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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994D68 it is the complementary color #66B297. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994D68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994D68 shade: #9E4D63, #AF5F76, #C07189, #D1839C and #E295AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994D68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994D68 shade: #994D68, #883B55, #772942, #66172F and #55051C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994D68 shade: #984C67, #984C53 and #984C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994D68 shade: #984C67, #984C7C, #984C90, #8C4C98 and #774C98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994D68 shade matches the following richer shades: #984C67, #AB3A62, #BD275D, #D01557 and #E20252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994D68 shade: #984C67, #865F6D, #737272, #608477 and #4E977D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994D68 shade: #984C91, #984C7C, #984C68, #984C54 and #98594C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994D68 shade: #613142, #7D3F55, #984C67, #AE5F7B and #BC7B92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994D68 shade: #994D68, #988B4C and #4C8698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994D68 shade: #994D68, #68984C and #4C6898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994D68 shade: #994D68, #988B4C, #4C987C and #4C5998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994D68 shade: #994D68, #8E984C, #4C987C and #564C98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 32 / 40

HEX #994D68

RGB 153 77 104

HSL 338.68, 0.33%, 0.45%

LAB 42.88, 34.86, -0.98

 

Complementary color

CMYK 43 / 0 / 15 / 30

HEX #66B297

RGB 102 178 151

HSL 158.68, 0.33%, 0.55%

LAB 67.2, -30, 6.48

 

CMYK 0 / 51 / 37 / 38

HEX #9E4D63

RGB 158 77 99

HSL 343.7, 0.34%, 0.46%

LAB 43.47, 36.03, 3.05

 

CMYK 0 / 46 / 33 / 31

HEX #AF5F76

RGB 175 95 118

HSL 342.75, 0.33%, 0.53%

LAB 50.22, 35.09, 1.62

 

CMYK 0 / 41 / 29 / 25

HEX #C07189

RGB 192 113 137

HSL 341.77, 0.39%, 0.6%

LAB 56.9, 34.17, 0.41

 

CMYK 0 / 37 / 25 / 18

HEX #D1839C

RGB 209 131 156

HSL 340.77, 0.46%, 0.67%

LAB 63.5, 33.31, -0.63

 

CMYK 0 / 34 / 23 / 11

HEX #E295AF

RGB 226 149 175

HSL 339.74, 0.57%, 0.74%

LAB 70.01, 32.5, -1.56

 

CMYK 0 / 50 / 32 / 40

HEX #994D68

RGB 153 77 104

HSL 338.68, 0.33%, 0.45%

LAB 42.88, 34.86, -0.98

 

CMYK 0 / 57 / 38 / 47

HEX #883B55

RGB 136 59 85

HSL 339.74, 0.39%, 0.38%

LAB 36.02, 35.73, 0.58

 

CMYK 0 / 66 / 45 / 53

HEX #772942

RGB 119 41 66

HSL 340.77, 0.49%, 0.31%

LAB 29.16, 36.43, 2.62

 

CMYK 0 / 77 / 54 / 60

HEX #66172F

RGB 102 23 47

HSL 341.77, 0.63%, 0.25%

LAB 22.45, 36.59, 5.49

 

CMYK 0 / 94 / 67 / 67

HEX #55051C

RGB 85 5 28

HSL 342.75, 0.89%, 0.18%

LAB 16.12, 35.6, 9.71

 

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 0 / 50 / 45 / 40

HEX #984C53

RGB 152 76 83

HSL 354.47, 0.33%, 0.45%

LAB 41.95, 32.44, 10.63

 

CMYK 0 / 50 / 50 / 40

HEX #984C4C

RGB 152 76 76

HSL 0, 0.33%, 0.45%

LAB 41.79, 31.71, 14.71

 

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 0 / 50 / 18 / 40

HEX #984C7C

RGB 152 76 124

HSL 322.11, 0.33%, 0.45%

LAB 43.21, 38.01, -12.77

 

CMYK 0 / 50 / 5 / 40

HEX #984C90

RGB 152 76 144

HSL 306.32, 0.33%, 0.45%

LAB 44.03, 41.44, -23.65

 

CMYK 8 / 50 / 0 / 40

HEX #8C4C98

RGB 140 76 152

HSL 290.53, 0.33%, 0.45%

LAB 42.78, 39.33, -30.53

 

CMYK 22 / 50 / 0 / 40

HEX #774C98

RGB 119 76 152

HSL 273.95, 0.33%, 0.45%

LAB 40.18, 33.13, -34.8

 

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 0 / 66 / 43 / 33

HEX #AB3A62

RGB 171 58 98

HSL 338.76, 0.49%, 0.45%

LAB 42.1, 49.47, 1.95

 

CMYK 0 / 79 / 51 / 26

HEX #BD275D

RGB 189 39 93

HSL 338.4, 0.66%, 0.45%

LAB 42.85, 60.97, 6.58

 

