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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74EF6B it is the complementary color #8B1094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74EF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74EF6B shade: #79EF66, #8AFF79, #9BFF8C, #ACFF9F and #BDFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74EF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74EF6B shade: #74EF6B, #63DD58, #52CB45, #41B932 and #30A71F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74EF6B shade: #75EE6C, #98EE6C, #BBEE6C, #DEEE6C and #EEDB6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74EF6B shade: #75EE6C, #6CEE86, #6CEEA9, #6CEECC and #6CEDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74EF6B shade matches the following richer shades: #75EE6C and #69FB5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74EF6B shade: #75EE6C, #80E179, #8BD486, #97C793 and #A2B9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74EF6B shade: #BCEE6C, #99EE6C, #77EE6C, #6CEE84 and #6CEEA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74EF6B shade: #2FE621, #52EA46, #75EE6C, #97F291 and #BAF6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74EF6B shade: #74EF6B, #6CDFEE and #EE6CAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74EF6B shade: #74EF6B, #6C77EE and #EE6C76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74EF6B shade: #74EF6B, #6CDFEE, #E36CEE and #EE7B6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74EF6B shade: #74EF6B, #6CB8EE, #E36CEE and #EEA26C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

Complementary color

CMYK 6 / 89 / 0 / 42

HEX #8B1094

RGB 139 16 148

HSL 295.91, 0.8%, 0.32%

LAB 33.98, 61.67, -42.08

 

CMYK 49 / 0 / 57 / 6

HEX #79EF66

RGB 121 239 102

HSL 111.68, 0.81%, 0.67%

LAB 85.38, -58.74, 55.19

 

CMYK 46 / 0 / 53 / 0

HEX #8AFF79

RGB 138 255 121

HSL 112.39, 1%, 0.74%

LAB 90.92, -58.06, 53.36

 

CMYK 39 / 0 / 45 / 0

HEX #9BFF8C

RGB 155 255 140

HSL 112.17, 1%, 0.77%

LAB 91.86, -50.75, 45.79

 

CMYK 33 / 0 / 38 / 0

HEX #ACFF9F

RGB 172 255 159

HSL 111.88, 1%, 0.81%

LAB 92.92, -42.9, 38.09

 

CMYK 26 / 0 / 30 / 0

HEX #BDFFB2

RGB 189 255 178

HSL 111.43, 1%, 0.85%

LAB 94.12, -34.64, 30.37

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 0 / 60 / 13

HEX #63DD58

RGB 99 221 88

HSL 115.04, 0.66%, 0.61%

LAB 79.08, -59.25, 53.89

 

CMYK 60 / 0 / 66 / 20

HEX #52CB45

RGB 82 203 69

HSL 114.18, 0.56%, 0.53%

LAB 72.85, -58.77, 54.86

 

CMYK 65 / 0 / 73 / 27

HEX #41B932

RGB 65 185 50

HSL 113.33, 0.57%, 0.46%

LAB 66.56, -57.95, 55.49

 

CMYK 71 / 0 / 81 / 35

HEX #30A71F

RGB 48 167 31

HSL 112.5, 0.69%, 0.39%

LAB 60.22, -56.62, 55.45

 

CMYK 51 / 0 / 55 / 7

HEX #75EE6C

RGB 117 238 108

HSL 115.85, 0.79%, 0.68%

LAB 85, -58.75, 52.02

 

CMYK 36 / 0 / 55 / 7

HEX #98EE6C

RGB 152 238 108

HSL 99.69, 0.79%, 0.68%

LAB 86.46, -48.41, 54.1

 

CMYK 21 / 0 / 55 / 7

HEX #BBEE6C

RGB 187 238 108

HSL 83.54, 0.79%, 0.68%

LAB 88.35, -36.25, 56.79

 

CMYK 7 / 0 / 55 / 7

HEX #DEEE6C

RGB 222 238 108

HSL 67.38, 0.79%, 0.68%

LAB 90.67, -22.9, 60.07

 

CMYK 0 / 8 / 55 / 7

HEX #EEDB6C

RGB 238 219 108

HSL 51.23, 0.79%, 0.68%

LAB 86.96, -7.15, 56.12

 

CMYK 51 / 0 / 55 / 7

HEX #75EE6C

RGB 117 238 108

HSL 115.85, 0.79%, 0.68%

LAB 85, -58.75, 52.02

 

CMYK 55 / 0 / 44 / 7

HEX #6CEE86

RGB 108 238 134

HSL 132, 0.79%, 0.68%

LAB 85.03, -57.48, 39.65

 

CMYK 55 / 0 / 29 / 7

HEX #6CEEA9

RGB 108 238 169

HSL 148.15, 0.79%, 0.68%

LAB 85.61, -51.4, 22.76

 

CMYK 55 / 0 / 14 / 7

HEX #6CEECC

RGB 108 238 204

HSL 164.31, 0.79%, 0.68%

LAB 86.35, -43.96, 5.62

 

CMYK 55 / 0 / 0 / 7

HEX #6CEDEE

RGB 108 237 238

HSL 180.46, 0.79%, 0.68%

LAB 86.96, -35.12, -11.32

 

CMYK 51 / 0 / 55 / 7

HEX #75EE6C

RGB 117 238 108

HSL 115.85, 0.79%, 0.68%

LAB 85, -58.75, 52.02

 

