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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65AB40 it is the complementary color #9A54BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65AB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65AB40 shade: #6AAB3B, #7BBD4E, #8CCF61, #9DE174 and #AEF387

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65AB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65AB40 shade: #65AB40, #54992D, #43871A, #327507 and #216300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65AB40 shade: #64AB3F, #81AB3F, #9EAB3F, #AB9A3F and #AB7D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65AB40 shade: #64AB3F, #47AB3F, #3FAB54, #3FAB71 and #3FAB8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65AB40 shade matches the following richer shades: #64AB3F, #5EBE2C, #58D119 and #53E406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65AB40 shade: #64AB3F, #6A9852, #708565, #767278 and #7C5F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65AB40 shade: #9EAB3F, #81AB3F, #65AB3F, #48AB3F and #3FAB53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65AB40 shade: #416F29, #528D34, #64AB3F, #79BF54 and #90CA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65AB40 shade: #65AB40, #3FAB9B and #AB3F90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65AB40 shade: #65AB40, #3F65AB and #AB3F65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65AB40 shade: #65AB40, #3FAB9B, #853FAB and #AB3F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65AB40 shade: #65AB40, #3F9BAB, #853FAB and #AB4F3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

Complementary color

CMYK 19 / 56 / 0 / 25

HEX #9A54BF

RGB 154 84 191

HSL 279.25, 0.46%, 0.54%

LAB 48.23, 47.33, -44.79

 

CMYK 38 / 0 / 65 / 33

HEX #6AAB3B

RGB 106 171 59

HSL 94.82, 0.49%, 0.45%

LAB 63.76, -40.1, 49.47

 

CMYK 35 / 0 / 59 / 26

HEX #7BBD4E

RGB 123 189 78

HSL 95.68, 0.46%, 0.52%

LAB 70.29, -40.25, 48.57

 

CMYK 32 / 0 / 53 / 19

HEX #8CCF61

RGB 140 207 97

HSL 96.55, 0.53%, 0.6%

LAB 76.72, -40.29, 47.5

 

CMYK 30 / 0 / 48 / 12

HEX #9DE174

RGB 157 225 116

HSL 97.43, 0.64%, 0.67%

LAB 83.06, -40.25, 46.36

 

CMYK 28 / 0 / 44 / 5

HEX #AEF387

RGB 174 243 135

HSL 98.33, 0.82%, 0.74%

LAB 89.32, -40.17, 45.2

 

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

CMYK 45 / 0 / 71 / 40

HEX #54992D

RGB 84 153 45

HSL 98.33, 0.55%, 0.39%

LAB 56.94, -41.08, 47.74

 

CMYK 50 / 0 / 81 / 47

HEX #43871A

RGB 67 135 26

HSL 97.43, 0.68%, 0.32%

LAB 50.21, -40.52, 47.79

 

CMYK 57 / 0 / 94 / 54

HEX #327507

RGB 50 117 7

HSL 96.55, 0.89%, 0.24%

LAB 43.38, -39.47, 46.43

 

CMYK 67 / 0 / 100 / 61

HEX #216300

RGB 33 99 0

HSL 100, 1%, 0.19%

LAB 36.46, -37.65, 42.32

 

CMYK 42 / 0 / 63 / 33

HEX #64AB3F

RGB 100 171 63

HSL 99.44, 0.46%, 0.46%

LAB 63.5, -41.78, 47.37

 

CMYK 25 / 0 / 63 / 33

HEX #81AB3F

RGB 129 171 63

HSL 83.33, 0.46%, 0.46%

LAB 65.08, -31.23, 49.55

 

CMYK 8 / 0 / 63 / 33

HEX #9EAB3F

RGB 158 171 63

HSL 67.22, 0.46%, 0.46%

LAB 67.09, -19.39, 52.31

 

CMYK 0 / 10 / 63 / 33

HEX #AB9A3F

RGB 171 154 63

HSL 50.56, 0.46%, 0.46%

LAB 63.45, -4.89, 48.7

 

CMYK 0 / 27 / 63 / 33

HEX #AB7D3F

RGB 171 125 63

HSL 34.44, 0.46%, 0.46%

LAB 55.77, 11.11, 40.13

 

CMYK 42 / 0 / 63 / 33

HEX #64AB3F

RGB 100 171 63

HSL 99.44, 0.46%, 0.46%

LAB 63.5, -41.78, 47.37

 

CMYK 58 / 0 / 63 / 33

HEX #47AB3F

RGB 71 171 63

HSL 115.56, 0.46%, 0.46%

LAB 62.36, -50.31, 45.78

 

CMYK 63 / 0 / 51 / 33

HEX #3FAB54

RGB 63 171 84

HSL 131.67, 0.46%, 0.46%

LAB 62.36, -49.49, 35.67

 

CMYK 63 / 0 / 34 / 33

HEX #3FAB71

RGB 63 171 113

HSL 147.78, 0.46%, 0.46%

LAB 62.82, -44.39, 21

 

CMYK 63 / 0 / 17 / 33

HEX #3FAB8E

RGB 63 171 142

HSL 163.89, 0.46%, 0.46%

LAB 63.45, -37.85, 5.9

 

CMYK 42 / 0 / 63 / 33

HEX #64AB3F

RGB 100 171 63

HSL 99.44, 0.46%, 0.46%

LAB 63.5, -41.78, 47.37

 

CMYK 51 / 0 / 77 / 25

HEX #5EBE2C

RGB 94 190 44

HSL 99.45, 0.62%, 0.46%

LAB 69.03, -52.77, 60.31

 

