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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A2C8B it is the complementary color #85D374. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A2C8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A2C8B shade: #7F2C86, #903E99, #A150AC, #B262BF and #C374D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A2C8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A2C8B shade: #7A2C8B, #691A78, #580865, #470052 and #36003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A2C8B shade: #7A2C8B, #8B2C82, #8B2C69, #8B2C4F and #8B2C35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A2C8B shade: #7A2C8B, #602C8B, #462C8B, #2D2C8B and #2C2C8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A2C8B shade matches the following richer shades: #7A2C8B, #831D9A and #8D0EA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A2C8B shade: #7A2C8B, #703A7C, #67496D, #5D585E and #546750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A2C8B shade: #472C8B, #602C8B, #7A2C8B, #8B2C83 and #8B2C6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A2C8B shade: #43184C, #5E226C, #7A2C8B, #9535AA and #AD45C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A2C8B shade: #7A2C8B, #8B2D2C and #2C8B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A2C8B shade: #7A2C8B, #8B7A2C and #2C8B7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A2C8B shade: #7A2C8B, #8B2D2C, #3D8B2C and #2C898B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A2C8B shade: #7A2C8B, #8B4A2C, #3D8B2C and #2C6D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

Complementary color

CMYK 37 / 0 / 45 / 17

HEX #85D374

RGB 133 211 116

HSL 109.26, 0.52%, 0.64%

LAB 77.78, -42.05, 39.52

 

CMYK 5 / 67 / 0 / 47

HEX #7F2C86

RGB 127 44 134

HSL 295.33, 0.51%, 0.35%

LAB 34.05, 48.03, -33.44

 

CMYK 6 / 59 / 0 / 40

HEX #903E99

RGB 144 62 153

HSL 294.07, 0.42%, 0.42%

LAB 40.69, 47.85, -34.37

 

CMYK 6 / 53 / 0 / 33

HEX #A150AC

RGB 161 80 172

HSL 292.83, 0.37%, 0.49%

LAB 47.36, 47.33, -35.02

 

CMYK 7 / 49 / 0 / 25

HEX #B262BF

RGB 178 98 191

HSL 291.61, 0.42%, 0.57%

LAB 53.99, 46.65, -35.5

 

CMYK 7 / 45 / 0 / 18

HEX #C374D2

RGB 195 116 210

HSL 290.43, 0.51%, 0.64%

LAB 60.56, 45.9, -35.88

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 13 / 78 / 0 / 53

HEX #691A78

RGB 105 26 120

HSL 290.43, 0.64%, 0.29%

LAB 27.01, 47.33, -36.11

 

CMYK 13 / 92 / 0 / 60

HEX #580865

RGB 88 8 101

HSL 291.61, 0.85%, 0.21%

LAB 20.78, 45.51, -34.01

 

CMYK 13 / 100 / 0 / 68

HEX #470052

RGB 71 0 82

HSL 291.95, 1%, 0.16%

LAB 15.22, 41.11, -30.44

 

CMYK 14 / 100 / 0 / 75

HEX #36003F

RGB 54 0 63

HSL 291.43, 1%, 0.12%

LAB 10.13, 34.43, -25.58

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 0 / 68 / 6 / 45

HEX #8B2C82

RGB 139 44 130

HSL 305.68, 0.52%, 0.36%

LAB 35.79, 50.37, -28.09

 

CMYK 0 / 68 / 24 / 45

HEX #8B2C69

RGB 139 44 105

HSL 321.47, 0.52%, 0.36%

LAB 34.62, 46.48, -14.21

 

CMYK 0 / 68 / 43 / 45

HEX #8B2C4F

RGB 139 44 79

HSL 337.89, 0.52%, 0.36%

LAB 33.68, 43.21, 1.09

 

CMYK 0 / 68 / 62 / 45

HEX #8B2C35

RGB 139 44 53

HSL 354.32, 0.52%, 0.36%

LAB 33.02, 40.85, 17.04

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 31 / 68 / 0 / 45

HEX #602C8B

RGB 96 44 139

HSL 272.84, 0.52%, 0.36%

LAB 29.79, 41.65, -43.62

 

CMYK 50 / 68 / 0 / 45

HEX #462C8B

RGB 70 44 139

HSL 256.42, 0.52%, 0.36%

LAB 26.64, 36.11, -48.88

 

CMYK 68 / 68 / 0 / 45

HEX #2D2C8B

RGB 45 44 139

HSL 240.63, 0.52%, 0.36%

LAB 24.4, 31.84, -52.64

 

CMYK 68 / 68 / 0 / 45

HEX #2C2C8B

RGB 44 44 139

HSL 240, 0.52%, 0.36%

LAB 24.32, 31.69, -52.76

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 15 / 81 / 0 / 40

HEX #831D9A

RGB 131 29 154

HSL 288.96, 0.68%, 0.36%

LAB 34.06, 58.17, -45.68

 

