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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E74CFF it is the complementary color #18B300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E74CFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E74CFF shade: #EC4CFA, #FD5EFF, #FF70FF, #FF82FF and #FF94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E74CFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E74CFF shade: #E74CFF, #D63AEC, #C528D9, #B416C6 and #A304B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E74CFF shade: #E74CFF, #FF4CE6, #FF4CB6, #FF4C86 and #FF4C56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E74CFF shade: #E74CFF, #B64CFF, #864CFF, #564CFF and #4C4CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E74CFF shade matches the following richer shades: #E74CFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E74CFF shade: #E74CFF, #DC5AF0, #D169E2, #C777D3 and #BC86C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E74CFF shade: #854CFF, #B44CFF, #E44CFF, #FF4CEA and #FF4CBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E74CFF shade: #D700F8, #E123FF, #E74CFF, #EC75FF and #F29FFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E74CFF shade: #E74CFF, #FF554C and #4CFF9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E74CFF shade: #E74CFF, #FFE44C and #4CFFE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E74CFF shade: #E74CFF, #FF554C, #67FF4C and #4CF6FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E74CFF shade: #E74CFF, #FF8A4C, #67FF4C and #4CC0FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

Complementary color

CMYK 87 / 0 / 100 / 30

HEX #18B300

RGB 24 179 0

HSL 111.96, 1%, 0.35%

LAB 63.7, -64.63, 63.97

 

CMYK 6 / 70 / 0 / 2

HEX #EC4CFA

RGB 236 76 250

HSL 295.17, 0.95%, 0.64%

LAB 61.57, 80.86, -56.25

 

CMYK 1 / 63 / 0 / 0

HEX #FD5EFF

RGB 253 94 255

HSL 299.25, 1%, 0.68%

LAB 66.6, 78.89, -50.87

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 9 / 75 / 0 / 7

HEX #D63AEC

RGB 214 58 236

HSL 292.58, 0.82%, 0.58%

LAB 55.46, 79.9, -58.41

 

CMYK 9 / 82 / 0 / 15

HEX #C528D9

RGB 197 40 217

HSL 293.22, 0.7%, 0.5%

LAB 49.97, 78.42, -56.6

 

CMYK 9 / 89 / 0 / 22

HEX #B416C6

RGB 180 22 198

HSL 293.86, 0.8%, 0.43%

LAB 44.74, 75.98, -54.23

 

CMYK 9 / 98 / 0 / 30

HEX #A304B3

RGB 163 4 179

HSL 294.51, 0.96%, 0.36%

LAB 39.8, 72.36, -51.18

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 0 / 70 / 10 / 0

HEX #FF4CE6

RGB 255 76 230

HSL 308.38, 1%, 0.65%

LAB 63.46, 81.86, -41.96

 

CMYK 0 / 70 / 29 / 0

HEX #FF4CB6

RGB 255 76 182

HSL 324.47, 1%, 0.65%

LAB 61.49, 75.65, -17.82

 

CMYK 0 / 70 / 47 / 0

HEX #FF4C86

RGB 255 76 134

HSL 340.56, 1%, 0.65%

LAB 60.02, 70.83, 7.88

 

CMYK 0 / 70 / 66 / 0

HEX #FF4C56

RGB 255 76 86

HSL 356.65, 1%, 0.65%

LAB 59.07, 67.58, 34.51

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 29 / 70 / 0 / 0

HEX #B64CFF

RGB 182 76 255

HSL 275.53, 1%, 0.65%

LAB 54.38, 71.1, -70.98

 

CMYK 47 / 70 / 0 / 0

HEX #864CFF

RGB 134 76 255

HSL 259.44, 1%, 0.65%

LAB 48.83, 62.74, -80.25

 

CMYK 66 / 70 / 0 / 0

HEX #564CFF

RGB 86 76 255

HSL 243.35, 1%, 0.65%

LAB 44.76, 56.21, -87.09

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 8 / 63 / 0 / 6

HEX #DC5AF0

RGB 220 90 240

HSL 292, 0.83%, 0.65%

LAB 60.62, 70.38, -52.35

 

CMYK 8 / 54 / 0 / 11

HEX #D169E2

RGB 209 105 226

HSL 291.57, 0.68%, 0.65%

LAB 60.91, 58.39, -44.18

 

