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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BF894 it is the complementary color #64076B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BF894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BF894 shade: #A0F88F, #B1FFA2, #C2FFB5, #D3FFC8 and #E4FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BF894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BF894 shade: #9BF894, #8AE681, #79D46E, #68C25B and #57B048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BF894 shade: #9CF895, #B7F895, #D1F895, #ECF895 and #F8E995

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BF894 shade: #9CF895, #95F8A9, #95F8C3, #95F8DE and #95F7F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BF894 shade matches the following richer shades: #9CF895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BF894 shade: #9CF895, #A4EF9E, #ACE6A7, #B3DDB0 and #BBD3B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BF894 shade: #D2F895, #B8F895, #9DF895, #95F8A7 and #95F8C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BF894 shade: #53F347, #78F56E, #9CF895, #C0FABC and #E4FDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BF894 shade: #9BF894, #95ECF8 and #F895C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BF894 shade: #9BF894, #959DF8 and #F8959D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BF894 shade: #9BF894, #95ECF8, #F095F8 and #F8A195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BF894 shade: #9BF894, #95CFF8, #F095F8 and #F8BE95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 40 / 3

HEX #9BF894

RGB 155 248 148

HSL 115.8, 0.88%, 0.78%

LAB 89.97, -46.71, 39.51

 

Complementary color

CMYK 7 / 93 / 0 / 58

HEX #64076B

RGB 100 7 107

HSL 295.8, 0.88%, 0.22%

LAB 23.41, 49.1, -33.58

 

CMYK 35 / 0 / 42 / 3

HEX #A0F88F

RGB 160 248 143

HSL 110.29, 0.88%, 0.77%

LAB 90.13, -45.87, 42.21

 

CMYK 31 / 0 / 36 / 0

HEX #B1FFA2

RGB 177 255 162

HSL 110.32, 1%, 0.82%

LAB 93.22, -40.89, 37.05

 

CMYK 24 / 0 / 29 / 0

HEX #C2FFB5

RGB 194 255 181

HSL 109.46, 1%, 0.85%

LAB 94.45, -32.54, 29.36

 

CMYK 17 / 0 / 22 / 0

HEX #D3FFC8

RGB 211 255 200

HSL 108, 1%, 0.89%

LAB 95.81, -23.92, 21.75

 

CMYK 11 / 0 / 14 / 0

HEX #E4FFDB

RGB 228 255 219

HSL 105, 1%, 0.93%

LAB 97.28, -15.13, 14.28

 

CMYK 38 / 0 / 40 / 3

HEX #9BF894

RGB 155 248 148

HSL 115.8, 0.88%, 0.78%

LAB 89.97, -46.71, 39.51

 

CMYK 40 / 0 / 44 / 10

HEX #8AE681

RGB 138 230 129

HSL 114.65, 0.67%, 0.7%

LAB 83.75, -46.88, 40.71

 

CMYK 43 / 0 / 48 / 17

HEX #79D46E

RGB 121 212 110

HSL 113.53, 0.54%, 0.63%

LAB 77.45, -47.01, 41.94

 

CMYK 46 / 0 / 53 / 24

HEX #68C25B

RGB 104 194 91

HSL 112.43, 0.46%, 0.56%

LAB 71.06, -47.05, 43.18

 

CMYK 51 / 0 / 59 / 31

HEX #57B048

RGB 87 176 72

HSL 111.35, 0.42%, 0.49%

LAB 64.6, -46.95, 44.38

 

CMYK 37 / 0 / 40 / 3

HEX #9CF895

RGB 156 248 149

HSL 115.76, 0.88%, 0.78%

LAB 90.03, -46.26, 39.1

 

CMYK 26 / 0 / 40 / 3

HEX #B7F895

RGB 183 248 149

HSL 99.39, 0.88%, 0.78%

LAB 91.4, -37.58, 41.14

 

CMYK 16 / 0 / 40 / 3

HEX #D1F895

RGB 209 248 149

HSL 83.64, 0.88%, 0.78%

LAB 92.95, -28.46, 43.44

 

CMYK 5 / 0 / 40 / 3

HEX #ECF895

RGB 236 248 149

HSL 67.27, 0.88%, 0.78%

LAB 94.8, -18.46, 46.17

 

CMYK 0 / 6 / 40 / 3

HEX #F8E995

RGB 248 233 149

HSL 50.91, 0.88%, 0.78%

LAB 91.87, -6.47, 42.63

 

CMYK 37 / 0 / 40 / 3

HEX #9CF895

RGB 156 248 149

HSL 115.76, 0.88%, 0.78%

LAB 90.03, -46.26, 39.1

 

CMYK 40 / 0 / 32 / 3

HEX #95F8A9

RGB 149 248 169

HSL 132.12, 0.88%, 0.78%

LAB 90.04, -45.2, 29.06

 

CMYK 40 / 0 / 21 / 3

HEX #95F8C3

RGB 149 248 195

HSL 147.88, 0.88%, 0.78%

LAB 90.53, -40.51, 16.46

 

CMYK 40 / 0 / 10 / 3

HEX #95F8DE

RGB 149 248 222

HSL 164.24, 0.88%, 0.78%

LAB 91.14, -34.95, 3.36

 

CMYK 40 / 0 / 0 / 3

HEX #95F7F8

RGB 149 247 248

HSL 180.61, 0.88%, 0.78%

LAB 91.54, -28.53, -9.56

 

CMYK 37 / 0 / 40 / 3

HEX #9CF895

RGB 156 248 149

HSL 115.76, 0.88%, 0.78%

LAB 90.03, -46.26, 39.1

 