CMYK 17 / 92 / 0 / 34

HEX #8D0EA9

RGB 141 14 169

HSL 289.16, 0.85%, 0.36%

LAB 35.68, 65.99, -52.06

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 10 / 53 / 0 / 51

HEX #703A7C

RGB 112 58 124

HSL 289.09, 0.36%, 0.36%

LAB 33.83, 34.89, -27.73

 

CMYK 6 / 33 / 0 / 57

HEX #67496D

RGB 103 73 109

HSL 290, 0.2%, 0.36%

LAB 35.5, 19.7, -15.83

 

CMYK 1 / 6 / 0 / 63

HEX #5D585E

RGB 93 88 94

HSL 290, 0.03%, 0.36%

LAB 38.05, 3.27, -2.74

 

CMYK 18 / 0 / 22 / 60

HEX #546750

RGB 84 103 80

HSL 109.57, 0.13%, 0.36%

LAB 41.48, -12.06, 10.66

 

CMYK 49 / 68 / 0 / 45

HEX #472C8B

RGB 71 44 139

HSL 257.05, 0.52%, 0.36%

LAB 26.75, 36.31, -48.7

 

CMYK 31 / 68 / 0 / 45

HEX #602C8B

RGB 96 44 139

HSL 272.84, 0.52%, 0.36%

LAB 29.79, 41.65, -43.62

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 0 / 68 / 6 / 45

HEX #8B2C83

RGB 139 44 131

HSL 305.05, 0.52%, 0.36%

LAB 35.85, 50.54, -28.62

 

CMYK 0 / 68 / 24 / 45

HEX #8B2C6A

RGB 139 44 106

HSL 320.84, 0.52%, 0.36%

LAB 34.66, 46.62, -14.78

 

CMYK 12 / 68 / 0 / 70

HEX #43184C

RGB 67 24 76

HSL 289.62, 0.52%, 0.2%

LAB 17.31, 29.54, -23.01

 

CMYK 13 / 69 / 0 / 58

HEX #5E226C

RGB 94 34 108

HSL 288.65, 0.52%, 0.28%

LAB 25.58, 38.92, -30.81

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 12 / 69 / 0 / 33

HEX #9535AA

RGB 149 53 170

HSL 289.23, 0.52%, 0.44%

LAB 40.96, 56.4, -44.09

 

CMYK 12 / 65 / 0 / 23

HEX #AD45C4

RGB 173 69 196

HSL 289.13, 0.52%, 0.52%

LAB 48.42, 60.2, -47.23

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 0 / 68 / 68 / 45

HEX #8B2D2C

RGB 139 45 44

HSL 0.63, 0.52%, 0.36%

LAB 33.02, 39.81, 22.77

 

CMYK 68 / 0 / 40 / 45

HEX #2C8B53

RGB 44 139 83

HSL 144.63, 0.52%, 0.36%

LAB 51.41, -40.9, 22.11

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 0 / 12 / 68 / 45

HEX #8B7A2C

RGB 139 122 44

HSL 49.26, 0.52%, 0.36%

LAB 51.37, -2.93, 43.54

 

CMYK 68 / 0 / 12 / 45

HEX #2C8B7A

RGB 44 139 122

HSL 169.26, 0.52%, 0.36%

LAB 52.29, -31.67, 1.06

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 0 / 68 / 68 / 45

HEX #8B2D2C

RGB 139 45 44

HSL 0.63, 0.52%, 0.36%

LAB 33.02, 39.81, 22.77

 

CMYK 56 / 0 / 68 / 45

HEX #3D8B2C

RGB 61 139 44

HSL 109.26, 0.52%, 0.36%

LAB 51.43, -42.54, 42.05

 

CMYK 68 / 1 / 0 / 45

HEX #2C898B

RGB 44 137 139

HSL 181.26, 0.52%, 0.36%

LAB 52.16, -25.76, -9

 

CMYK 12 / 68 / 0 / 45

HEX #7A2C8B

RGB 122 44 139

HSL 289.26, 0.52%, 0.36%

LAB 33.57, 47.77, -37.36

 

CMYK 0 / 47 / 68 / 45

HEX #8B4A2C

RGB 139 74 44

HSL 18.95, 0.52%, 0.36%

LAB 38.84, 24.81, 29.73

 

CMYK 56 / 0 / 68 / 45

HEX #3D8B2C

RGB 61 139 44

HSL 109.26, 0.52%, 0.36%

LAB 51.43, -42.54, 42.05

 

CMYK 68 / 22 / 0 / 45

HEX #2C6D8B

RGB 44 109 139

HSL 198.95, 0.52%, 0.36%

LAB 43.27, -10.57, -22.55

 

Description

Color code: HEX #7A2C8B | qconv.com Color code: HEX #7A2C8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 44 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 44 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 68 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 68% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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