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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98E179 it is the complementary color #671E86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98E179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98E179 shade: #9DE174, #AEF387, #BFFF9A, #D0FFAD and #E1FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98E179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98E179 shade: #98E179, #87CF66, #76BD53, #65AB40 and #54992D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98E179 shade: #98E079, #B4E079, #D0E079, #E0D579 and #E0BA79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98E179 shade: #98E079, #7CE079, #79E092, #79E0AE and #79E0CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98E179 shade matches the following richer shades: #98E079, #93EE6C and #8DFB5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98E179 shade: #98E079, #9DD387, #A3C694, #A8B9A1 and #ADABAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98E179 shade: #CFE079, #B4E079, #98E079, #7DE079 and #79E091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98E179 shade: #64D136, #7ED958, #98E079, #B2E89B and #CCF0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98E179 shade: #98E179, #79E0D6 and #E079C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98E179 shade: #98E179, #7998E0 and #E07998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98E179 shade: #98E179, #79E0D6, #C179E0 and #E07984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98E179 shade: #98E179, #79CCE0, #C179E0 and #E08E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 46 / 12

HEX #98E179

RGB 152 225 121

HSL 102.12, 0.63%, 0.68%

LAB 82.86, -41.33, 43.64

 

Complementary color

CMYK 23 / 78 / 0 / 47

HEX #671E86

RGB 103 30 134

HSL 282.12, 0.63%, 0.32%

LAB 28.2, 48.32, -43.03

 

CMYK 30 / 0 / 48 / 12

HEX #9DE174

RGB 157 225 116

HSL 97.43, 0.64%, 0.67%

LAB 83.06, -40.25, 46.36

 

CMYK 28 / 0 / 44 / 5

HEX #AEF387

RGB 174 243 135

HSL 98.33, 0.82%, 0.74%

LAB 89.32, -40.17, 45.2

 

CMYK 25 / 0 / 40 / 0

HEX #BFFF9A

RGB 191 255 154

HSL 98.02, 1%, 0.8%

LAB 93.85, -37.37, 41.94

 

CMYK 18 / 0 / 32 / 0

HEX #D0FFAD

RGB 208 255 173

HSL 94.39, 1%, 0.84%

LAB 95.14, -28.99, 34.43

 

CMYK 12 / 0 / 25 / 0

HEX #E1FFC0

RGB 225 255 192

HSL 88.57, 1%, 0.88%

LAB 96.55, -20.37, 26.97

 

CMYK 32 / 0 / 46 / 12

HEX #98E179

RGB 152 225 121

HSL 102.12, 0.63%, 0.68%

LAB 82.86, -41.33, 43.64

 

CMYK 35 / 0 / 51 / 19

HEX #87CF66

RGB 135 207 102

HSL 101.14, 0.52%, 0.61%

LAB 76.52, -41.42, 44.82

 

CMYK 38 / 0 / 56 / 26

HEX #76BD53

RGB 118 189 83

HSL 100.19, 0.45%, 0.53%

LAB 70.09, -41.44, 45.97

 

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

CMYK 45 / 0 / 71 / 40

HEX #54992D

RGB 84 153 45

HSL 98.33, 0.55%, 0.39%

LAB 56.94, -41.08, 47.74

 

CMYK 32 / 0 / 46 / 12

HEX #98E079

RGB 152 224 121

HSL 101.94, 0.62%, 0.68%

LAB 82.58, -40.89, 43.28

 

CMYK 20 / 0 / 46 / 12

HEX #B4E079

RGB 180 224 121

HSL 85.63, 0.62%, 0.68%

LAB 84.17, -31.05, 45.62

 

CMYK 7 / 0 / 46 / 12

HEX #D0E079

RGB 208 224 121

HSL 69.32, 0.62%, 0.68%

LAB 86.06, -20.44, 48.36

 

CMYK 0 / 5 / 46 / 12

HEX #E0D579

RGB 224 213 121

HSL 53.59, 0.62%, 0.68%

LAB 84.39, -8.65, 46.6

 

CMYK 0 / 17 / 46 / 12

HEX #E0BA79

RGB 224 186 121

HSL 37.86, 0.62%, 0.68%

LAB 77.49, 5.32, 37.96

 

CMYK 32 / 0 / 46 / 12

HEX #98E079

RGB 152 224 121

HSL 101.94, 0.62%, 0.68%

LAB 82.58, -40.89, 43.28

 

CMYK 45 / 0 / 46 / 12

HEX #7CE079

RGB 124 224 121

HSL 118.25, 0.62%, 0.68%

LAB 81.28, -49.61, 41.38

 

CMYK 46 / 0 / 35 / 12

HEX #79E092

RGB 121 224 146

HSL 134.56, 0.62%, 0.68%

LAB 81.54, -46.58, 29.14

 

CMYK 46 / 0 / 22 / 12

HEX #79E0AE

RGB 121 224 174

HSL 150.87, 0.62%, 0.68%

LAB 82.07, -41.34, 15.32

 

CMYK 46 / 0 / 10 / 12

HEX #79E0CA

RGB 121 224 202

HSL 167.18, 0.62%, 0.68%

LAB 82.72, -35.25, 1.47

 

CMYK 32 / 0 / 46 / 12

HEX #98E079

RGB 152 224 121

HSL 101.94, 0.62%, 0.68%

LAB 82.58, -40.89, 43.28

 

CMYK 38 / 0 / 55 / 7

HEX #93EE6C

RGB 147 238 108

HSL 102, 0.79%, 0.68%

LAB 86.22, -50.02, 53.77

 

CMYK 44 / 0 / 62 / 2

HEX #8DFB5F

RGB 141 251 95

HSL 102.31, 0.95%, 0.68%

LAB 89.62, -58.34, 63.18

 

