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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98E740 it is the complementary color #6718BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98E740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98E740 shade: #9DE73B, #AEF94E, #BFFF61, #D0FF74 and #E1FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98E740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98E740 shade: #98E740, #87D52D, #76C31A, #65B107 and #549F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98E740 shade: #98E740, #C5E740, #E7DC40, #E7AF40 and #E78240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98E740 shade: #98E740, #6BE740, #40E742, #40E76F and #40E79C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98E740 shade matches the following richer shades: #98E740 and #99F82F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98E740 shade: #98E740, #97D651, #96C463, #95B374 and #94A285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98E740 shade: #E7DC40, #C6E740, #99E740, #6CE740 and #40E740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98E740 shade: #6FBD17, #84E21B, #98E740, #ACEB65 and #BFF089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98E740 shade: #98E740, #40E7AF and #E740DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98E740 shade: #98E740, #4099E7 and #E74099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98E740 shade: #98E740, #40E7AF, #8E40E7 and #E74078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98E740 shade: #98E740, #40E7E1, #8E40E7 and #E74045

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

Complementary color

CMYK 46 / 87 / 0 / 25

HEX #6718BF

RGB 103 24 191

HSL 268.38, 0.78%, 0.42%

LAB 32.48, 63.18, -70.61

 

CMYK 32 / 0 / 74 / 9

HEX #9DE73B

RGB 157 231 59

HSL 85.81, 0.78%, 0.57%

LAB 84.3, -47.67, 71.18

 

CMYK 30 / 0 / 69 / 2

HEX #AEF94E

RGB 174 249 78

HSL 86.32, 0.93%, 0.64%

LAB 90.46, -48.1, 71.11

 

CMYK 25 / 0 / 62 / 0

HEX #BFFF61

RGB 191 255 97

HSL 84.3, 1%, 0.69%

LAB 93.22, -43.26, 67.01

 

CMYK 18 / 0 / 55 / 0

HEX #D0FF74

RGB 208 255 116

HSL 80.29, 1%, 0.73%

LAB 94.39, -35.49, 60.57

 

CMYK 12 / 0 / 47 / 0

HEX #E1FF87

RGB 225 255 135

HSL 75, 1%, 0.76%

LAB 95.7, -27.38, 53.77

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 37 / 0 / 79 / 16

HEX #87D52D

RGB 135 213 45

HSL 87.86, 0.67%, 0.51%

LAB 77.83, -48.62, 68.94

 

CMYK 39 / 0 / 87 / 24

HEX #76C31A

RGB 118 195 26

HSL 87.34, 0.76%, 0.43%

LAB 71.53, -47.88, 67.71

 

CMYK 43 / 0 / 96 / 31

HEX #65B107

RGB 101 177 7

HSL 86.82, 0.92%, 0.36%

LAB 65.14, -46.87, 65.11

 

CMYK 47 / 0 / 100 / 38

HEX #549F00

RGB 84 159 0

HSL 88.3, 1%, 0.31%

LAB 58.68, -45.5, 60.63

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 15 / 0 / 72 / 9

HEX #C5E740

RGB 197 231 64

HSL 72.22, 0.78%, 0.58%

LAB 86.7, -32.35, 72.69

 

CMYK 0 / 5 / 72 / 9

HEX #E7DC40

RGB 231 220 64

HSL 56.05, 0.78%, 0.58%

LAB 86.28, -13.2, 73.17

 

CMYK 0 / 24 / 72 / 9

HEX #E7AF40

RGB 231 175 64

HSL 39.88, 0.78%, 0.58%

LAB 74.84, 9.95, 62.01

 

CMYK 0 / 44 / 72 / 9

HEX #E78240

RGB 231 130 64

HSL 23.71, 0.78%, 0.58%

LAB 64.42, 33.77, 51.29

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 54 / 0 / 72 / 9

HEX #6BE740

RGB 107 231 64

HSL 104.55, 0.78%, 0.58%

LAB 82.19, -62.93, 66.73

 

CMYK 72 / 0 / 71 / 9

HEX #40E742

RGB 64 231 66

HSL 120.72, 0.78%, 0.58%

LAB 81.09, -71.85, 64.56

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 72 / 0 / 32 / 9

HEX #40E79C

RGB 64 231 156

HSL 153.05, 0.78%, 0.58%

LAB 82.19, -59.15, 24.6

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 38 / 0 / 81 / 3

HEX #99F82F

RGB 153 248 47

HSL 88.36, 0.93%, 0.58%

LAB 88.98, -56.48, 78.85

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 29 / 0 / 62 / 16

HEX #97D651

RGB 151 214 81

HSL 88.42, 0.62%, 0.58%

LAB 79.19, -41.03, 57.64

 

