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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E04E5 it is the complementary color #61FB1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E04E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E04E5 shade: #A304E0, #B416F3, #C528FF, #D63AFF and #E74CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E04E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E04E5 shade: #9E04E5, #8D00D2, #7C00BF, #6B00AC and #5A0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E04E5 shade: #9F03E7, #DC03E7, #E703B4, #E70376 and #E70339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E04E5 shade: #9F03E7, #6103E7, #2403E7 and #0303E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E04E5 shade matches the following richer shades: #9F03E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E04E5 shade: #9F03E7, #9816D4, #9129C1, #8A3CAE and #834F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E04E5 shade: #2503E7, #6203E7, #9F03E7, #DB03E7 and #E703B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E04E5 shade: #670295, #8302BE, #9F03E7, #B318FB and #C141FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E04E5 shade: #9E04E5, #E7031E and #03E743

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E04E5 shade: #9E04E5, #E79F03 and #03E79F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E04E5 shade: #9E04E5, #E7031E, #4BE703 and #03E7CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E04E5 shade: #9E04E5, #E72D03, #4BE703 and #03BDE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 98 / 0 / 10

HEX #9E04E5

RGB 158 4 229

HSL 281.07, 0.97%, 0.46%

LAB 42.78, 80.45, -75.4

 

Complementary color

CMYK 61 / 0 / 90 / 2

HEX #61FB1A

RGB 97 251 26

HSL 101.07, 0.97%, 0.54%

LAB 87.78, -73.85, 81.18

 

CMYK 27 / 98 / 0 / 12

HEX #A304E0

RGB 163 4 224

HSL 283.36, 0.96%, 0.45%

LAB 43.15, 80.12, -71.92

 

CMYK 26 / 91 / 0 / 5

HEX #B416F3

RGB 180 22 243

HSL 282.9, 0.9%, 0.52%

LAB 47.94, 83.75, -74.75

 

CMYK 23 / 84 / 0 / 0

HEX #C528FF

RGB 197 40 255

HSL 283.81, 1%, 0.58%

LAB 52.52, 85, -73.9

 

CMYK 16 / 77 / 0 / 0

HEX #D63AFF

RGB 214 58 255

HSL 287.51, 1%, 0.61%

LAB 56.63, 83.17, -67.13

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 31 / 98 / 0 / 10

HEX #9E04E5

RGB 158 4 229

HSL 281.07, 0.97%, 0.46%

LAB 42.78, 80.45, -75.4

 

CMYK 33 / 100 / 0 / 18

HEX #8D00D2

RGB 141 0 210

HSL 280.29, 1%, 0.41%

LAB 38.4, 75.34, -71.77

 

CMYK 35 / 100 / 0 / 25

HEX #7C00BF

RGB 124 0 191

HSL 278.95, 1%, 0.37%

LAB 34.08, 69.75, -67.86

 

CMYK 38 / 100 / 0 / 33

HEX #6B00AC

RGB 107 0 172

HSL 277.33, 1%, 0.34%

LAB 29.67, 64.07, -63.89

 

CMYK 41 / 100 / 0 / 40

HEX #5A0099

RGB 90 0 153

HSL 275.29, 1%, 0.3%

LAB 25.18, 58.28, -59.83

 

CMYK 31 / 99 / 0 / 9

HEX #9F03E7

RGB 159 3 231

HSL 281.05, 0.97%, 0.46%

LAB 43.07, 81.04, -76.06

 

CMYK 5 / 99 / 0 / 9

HEX #DC03E7

RGB 220 3 231

HSL 297.11, 0.97%, 0.46%

LAB 53, 89.27, -59.48

 

CMYK 0 / 99 / 22 / 9

HEX #E703B4

RGB 231 3 180

HSL 313.42, 0.97%, 0.46%

LAB 52.23, 84.39, -31.27

 

CMYK 0 / 99 / 49 / 9

HEX #E70376

RGB 231 3 118

HSL 329.74, 0.97%, 0.46%

LAB 49.93, 78.43, 2.36

 

CMYK 0 / 99 / 75 / 9

HEX #E70339

RGB 231 3 57

HSL 345.79, 0.97%, 0.46%

LAB 48.7, 75.11, 37.88

 

CMYK 31 / 99 / 0 / 9

HEX #9F03E7

RGB 159 3 231

HSL 281.05, 0.97%, 0.46%

LAB 43.07, 81.04, -76.06

 

CMYK 58 / 99 / 0 / 9

HEX #6103E7

RGB 97 3 231

HSL 264.74, 0.97%, 0.46%

LAB 34.75, 75.55, -90.06

 

CMYK 84 / 99 / 0 / 9

HEX #2403E7

RGB 36 3 231

HSL 248.68, 0.97%, 0.46%

LAB 29.94, 73.3, -98.21

 

CMYK 99 / 99 / 0 / 9

HEX #0303E7

RGB 3 3 231

HSL 240, 0.97%, 0.46%

LAB 29.04, 72.99, -99.73

 

CMYK 31 / 99 / 0 / 9

HEX #9F03E7

RGB 159 3 231

HSL 281.05, 0.97%, 0.46%

LAB 43.07, 81.04, -76.06

 

CMYK 31 / 99 / 0 / 9

HEX #9F03E7

RGB 159 3 231

HSL 281.05, 0.97%, 0.46%

LAB 43.07, 81.04, -76.06

 

CMYK 28 / 90 / 0 / 17

HEX #9816D4

RGB 152 22 212

HSL 281.05, 0.81%, 0.46%

LAB 41.22, 74.23, -68.25

 

