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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F06C it is the complementary color #660F93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F06C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F06C shade: #9EF067, #AFFF7A, #C0FF8D, #D1FFA0 and #E2FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F06C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F06C shade: #99F06C, #88DE59, #77CC46, #66BA33 and #55A820

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F06C shade: #98EF6B, #BCEF6B, #DFEF6B, #EFDB6B and #EFB86B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F06C shade: #98EF6B, #74EF6B, #6BEF85, #6BEFA9 and #6BEFCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F06C shade matches the following richer shades: #98EF6B and #94FC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F06C shade: #98EF6B, #9CE278, #A0D585, #A4C792 and #A9BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F06C shade: #E0EF6B, #BCEF6B, #99EF6B, #76EF6B and #6BEF83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F06C shade: #64E720, #7EEB45, #98EF6B, #B2F390 and #CCF7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F06C shade: #99F06C, #6BEFDB and #EF6BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F06C shade: #99F06C, #6B99EF and #EF6B99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F06C shade: #99F06C, #6BEFDB, #C16BEF and #EF6B7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F06C shade: #99F06C, #6BDBEF, #C16BEF and #EF7F6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 55 / 6

HEX #99F06C

RGB 153 240 108

HSL 99.55, 0.81%, 0.68%

LAB 87.08, -48.92, 54.85

 

Complementary color

CMYK 31 / 90 / 0 / 42

HEX #660F93

RGB 102 15 147

HSL 279.55, 0.81%, 0.32%

LAB 27.5, 55.55, -52.25

 

CMYK 34 / 0 / 57 / 6

HEX #9EF067

RGB 158 240 103

HSL 95.91, 0.82%, 0.67%

LAB 87.27, -47.79, 57.35

 

CMYK 31 / 0 / 52 / 0

HEX #AFFF7A

RGB 175 255 122

HSL 96.09, 1%, 0.74%

LAB 92.59, -46.54, 55.31

 

CMYK 25 / 0 / 45 / 0

HEX #C0FF8D

RGB 192 255 141

HSL 93.16, 1%, 0.78%

LAB 93.73, -38.64, 48.07

 

CMYK 18 / 0 / 37 / 0

HEX #D1FFA0

RGB 209 255 160

HSL 89.05, 1%, 0.81%

LAB 95, -30.37, 40.69

 

CMYK 11 / 0 / 30 / 0

HEX #E2FFB3

RGB 226 255 179

HSL 82.89, 1%, 0.85%

LAB 96.39, -21.85, 33.31

 

CMYK 36 / 0 / 55 / 6

HEX #99F06C

RGB 153 240 108

HSL 99.55, 0.81%, 0.68%

LAB 87.08, -48.92, 54.85

 

CMYK 39 / 0 / 60 / 13

HEX #88DE59

RGB 136 222 89

HSL 98.8, 0.67%, 0.61%

LAB 80.85, -48.86, 55.85

 

CMYK 42 / 0 / 66 / 20

HEX #77CC46

RGB 119 204 70

HSL 98.06, 0.57%, 0.54%

LAB 74.54, -48.67, 56.68

 

CMYK 45 / 0 / 73 / 27

HEX #66BA33

RGB 102 186 51

HSL 97.33, 0.57%, 0.46%

LAB 68.15, -48.31, 57.15

 

CMYK 49 / 0 / 81 / 34

HEX #55A820

RGB 85 168 32

HSL 96.62, 0.68%, 0.39%

LAB 61.69, -47.69, 56.94

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 21 / 0 / 55 / 6

HEX #BCEF6B

RGB 188 239 107

HSL 83.18, 0.8%, 0.68%

LAB 88.68, -36.42, 57.63

 

CMYK 7 / 0 / 55 / 6

HEX #DFEF6B

RGB 223 239 107

HSL 67.27, 0.8%, 0.68%

LAB 91, -23.07, 60.9

 

CMYK 0 / 8 / 55 / 6

HEX #EFDB6B

RGB 239 219 107

HSL 50.91, 0.8%, 0.68%

LAB 87.03, -6.82, 56.69

 

CMYK 0 / 23 / 55 / 6

HEX #EFB86B

RGB 239 184 107

HSL 35, 0.8%, 0.68%

LAB 78.28, 11.25, 46.36

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 0 / 44 / 6

HEX #6BEF85

RGB 107 239 133

HSL 131.82, 0.8%, 0.68%

LAB 85.28, -58.25, 40.45

 

CMYK 55 / 0 / 29 / 6

HEX #6BEFA9

RGB 107 239 169

HSL 148.18, 0.8%, 0.68%

LAB 85.87, -52.03, 23.12

 

CMYK 55 / 0 / 15 / 6

HEX #6BEFCC

RGB 107 239 204

HSL 164.09, 0.8%, 0.68%

LAB 86.61, -44.59, 5.99

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 41 / 0 / 63 / 1

HEX #94FC5E

RGB 148 252 94

HSL 99.49, 0.96%, 0.68%

LAB 90.19, -56.7, 64.3

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 31 / 0 / 47 / 11

HEX #9CE278

RGB 156 226 120

HSL 99.62, 0.65%, 0.68%

LAB 83.35, -40.56, 44.77

 