CMYK 23 / 0 / 49 / 23

HEX #96C463

RGB 150 196 99

HSL 88.45, 0.45%, 0.58%

LAB 74.1, -31.47, 43.53

 

CMYK 17 / 0 / 35 / 30

HEX #95B374

RGB 149 179 116

HSL 88.57, 0.29%, 0.58%

LAB 69.39, -21.44, 28.89

 

CMYK 9 / 0 / 18 / 36

HEX #94A285

RGB 148 162 133

HSL 88.97, 0.13%, 0.58%

LAB 64.83, -10.37, 13.44

 

CMYK 0 / 5 / 72 / 9

HEX #E7DC40

RGB 231 220 64

HSL 56.05, 0.78%, 0.58%

LAB 86.28, -13.2, 73.17

 

CMYK 14 / 0 / 72 / 9

HEX #C6E740

RGB 198 231 64

HSL 71.86, 0.78%, 0.58%

LAB 86.76, -31.95, 72.78

 

CMYK 34 / 0 / 72 / 9

HEX #99E740

RGB 153 231 64

HSL 88.02, 0.78%, 0.58%

LAB 84.12, -48.79, 69.29

 

CMYK 53 / 0 / 72 / 9

HEX #6CE740

RGB 108 231 64

HSL 104.19, 0.78%, 0.58%

LAB 82.22, -62.67, 66.78

 

CMYK 72 / 0 / 72 / 9

HEX #40E740

RGB 64 231 64

HSL 120, 0.78%, 0.58%

LAB 81.08, -72, 65.25

 

CMYK 41 / 0 / 88 / 26

HEX #6FBD17

RGB 111 189 23

HSL 88.19, 0.78%, 0.42%

LAB 69.35, -47.94, 66.33

 

CMYK 42 / 0 / 88 / 11

HEX #84E21B

RGB 132 226 27

HSL 88.34, 0.79%, 0.5%

LAB 81.5, -55.47, 76.23

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 27 / 0 / 57 / 8

HEX #ACEB65

RGB 172 235 101

HSL 88.21, 0.77%, 0.66%

LAB 86.57, -40.99, 57.61

 

CMYK 20 / 0 / 43 / 6

HEX #BFF089

RGB 191 240 137

HSL 88.54, 0.77%, 0.74%

LAB 89.49, -32.64, 44.65

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 72 / 0 / 24 / 9

HEX #40E7AF

RGB 64 231 175

HSL 159.88, 0.78%, 0.58%

LAB 82.56, -55.11, 15.25

 

CMYK 0 / 72 / 5 / 9

HEX #E740DC

RGB 231 64 220

HSL 303.95, 0.78%, 0.58%

LAB 57.87, 78.96, -45.4

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 72 / 34 / 0 / 9

HEX #4099E7

RGB 64 153 231

HSL 208.02, 0.78%, 0.58%

LAB 61.34, -0.97, -47.01

 

CMYK 0 / 72 / 34 / 9

HEX #E74099

RGB 231 64 153

HSL 328.02, 0.78%, 0.58%

LAB 55.03, 70.22, -11.11

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 72 / 0 / 24 / 9

HEX #40E7AF

RGB 64 231 175

HSL 159.88, 0.78%, 0.58%

LAB 82.56, -55.11, 15.25

 

CMYK 39 / 72 / 0 / 9

HEX #8E40E7

RGB 142 64 231

HSL 268.02, 0.78%, 0.58%

LAB 45.89, 63.58, -71.55

 

CMYK 0 / 72 / 48 / 9

HEX #E74078

RGB 231 64 120

HSL 339.88, 0.78%, 0.58%

LAB 54.04, 67.02, 7.06

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 72 / 0 / 3 / 9

HEX #40E7E1

RGB 64 231 225

HSL 177.84, 0.78%, 0.58%

LAB 83.8, -42.55, -9.3

 

CMYK 39 / 72 / 0 / 9

HEX #8E40E7

RGB 142 64 231

HSL 268.02, 0.78%, 0.58%

LAB 45.89, 63.58, -71.55

 

CMYK 0 / 72 / 70 / 9

HEX #E74045

RGB 231 64 69

HSL 358.2, 0.78%, 0.58%

LAB 53.04, 63.7, 35.94

 

Description

Color code: HEX #98E740 | qconv.com Color code: HEX #98E740 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 231 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 231 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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