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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B12A5 it is the complementary color #64ED5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B12A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B12A5 shade: #A012A0, #B124B3, #C236C6, #D348D9 and #E45AEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B12A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B12A5 shade: #9B12A5, #8A0092, #79007F, #68006C and #570059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B12A5 shade: #9B12A5, #A51287, #A51260, #A51238 and #A51212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B12A5 shade: #9B12A5, #7312A5, #4C12A5, #2412A5 and #1212A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B12A5 shade matches the following richer shades: #9B12A5 and #A803B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B12A5 shade: #9B12A5, #8E2196, #813087, #743E78 and #674D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B12A5 shade: #4A12A5, #7112A5, #9912A5, #A5128A and #A51263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B12A5 shade: #550A5A, #780E80, #9B12A5, #BE16CA and #D923E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B12A5 shade: #9B12A5, #A52312 and #12A55E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B12A5 shade: #9B12A5, #A59812 and #12A598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B12A5 shade: #9B12A5, #A52312, #1EA512 and #1294A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B12A5 shade: #9B12A5, #A54F12, #1EA512 and #1268A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

Complementary color

CMYK 58 / 0 / 62 / 7

HEX #64ED5A

RGB 100 237 90

HSL 115.92, 0.8%, 0.64%

LAB 83.97, -64.58, 58.57

 

CMYK 0 / 89 / 0 / 37

HEX #A012A0

RGB 160 18 160

HSL 300, 0.8%, 0.35%

LAB 38.63, 67.09, -41.72

 

CMYK 1 / 80 / 0 / 30

HEX #B124B3

RGB 177 36 179

HSL 299.16, 0.67%, 0.42%

LAB 44.04, 69.5, -44.25

 

CMYK 2 / 73 / 0 / 22

HEX #C236C6

RGB 194 54 198

HSL 298.33, 0.57%, 0.49%

LAB 49.72, 70.83, -46.12

 

CMYK 3 / 67 / 0 / 15

HEX #D348D9

RGB 211 72 217

HSL 297.52, 0.66%, 0.57%

LAB 55.58, 71.43, -47.53

 

CMYK 3 / 62 / 0 / 7

HEX #E45AEC

RGB 228 90 236

HSL 296.71, 0.79%, 0.64%

LAB 61.54, 71.54, -48.61

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 5 / 100 / 0 / 43

HEX #8A0092

RGB 138 0 146

HSL 296.71, 1%, 0.29%

LAB 32.87, 63.51, -42.63

 

CMYK 5 / 100 / 0 / 50

HEX #79007F

RGB 121 0 127

HSL 297.17, 1%, 0.25%

LAB 28.37, 57.58, -38.2

 

CMYK 4 / 100 / 0 / 58

HEX #68006C

RGB 104 0 108

HSL 297.78, 1%, 0.21%

LAB 23.76, 51.49, -33.64

 

CMYK 2 / 100 / 0 / 65

HEX #570059

RGB 87 0 89

HSL 298.65, 1%, 0.17%

LAB 19, 45.22, -28.91

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 0 / 89 / 18 / 35

HEX #A51287

RGB 165 18 135

HSL 312.24, 0.8%, 0.36%

LAB 38.17, 64.45, -27.13

 

CMYK 0 / 89 / 42 / 35

HEX #A51260

RGB 165 18 96

HSL 328.16, 0.8%, 0.36%

LAB 36.51, 59.96, -5.13

 

CMYK 0 / 89 / 66 / 35

HEX #A51238

RGB 165 18 56

HSL 344.49, 0.8%, 0.36%

LAB 35.43, 56.92, 19.24

 

CMYK 0 / 89 / 89 / 35

HEX #A51212

RGB 165 18 18

HSL 0, 0.8%, 0.36%

LAB 34.95, 55.54, 41.3

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 30 / 89 / 0 / 35

HEX #7312A5

RGB 115 18 165

HSL 279.59, 0.8%, 0.36%

LAB 31.33, 60.52, -56.9

 

CMYK 54 / 89 / 0 / 35

HEX #4C12A5

RGB 76 18 165

HSL 263.67, 0.8%, 0.36%

LAB 25.82, 55.69, -66.16

 

CMYK 78 / 89 / 0 / 35

HEX #2412A5

RGB 36 18 165

HSL 247.35, 0.8%, 0.36%

LAB 22.03, 52.75, -72.56

 

CMYK 89 / 89 / 0 / 35

HEX #1212A5

RGB 18 18 165

HSL 240, 0.8%, 0.36%

LAB 21.12, 52.1, -74.09

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 7 / 98 / 0 / 29

HEX #A803B4

RGB 168 3 180

HSL 295.93, 0.97%, 0.36%

LAB 40.71, 73.41, -50.25

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 5 / 78 / 0 / 41

HEX #8E2196

RGB 142 33 150

HSL 295.9, 0.64%, 0.36%

LAB 36.06, 58.43, -39.93

 