CMYK 58 / 0 / 63 / 2

HEX #69FB5E

RGB 105 251 94

HSL 115.8, 0.95%, 0.68%

LAB 88.35, -67.93, 61.84

 

CMYK 51 / 0 / 55 / 7

HEX #75EE6C

RGB 117 238 108

HSL 115.85, 0.79%, 0.68%

LAB 85, -58.75, 52.02

 

CMYK 43 / 0 / 46 / 12

HEX #80E179

RGB 128 225 121

HSL 115.96, 0.63%, 0.68%

LAB 81.74, -48.87, 42

 

CMYK 34 / 0 / 37 / 17

HEX #8BD486

RGB 139 212 134

HSL 116.15, 0.48%, 0.68%

LAB 78.63, -37.98, 31.58

 

CMYK 24 / 0 / 26 / 22

HEX #97C793

RGB 151 199 147

HSL 115.38, 0.32%, 0.68%

LAB 75.78, -25.81, 21.06

 

CMYK 12 / 0 / 14 / 27

HEX #A2B9A0

RGB 162 185 160

HSL 115.2, 0.15%, 0.68%

LAB 72.84, -12.67, 10.06

 

CMYK 21 / 0 / 55 / 7

HEX #BCEE6C

RGB 188 238 108

HSL 83.08, 0.79%, 0.68%

LAB 88.41, -35.88, 56.88

 

CMYK 36 / 0 / 55 / 7

HEX #99EE6C

RGB 153 238 108

HSL 99.23, 0.79%, 0.68%

LAB 86.51, -48.09, 54.17

 

CMYK 50 / 0 / 55 / 7

HEX #77EE6C

RGB 119 238 108

HSL 114.92, 0.79%, 0.68%

LAB 85.07, -58.22, 52.12

 

CMYK 55 / 0 / 45 / 7

HEX #6CEE84

RGB 108 238 132

HSL 131.08, 0.79%, 0.68%

LAB 85, -57.78, 40.59

 

CMYK 55 / 0 / 30 / 7

HEX #6CEEA6

RGB 108 238 166

HSL 146.77, 0.79%, 0.68%

LAB 85.55, -51.98, 24.23

 

CMYK 80 / 0 / 86 / 10

HEX #2FE621

RGB 47 230 33

HSL 115.74, 0.8%, 0.52%

LAB 80.35, -75.85, 73.17

 

CMYK 65 / 0 / 70 / 8

HEX #52EA46

RGB 82 234 70

HSL 115.61, 0.8%, 0.6%

LAB 82.42, -69.27, 64.61

 

CMYK 51 / 0 / 55 / 7

HEX #75EE6C

RGB 117 238 108

HSL 115.85, 0.79%, 0.68%

LAB 85, -58.75, 52.02

 

CMYK 38 / 0 / 40 / 5

HEX #97F291

RGB 151 242 145

HSL 116.29, 0.79%, 0.76%

LAB 88.03, -45.79, 38.43

 

CMYK 24 / 0 / 26 / 4

HEX #BAF6B6

RGB 186 246 182

HSL 116.25, 0.78%, 0.84%

LAB 91.56, -30.82, 24.84

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 6 / 0 / 7

HEX #6CDFEE

RGB 108 223 238

HSL 186.92, 0.79%, 0.68%

LAB 82.99, -28.48, -17.28

 

CMYK 0 / 55 / 28 / 7

HEX #EE6CAB

RGB 238 108 171

HSL 330.92, 0.79%, 0.68%

LAB 63.21, 56.66, -9.18

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 50 / 0 / 7

HEX #6C77EE

RGB 108 119 238

HSL 234.92, 0.79%, 0.68%

LAB 54.61, 29.18, -61.51

 

CMYK 0 / 55 / 50 / 7

HEX #EE6C76

RGB 238 108 118

HSL 355.38, 0.79%, 0.68%

LAB 61.84, 50.98, 19.28

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 6 / 0 / 7

HEX #6CDFEE

RGB 108 223 238

HSL 186.92, 0.79%, 0.68%

LAB 82.99, -28.48, -17.28

 

CMYK 5 / 55 / 0 / 7

HEX #E36CEE

RGB 227 108 238

HSL 294.92, 0.79%, 0.68%

LAB 64.35, 63.86, -45.29

 

CMYK 0 / 48 / 55 / 7

HEX #EE7B6C

RGB 238 123 108

HSL 6.92, 0.79%, 0.68%

LAB 64.5, 42.84, 28.5

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 23 / 0 / 7

HEX #6CB8EE

RGB 108 184 238

HSL 204.92, 0.79%, 0.68%

LAB 71.99, -8.49, -34.08

 

CMYK 5 / 55 / 0 / 7

HEX #E36CEE

RGB 227 108 238

HSL 294.92, 0.79%, 0.68%

LAB 64.35, 63.86, -45.29

 

CMYK 0 / 32 / 55 / 7

HEX #EEA26C

RGB 238 162 108

HSL 24.92, 0.79%, 0.68%

LAB 72.96, 22.56, 39.29

 

Description

Color code: HEX #74EF6B | qconv.com Color code: HEX #74EF6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 239 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 239 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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