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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4EF9E it is the complementary color #5B1061. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4EF9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4EF9E shade: #A9EF99, #BAFFAC, #CBFFBF, #DCFFD2 and #EDFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4EF9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4EF9E shade: #A4EF9E, #93DD8B, #82CB78, #71B965 and #60A752

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4EF9E shade: #A4EF9E, #BAEF9E, #D0EF9E, #E5EF9E and #EFE29E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4EF9E shade: #A4EF9E, #9EEFAE, #9EEFC4, #9EEFD9 and #9EEEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4EF9E shade matches the following richer shades: #A4EF9E and #9CF895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4EF9E shade: #A4EF9E, #ACE6A7, #B3DDB0, #BBD4B9 and #C3CAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4EF9E shade: #D0EF9E, #BAEF9E, #A5EF9E, #9EEFAD and #9EEFC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4EF9E shade: #61E357, #83E97B, #A4EF9E, #C5F5C1 and #E7FAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4EF9E shade: #A4EF9E, #9EE5EF and #EF9EC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4EF9E shade: #A4EF9E, #9EA5EF and #EF9EA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4EF9E shade: #A4EF9E, #9EE5EF, #E89EEF and #EFA79E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4EF9E shade: #A4EF9E, #9ECDEF, #E89EEF and #EFC09E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

Complementary color

CMYK 6 / 84 / 0 / 62

HEX #5B1061

RGB 91 16 97

HSL 295.56, 0.72%, 0.22%

LAB 21.79, 43.21, -29.72

 

CMYK 29 / 0 / 36 / 6

HEX #A9EF99

RGB 169 239 153

HSL 108.84, 0.73%, 0.77%

LAB 88.19, -37.62, 34.83

 

CMYK 27 / 0 / 33 / 0

HEX #BAFFAC

RGB 186 255 172

HSL 109.88, 1%, 0.84%

LAB 93.86, -36.52, 33

 

CMYK 20 / 0 / 25 / 0

HEX #CBFFBF

RGB 203 255 191

HSL 108.75, 1%, 0.87%

LAB 95.15, -28.02, 25.34

 

CMYK 14 / 0 / 18 / 0

HEX #DCFFD2

RGB 220 255 210

HSL 106.67, 1%, 0.91%

LAB 96.57, -19.29, 17.8

 

CMYK 7 / 0 / 10 / 0

HEX #EDFFE5

RGB 237 255 229

HSL 101.54, 1%, 0.95%

LAB 98.11, -10.44, 10.42

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 33 / 0 / 37 / 13

HEX #93DD8B

RGB 147 221 139

HSL 114.15, 0.55%, 0.71%

LAB 81.72, -38.71, 33.16

 

CMYK 36 / 0 / 41 / 20

HEX #82CB78

RGB 130 203 120

HSL 112.77, 0.44%, 0.63%

LAB 75.34, -38.92, 34.35

 

CMYK 39 / 0 / 45 / 27

HEX #71B965

RGB 113 185 101

HSL 111.43, 0.38%, 0.56%

LAB 68.86, -39.09, 35.59

 

CMYK 43 / 0 / 51 / 35

HEX #60A752

RGB 96 167 82

HSL 110.12, 0.34%, 0.49%

LAB 62.28, -39.21, 36.86

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 22 / 0 / 34 / 6

HEX #BAEF9E

RGB 186 239 158

HSL 99.26, 0.72%, 0.78%

LAB 89.22, -31.2, 33.85

 

CMYK 13 / 0 / 34 / 6

HEX #D0EF9E

RGB 208 239 158

HSL 82.96, 0.72%, 0.78%

LAB 90.6, -23.43, 35.93

 

CMYK 4 / 0 / 34 / 6

HEX #E5EF9E

RGB 229 239 158

HSL 67.41, 0.72%, 0.78%

LAB 92.07, -15.68, 38.13

 

CMYK 0 / 5 / 34 / 6

HEX #EFE29E

RGB 239 226 158

HSL 50.37, 0.72%, 0.78%

LAB 89.49, -5.41, 34.89

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 34 / 0 / 27 / 6

HEX #9EEFAE

RGB 158 239 174

HSL 131.85, 0.72%, 0.78%

LAB 88, -37.74, 23.8

 

CMYK 34 / 0 / 18 / 6

HEX #9EEFC4

RGB 158 239 196

HSL 148.15, 0.72%, 0.78%

LAB 88.44, -33.7, 13.05

 

CMYK 34 / 0 / 9 / 6

HEX #9EEFD9

RGB 158 239 217

HSL 163.7, 0.72%, 0.78%

LAB 88.93, -29.42, 2.8

 

CMYK 34 / 0 / 0 / 6

HEX #9EEEEF

RGB 158 238 239

HSL 180.74, 0.72%, 0.78%

LAB 89.23, -24.05, -8.26

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 37 / 0 / 40 / 3

HEX #9CF895

RGB 156 248 149

HSL 115.76, 0.88%, 0.78%

LAB 90.03, -46.26, 39.1

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 25 / 0 / 27 / 10

HEX #ACE6A7

RGB 172 230 167

HSL 115.24, 0.56%, 0.78%

LAB 86.08, -30.33, 24.9

 

