32 227

HSL 278.15, 0.78%, 0.51%

LAB 43.72, 75.63, -72.73

 

CMYK 8 / 86 / 0 / 11

HEX #D020E3

RGB 208 32 227

HSL 294.15, 0.78%, 0.51%

LAB 51.82, 83.57, -59.22

 

CMYK 0 / 86 / 14 / 11

HEX #E320C3

RGB 227 32 195

HSL 309.85, 0.78%, 0.51%

LAB 53.28, 82.35, -38.4

 

CMYK 32 / 88 / 0 / 38

HEX #6C139E

RGB 108 19 158

HSL 278.42, 0.79%, 0.35%

LAB 29.72, 57.8, -55.33

 

CMYK 31 / 88 / 0 / 24

HEX #8618C2

RGB 134 24 194

HSL 278.82, 0.78%, 0.43%

LAB 37.15, 67.8, -64.55

 

CMYK 30 / 86 / 0 / 11

HEX #9E20E3

RGB 158 32 227

HSL 278.77, 0.78%, 0.51%

LAB 44.01, 75.91, -72.25

 

CMYK 25 / 70 / 0 / 9

HEX #AE45E8

RGB 174 69 232

HSL 278.65, 0.78%, 0.59%

LAB 50.78, 67.6, -63.99

 

CMYK 19 / 55 / 0 / 7

HEX #BE6AEC

RGB 190 106 236

HSL 278.77, 0.77%, 0.67%

LAB 59.26, 55.01, -52.53

 

CMYK 31 / 86 / 0 / 11

HEX #9E1FE4

RGB 158 31 228

HSL 278.68, 0.78%, 0.51%

LAB 44.02, 76.33, -72.81

 

CMYK 0 / 86 / 71 / 11

HEX #E32041

RGB 227 32 65

HSL 349.85, 0.78%, 0.51%

LAB 49.19, 70.98, 33.51

 

CMYK 86 / 0 / 66 / 11

HEX #20E34E

RGB 32 227 78

HSL 134.15, 0.78%, 0.51%

LAB 79.5, -73.33, 58.18

 

CMYK 31 / 86 / 0 / 11

HEX #9E1FE4

RGB 158 31 228

HSL 278.68, 0.78%, 0.51%

LAB 44.02, 76.33, -72.81

 

CMYK 0 / 31 / 86 / 11

HEX #E39C20

RGB 227 156 32

HSL 38.15, 0.78%, 0.51%

LAB 69.62, 17.23, 68.2

 

CMYK 86 / 0 / 31 / 11

HEX #20E39C

RGB 32 227 156

HSL 158.15, 0.78%, 0.51%

LAB 80.54, -60.96, 22.28

 

CMYK 31 / 86 / 0 / 11

HEX #9E1FE4

RGB 158 31 228

HSL 278.68, 0.78%, 0.51%

LAB 44.02, 76.33, -72.81

 

CMYK 0 / 86 / 71 / 11

HEX #E32041

RGB 227 32 65

HSL 349.85, 0.78%, 0.51%

LAB 49.19, 70.98, 33.51

 

CMYK 54 / 0 / 86 / 11

HEX #68E320

RGB 104 227 32

HSL 97.85, 0.78%, 0.51%

LAB 80.73, -63.97, 74.21

 

CMYK 86 / 0 / 14 / 11

HEX #20E3C3

RGB 32 227 195

HSL 170.15, 0.78%, 0.51%

LAB 81.39, -51.73, 3

 

CMYK 31 / 86 / 0 / 11

HEX #9E1FE4

RGB 158 31 228

HSL 278.68, 0.78%, 0.51%

LAB 44.02, 76.33, -72.81

 

CMYK 0 / 74 / 86 / 11

HEX #E33A20

RGB 227 58 32

HSL 8, 0.78%, 0.51%

LAB 51.22, 63.27, 53.17

 

CMYK 54 / 0 / 86 / 11

HEX #68E320

RGB 104 227 32

HSL 97.85, 0.78%, 0.51%

LAB 80.73, -63.97, 74.21

 

CMYK 86 / 11 / 0 / 11

HEX #20C9E3

RGB 32 201 227

HSL 188, 0.78%, 0.51%

LAB 74.59, -30.9, -24.29

 

Description

Color code: HEX #9E1FE4 | qconv.com Color code: HEX #9E1FE4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 31 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 31 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 86 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 86% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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