CMYK 25 / 0 / 38 / 16

HEX #A0D585

RGB 160 213 133

HSL 99.75, 0.49%, 0.68%

LAB 80.04, -31.56, 34.15

 

CMYK 18 / 0 / 27 / 22

HEX #A4C792

RGB 164 199 146

HSL 99.62, 0.32%, 0.68%

LAB 76.57, -21.44, 22.8

 

CMYK 9 / 0 / 14 / 27

HEX #A9BAA0

RGB 169 186 160

HSL 99.23, 0.16%, 0.68%

LAB 73.6, -10.7, 11.21

 

CMYK 6 / 0 / 55 / 6

HEX #E0EF6B

RGB 224 239 107

HSL 66.82, 0.8%, 0.68%

LAB 91.07, -22.68, 61

 

CMYK 21 / 0 / 55 / 6

HEX #BCEF6B

RGB 188 239 107

HSL 83.18, 0.8%, 0.68%

LAB 88.68, -36.42, 57.63

 

CMYK 36 / 0 / 55 / 6

HEX #99EF6B

RGB 153 239 107

HSL 99.09, 0.8%, 0.68%

LAB 86.78, -48.61, 54.94

 

CMYK 51 / 0 / 55 / 6

HEX #76EF6B

RGB 118 239 107

HSL 115, 0.8%, 0.68%

LAB 85.32, -58.98, 52.86

 

CMYK 55 / 0 / 45 / 6

HEX #6BEF83

RGB 107 239 131

HSL 130.91, 0.8%, 0.68%

LAB 85.25, -58.55, 41.39

 

CMYK 57 / 0 / 86 / 9

HEX #64E720

RGB 100 231 32

HSL 99.5, 0.81%, 0.52%

LAB 81.82, -66.38, 75.1

 

CMYK 46 / 0 / 71 / 8

HEX #7EEB45

RGB 126 235 69

HSL 99.4, 0.81%, 0.6%

LAB 84.11, -58.75, 67.15

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 27 / 0 / 41 / 5

HEX #B2F390

RGB 178 243 144

HSL 99.39, 0.8%, 0.76%

LAB 89.66, -37.67, 41.3

 

CMYK 17 / 0 / 27 / 3

HEX #CCF7B5

RGB 204 247 181

HSL 99.09, 0.8%, 0.84%

LAB 92.88, -25.43, 27.32

 

CMYK 36 / 0 / 55 / 6

HEX #99F06C

RGB 153 240 108

HSL 99.55, 0.81%, 0.68%

LAB 87.08, -48.92, 54.85

 

CMYK 55 / 0 / 8 / 6

HEX #6BEFDB

RGB 107 239 219

HSL 170.91, 0.8%, 0.68%

LAB 86.98, -41.03, -1.32

 

CMYK 0 / 55 / 14 / 6

HEX #EF6BCE

RGB 239 107 206

HSL 315, 0.8%, 0.68%

LAB 64.42, 62.28, -27.19

 

CMYK 36 / 0 / 55 / 6

HEX #99F06C

RGB 153 240 108

HSL 99.55, 0.81%, 0.68%

LAB 87.08, -48.92, 54.85

 

CMYK 55 / 36 / 0 / 6

HEX #6B99EF

RGB 107 153 239

HSL 219.09, 0.8%, 0.68%

LAB 63.46, 9.05, -47.97

 

CMYK 0 / 55 / 36 / 6

HEX #EF6B99

RGB 239 107 153

HSL 339.09, 0.8%, 0.68%

LAB 62.65, 55.28, 0.32

 

CMYK 36 / 0 / 55 / 6

HEX #99F06C

RGB 153 240 108

HSL 99.55, 0.81%, 0.68%

LAB 87.08, -48.92, 54.85

 

CMYK 55 / 0 / 8 / 6

HEX #6BEFDB

RGB 107 239 219

HSL 170.91, 0.8%, 0.68%

LAB 86.98, -41.03, -1.32

 

CMYK 19 / 55 / 0 / 6

HEX #C16BEF

RGB 193 107 239

HSL 279.09, 0.8%, 0.68%

LAB 59.97, 55.89, -53.05

 

CMYK 0 / 55 / 47 / 6

HEX #EF6B7F

RGB 239 107 127

HSL 350.91, 0.8%, 0.68%

LAB 62, 52.59, 14.35

 

CMYK 36 / 0 / 55 / 6

HEX #99F06C

RGB 153 240 108

HSL 99.55, 0.81%, 0.68%

LAB 87.08, -48.92, 54.85

 

CMYK 55 / 8 / 0 / 6

HEX #6BDBEF

RGB 107 219 239

HSL 189.09, 0.8%, 0.68%

LAB 81.85, -26.45, -19.53

 

CMYK 19 / 55 / 0 / 6

HEX #C16BEF

RGB 193 107 239

HSL 279.09, 0.8%, 0.68%

LAB 59.97, 55.89, -53.05

 

CMYK 0 / 47 / 55 / 6

HEX #EF7F6B

RGB 239 127 107

HSL 9.09, 0.8%, 0.68%

LAB 65.43, 41.12, 30.28

 

Description

Color code: HEX #99F06C | qconv.com Color code: HEX #99F06C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 240 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 240 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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