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Color name
HEX #9832B2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9832B2 it is the complementary color #67CD4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9832B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9832B2 shade: #9D32AD, #AE44C0, #BF56D3, #D068E6 and #E17AF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9832B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9832B2 shade: #9832B2, #87209F, #760E8C, #650079 and #540066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9832B2 shade: #9832B3, #B332AA, #B33287, #B33265 and #B33242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9832B2 shade: #9832B3, #7632B3, #5332B3 and #3232B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9832B2 shade matches the following richer shades: #9832B3, #A31FC5 and #AE0DD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9832B2 shade: #9832B3, #8D45A0, #82578D, #776A7B and #6C7C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9832B2 shade: #5232B3, #7432B3, #9732B3, #B332AC and #B3328A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9832B2 shade: #612072, #7D2992, #9832B3, #AF44CA and #BC64D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9832B2 shade: #9832B2, #B33234 and #32B363

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9832B2 shade: #9832B2, #B39732 and #32B397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9832B2 shade: #9832B2, #B33234, #4EB332 and #32B3B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9832B2 shade: #9832B2, #B35632, #4EB332 and #328EB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 72 / 0 / 30

HEX #9832B2

RGB 152 50 178

HSL 287.81, 0.56%, 0.45%

LAB 41.49, 59.79, -47.96

 

Complementary color

CMYK 50 / 0 / 62 / 20

HEX #67CD4D

RGB 103 205 77

HSL 107.81, 0.56%, 0.55%

LAB 74.24, -53.28, 53.24

 

CMYK 9 / 71 / 0 / 32

HEX #9D32AD

RGB 157 50 173

HSL 292.2, 0.55%, 0.44%

LAB 41.95, 59.93, -44.22

 

CMYK 9 / 65 / 0 / 25

HEX #AE44C0

RGB 174 68 192

HSL 291.29, 0.5%, 0.51%

LAB 48.18, 60.1, -45.28

 

CMYK 9 / 59 / 0 / 17

HEX #BF56D3

RGB 191 86 211

HSL 290.4, 0.59%, 0.58%

LAB 54.49, 59.85, -46.03

 

CMYK 10 / 55 / 0 / 10

HEX #D068E6

RGB 208 104 230

HSL 289.52, 0.72%, 0.65%

LAB 60.8, 59.36, -46.6

 

CMYK 10 / 51 / 0 / 2

HEX #E17AF9

RGB 225 122 249

HSL 288.66, 0.91%, 0.73%

LAB 67.1, 58.74, -47.03

 

CMYK 15 / 72 / 0 / 30

HEX #9832B2

RGB 152 50 178

HSL 287.81, 0.56%, 0.45%

LAB 41.49, 59.79, -47.96

 

CMYK 15 / 80 / 0 / 38

HEX #87209F

RGB 135 32 159

HSL 288.66, 0.66%, 0.37%

LAB 35.37, 58.97, -46.57

 

CMYK 16 / 90 / 0 / 45

HEX #760E8C

RGB 118 14 140

HSL 289.52, 0.82%, 0.3%

LAB 29.56, 56.95, -44.45

 

CMYK 17 / 100 / 0 / 53

HEX #650079

RGB 101 0 121

HSL 290.08, 1%, 0.24%

LAB 24.15, 53.28, -41.4

 

CMYK 18 / 100 / 0 / 60

HEX #540066

RGB 84 0 102

HSL 289.41, 1%, 0.2%

LAB 19.41, 47.06, -36.93

 

CMYK 15 / 72 / 0 / 30

HEX #9832B3

RGB 152 50 179

HSL 287.44, 0.56%, 0.45%

LAB 41.55, 59.98, -48.45

 

CMYK 0 / 72 / 5 / 30

HEX #B332AA

RGB 179 50 170

HSL 304.19, 0.56%, 0.45%

LAB 45.31, 64.35, -36.88

 

CMYK 0 / 72 / 25 / 30

HEX #B33287

RGB 179 50 135

HSL 320.47, 0.56%, 0.45%

LAB 43.67, 59.27, -18.39

 

CMYK 0 / 72 / 44 / 30

HEX #B33265

RGB 179 50 101

HSL 336.28, 0.56%, 0.45%

LAB 42.47, 55.35, 0.78

 

CMYK 0 / 72 / 63 / 30

HEX #B33242

RGB 179 50 66

HSL 352.56, 0.56%, 0.45%

LAB 41.62, 52.52, 21.47

 

CMYK 15 / 72 / 0 / 30

HEX #9832B3

RGB 152 50 179

HSL 287.44, 0.56%, 0.45%

LAB 41.55, 59.98, -48.45

 

CMYK 34 / 72 / 0 / 30

HEX #7632B3

RGB 118 50 179

HSL 271.63, 0.56%, 0.45%

LAB 36.72, 53.08, -56.49

 

CMYK 54 / 72 / 0 / 30

HEX #5332B3

RGB 83 50 179

HSL 255.35, 0.56%, 0.45%

LAB 32.65, 46.91, -63.31

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 15 / 72 / 0 / 30

HEX #9832B3

RGB 152 50 179

HSL 287.44, 0.56%, 0.45%

LAB 41.55, 59.98, -48.45

 

CMYK 17 / 84 / 0 / 23

HEX #A31FC5

RGB 163 31 197

HSL 287.71, 0.73%, 0.45%

LAB 42.46, 71.24, -57.46

 

CMYK 19 / 94 / 0 / 15

HEX #AE0DD8

RGB 174 13 216

HSL 287.59, 0.89%, 0.45%

LAB 44.58, 79.28, -64.93

 

