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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40E76F it is the complementary color #BF1890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40E76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40E76F shade: #45E76A, #56F97D, #67FF90, #78FFA3 and #89FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40E76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40E76F shade: #40E76F, #2FD55C, #1EC349, #0DB136 and #009F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40E76F shade: #40E76F, #40E742, #6BE740, #98E740 and #C5E740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40E76F shade: #40E76F, #40E79C, #40E7C9, #40D8E7 and #40ABE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40E76F shade matches the following richer shades: #40E76F and #2FF867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40E76F shade: #40E76F, #51D676, #63C47E, #74B386 and #85A28D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40E76F shade: #6CE740, #40E740, #40E76C, #40E799 and #40E7C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40E76F shade: #17BD46, #1BE253, #40E76F, #65EB8B and #89F0A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40E76F shade: #40E76F, #4099E7 and #E74056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40E76F shade: #40E76F, #6C40E7 and #E76C40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40E76F shade: #40E76F, #4099E7, #E740BA and #E78E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40E76F shade: #40E76F, #4067E7, #E740BA and #E7C040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

Complementary color

CMYK 0 / 87 / 25 / 25

HEX #BF1890

RGB 191 24 144

HSL 316.89, 0.78%, 0.42%

LAB 43.86, 70.03, -23.4

 

CMYK 70 / 0 / 54 / 9

HEX #45E76A

RGB 69 231 106

HSL 133.7, 0.77%, 0.59%

LAB 81.54, -66.79, 48.48

 

CMYK 65 / 0 / 50 / 2

HEX #56F97D

RGB 86 249 125

HSL 134.36, 0.93%, 0.66%

LAB 87.59, -67.43, 47.08

 

CMYK 60 / 0 / 44 / 0

HEX #67FF90

RGB 103 255 144

HSL 136.18, 1%, 0.7%

LAB 90.05, -63.46, 41.19

 

CMYK 53 / 0 / 36 / 0

HEX #78FFA3

RGB 120 255 163

HSL 139.11, 1%, 0.74%

LAB 90.85, -56.63, 32.98

 

CMYK 46 / 0 / 29 / 0

HEX #89FFB6

RGB 137 255 182

HSL 142.88, 1%, 0.77%

LAB 91.78, -49.13, 24.77

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 78 / 0 / 57 / 16

HEX #2FD55C

RGB 47 213 92

HSL 136.27, 0.66%, 0.51%

LAB 75.43, -65.82, 47.55

 

CMYK 85 / 0 / 63 / 24

HEX #1EC349

RGB 30 195 73

HSL 135.64, 0.73%, 0.44%

LAB 69.32, -64.27, 48.96

 

CMYK 93 / 0 / 69 / 31

HEX #0DB136

RGB 13 177 54

HSL 135, 0.86%, 0.37%

LAB 63.17, -62.04, 50.18

 

CMYK 100 / 0 / 78 / 38

HEX #009F23

RGB 0 159 35

HSL 133.21, 1%, 0.31%

LAB 57, -59.01, 50.9

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 72 / 0 / 71 / 9

HEX #40E742

RGB 64 231 66

HSL 120.72, 0.78%, 0.58%

LAB 81.09, -71.85, 64.56

 

CMYK 54 / 0 / 72 / 9

HEX #6BE740

RGB 107 231 64

HSL 104.55, 0.78%, 0.58%

LAB 82.19, -62.93, 66.73

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 15 / 0 / 72 / 9

HEX #C5E740

RGB 197 231 64

HSL 72.22, 0.78%, 0.58%

LAB 86.7, -32.35, 72.69

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 72 / 0 / 32 / 9

HEX #40E79C

RGB 64 231 156

HSL 153.05, 0.78%, 0.58%

LAB 82.19, -59.15, 24.6

 

CMYK 72 / 0 / 13 / 9

HEX #40E7C9

RGB 64 231 201

HSL 169.22, 0.78%, 0.58%

LAB 83.16, -48.9, 2.44

 

CMYK 72 / 6 / 0 / 9

HEX #40D8E7

RGB 64 216 231

HSL 185.39, 0.78%, 0.58%

LAB 79.6, -33.98, -18.78

 

CMYK 72 / 26 / 0 / 9

HEX #40ABE7

RGB 64 171 231

HSL 201.56, 0.78%, 0.58%

LAB 66.51, -11.09, -38.89

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 81 / 0 / 58 / 3

HEX #2FF867

RGB 47 248 103

HSL 136.72, 0.93%, 0.58%

LAB 86.36, -75.53, 55.45

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 62 / 0 / 45 / 16

HEX #51D676

RGB 81 214 118

HSL 136.69, 0.62%, 0.58%

LAB 76.77, -56.77, 36.84

 

