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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9800B8 it is the complementary color #67FF47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9800B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9800B8 shade: #9D00B3, #AE12C6, #BF24D9, #D036EC and #E148FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9800B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9800B8 shade: #9800B8, #8700A5, #760092, #65007F and #54006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9800B8 shade: #9700B7, #B700A6, #B70074, #B70042 and #B70011

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9800B8 shade: #9700B7, #6600B7, #3400B7, #0300B7 and #0000B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9800B8 shade matches the following richer shades: #9700B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9800B8 shade: #9700B7, #8D0EA8, #841D99, #7A2C8B and #703B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9800B8 shade: #3400B7, #6400B7, #9500B7, #B700A8 and #B70077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9800B8 shade: #530065, #75008E, #9700B7, #B900E0 and #D40BFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9800B8 shade: #9800B8, #B70300 and #00B74C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9800B8 shade: #9800B8, #B79500 and #00B795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9800B8 shade: #9800B8, #B70300, #21B700 and #00B4B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9800B8 shade: #9800B8, #B73A00, #21B700 and #007DB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 100 / 0 / 28

HEX #9800B8

RGB 152 0 184

HSL 289.57, 1%, 0.36%

LAB 38.09, 72, -57

 

Complementary color

CMYK 60 / 0 / 72 / 0

HEX #67FF47

RGB 103 255 71

HSL 109.57, 1%, 0.64%

LAB 89.33, -71.68, 71.49

 

CMYK 12 / 100 / 0 / 30

HEX #9D00B3

RGB 157 0 179

HSL 292.63, 1%, 0.35%

LAB 38.59, 71.88, -53.18

 

CMYK 12 / 91 / 0 / 22

HEX #AE12C6

RGB 174 18 198

HSL 292, 0.83%, 0.42%

LAB 43.52, 75.61, -56.24

 

CMYK 12 / 83 / 0 / 15

HEX #BF24D9

RGB 191 36 217

HSL 291.38, 0.72%, 0.5%

LAB 48.7, 78.29, -58.71

 

CMYK 12 / 77 / 0 / 7

HEX #D036EC

RGB 208 54 236

HSL 290.77, 0.83%, 0.57%

LAB 54.14, 79.94, -60.58

 

CMYK 12 / 72 / 0 / 0

HEX #E148FF

RGB 225 72 255

HSL 290.16, 1%, 0.64%

LAB 59.76, 80.84, -62

 

CMYK 17 / 100 / 0 / 28

HEX #9800B8

RGB 152 0 184

HSL 289.57, 1%, 0.36%

LAB 38.09, 72, -57

 

CMYK 18 / 100 / 0 / 35

HEX #8700A5

RGB 135 0 165

HSL 289.09, 1%, 0.32%

LAB 33.71, 66.26, -52.89

 

CMYK 19 / 100 / 0 / 43

HEX #760092

RGB 118 0 146

HSL 288.49, 1%, 0.29%

LAB 29.23, 60.4, -48.7

 

CMYK 20 / 100 / 0 / 50

HEX #65007F

RGB 101 0 127

HSL 287.72, 1%, 0.25%

LAB 24.64, 54.4, -44.42

 

CMYK 22 / 100 / 0 / 58

HEX #54006C

RGB 84 0 108

HSL 286.67, 1%, 0.21%

LAB 19.91, 48.22, -40.04

 

CMYK 17 / 100 / 0 / 28

HEX #9700B7

RGB 151 0 183

HSL 289.51, 1%, 0.36%

LAB 37.84, 71.68, -56.82

 

CMYK 0 / 100 / 9 / 28

HEX #B700A6

RGB 183 0 166

HSL 305.57, 1%, 0.36%

LAB 42.49, 74.16, -38.92

 

CMYK 0 / 100 / 37 / 28

HEX #B70074

RGB 183 0 116

HSL 321.97, 1%, 0.36%

LAB 40.13, 68.2, -12

 

CMYK 0 / 100 / 64 / 28

HEX #B70042

RGB 183 0 66

HSL 338.36, 1%, 0.36%

LAB 38.66, 64.32, 17.74

 

CMYK 0 / 100 / 91 / 28

HEX #B70011

RGB 183 0 17

HSL 354.43, 1%, 0.36%

LAB 38.04, 62.64, 45.79

 

CMYK 17 / 100 / 0 / 28

HEX #9700B7

RGB 151 0 183

HSL 289.51, 1%, 0.36%

LAB 37.84, 71.68, -56.82

 

CMYK 44 / 100 / 0 / 28

HEX #6600B7

RGB 102 0 183

HSL 273.44, 1%, 0.36%

LAB 30.02, 65.87, -69.92

 

CMYK 72 / 100 / 0 / 28

HEX #3400B7

RGB 52 0 183

HSL 257.05, 1%, 0.36%

LAB 24.16, 62.66, -79.82

 

CMYK 98 / 100 / 0 / 28

HEX #0300B7

RGB 3 0 183

HSL 240.98, 1%, 0.36%

LAB 21.72, 61.75, -83.95

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 17 / 100 / 0 / 28

HEX #9700B7

RGB 151 0 183

HSL 289.51, 1%, 0.36%

LAB 37.84, 71.68, -56.82

 