CMYK 4 / 64 / 0 / 47

HEX #813087

RGB 129 48 135

HSL 295.86, 0.48%, 0.36%

LAB 35.06, 46.96, -32.44

 

CMYK 3 / 48 / 0 / 53

HEX #743E78

RGB 116 62 120

HSL 295.86, 0.32%, 0.36%

LAB 35.03, 33.05, -23.31

 

CMYK 2 / 27 / 0 / 59

HEX #674D69

RGB 103 77 105

HSL 295.71, 0.15%, 0.36%

LAB 36.39, 16.35, -11.98

 

CMYK 55 / 89 / 0 / 35

HEX #4A12A5

RGB 74 18 165

HSL 262.86, 0.8%, 0.36%

LAB 25.58, 55.49, -66.57

 

CMYK 32 / 89 / 0 / 35

HEX #7112A5

RGB 113 18 165

HSL 278.78, 0.8%, 0.36%

LAB 31.02, 60.24, -57.43

 

CMYK 7 / 89 / 0 / 35

HEX #9912A5

RGB 153 18 165

HSL 295.1, 0.8%, 0.36%

LAB 37.7, 66.64, -46.28

 

CMYK 0 / 89 / 16 / 35

HEX #A5128A

RGB 165 18 138

HSL 311.02, 0.8%, 0.36%

LAB 38.32, 64.85, -28.74

 

CMYK 0 / 89 / 40 / 35

HEX #A51263

RGB 165 18 99

HSL 326.94, 0.8%, 0.36%

LAB 36.62, 60.26, -6.89

 

CMYK 6 / 89 / 0 / 65

HEX #550A5A

RGB 85 10 90

HSL 296.25, 0.8%, 0.2%

LAB 19.58, 42.34, -28.67

 

CMYK 6 / 89 / 0 / 50

HEX #780E80

RGB 120 14 128

HSL 295.79, 0.8%, 0.28%

LAB 29.07, 55.15, -37.72

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 6 / 89 / 0 / 21

HEX #BE16CA

RGB 190 22 202

HSL 296, 0.8%, 0.44%

LAB 46.69, 78.27, -53.31

 

CMYK 6 / 85 / 0 / 10

HEX #D923E6

RGB 217 35 230

HSL 296, 0.8%, 0.52%

LAB 53.67, 85.01, -57.87

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 0 / 79 / 89 / 35

HEX #A52312

RGB 165 35 18

HSL 6.94, 0.8%, 0.36%

LAB 36.45, 51.29, 42.47

 

CMYK 89 / 0 / 43 / 35

HEX #12A55E

RGB 18 165 94

HSL 151.02, 0.8%, 0.36%

LAB 59.75, -52.02, 27

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 0 / 8 / 89 / 35

HEX #A59812

RGB 165 152 18

HSL 54.69, 0.8%, 0.36%

LAB 62.08, -8.47, 62.8

 

CMYK 89 / 0 / 8 / 35

HEX #12A598

RGB 18 165 152

HSL 174.69, 0.8%, 0.36%

LAB 61.05, -37.87, -3.29

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 0 / 79 / 89 / 35

HEX #A52312

RGB 165 35 18

HSL 6.94, 0.8%, 0.36%

LAB 36.45, 51.29, 42.47

 

CMYK 82 / 0 / 89 / 35

HEX #1EA512

RGB 30 165 18

HSL 115.1, 0.8%, 0.36%

LAB 59.19, -59.4, 57.61

 

CMYK 89 / 10 / 0 / 35

HEX #1294A5

RGB 18 148 165

HSL 186.94, 0.8%, 0.36%

LAB 56.11, -25.68, -18.07

 

CMYK 6 / 89 / 0 / 35

HEX #9B12A5

RGB 155 18 165

HSL 295.92, 0.8%, 0.36%

LAB 38.05, 66.99, -45.7

 

CMYK 0 / 52 / 89 / 35

HEX #A54F12

RGB 165 79 18

HSL 24.9, 0.8%, 0.36%

LAB 43.7, 32.01, 48.19

 

CMYK 82 / 0 / 89 / 35

HEX #1EA512

RGB 30 165 18

HSL 115.1, 0.8%, 0.36%

LAB 59.19, -59.4, 57.61

 

CMYK 89 / 37 / 0 / 35

HEX #1268A5

RGB 18 104 165

HSL 204.9, 0.8%, 0.36%

LAB 42.38, -0.86, -39.45

 

Description

Color code: HEX #9B12A5 | qconv.com Color code: HEX #9B12A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 18 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 18 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 89 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 89% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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