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Color name
HEX #4C6898

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C6898 it is the complementary color #B39767. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C6898. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C6898 shade: #516893, #627AA6, #738CB9, #849ECC and #95B0DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C6898. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C6898 shade: #4C6898, #3B5685, #2A4472, #19325F and #08204C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C6898 shade: #4C6898, #4C5498, #594C98, #6E4C98 and #824C98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C6898 shade: #4C6898, #4C5498 and #4C4C98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C6898 shade matches the following richer shades: #4C6898, #3A63AB, #275FBD, #155AD0 and #0255E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C6898 shade: #4C6898, #5F6D86, #727273, #847760 and #977C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C6898 shade: #4C9298, #4C7E98, #4C6998, #4C5598 and #584C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C6898 shade: #314361, #3F557D, #4C6898, #5F7CAE and #7B93BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C6898 shade: #4C6898, #8A4C98 and #88984C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C6898 shade: #4C6898, #984C69 and #69984C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C6898 shade: #4C6898, #8A4C98, #987B4C and #5A984C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C6898 shade: #4C6898, #984C8F, #987B4C and #4C9855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

Complementary color

CMYK 0 / 16 / 42 / 30

HEX #B39767

RGB 179 151 103

HSL 37.89, 0.33%, 0.55%

LAB 63.91, 3.76, 29.14

 

CMYK 45 / 29 / 0 / 42

HEX #516893

RGB 81 104 147

HSL 219.09, 0.29%, 0.45%

LAB 43.88, 3.47, -26.23

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 38 / 24 / 0 / 27

HEX #738CB9

RGB 115 140 185

HSL 218.57, 0.33%, 0.59%

LAB 57.95, 2.5, -26.36

 

CMYK 35 / 23 / 0 / 20

HEX #849ECC

RGB 132 158 204

HSL 218.33, 0.41%, 0.66%

LAB 64.74, 2.13, -26.49

 

CMYK 33 / 21 / 0 / 13

HEX #95B0DF

RGB 149 176 223

HSL 218.11, 0.54%, 0.73%

LAB 71.4, 1.81, -26.64

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 56 / 35 / 0 / 48

HEX #3B5685

RGB 59 86 133

HSL 218.11, 0.39%, 0.38%

LAB 36.52, 4.58, -29.4

 

CMYK 63 / 40 / 0 / 55

HEX #2A4472

RGB 42 68 114

HSL 218.33, 0.46%, 0.31%

LAB 29.01, 5.74, -29.52

 

CMYK 74 / 47 / 0 / 63

HEX #19325F

RGB 25 50 95

HSL 218.57, 0.58%, 0.24%

LAB 21.26, 7.42, -29.68

 

CMYK 89 / 58 / 0 / 70

HEX #08204C

RGB 8 32 76

HSL 218.82, 0.81%, 0.16%

LAB 13.27, 10.04, -29.83

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 50 / 45 / 0 / 40

HEX #4C5498

RGB 76 84 152

HSL 233.68, 0.33%, 0.45%

LAB 38.1, 16.37, -38.35

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 28 / 50 / 0 / 40

HEX #6E4C98

RGB 110 76 152

HSL 266.84, 0.33%, 0.45%

LAB 39.16, 30.53, -36.48

 

CMYK 14 / 50 / 0 / 40

HEX #824C98

RGB 130 76 152

HSL 282.63, 0.33%, 0.45%

LAB 41.5, 36.36, -32.62

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 50 / 45 / 0 / 40

HEX #4C5498

RGB 76 84 152

HSL 233.68, 0.33%, 0.45%

LAB 38.1, 16.37, -38.35

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C98

RGB 76 76 152

HSL 240, 0.33%, 0.45%

LAB 35.93, 21.53, -41.82

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 66 / 42 / 0 / 33

HEX #3A63AB

RGB 58 99 171

HSL 218.23, 0.49%, 0.45%

LAB 42.4, 9.5, -42.87

 

CMYK 79 / 50 / 0 / 26

HEX #275FBD

RGB 39 95 189

HSL 217.6, 0.66%, 0.45%

LAB 41.67, 16.18, -54.63

 

CMYK 90 / 57 / 0 / 18

HEX #155AD0

RGB 21 90 208

HSL 217.86, 0.82%, 0.45%

LAB 41.26, 25.49, -66.32

 

