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Color name
HEX #9C12A5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C12A5 it is the complementary color #63ED5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C12A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C12A5 shade: #A112A0, #B224B3, #C336C6, #D448D9 and #E55AEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C12A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C12A5 shade: #9C12A5, #8B0092, #7A007F, #69006C and #580059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C12A5 shade: #9C12A5, #A51286, #A5125F, #A51237 and #A51212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C12A5 shade: #9C12A5, #7412A5, #4D12A5, #2512A5 and #1212A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C12A5 shade matches the following richer shades: #9C12A5 and #A903B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C12A5 shade: #9C12A5, #8F2196, #823087, #753E78 and #684D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C12A5 shade: #4D12A5, #7412A5, #9B12A5, #A51287 and #A51260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C12A5 shade: #560A5A, #790E80, #9C12A5, #BF16CA and #DA23E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C12A5 shade: #9C12A5, #A52512 and #12A560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C12A5 shade: #9C12A5, #A59B12 and #12A59B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C12A5 shade: #9C12A5, #A52512, #1CA512 and #1291A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C12A5 shade: #9C12A5, #A55212, #1CA512 and #1265A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

Complementary color

CMYK 58 / 0 / 62 / 7

HEX #63ED5A

RGB 99 237 90

HSL 116.33, 0.8%, 0.64%

LAB 83.94, -64.81, 58.53

 

CMYK 0 / 89 / 1 / 37

HEX #A112A0

RGB 161 18 160

HSL 300.42, 0.8%, 0.35%

LAB 38.81, 67.27, -41.42

 

CMYK 1 / 80 / 0 / 30

HEX #B224B3

RGB 178 36 179

HSL 299.58, 0.67%, 0.42%

LAB 44.21, 69.69, -43.97

 

CMYK 2 / 73 / 0 / 22

HEX #C336C6

RGB 195 54 198

HSL 298.75, 0.57%, 0.49%

LAB 49.88, 71.04, -45.86

 

CMYK 2 / 67 / 0 / 15

HEX #D448D9

RGB 212 72 217

HSL 297.93, 0.66%, 0.57%

LAB 55.73, 71.65, -47.28

 

CMYK 3 / 62 / 0 / 7

HEX #E55AEC

RGB 229 90 236

HSL 297.12, 0.79%, 0.64%

LAB 61.68, 71.78, -48.38

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 5 / 100 / 0 / 43

HEX #8B0092

RGB 139 0 146

HSL 297.12, 1%, 0.29%

LAB 33.06, 63.67, -42.33

 

CMYK 4 / 100 / 0 / 50

HEX #7A007F

RGB 122 0 127

HSL 297.64, 1%, 0.25%

LAB 28.56, 57.75, -37.88

 

CMYK 3 / 100 / 0 / 58

HEX #69006C

RGB 105 0 108

HSL 298.33, 1%, 0.21%

LAB 23.95, 51.67, -33.31

 

CMYK 1 / 100 / 0 / 65

HEX #580059

RGB 88 0 89

HSL 299.33, 1%, 0.17%

LAB 19.21, 45.4, -28.57

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 0 / 89 / 19 / 35

HEX #A51286

RGB 165 18 134

HSL 312.65, 0.8%, 0.36%

LAB 38.12, 64.32, -26.59

 

CMYK 0 / 89 / 42 / 35

HEX #A5125F

RGB 165 18 95

HSL 328.57, 0.8%, 0.36%

LAB 36.48, 59.87, -4.54

 

CMYK 0 / 89 / 67 / 35

HEX #A51237

RGB 165 18 55

HSL 344.9, 0.8%, 0.36%

LAB 35.42, 56.87, 19.86

 

CMYK 0 / 89 / 89 / 35

HEX #A51212

RGB 165 18 18

HSL 0, 0.8%, 0.36%

LAB 34.95, 55.54, 41.3

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 30 / 89 / 0 / 35

HEX #7412A5

RGB 116 18 165

HSL 280, 0.8%, 0.36%

LAB 31.49, 60.67, -56.64

 

CMYK 53 / 89 / 0 / 35

HEX #4D12A5

RGB 77 18 165

HSL 264.08, 0.8%, 0.36%

LAB 25.94, 55.79, -65.96

 

CMYK 78 / 89 / 0 / 35

HEX #2512A5

RGB 37 18 165

HSL 247.76, 0.8%, 0.36%

LAB 22.1, 52.8, -72.45

 

CMYK 89 / 89 / 0 / 35

HEX #1212A5

RGB 18 18 165

HSL 240, 0.8%, 0.36%

LAB 21.12, 52.1, -74.09

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 6 / 98 / 0 / 29

HEX #A903B4

RGB 169 3 180

HSL 296.27, 0.97%, 0.36%

LAB 40.89, 73.57, -49.96

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 5 / 78 / 0 / 41

HEX #8F2196

RGB 143 33 150

HSL 296.41, 0.64%, 0.36%

LAB 36.23, 58.64, -39.65

 