CMYK 17 / 100 / 0 / 28

HEX #9700B7

RGB 151 0 183

HSL 289.51, 1%, 0.36%

LAB 37.84, 71.68, -56.82

 

CMYK 16 / 92 / 0 / 34

HEX #8D0EA8

RGB 141 14 168

HSL 289.48, 0.85%, 0.36%

LAB 35.6, 65.81, -51.57

 

CMYK 14 / 81 / 0 / 40

HEX #841D99

RGB 132 29 153

HSL 289.84, 0.68%, 0.36%

LAB 34.16, 58.17, -44.91

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 10 / 52 / 0 / 51

HEX #703B7C

RGB 112 59 124

HSL 288.92, 0.36%, 0.36%

LAB 34.04, 34.33, -27.4

 

CMYK 72 / 100 / 0 / 28

HEX #3400B7

RGB 52 0 183

HSL 257.05, 1%, 0.36%

LAB 24.16, 62.66, -79.82

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 19 / 100 / 0 / 28

HEX #9500B7

RGB 149 0 183

HSL 288.85, 1%, 0.36%

LAB 37.5, 71.4, -57.39

 

CMYK 0 / 100 / 8 / 28

HEX #B700A8

RGB 183 0 168

HSL 304.92, 1%, 0.36%

LAB 42.6, 74.44, -39.93

 

CMYK 0 / 100 / 35 / 28

HEX #B70077

RGB 183 0 119

HSL 320.98, 1%, 0.36%

LAB 40.24, 68.5, -13.7

 

CMYK 18 / 100 / 0 / 60

HEX #530065

RGB 83 0 101

HSL 289.31, 1%, 0.2%

LAB 19.13, 46.71, -36.72

 

CMYK 18 / 100 / 0 / 44

HEX #75008E

RGB 117 0 142

HSL 289.44, 1%, 0.28%

LAB 28.73, 59.53, -47.04

 

CMYK 17 / 100 / 0 / 28

HEX #9700B7

RGB 151 0 183

HSL 289.51, 1%, 0.36%

LAB 37.84, 71.68, -56.82

 

CMYK 17 / 100 / 0 / 12

HEX #B900E0

RGB 185 0 224

HSL 289.55, 1%, 0.44%

LAB 46.57, 83.34, -66.19

 

CMYK 17 / 96 / 0 / 0

HEX #D40BFF

RGB 212 11 255

HSL 289.43, 1%, 0.52%

LAB 53.45, 91.29, -72.29

 

CMYK 17 / 100 / 0 / 28

HEX #9800B8

RGB 152 0 184

HSL 289.57, 1%, 0.36%

LAB 38.09, 72, -57

 

CMYK 0 / 98 / 100 / 28

HEX #B70300

RGB 183 3 0

HSL 0.98, 1%, 0.36%

LAB 38.08, 62.1, 52.43

 

CMYK 100 / 0 / 58 / 28

HEX #00B74C

RGB 0 183 76

HSL 144.92, 1%, 0.36%

LAB 65.27, -61.91, 42.88

 

CMYK 17 / 100 / 0 / 28

HEX #9800B8

RGB 152 0 184

HSL 289.57, 1%, 0.36%

LAB 38.09, 72, -57

 

CMYK 0 / 19 / 100 / 28

HEX #B79500

RGB 183 149 0

HSL 48.85, 1%, 0.36%

LAB 62.98, 1.04, 67.04

 

CMYK 100 / 0 / 19 / 28

HEX #00B795

RGB 0 183 149

HSL 168.85, 1%, 0.36%

LAB 66.55, -47.16, 6.36

 

CMYK 17 / 100 / 0 / 28

HEX #9800B8

RGB 152 0 184

HSL 289.57, 1%, 0.36%

LAB 38.09, 72, -57

 

CMYK 0 / 98 / 100 / 28

HEX #B70300

RGB 183 3 0

HSL 0.98, 1%, 0.36%

LAB 38.08, 62.1, 52.43

 

CMYK 82 / 0 / 100 / 28

HEX #21B700

RGB 33 183 0

HSL 109.18, 1%, 0.36%

LAB 65.11, -64.85, 65.15

 

CMYK 100 / 2 / 0 / 28

HEX #00B4B7

RGB 0 180 183

HSL 180.98, 1%, 0.36%

LAB 66.57, -36.09, -12.4

 

CMYK 17 / 100 / 0 / 28

HEX #9800B8

RGB 152 0 184

HSL 289.57, 1%, 0.36%

LAB 38.09, 72, -57

 

CMYK 0 / 68 / 100 / 28

HEX #B73A00

RGB 183 58 0

HSL 19.02, 1%, 0.36%

LAB 42.9, 48.58, 54.5

 

CMYK 82 / 0 / 100 / 28

HEX #21B700

RGB 33 183 0

HSL 109.18, 1%, 0.36%

LAB 65.11, -64.85, 65.15

 

CMYK 100 / 32 / 0 / 28

HEX #007DB7

RGB 0 125 183

HSL 199.02, 1%, 0.36%

LAB 49.6, -7.37, -38.53

 

Description

Color code: HEX #9800B8 | qconv.com Color code: HEX #9800B8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, none green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 0 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 100 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 100% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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