CMYK 99 / 62 / 0 / 11

HEX #0255E2

RGB 2 85 226

HSL 217.77, 0.98%, 0.45%

LAB 41.22, 35.09, -76.69

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 29 / 19 / 0 / 47

HEX #5F6D86

RGB 95 109 134

HSL 218.46, 0.17%, 0.45%

LAB 45.76, 0.91, -15.5

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 0 / 10 / 27 / 48

HEX #847760

RGB 132 119 96

HSL 38.33, 0.16%, 0.45%

LAB 50.62, 1.16, 14.49

 

CMYK 0 / 18 / 48 / 41

HEX #977C4E

RGB 151 124 78

HSL 37.81, 0.32%, 0.45%

LAB 53.54, 4.18, 28.94

 

CMYK 50 / 4 / 0 / 40

HEX #4C9298

RGB 76 146 152

HSL 184.74, 0.33%, 0.45%

LAB 56.45, -20.3, -9.99

 

CMYK 50 / 17 / 0 / 40

HEX #4C7E98

RGB 76 126 152

HSL 200.53, 0.33%, 0.45%

LAB 50.36, -9.35, -19.2

 

CMYK 50 / 31 / 0 / 40

HEX #4C6998

RGB 76 105 152

HSL 217.11, 0.33%, 0.45%

LAB 44.1, 3.11, -28.89

 

CMYK 50 / 44 / 0 / 40

HEX #4C5598

RGB 76 85 152

HSL 232.89, 0.33%, 0.45%

LAB 38.38, 15.73, -37.91

 

CMYK 42 / 50 / 0 / 40

HEX #584C98

RGB 88 76 152

HSL 249.47, 0.33%, 0.45%

LAB 36.95, 24.51, -40.13

 

CMYK 49 / 31 / 0 / 62

HEX #314361

RGB 49 67 97

HSL 217.5, 0.33%, 0.29%

LAB 28.2, 2.09, -19.93

 

CMYK 50 / 32 / 0 / 51

HEX #3F557D

RGB 63 85 125

HSL 218.71, 0.33%, 0.37%

LAB 36.05, 3.54, -25.21

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 45 / 29 / 0 / 32

HEX #5F7CAE

RGB 95 124 174

HSL 217.97, 0.33%, 0.53%

LAB 51.73, 3.3, -29.8

 

CMYK 35 / 22 / 0 / 26

HEX #7B93BC

RGB 123 147 188

HSL 217.85, 0.33%, 0.61%

LAB 60.52, 1.57, -24.05

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 9 / 50 / 0 / 40

HEX #8A4C98

RGB 138 76 152

HSL 288.95, 0.33%, 0.45%

LAB 42.52, 38.74, -30.95

 

CMYK 11 / 0 / 50 / 40

HEX #88984C

RGB 136 152 76

HSL 72.63, 0.33%, 0.45%

LAB 60.08, -17.78, 37.78

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 0 / 50 / 31 / 40

HEX #984C69

RGB 152 76 105

HSL 337.11, 0.33%, 0.45%

LAB 42.56, 35.17, -2.09

 

CMYK 31 / 0 / 50 / 40

HEX #69984C

RGB 105 152 76

HSL 97.11, 0.33%, 0.45%

LAB 58.02, -30.02, 34.8

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 9 / 50 / 0 / 40

HEX #8A4C98

RGB 138 76 152

HSL 288.95, 0.33%, 0.45%

LAB 42.52, 38.74, -30.95

 

CMYK 0 / 19 / 50 / 40

HEX #987B4C

RGB 152 123 76

HSL 37.11, 0.33%, 0.45%

LAB 53.34, 4.98, 29.82

 

CMYK 41 / 0 / 50 / 40

HEX #5A984C

RGB 90 152 76

HSL 108.95, 0.33%, 0.45%

LAB 57.22, -35.3, 33.64

 

CMYK 50 / 32 / 0 / 40

HEX #4C6898

RGB 76 104 152

HSL 217.89, 0.33%, 0.45%

LAB 43.81, 3.73, -29.35

 

CMYK 0 / 50 / 6 / 40

HEX #984C8F

RGB 152 76 143

HSL 307.11, 0.33%, 0.45%

LAB 43.98, 41.26, -23.12

 

CMYK 0 / 19 / 50 / 40

HEX #987B4C

RGB 152 123 76

HSL 37.11, 0.33%, 0.45%

LAB 53.34, 4.98, 29.82

 

CMYK 50 / 0 / 44 / 40

HEX #4C9855

RGB 76 152 85

HSL 127.11, 0.33%, 0.45%

LAB 56.73, -38.3, 28.15

 

Description

Color code: HEX #4C6898 | qconv.com Color code: HEX #4C6898 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 104 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 104 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 32 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 32% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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