CMYK 4 / 64 / 0 / 47

HEX #823087

RGB 130 48 135

HSL 296.55, 0.48%, 0.36%

LAB 35.22, 47.22, -32.19

 

CMYK 3 / 48 / 0 / 53

HEX #753E78

RGB 117 62 120

HSL 296.9, 0.32%, 0.36%

LAB 35.17, 33.37, -23.09

 

CMYK 1 / 27 / 0 / 59

HEX #684D69

RGB 104 77 105

HSL 297.86, 0.15%, 0.36%

LAB 36.5, 16.72, -11.8

 

CMYK 53 / 89 / 0 / 35

HEX #4D12A5

RGB 77 18 165

HSL 264.08, 0.8%, 0.36%

LAB 25.94, 55.79, -65.96

 

CMYK 30 / 89 / 0 / 35

HEX #7412A5

RGB 116 18 165

HSL 280, 0.8%, 0.36%

LAB 31.49, 60.67, -56.64

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 0 / 89 / 18 / 35

HEX #A51287

RGB 165 18 135

HSL 312.24, 0.8%, 0.36%

LAB 38.17, 64.45, -27.13

 

CMYK 0 / 89 / 42 / 35

HEX #A51260

RGB 165 18 96

HSL 328.16, 0.8%, 0.36%

LAB 36.51, 59.96, -5.13

 

CMYK 4 / 89 / 0 / 65

HEX #560A5A

RGB 86 10 90

HSL 297, 0.8%, 0.2%

LAB 19.78, 42.55, -28.35

 

CMYK 5 / 89 / 0 / 50

HEX #790E80

RGB 121 14 128

HSL 296.32, 0.8%, 0.28%

LAB 29.25, 55.34, -37.42

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 5 / 89 / 0 / 21

HEX #BF16CA

RGB 191 22 202

HSL 296.33, 0.8%, 0.44%

LAB 46.86, 78.44, -53.03

 

CMYK 5 / 85 / 0 / 10

HEX #DA23E6

RGB 218 35 230

HSL 296.31, 0.8%, 0.52%

LAB 53.84, 85.18, -57.6

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 0 / 78 / 89 / 35

HEX #A52512

RGB 165 37 18

HSL 7.76, 0.8%, 0.36%

LAB 36.68, 50.65, 42.65

 

CMYK 89 / 0 / 42 / 35

HEX #12A560

RGB 18 165 96

HSL 151.84, 0.8%, 0.36%

LAB 59.78, -51.64, 25.97

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 0 / 6 / 89 / 35

HEX #A59B12

RGB 165 155 18

HSL 55.92, 0.8%, 0.36%

LAB 62.92, -10.06, 63.46

 

CMYK 89 / 0 / 6 / 35

HEX #12A59B

RGB 18 165 155

HSL 175.92, 0.8%, 0.36%

LAB 61.14, -36.99, -4.85

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 0 / 78 / 89 / 35

HEX #A52512

RGB 165 37 18

HSL 7.76, 0.8%, 0.36%

LAB 36.68, 50.65, 42.65

 

CMYK 83 / 0 / 89 / 35

HEX #1CA512

RGB 28 165 18

HSL 115.92, 0.8%, 0.36%

LAB 59.16, -59.63, 57.57

 

CMYK 89 / 12 / 0 / 35

HEX #1291A5

RGB 18 145 165

HSL 188.16, 0.8%, 0.36%

LAB 55.17, -24.14, -19.51

 

CMYK 5 / 89 / 0 / 35

HEX #9C12A5

RGB 156 18 165

HSL 296.33, 0.8%, 0.36%

LAB 38.23, 67.17, -45.41

 

CMYK 0 / 50 / 89 / 35

HEX #A55212

RGB 165 82 18

HSL 26.12, 0.8%, 0.36%

LAB 44.34, 30.41, 48.7

 

CMYK 83 / 0 / 89 / 35

HEX #1CA512

RGB 28 165 18

HSL 115.92, 0.8%, 0.36%

LAB 59.16, -59.63, 57.57

 

CMYK 89 / 39 / 0 / 35

HEX #1265A5

RGB 18 101 165

HSL 206.12, 0.8%, 0.36%

LAB 41.46, 1.03, -40.91

 

Description

Color code: HEX #9C12A5 | qconv.com Color code: HEX #9C12A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 18 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 18 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 89 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 89% 0% 35% C M Y K

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Provide designers and agencies with accurate color values.

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