CMYK 19 / 0 / 20 / 13

HEX #B3DDB0

RGB 179 221 176

HSL 116, 0.4%, 0.78%

LAB 84.19, -22.17, 17.67

 

CMYK 12 / 0 / 13 / 17

HEX #BBD4B9

RGB 187 212 185

HSL 115.56, 0.24%, 0.78%

LAB 82.46, -13.39, 10.56

 

CMYK 3 / 0 / 4 / 21

HEX #C3CAC2

RGB 195 202 194

HSL 112.5, 0.07%, 0.78%

LAB 80.59, -3.87, 3.15

 

CMYK 13 / 0 / 34 / 6

HEX #D0EF9E

RGB 208 239 158

HSL 82.96, 0.72%, 0.78%

LAB 90.6, -23.43, 35.93

 

CMYK 22 / 0 / 34 / 6

HEX #BAEF9E

RGB 186 239 158

HSL 99.26, 0.72%, 0.78%

LAB 89.22, -31.2, 33.85

 

CMYK 31 / 0 / 34 / 6

HEX #A5EF9E

RGB 165 239 158

HSL 114.81, 0.72%, 0.78%

LAB 88.07, -38.17, 32.11

 

CMYK 34 / 0 / 28 / 6

HEX #9EEFAD

RGB 158 239 173

HSL 131.11, 0.72%, 0.78%

LAB 87.98, -37.91, 24.29

 

CMYK 34 / 0 / 19 / 6

HEX #9EEFC2

RGB 158 239 194

HSL 146.67, 0.72%, 0.78%

LAB 88.4, -34.08, 14.03

 

CMYK 57 / 0 / 62 / 11

HEX #61E357

RGB 97 227 87

HSL 115.71, 0.71%, 0.62%

LAB 80.83, -62.03, 56.29

 

CMYK 44 / 0 / 47 / 9

HEX #83E97B

RGB 131 233 123

HSL 115.64, 0.71%, 0.7%

LAB 84.24, -51.02, 44.19

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 20 / 0 / 21 / 4

HEX #C5F5C1

RGB 197 245 193

HSL 115.38, 0.72%, 0.86%

LAB 92.14, -24.93, 20.11

 

CMYK 8 / 0 / 8 / 2

HEX #E7FAE5

RGB 231 250 229

HSL 114.29, 0.68%, 0.94%

LAB 96.42, -9.96, 7.94

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 34 / 4 / 0 / 6

HEX #9EE5EF

RGB 158 229 239

HSL 187.41, 0.72%, 0.78%

LAB 86.77, -19.61, -11.92

 

CMYK 0 / 34 / 18 / 6

HEX #EF9EC5

RGB 239 158 197

HSL 331.11, 0.72%, 0.78%

LAB 74.08, 35.56, -7.56

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 34 / 31 / 0 / 6

HEX #9EA5EF

RGB 158 165 239

HSL 234.81, 0.72%, 0.78%

LAB 69.76, 14.58, -37.86

 

CMYK 0 / 34 / 31 / 6

HEX #EF9EA5

RGB 239 158 165

HSL 354.81, 0.72%, 0.78%

LAB 73.23, 31.05, 8.84

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 34 / 4 / 0 / 6

HEX #9EE5EF

RGB 158 229 239

HSL 187.41, 0.72%, 0.78%

LAB 86.77, -19.61, -11.92

 

CMYK 3 / 34 / 0 / 6

HEX #E89EEF

RGB 232 158 239

HSL 294.81, 0.72%, 0.78%

LAB 74.72, 40.43, -29.65

 

CMYK 0 / 30 / 34 / 6

HEX #EFA79E

RGB 239 167 158

HSL 6.67, 0.72%, 0.78%

LAB 75.11, 25.41, 15.33

 

CMYK 31 / 0 / 34 / 6

HEX #A4EF9E

RGB 164 239 158

HSL 115.56, 0.72%, 0.78%

LAB 88.01, -38.49, 32.03

 

CMYK 34 / 14 / 0 / 6

HEX #9ECDEF

RGB 158 205 239

HSL 205.19, 0.72%, 0.78%

LAB 80.27, -7.31, -21.7

 

CMYK 3 / 34 / 0 / 6

HEX #E89EEF

RGB 232 158 239

HSL 294.81, 0.72%, 0.78%

LAB 74.72, 40.43, -29.65

 

CMYK 0 / 20 / 34 / 6

HEX #EFC09E

RGB 239 192 158

HSL 25.19, 0.72%, 0.78%

LAB 81.03, 12.17, 23.51

 

Description

Color code: HEX #A4EF9E | qconv.com Color code: HEX #A4EF9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 239 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 239 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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