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Color name
CMYK 0 / 72 / 44 / 30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 72 / 44 / 30 it is the complementary color CMYK 63 / 0 / 24 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 72 / 44 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 73 / 48 / 28, CMYK 0 / 66 / 43 / 21, CMYK 0 / 61 / 39 / 15, CMYK 0 / 56 / 35 / 8 and CMYK 0 / 52 / 32 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 72 / 44 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 0 / 80 / 50 / 36, CMYK 0 / 90 / 57 / 43, CMYK 0 / 100 / 66 / 50 and CMYK 0 / 100 / 78 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 0 / 72 / 64 / 30 and CMYK 0 / 72 / 72 / 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 0 / 72 / 25 / 30, CMYK 0 / 72 / 6 / 30, CMYK 15 / 72 / 0 / 30 and CMYK 34 / 72 / 0 / 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 72 / 44 / 30 shade matches the following richer shades: CMYK 0 / 72 / 44 / 30, CMYK 0 / 84 / 51 / 23 and CMYK 0 / 94 / 58 / 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 0 / 57 / 35 / 37, CMYK 0 / 38 / 23 / 45, CMYK 0 / 14 / 9 / 52 and CMYK 16 / 0 / 6 / 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 5 / 30, CMYK 0 / 72 / 24 / 30, CMYK 0 / 72 / 44 / 30, CMYK 0 / 72 / 63 / 30 and CMYK 0 / 63 / 72 / 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 55, CMYK 0 / 72 / 44 / 43, CMYK 0 / 72 / 44 / 30, CMYK 0 / 66 / 41 / 21 and CMYK 0 / 53 / 32 / 17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 0 / 15 / 72 / 30 and CMYK 72 / 15 / 0 / 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 44 / 0 / 72 / 30 and CMYK 72 / 44 / 0 / 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 0 / 15 / 72 / 30, CMYK 72 / 0 / 29 / 30 and CMYK 72 / 58 / 0 / 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 72 / 44 / 30 shade: CMYK 0 / 72 / 44 / 30, CMYK 7 / 0 / 72 / 30, CMYK 72 / 0 / 29 / 30 and CMYK 65 / 72 / 0 / 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

Complementary color

CMYK 63 / 0 / 24 / 20

HEX #4CCD9B

RGB 76 205 155

HSL 156.74, 0.56%, 0.55%

LAB 74.55, -47.14, 14.61

 

CMYK 0 / 73 / 48 / 28

HEX #B8325F

RGB 184 50 95

HSL 339.85, 0.57%, 0.46%

LAB 43.21, 56.25, 5.71

 

CMYK 0 / 66 / 43 / 21

HEX #C94472

RGB 201 68 114

HSL 339.25, 0.55%, 0.53%

LAB 49.21, 56.26, 3.06

 

CMYK 0 / 61 / 39 / 15

HEX #DA5685

RGB 218 86 133

HSL 338.64, 0.64%, 0.6%

LAB 55.33, 55.88, 0.92

 

CMYK 0 / 56 / 35 / 8

HEX #EB6898

RGB 235 104 152

HSL 338.02, 0.77%, 0.66%

LAB 61.51, 55.27, -0.84

 

CMYK 0 / 52 / 32 / 1

HEX #FC7AAB

RGB 252 122 171

HSL 337.38, 0.96%, 0.73%

LAB 67.69, 54.54, -2.33

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 80 / 50 / 36

HEX #A22051

RGB 162 32 81

HSL 337.38, 0.67%, 0.38%

LAB 36.57, 54.57, 4.53

 

CMYK 0 / 90 / 57 / 43

HEX #910E3E

RGB 145 14 62

HSL 338.02, 0.82%, 0.31%

LAB 31.07, 52.75, 8.7

 

CMYK 0 / 100 / 66 / 50

HEX #80002B

RGB 128 0 43

HSL 339.84, 1%, 0.25%

LAB 26.05, 49.46, 14.09

 

CMYK 0 / 100 / 78 / 56

HEX #6F0018

RGB 111 0 24

HSL 347.03, 1%, 0.22%

LAB 21.75, 44.06, 20.88

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 72 / 64 / 30

HEX #B33241

RGB 179 50 65

HSL 353.02, 0.56%, 0.45%

LAB 41.61, 52.45, 22.07

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 72 / 25 / 30

HEX #B33286

RGB 179 50 134

HSL 320.93, 0.56%, 0.45%

LAB 43.63, 59.14, -17.85

 

CMYK 0 / 72 / 6 / 30

HEX #B332A9

RGB 179 50 169

HSL 304.65, 0.56%, 0.45%

LAB 45.26, 64.19, -36.37

 

CMYK 15 / 72 / 0 / 30

HEX #9932B3

RGB 153 50 179

HSL 287.91, 0.56%, 0.45%

LAB 41.7, 60.19, -48.2

 