CMYK 49 / 0 / 36 / 23

HEX #63C47E

RGB 99 196 126

HSL 136.7, 0.45%, 0.58%

LAB 71.99, -44, 26.59

 

CMYK 35 / 0 / 25 / 30

HEX #74B386

RGB 116 179 134

HSL 137.14, 0.29%, 0.58%

LAB 67.78, -29.92, 16.71

 

CMYK 18 / 0 / 13 / 36

HEX #85A28D

RGB 133 162 141

HSL 136.55, 0.13%, 0.58%

LAB 63.96, -14.34, 7.61

 

CMYK 53 / 0 / 72 / 9

HEX #6CE740

RGB 108 231 64

HSL 104.19, 0.78%, 0.58%

LAB 82.22, -62.67, 66.78

 

CMYK 72 / 0 / 72 / 9

HEX #40E740

RGB 64 231 64

HSL 120, 0.78%, 0.58%

LAB 81.08, -72, 65.25

 

CMYK 72 / 0 / 53 / 9

HEX #40E76C

RGB 64 231 108

HSL 135.81, 0.78%, 0.58%

LAB 81.47, -67.3, 47.44

 

CMYK 72 / 0 / 34 / 9

HEX #40E799

RGB 64 231 153

HSL 151.98, 0.78%, 0.58%

LAB 82.13, -59.75, 26.07

 

CMYK 72 / 0 / 14 / 9

HEX #40E7C6

RGB 64 231 198

HSL 168.14, 0.78%, 0.58%

LAB 83.08, -49.65, 3.91

 

CMYK 88 / 0 / 63 / 26

HEX #17BD46

RGB 23 189 70

HSL 136.99, 0.78%, 0.42%

LAB 67.29, -63.33, 47.97

 

CMYK 88 / 0 / 63 / 11

HEX #1BE253

RGB 27 226 83

HSL 136.88, 0.79%, 0.5%

LAB 79.19, -72.86, 55.77

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 57 / 0 / 41 / 8

HEX #65EB8B

RGB 101 235 139

HSL 137.01, 0.77%, 0.66%

LAB 83.99, -57.13, 35.79

 

CMYK 43 / 0 / 31 / 6

HEX #89F0A6

RGB 137 240 166

HSL 136.89, 0.77%, 0.74%

LAB 87.19, -45.61, 26.64

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 72 / 34 / 0 / 9

HEX #4099E7

RGB 64 153 231

HSL 208.02, 0.78%, 0.58%

LAB 61.34, -0.97, -47.01

 

CMYK 0 / 72 / 63 / 9

HEX #E74056

RGB 231 64 86

HSL 352.1, 0.78%, 0.58%

LAB 53.31, 64.59, 26.35

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 53 / 72 / 0 / 9

HEX #6C40E7

RGB 108 64 231

HSL 255.81, 0.78%, 0.58%

LAB 42.19, 58.21, -77.74

 

CMYK 0 / 53 / 72 / 9

HEX #E76C40

RGB 231 108 64

HSL 15.81, 0.78%, 0.58%

LAB 59.96, 44.88, 46.5

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 72 / 34 / 0 / 9

HEX #4099E7

RGB 64 153 231

HSL 208.02, 0.78%, 0.58%

LAB 61.34, -0.97, -47.01

 

CMYK 0 / 72 / 19 / 9

HEX #E740BA

RGB 231 64 186

HSL 316.17, 0.78%, 0.58%

LAB 56.29, 74.18, -28.45

 

CMYK 0 / 39 / 72 / 9

HEX #E78E40

RGB 231 142 64

HSL 28.02, 0.78%, 0.58%

LAB 67.06, 27.48, 54.06

 

CMYK 72 / 0 / 52 / 9

HEX #40E76F

RGB 64 231 111

HSL 136.89, 0.78%, 0.58%

LAB 81.51, -66.88, 46.08

 

CMYK 72 / 55 / 0 / 9

HEX #4067E7

RGB 64 103 231

HSL 225.99, 0.78%, 0.58%

LAB 47.7, 29.55, -68.87

 

CMYK 0 / 72 / 19 / 9

HEX #E740BA

RGB 231 64 186

HSL 316.17, 0.78%, 0.58%

LAB 56.29, 74.18, -28.45

 

CMYK 0 / 17 / 72 / 9

HEX #E7C040

RGB 231 192 64

HSL 45.99, 0.78%, 0.58%

LAB 79.07, 1.04, 66.21

 

Description

Color code: HEX #40E76F | qconv.com Color code: HEX #40E76F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 231 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 231 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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