CMYK 0 / 90 / 58 / 18

HEX #D01557

RGB 208 21 87

HSL 338.82, 0.82%, 0.45%

LAB 45.13, 69.21, 14.07

 

CMYK 0 / 99 / 64 / 11

HEX #E20252

RGB 226 2 82

HSL 338.57, 0.98%, 0.45%

LAB 48.03, 75.09, 21.71

 

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 0 / 29 / 19 / 47

HEX #865F6D

RGB 134 95 109

HSL 338.46, 0.17%, 0.45%

LAB 44.74, 18.14, -1.6

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 0 / 10 / 48

HEX #608477

RGB 96 132 119

HSL 158.33, 0.16%, 0.45%

LAB 52.2, -15.57, 2.93

 

CMYK 48 / 0 / 17 / 41

HEX #4E977D

RGB 78 151 125

HSL 158.63, 0.32%, 0.45%

LAB 57.3, -29.3, 6.71

 

CMYK 0 / 50 / 5 / 40

HEX #984C91

RGB 152 76 145

HSL 305.53, 0.33%, 0.45%

LAB 44.07, 41.62, -24.18

 

CMYK 0 / 50 / 18 / 40

HEX #984C7C

RGB 152 76 124

HSL 322.11, 0.33%, 0.45%

LAB 43.21, 38.01, -12.77

 

CMYK 0 / 50 / 32 / 40

HEX #984C68

RGB 152 76 104

HSL 337.89, 0.33%, 0.45%

LAB 42.53, 35.03, -1.52

 

CMYK 0 / 50 / 45 / 40

HEX #984C54

RGB 152 76 84

HSL 353.68, 0.33%, 0.45%

LAB 41.98, 32.55, 10.04

 

CMYK 0 / 41 / 50 / 40

HEX #98594C

RGB 152 89 76

HSL 10.26, 0.33%, 0.45%

LAB 44.72, 24.48, 18.66

 

CMYK 0 / 49 / 32 / 62

HEX #613142

RGB 97 49 66

HSL 338.75, 0.33%, 0.29%

LAB 27.11, 23.9, -0.82

 

CMYK 0 / 50 / 32 / 51

HEX #7D3F55

RGB 125 63 85

HSL 338.71, 0.33%, 0.37%

LAB 35.14, 29.51, -0.91

 

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 0 / 45 / 29 / 32

HEX #AE5F7B

RGB 174 95 123

HSL 338.73, 0.33%, 0.53%

LAB 50.23, 35.4, -1.37

 

CMYK 0 / 35 / 22 / 26

HEX #BC7B92

RGB 188 123 146

HSL 338.77, 0.33%, 0.61%

LAB 58.91, 28.56, -1.92

 

CMYK 0 / 50 / 32 / 40

HEX #994D68

RGB 153 77 104

HSL 338.68, 0.33%, 0.45%

LAB 42.88, 34.86, -0.98

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 50 / 12 / 0 / 40

HEX #4C8698

RGB 76 134 152

HSL 194.21, 0.33%, 0.45%

LAB 52.79, -13.84, -15.5

 

CMYK 0 / 50 / 32 / 40

HEX #994D68

RGB 153 77 104

HSL 338.68, 0.33%, 0.45%

LAB 42.88, 34.86, -0.98

 

CMYK 32 / 0 / 50 / 40

HEX #68984C

RGB 104 152 76

HSL 97.89, 0.33%, 0.45%

LAB 57.96, -30.39, 34.71

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 0 / 50 / 32 / 40

HEX #994D68

RGB 153 77 104

HSL 338.68, 0.33%, 0.45%

LAB 42.88, 34.86, -0.98

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 50 / 0 / 18 / 40

HEX #4C987C

RGB 76 152 124

HSL 157.89, 0.33%, 0.45%

LAB 57.51, -30.54, 7.56

 

CMYK 50 / 41 / 0 / 40

HEX #4C5998

RGB 76 89 152

HSL 229.74, 0.33%, 0.45%

LAB 39.49, 13.16, -36.14

 

CMYK 0 / 50 / 32 / 40

HEX #994D68

RGB 153 77 104

HSL 338.68, 0.33%, 0.45%

LAB 42.88, 34.86, -0.98

 

CMYK 7 / 0 / 50 / 40

HEX #8E984C

RGB 142 152 76

HSL 67.89, 0.33%, 0.45%

LAB 60.54, -15.27, 38.44

 

CMYK 50 / 0 / 18 / 40

HEX #4C987C

RGB 76 152 124

HSL 157.89, 0.33%, 0.45%

LAB 57.51, -30.54, 7.56

 

CMYK 43 / 50 / 0 / 40

HEX #564C98

RGB 86 76 152

HSL 247.89, 0.33%, 0.45%

LAB 36.77, 24, -40.43

 

Description

Color code: HEX #994D68 | qconv.com Color code: HEX #994D68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 77 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 77 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 32 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 32% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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