CMYK 34 / 72 / 0 / 30

HEX #7732B3

RGB 119 50 179

HSL 272.09, 0.56%, 0.45%

LAB 36.85, 53.27, -56.27

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 84 / 51 / 23

HEX #C51F60

RGB 197 31 96

HSL 336.51, 0.73%, 0.45%

LAB 43.79, 65.29, 6.25

 

CMYK 0 / 94 / 58 / 15

HEX #D80D5B

RGB 216 13 91

HSL 336.95, 0.89%, 0.45%

LAB 46.5, 72.35, 13.73

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 57 / 35 / 37

HEX #A04568

RGB 160 69 104

HSL 336.92, 0.4%, 0.45%

LAB 42.35, 41.47, -1.63

 

CMYK 0 / 38 / 23 / 45

HEX #8D576C

RGB 141 87 108

HSL 336.67, 0.24%, 0.45%

LAB 43.6, 25.37, -2.57

 

CMYK 0 / 14 / 9 / 52

HEX #7B6A70

RGB 123 106 112

HSL 338.82, 0.07%, 0.45%

LAB 46.56, 7.82, -0.87

 

CMYK 16 / 0 / 6 / 51

HEX #687C74

RGB 104 124 116

HSL 156, 0.09%, 0.45%

LAB 50.24, -9.04, 1.92

 

CMYK 0 / 72 / 5 / 30

HEX #B332AA

RGB 179 50 170

HSL 304.19, 0.56%, 0.45%

LAB 45.31, 64.35, -36.88

 

CMYK 0 / 72 / 24 / 30

HEX #B33288

RGB 179 50 136

HSL 320, 0.56%, 0.45%

LAB 43.72, 59.4, -18.94

 

CMYK 0 / 72 / 44 / 30

HEX #B33265

RGB 179 50 101

HSL 336.28, 0.56%, 0.45%

LAB 42.47, 55.35, 0.78

 

CMYK 0 / 72 / 63 / 30

HEX #B33243

RGB 179 50 67

HSL 352.09, 0.56%, 0.45%

LAB 41.64, 52.58, 20.88

 

CMYK 0 / 63 / 72 / 30

HEX #B34332

RGB 179 67 50

HSL 7.91, 0.56%, 0.45%

LAB 43.99, 44.54, 33.91

 

CMYK 0 / 72 / 44 / 55

HEX #722040

RGB 114 32 64

HSL 336.59, 0.56%, 0.29%

LAB 26.68, 38.59, 0.24

 

CMYK 0 / 72 / 44 / 43

HEX #922952

RGB 146 41 82

HSL 336.57, 0.56%, 0.37%

LAB 34.61, 46.97, 0.66

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 66 / 41 / 21

HEX #CA4478

RGB 202 68 120

HSL 336.72, 0.56%, 0.53%

LAB 49.55, 57.17, -0.06

 

CMYK 0 / 53 / 32 / 17

HEX #D3648F

RGB 211 100 143

HSL 336.76, 0.56%, 0.61%

LAB 57.02, 48.27, -2.61

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 15 / 72 / 30

HEX #B39932

RGB 179 153 50

HSL 47.91, 0.56%, 0.45%

LAB 63.83, -1.58, 54.94

 

CMYK 72 / 15 / 0 / 30

HEX #3299B3

RGB 50 153 179

HSL 192.09, 0.56%, 0.45%

LAB 58.71, -20.51, -22.02

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 44 / 0 / 72 / 30

HEX #65B332

RGB 101 179 50

HSL 96.28, 0.56%, 0.45%

LAB 65.93, -45.87, 55.27

 

CMYK 72 / 44 / 0 / 30

HEX #3265B3

RGB 50 101 179

HSL 216.28, 0.56%, 0.45%

LAB 43.12, 9.88, -46.44

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 0 / 15 / 72 / 30

HEX #B39932

RGB 179 153 50

HSL 47.91, 0.56%, 0.45%

LAB 63.83, -1.58, 54.94

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 72 / 58 / 0 / 30

HEX #324CB3

RGB 50 76 179

HSL 227.91, 0.56%, 0.45%

LAB 36.18, 26.18, -57.64

 

CMYK 0 / 72 / 44 / 30

HEX #B33264

RGB 179 50 100

HSL 336.74, 0.56%, 0.45%

LAB 42.44, 55.25, 1.36

 

CMYK 7 / 0 / 72 / 30

HEX #A6B332

RGB 166 179 50

HSL 66.05, 0.56%, 0.45%

LAB 69.88, -20.81, 60.49

 

CMYK 72 / 0 / 29 / 30

HEX #32B37F

RGB 50 179 127

HSL 155.81, 0.56%, 0.45%

LAB 65.32, -46.97, 16.75

 

CMYK 65 / 72 / 0 / 30

HEX #3F32B3

RGB 63 50 179

HSL 246.05, 0.56%, 0.45%

LAB 30.86, 44.07, -66.31

 

Description

Color code: CMYK 0 / 72 / 44 / 30 | qconv.com Color code: CMYK 0 / 72 / 44 / 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 50 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 50 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 44 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 44% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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