CMYK 25 / 79 / 0 / 24

HEX #9129C1

RGB 145 41 193

HSL 281.05, 0.65%, 0.46%

LAB 40.34, 64.6, -58.69

 

CMYK 21 / 66 / 0 / 32

HEX #8A3CAE

RGB 138 60 174

HSL 281.05, 0.49%, 0.46%

LAB 40.72, 51.6, -46.93

 

CMYK 15 / 49 / 0 / 39

HEX #834F9B

RGB 131 79 155

HSL 281.05, 0.32%, 0.46%

LAB 42.44, 35.64, -32.94

 

CMYK 84 / 99 / 0 / 9

HEX #2503E7

RGB 37 3 231

HSL 248.95, 0.97%, 0.46%

LAB 29.98, 73.32, -98.14

 

CMYK 58 / 99 / 0 / 9

HEX #6203E7

RGB 98 3 231

HSL 265, 0.97%, 0.46%

LAB 34.87, 75.61, -89.87

 

CMYK 31 / 99 / 0 / 9

HEX #9F03E7

RGB 159 3 231

HSL 281.05, 0.97%, 0.46%

LAB 43.07, 81.04, -76.06

 

CMYK 5 / 99 / 0 / 9

HEX #DB03E7

RGB 219 3 231

HSL 296.84, 0.97%, 0.46%

LAB 52.83, 89.12, -59.76

 

CMYK 0 / 99 / 22 / 9

HEX #E703B5

RGB 231 3 181

HSL 313.16, 0.97%, 0.46%

LAB 52.28, 84.5, -31.78

 

CMYK 31 / 99 / 0 / 42

HEX #670295

RGB 103 2 149

HSL 281.22, 0.97%, 0.3%

LAB 27.01, 58.57, -54.28

 

CMYK 31 / 99 / 0 / 25

HEX #8302BE

RGB 131 2 190

HSL 281.17, 0.98%, 0.38%

LAB 35.18, 70.1, -65.43

 

CMYK 31 / 99 / 0 / 9

HEX #9F03E7

RGB 159 3 231

HSL 281.05, 0.97%, 0.46%

LAB 43.07, 81.04, -76.06

 

CMYK 29 / 90 / 0 / 2

HEX #B318FB

RGB 179 24 251

HSL 280.97, 0.97%, 0.54%

LAB 48.51, 84.79, -78.31

 

CMYK 23 / 74 / 0 / 1

HEX #C141FC

RGB 193 65 252

HSL 281.07, 0.97%, 0.62%

LAB 54.18, 76.67, -69.56

 

CMYK 31 / 98 / 0 / 10

HEX #9E04E5

RGB 158 4 229

HSL 281.07, 0.97%, 0.46%

LAB 42.78, 80.45, -75.4

 

CMYK 0 / 99 / 87 / 9

HEX #E7031E

RGB 231 3 30

HSL 352.89, 0.97%, 0.46%

LAB 48.45, 74.42, 52.17

 

CMYK 99 / 0 / 71 / 9

HEX #03E743

RGB 3 231 67

HSL 136.84, 0.97%, 0.46%

LAB 80.5, -76.95, 63.41

 

CMYK 31 / 98 / 0 / 10

HEX #9E04E5

RGB 158 4 229

HSL 281.07, 0.97%, 0.46%

LAB 42.78, 80.45, -75.4

 

CMYK 0 / 31 / 99 / 9

HEX #E79F03

RGB 231 159 3

HSL 41.05, 0.97%, 0.46%

LAB 70.73, 16.94, 74.44

 

CMYK 99 / 0 / 31 / 9

HEX #03E79F

RGB 3 231 159

HSL 161.05, 0.97%, 0.46%

LAB 81.66, -63.01, 22.24

 

CMYK 31 / 98 / 0 / 10

HEX #9E04E5

RGB 158 4 229

HSL 281.07, 0.97%, 0.46%

LAB 42.78, 80.45, -75.4

 

CMYK 0 / 99 / 87 / 9

HEX #E7031E

RGB 231 3 30

HSL 352.89, 0.97%, 0.46%

LAB 48.45, 74.42, 52.17

 

CMYK 68 / 0 / 99 / 9

HEX #4BE703

RGB 75 231 3

HSL 101.05, 0.97%, 0.46%

LAB 81.1, -72.55, 77.95

 

CMYK 99 / 0 / 12 / 9

HEX #03E7CC

RGB 3 231 204

HSL 172.89, 0.97%, 0.46%

LAB 82.66, -52.11, 0.06

 

CMYK 31 / 98 / 0 / 10

HEX #9E04E5

RGB 158 4 229

HSL 281.07, 0.97%, 0.46%

LAB 42.78, 80.45, -75.4

 

CMYK 0 / 81 / 99 / 9

HEX #E72D03

RGB 231 45 3

HSL 11.05, 0.97%, 0.46%

LAB 50.54, 67.82, 62.47

 

CMYK 68 / 0 / 99 / 9

HEX #4BE703

RGB 75 231 3

HSL 101.05, 0.97%, 0.46%

LAB 81.1, -72.55, 77.95

 

CMYK 99 / 18 / 0 / 9

HEX #03BDE7

RGB 3 189 231

HSL 191.05, 0.97%, 0.46%

LAB 71, -24.78, -31.98

 

Description

Color code: HEX #9E04E5 | qconv.com Color code: HEX #9E04E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 4 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 4 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 98 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 98% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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