CMYK 32 / 0 / 46 / 12

HEX #98E079

RGB 152 224 121

HSL 101.94, 0.62%, 0.68%

LAB 82.58, -40.89, 43.28

 

CMYK 26 / 0 / 36 / 17

HEX #9DD387

RGB 157 211 135

HSL 102.63, 0.46%, 0.68%

LAB 79.33, -31.37, 32.17

 

CMYK 18 / 0 / 25 / 22

HEX #A3C694

RGB 163 198 148

HSL 102, 0.3%, 0.68%

LAB 76.26, -20.98, 21.31

 

CMYK 9 / 0 / 13 / 27

HEX #A8B9A1

RGB 168 185 161

HSL 102.5, 0.15%, 0.68%

LAB 73.28, -10.36, 10.2

 

CMYK 1 / 2 / 0 / 32

HEX #ADABAE

RGB 173 171 174

HSL 280, 0.02%, 0.68%

LAB 70.22, 1.28, -1.29

 

CMYK 8 / 0 / 46 / 12

HEX #CFE079

RGB 207 224 121

HSL 69.9, 0.62%, 0.68%

LAB 85.99, -20.83, 48.26

 

CMYK 20 / 0 / 46 / 12

HEX #B4E079

RGB 180 224 121

HSL 85.63, 0.62%, 0.68%

LAB 84.17, -31.05, 45.62

 

CMYK 32 / 0 / 46 / 12

HEX #98E079

RGB 152 224 121

HSL 101.94, 0.62%, 0.68%

LAB 82.58, -40.89, 43.28

 

CMYK 44 / 0 / 46 / 12

HEX #7DE079

RGB 125 224 121

HSL 117.67, 0.62%, 0.68%

LAB 81.32, -49.33, 41.44

 

CMYK 46 / 0 / 35 / 12

HEX #79E091

RGB 121 224 145

HSL 133.98, 0.62%, 0.68%

LAB 81.52, -46.75, 29.63

 

CMYK 52 / 0 / 74 / 18

HEX #64D136

RGB 100 209 54

HSL 102.19, 0.63%, 0.52%

LAB 75.19, -57.52, 63.09

 

CMYK 42 / 0 / 59 / 15

HEX #7ED958

RGB 126 217 88

HSL 102.33, 0.63%, 0.6%

LAB 78.91, -50.09, 53.97

 

CMYK 32 / 0 / 46 / 12

HEX #98E079

RGB 152 224 121

HSL 101.94, 0.62%, 0.68%

LAB 82.58, -40.89, 43.28

 

CMYK 23 / 0 / 33 / 9

HEX #B2E89B

RGB 178 232 155

HSL 102.08, 0.63%, 0.76%

LAB 86.77, -31.1, 32.03

 

CMYK 15 / 0 / 21 / 6

HEX #CCF0BD

RGB 204 240 189

HSL 102.35, 0.63%, 0.84%

LAB 91.16, -20.81, 20.86

 

CMYK 32 / 0 / 46 / 12

HEX #98E179

RGB 152 225 121

HSL 102.12, 0.63%, 0.68%

LAB 82.86, -41.33, 43.64

 

CMYK 46 / 0 / 4 / 12

HEX #79E0D6

RGB 121 224 214

HSL 174.17, 0.62%, 0.68%

LAB 83.04, -32.4, -4.43

 

CMYK 0 / 46 / 14 / 12

HEX #E079C1

RGB 224 121 193

HSL 318.06, 0.62%, 0.68%

LAB 64.46, 49.14, -19.98

 

CMYK 32 / 0 / 46 / 12

HEX #98E179

RGB 152 225 121

HSL 102.12, 0.63%, 0.68%

LAB 82.86, -41.33, 43.64

 

CMYK 46 / 32 / 0 / 12

HEX #7998E0

RGB 121 152 224

HSL 221.94, 0.62%, 0.68%

LAB 63.26, 8.23, -39.94

 

CMYK 0 / 46 / 32 / 12

HEX #E07998

RGB 224 121 152

HSL 341.94, 0.62%, 0.68%

LAB 63.17, 43.32, 1.4

 

CMYK 32 / 0 / 46 / 12

HEX #98E179

RGB 152 225 121

HSL 102.12, 0.63%, 0.68%

LAB 82.86, -41.33, 43.64

 

CMYK 46 / 0 / 4 / 12

HEX #79E0D6

RGB 121 224 214

HSL 174.17, 0.62%, 0.68%

LAB 83.04, -32.4, -4.43

 

CMYK 14 / 46 / 0 / 12

HEX #C179E0

RGB 193 121 224

HSL 281.94, 0.62%, 0.68%

LAB 61.99, 45.52, -41.5

 

CMYK 0 / 46 / 41 / 12

HEX #E07984

RGB 224 121 132

HSL 353.59, 0.62%, 0.68%

LAB 62.67, 40.98, 12.11

 

CMYK 32 / 0 / 46 / 12

HEX #98E179

RGB 152 225 121

HSL 102.12, 0.63%, 0.68%

LAB 82.86, -41.33, 43.64

 

CMYK 46 / 9 / 0 / 12

HEX #79CCE0

RGB 121 204 224

HSL 191.65, 0.62%, 0.68%

LAB 77.66, -20.06, -17.79

 

CMYK 14 / 46 / 0 / 12

HEX #C179E0

RGB 193 121 224

HSL 281.94, 0.62%, 0.68%

LAB 61.99, 45.52, -41.5

 

CMYK 0 / 37 / 46 / 12

HEX #E08E79

RGB 224 142 121

HSL 12.23, 0.62%, 0.68%

LAB 66.96, 28.82, 24.2

 

Description

Color code: HEX #98E179 | qconv.com Color code: HEX #98E179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 225 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 225 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 46 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 46% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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