CMYK 6 / 44 / 0 / 17

HEX #C777D3

RGB 199 119 211

HSL 292.17, 0.51%, 0.65%

LAB 61.69, 45.7, -34.65

 

CMYK 5 / 32 / 0 / 23

HEX #BC86C5

RGB 188 134 197

HSL 291.43, 0.35%, 0.65%

LAB 63.15, 31.45, -24.6

 

CMYK 48 / 70 / 0 / 0

HEX #854CFF

RGB 133 76 255

HSL 259.11, 1%, 0.65%

LAB 48.73, 62.58, -80.42

 

CMYK 29 / 70 / 0 / 0

HEX #B44CFF

RGB 180 76 255

HSL 274.86, 1%, 0.65%

LAB 54.12, 70.73, -71.4

 

CMYK 11 / 70 / 0 / 0

HEX #E44CFF

RGB 228 76 255

HSL 290.95, 1%, 0.65%

LAB 60.68, 80.07, -60.51

 

CMYK 0 / 70 / 8 / 0

HEX #FF4CEA

RGB 255 76 234

HSL 307.04, 1%, 0.65%

LAB 63.65, 82.43, -43.9

 

CMYK 0 / 70 / 27 / 0

HEX #FF4CBA

RGB 255 76 186

HSL 323.13, 1%, 0.65%

LAB 61.63, 76.11, -19.9

 

CMYK 13 / 100 / 0 / 3

HEX #D700F8

RGB 215 0 248

HSL 292.02, 1%, 0.49%

LAB 53.19, 91.35, -68.77

 

CMYK 12 / 86 / 0 / 0

HEX #E123FF

RGB 225 35 255

HSL 291.82, 1%, 0.57%

LAB 56.52, 90.26, -67.22

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 7 / 54 / 0 / 0

HEX #EC75FF

RGB 236 117 255

HSL 291.74, 1%, 0.73%

LAB 67.85, 65.09, -49.04

 

CMYK 5 / 38 / 0 / 0

HEX #F29FFF

RGB 242 159 255

HSL 291.88, 1%, 0.81%

LAB 76.61, 45.93, -35.31

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 0 / 67 / 70 / 0

HEX #FF554C

RGB 255 85 76

HSL 3.02, 1%, 0.65%

LAB 60.14, 63.78, 41.4

 

CMYK 70 / 0 / 39 / 0

HEX #4CFF9C

RGB 76 255 156

HSL 146.82, 1%, 0.65%

LAB 89.61, -66.25, 34.6

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 0 / 11 / 70 / 0

HEX #FFE44C

RGB 255 228 76

HSL 50.95, 1%, 0.65%

LAB 90.45, -6.66, 73.66

 

CMYK 70 / 0 / 11 / 0

HEX #4CFFE4

RGB 76 255 228

HSL 170.95, 1%, 0.65%

LAB 91.08, -50.67, -0.11

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 0 / 67 / 70 / 0

HEX #FF554C

RGB 255 85 76

HSL 3.02, 1%, 0.65%

LAB 60.14, 63.78, 41.4

 

CMYK 60 / 0 / 70 / 0

HEX #67FF4C

RGB 103 255 76

HSL 110.95, 1%, 0.65%

LAB 89.36, -71.31, 69.79

 

CMYK 70 / 4 / 0 / 0

HEX #4CF6FF

RGB 76 246 255

HSL 183.02, 1%, 0.65%

LAB 89.24, -39.53, -16.88

 

CMYK 9 / 70 / 0 / 0

HEX #E74CFF

RGB 231 76 255

HSL 291.96, 1%, 0.65%

LAB 61.11, 80.68, -59.79

 

CMYK 0 / 46 / 70 / 0

HEX #FF8A4C

RGB 255 138 76

HSL 20.78, 1%, 0.65%

LAB 69.44, 39.7, 51.88

 

CMYK 60 / 0 / 70 / 0

HEX #67FF4C

RGB 103 255 76

HSL 110.95, 1%, 0.65%

LAB 89.36, -71.31, 69.79

 

CMYK 70 / 25 / 0 / 0

HEX #4CC0FF

RGB 76 192 255

HSL 201.12, 1%, 0.65%

LAB 73.84, -12.92, -40.46

 

Description

Color code: HEX #E74CFF | qconv.com Color code: HEX #E74CFF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 76 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 76 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 70 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 70% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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