CMYK 15 / 72 / 0 / 30

HEX #9832B3

RGB 152 50 179

HSL 287.44, 0.56%, 0.45%

LAB 41.55, 59.98, -48.45

 

CMYK 12 / 57 / 0 / 37

HEX #8D45A0

RGB 141 69 160

HSL 287.47, 0.4%, 0.45%

LAB 41.93, 44.97, -36.64

 

CMYK 8 / 38 / 0 / 45

HEX #82578D

RGB 130 87 141

HSL 287.78, 0.24%, 0.45%

LAB 43.49, 27.62, -22.91

 

CMYK 3 / 14 / 0 / 52

HEX #776A7B

RGB 119 106 123

HSL 285.88, 0.07%, 0.45%

LAB 46.53, 8.5, -7.57

 

CMYK 13 / 0 / 16 / 51

HEX #6C7C68

RGB 108 124 104

HSL 108, 0.09%, 0.45%

LAB 50.22, -9.98, 8.96

 

CMYK 54 / 72 / 0 / 30

HEX #5232B3

RGB 82 50 179

HSL 254.88, 0.56%, 0.45%

LAB 32.55, 46.75, -63.48

 

CMYK 35 / 72 / 0 / 30

HEX #7432B3

RGB 116 50 179

HSL 270.7, 0.56%, 0.45%

LAB 36.46, 52.69, -56.93

 

CMYK 16 / 72 / 0 / 30

HEX #9732B3

RGB 151 50 179

HSL 286.98, 0.56%, 0.45%

LAB 41.4, 59.77, -48.7

 

CMYK 0 / 72 / 4 / 30

HEX #B332AC

RGB 179 50 172

HSL 303.26, 0.56%, 0.45%

LAB 45.42, 64.66, -37.89

 

CMYK 0 / 72 / 23 / 30

HEX #B3328A

RGB 179 50 138

HSL 319.07, 0.56%, 0.45%

LAB 43.8, 59.67, -20.03

 

CMYK 15 / 72 / 0 / 55

HEX #612072

RGB 97 32 114

HSL 287.56, 0.56%, 0.29%

LAB 26.13, 41.87, -33.77

 

CMYK 14 / 72 / 0 / 43

HEX #7D2992

RGB 125 41 146

HSL 288, 0.56%, 0.37%

LAB 34.03, 51.15, -40.9

 

CMYK 15 / 72 / 0 / 30

HEX #9832B3

RGB 152 50 179

HSL 287.44, 0.56%, 0.45%

LAB 41.55, 59.98, -48.45

 

CMYK 13 / 66 / 0 / 21

HEX #AF44CA

RGB 175 68 202

HSL 287.91, 0.56%, 0.53%

LAB 48.9, 62.23, -49.91

 

CMYK 11 / 53 / 0 / 17

HEX #BC64D3

RGB 188 100 211

HSL 287.57, 0.56%, 0.61%

LAB 56.59, 52.36, -42.73

 

CMYK 15 / 72 / 0 / 30

HEX #9832B2

RGB 152 50 178

HSL 287.81, 0.56%, 0.45%

LAB 41.49, 59.79, -47.96

 

CMYK 0 / 72 / 71 / 30

HEX #B33234

RGB 179 50 52

HSL 359.07, 0.56%, 0.45%

LAB 41.39, 51.73, 29.74

 

CMYK 72 / 0 / 45 / 30

HEX #32B363

RGB 50 179 99

HSL 142.79, 0.56%, 0.45%

LAB 64.82, -52.52, 31.03

 

CMYK 15 / 72 / 0 / 30

HEX #9832B2

RGB 152 50 178

HSL 287.81, 0.56%, 0.45%

LAB 41.49, 59.79, -47.96

 

CMYK 0 / 16 / 72 / 30

HEX #B39732

RGB 179 151 50

HSL 46.98, 0.56%, 0.45%

LAB 63.3, -0.5, 54.41

 

CMYK 72 / 0 / 16 / 30

HEX #32B397

RGB 50 179 151

HSL 166.98, 0.56%, 0.45%

LAB 65.87, -41.2, 4.34

 

CMYK 15 / 72 / 0 / 30

HEX #9832B2

RGB 152 50 178

HSL 287.81, 0.56%, 0.45%

LAB 41.49, 59.79, -47.96

 

CMYK 0 / 72 / 71 / 30

HEX #B33234

RGB 179 50 52

HSL 359.07, 0.56%, 0.45%

LAB 41.39, 51.73, 29.74

 

CMYK 56 / 0 / 72 / 30

HEX #4EB332

RGB 78 179 50

HSL 106.98, 0.56%, 0.45%

LAB 65.03, -52.7, 54.06

 

CMYK 72 / 0 / 2 / 30

HEX #32B3B0

RGB 50 179 176

HSL 178.6, 0.56%, 0.45%

LAB 66.56, -34.35, -8.48

 

CMYK 15 / 72 / 0 / 30

HEX #9832B2

RGB 152 50 178

HSL 287.81, 0.56%, 0.45%

LAB 41.49, 59.79, -47.96

 

CMYK 0 / 52 / 72 / 30

HEX #B35632

RGB 179 86 50

HSL 16.74, 0.56%, 0.45%

LAB 47.58, 35.2, 37.96

 

CMYK 56 / 0 / 72 / 30

HEX #4EB332

RGB 78 179 50

HSL 106.98, 0.56%, 0.45%

LAB 65.03, -52.7, 54.06

 

CMYK 72 / 21 / 0 / 30

HEX #328EB3

RGB 50 142 179

HSL 197.21, 0.56%, 0.45%

LAB 55.36, -14.59, -27.18

 

Description

Color code: HEX #9832B2 | qconv.com Color code: HEX #9832B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 50 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 50 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 72 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 72% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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