CMYK 58 / 0 / 88 / 18

HEX #58D119

RGB 88 209 25

HSL 99.46, 0.79%, 0.46%

LAB 74.66, -62.11, 70.13

 

CMYK 64 / 0 / 97 / 11

HEX #53E406

RGB 83 228 6

HSL 99.19, 0.95%, 0.46%

LAB 80.37, -69.95, 77.18

 

CMYK 42 / 0 / 63 / 33

HEX #64AB3F

RGB 100 171 63

HSL 99.44, 0.46%, 0.46%

LAB 63.5, -41.78, 47.37

 

CMYK 30 / 0 / 46 / 40

HEX #6A9852

RGB 106 152 82

HSL 99.43, 0.3%, 0.46%

LAB 58.16, -28.87, 31.86

 

CMYK 16 / 0 / 24 / 48

HEX #708565

RGB 112 133 101

HSL 99.38, 0.14%, 0.46%

LAB 53.12, -13.94, 14.8

 

CMYK 2 / 5 / 0 / 53

HEX #767278

RGB 118 114 120

HSL 280, 0.03%, 0.46%

LAB 48.56, 2.75, -2.76

 

CMYK 11 / 32 / 0 / 45

HEX #7C5F8B

RGB 124 95 139

HSL 279.55, 0.19%, 0.46%

LAB 44.71, 20.4, -19.88

 

CMYK 8 / 0 / 63 / 33

HEX #9EAB3F

RGB 158 171 63

HSL 67.22, 0.46%, 0.46%

LAB 67.09, -19.39, 52.31

 

CMYK 25 / 0 / 63 / 33

HEX #81AB3F

RGB 129 171 63

HSL 83.33, 0.46%, 0.46%

LAB 65.08, -31.23, 49.55

 

CMYK 41 / 0 / 63 / 33

HEX #65AB3F

RGB 101 171 63

HSL 98.89, 0.46%, 0.46%

LAB 63.55, -41.45, 47.43

 

CMYK 58 / 0 / 63 / 33

HEX #48AB3F

RGB 72 171 63

HSL 115, 0.46%, 0.46%

LAB 62.39, -50.06, 45.82

 

CMYK 63 / 0 / 51 / 33

HEX #3FAB53

RGB 63 171 83

HSL 131.11, 0.46%, 0.46%

LAB 62.34, -49.64, 36.16

 

CMYK 41 / 0 / 63 / 56

HEX #416F29

RGB 65 111 41

HSL 99.43, 0.46%, 0.3%

LAB 42.24, -29.5, 33.35

 

CMYK 42 / 0 / 63 / 45

HEX #528D34

RGB 82 141 52

HSL 99.78, 0.46%, 0.38%

LAB 53.05, -35.95, 40.48

 

CMYK 42 / 0 / 63 / 33

HEX #64AB3F

RGB 100 171 63

HSL 99.44, 0.46%, 0.46%

LAB 63.5, -41.78, 47.37

 

CMYK 37 / 0 / 56 / 25

HEX #79BF54

RGB 121 191 84

HSL 99.25, 0.46%, 0.54%

LAB 70.85, -41.19, 46.43

 

CMYK 29 / 0 / 44 / 21

HEX #90CA72

RGB 144 202 114

HSL 99.55, 0.45%, 0.62%

LAB 75.69, -34.6, 38

 

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

CMYK 63 / 0 / 9 / 33

HEX #3FAB9B

RGB 63 171 155

HSL 171.11, 0.46%, 0.46%

LAB 63.79, -34.5, -0.86

 

CMYK 0 / 63 / 16 / 33

HEX #AB3F90

RGB 171 63 144

HSL 315, 0.46%, 0.46%

LAB 44.56, 53.27, -22.61

 

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

CMYK 63 / 41 / 0 / 33

HEX #3F65AB

RGB 63 101 171

HSL 218.89, 0.46%, 0.46%

LAB 43.22, 9.15, -41.56

 

CMYK 0 / 63 / 41 / 33

HEX #AB3F65

RGB 171 63 101

HSL 338.89, 0.46%, 0.46%

LAB 42.99, 47.62, 1.37

 

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

CMYK 63 / 0 / 9 / 33

HEX #3FAB9B

RGB 63 171 155

HSL 171.11, 0.46%, 0.46%

LAB 63.79, -34.5, -0.86

 

CMYK 22 / 63 / 0 / 33

HEX #853FAB

RGB 133 63 171

HSL 278.89, 0.46%, 0.46%

LAB 40.38, 48.31, -45.74

 

CMYK 0 / 63 / 54 / 33

HEX #AB3F4F

RGB 171 63 79

HSL 351.11, 0.46%, 0.46%

LAB 42.43, 45.48, 14.23

 

CMYK 41 / 0 / 63 / 33

HEX #65AB40

RGB 101 171 64

HSL 99.25, 0.46%, 0.46%

LAB 63.56, -41.35, 47

 

CMYK 63 / 9 / 0 / 33

HEX #3F9BAB

RGB 63 155 171

HSL 188.89, 0.46%, 0.46%

LAB 59.38, -22.05, -16.44

 

CMYK 22 / 63 / 0 / 33

HEX #853FAB

RGB 133 63 171

HSL 278.89, 0.46%, 0.46%

LAB 40.38, 48.31, -45.74

 

CMYK 0 / 54 / 63 / 33

HEX #AB4F3F

RGB 171 79 63

HSL 8.89, 0.46%, 0.46%

LAB 45.09, 36.46, 27.4

 

Description

Color code: HEX #65AB40 | qconv.com Color code: HEX #65AB40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 171 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 171 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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