CMYK 37 / 0 / 40 / 3

HEX #9CF895

RGB 156 248 149

HSL 115.76, 0.88%, 0.78%

LAB 90.03, -46.26, 39.1

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 25 / 0 / 27 / 10

HEX #ACE6A7

RGB 172 230 167

HSL 115.24, 0.56%, 0.78%

LAB 86.08, -30.33, 24.9

 

CMYK 19 / 0 / 20 / 13

HEX #B3DDB0

RGB 179 221 176

HSL 116, 0.4%, 0.78%

LAB 84.19, -22.17, 17.67

 

CMYK 11 / 0 / 12 / 17

HEX #BBD3B9

RGB 187 211 185

HSL 115.38, 0.23%, 0.78%

LAB 82.19, -12.89, 10.18

 

CMYK 15 / 0 / 40 / 3

HEX #D2F895

RGB 210 248 149

HSL 83.03, 0.88%, 0.78%

LAB 93.02, -28.1, 43.54

 

CMYK 26 / 0 / 40 / 3

HEX #B8F895

RGB 184 248 149

HSL 98.79, 0.88%, 0.78%

LAB 91.46, -37.24, 41.22

 

CMYK 37 / 0 / 40 / 3

HEX #9DF895

RGB 157 248 149

HSL 115.15, 0.88%, 0.78%

LAB 90.08, -45.96, 39.17

 

CMYK 40 / 0 / 33 / 3

HEX #95F8A7

RGB 149 248 167

HSL 130.91, 0.88%, 0.78%

LAB 90.01, -45.54, 30.03

 

CMYK 40 / 0 / 22 / 3

HEX #95F8C1

RGB 149 248 193

HSL 146.67, 0.88%, 0.78%

LAB 90.49, -40.89, 17.43

 

CMYK 66 / 0 / 71 / 5

HEX #53F347

RGB 83 243 71

HSL 115.81, 0.88%, 0.62%

LAB 85.2, -71.92, 67.12

 

CMYK 51 / 0 / 55 / 4

HEX #78F56E

RGB 120 245 110

HSL 115.56, 0.87%, 0.7%

LAB 87.2, -60.38, 53.75

 

CMYK 37 / 0 / 40 / 3

HEX #9CF895

RGB 156 248 149

HSL 115.76, 0.88%, 0.78%

LAB 90.03, -46.26, 39.1

 

CMYK 23 / 0 / 25 / 2

HEX #C0FABC

RGB 192 250 188

HSL 116.13, 0.86%, 0.86%

LAB 93.11, -29.76, 23.95

 

CMYK 10 / 0 / 10 / 1

HEX #E4FDE3

RGB 228 253 227

HSL 117.69, 0.87%, 0.94%

LAB 96.94, -12.79, 9.69

 

CMYK 38 / 0 / 40 / 3

HEX #9BF894

RGB 155 248 148

HSL 115.8, 0.88%, 0.78%

LAB 89.97, -46.71, 39.51

 

CMYK 40 / 5 / 0 / 3

HEX #95ECF8

RGB 149 236 248

HSL 187.27, 0.88%, 0.78%

LAB 88.52, -23.21, -14.06

 

CMYK 0 / 40 / 21 / 3

HEX #F895C5

RGB 248 149 197

HSL 330.91, 0.88%, 0.78%

LAB 73.21, 43.29, -8.75

 

CMYK 38 / 0 / 40 / 3

HEX #9BF894

RGB 155 248 148

HSL 115.8, 0.88%, 0.78%

LAB 89.97, -46.71, 39.51

 

CMYK 40 / 37 / 0 / 3

HEX #959DF8

RGB 149 157 248

HSL 235.15, 0.88%, 0.78%

LAB 67.49, 19.14, -46.37

 

CMYK 0 / 40 / 37 / 3

HEX #F8959D

RGB 248 149 157

HSL 355.15, 0.88%, 0.78%

LAB 72.15, 38.06, 11.87

 

CMYK 38 / 0 / 40 / 3

HEX #9BF894

RGB 155 248 148

HSL 115.8, 0.88%, 0.78%

LAB 89.97, -46.71, 39.51

 

CMYK 40 / 5 / 0 / 3

HEX #95ECF8

RGB 149 236 248

HSL 187.27, 0.88%, 0.78%

LAB 88.52, -23.21, -14.06

 

CMYK 3 / 40 / 0 / 3

HEX #F095F8

RGB 240 149 248

HSL 295.15, 0.88%, 0.78%

LAB 74.06, 49.2, -35.49

 

CMYK 0 / 35 / 40 / 3

HEX #F8A195

RGB 248 161 149

HSL 7.27, 0.88%, 0.78%

LAB 74.58, 30.91, 19.66

 

CMYK 38 / 0 / 40 / 3

HEX #9BF894

RGB 155 248 148

HSL 115.8, 0.88%, 0.78%

LAB 89.97, -46.71, 39.51

 

CMYK 40 / 17 / 0 / 3

HEX #95CFF8

RGB 149 207 248

HSL 204.85, 0.88%, 0.78%

LAB 80.62, -8.46, -26.01

 

CMYK 3 / 40 / 0 / 3

HEX #F095F8

RGB 240 149 248

HSL 295.15, 0.88%, 0.78%

LAB 74.06, 49.2, -35.49

 

CMYK 0 / 23 / 40 / 3

HEX #F8BE95

RGB 248 190 149

HSL 24.85, 0.88%, 0.78%

LAB 81.27, 15.66, 28.75

 

Description

Color code: HEX #9BF894 | qconv.com Color code: HEX #9BF894 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 248 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 248 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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