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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96F252 it is the complementary color #690DAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96F252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96F252 shade: #9BF24D, #ACFF60, #BDFF73, #CEFF86 and #DFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96F252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96F252 shade: #96F252, #85E03F, #74CE2C, #63BC19 and #52AA06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96F252 shade: #97F254, #C1F254, #ECF254, #F2CD54 and #F2A254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96F252 shade: #97F254, #6CF254, #54F266, #54F290 and #54F2BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96F252 shade matches the following richer shades: #97F254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96F252 shade: #97F254, #99E363, #9BD471, #9EC580 and #A0B68F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96F252 shade: #ECF254, #C2F254, #98F254, #6EF254 and #54F264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96F252 shade: #6AE211, #80EF2D, #97F254, #AEF57A and #C5F7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96F252 shade: #96F252, #54F2CD and #F254D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96F252 shade: #96F252, #5498F2 and #F25498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96F252 shade: #96F252, #54F2CD, #AD54F2 and #F25479

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96F252 shade: #96F252, #54E7F2, #AD54F2 and #F25E54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 66 / 5

HEX #96F252

RGB 150 242 82

HSL 94.5, 0.86%, 0.64%

LAB 87.29, -53.07, 65.95

 

Complementary color

CMYK 39 / 92 / 0 / 32

HEX #690DAD

RGB 105 13 173

HSL 274.5, 0.86%, 0.36%

LAB 30.18, 61.92, -63.67

 

CMYK 36 / 0 / 68 / 5

HEX #9BF24D

RGB 155 242 77

HSL 91.64, 0.86%, 0.63%

LAB 87.49, -51.79, 68.12

 

CMYK 33 / 0 / 62 / 0

HEX #ACFF60

RGB 172 255 96

HSL 91.32, 1%, 0.69%

LAB 92.19, -49.98, 66

 

CMYK 26 / 0 / 55 / 0

HEX #BDFF73

RGB 189 255 115

HSL 88.29, 1%, 0.73%

LAB 93.27, -42.44, 59.42

 

CMYK 19 / 0 / 47 / 0

HEX #CEFF86

RGB 206 255 134

HSL 84.3, 1%, 0.76%

LAB 94.47, -34.47, 52.46

 

CMYK 13 / 0 / 40 / 0

HEX #DFFF99

RGB 223 255 153

HSL 78.82, 1%, 0.8%

LAB 95.79, -26.19, 45.31

 

CMYK 38 / 0 / 66 / 5

HEX #96F252

RGB 150 242 82

HSL 94.5, 0.86%, 0.64%

LAB 87.29, -53.07, 65.95

 

CMYK 41 / 0 / 72 / 12

HEX #85E03F

RGB 133 224 63

HSL 93.91, 0.72%, 0.56%

LAB 81.1, -52.72, 66.32

 

CMYK 44 / 0 / 79 / 19

HEX #74CE2C

RGB 116 206 44

HSL 93.33, 0.65%, 0.49%

LAB 74.85, -52.19, 66.14

 

CMYK 47 / 0 / 87 / 26

HEX #63BC19

RGB 99 188 25

HSL 92.76, 0.77%, 0.42%

LAB 68.53, -51.39, 65.01

 

CMYK 52 / 0 / 96 / 33

HEX #52AA06

RGB 82 170 6

HSL 92.2, 0.93%, 0.35%

LAB 62.13, -50.24, 62.49

 

CMYK 38 / 0 / 65 / 5

HEX #97F254

RGB 151 242 84

HSL 94.56, 0.86%, 0.64%

LAB 87.35, -52.59, 65.25

 

CMYK 20 / 0 / 65 / 5

HEX #C1F254

RGB 193 242 84

HSL 78.61, 0.86%, 0.64%

LAB 89.62, -37.73, 68.34

 

CMYK 2 / 0 / 65 / 5

HEX #ECF254

RGB 236 242 84

HSL 62.28, 0.86%, 0.64%

LAB 92.56, -20.88, 72.31

 

CMYK 0 / 15 / 65 / 5

HEX #F2CD54

RGB 242 205 84

HSL 45.95, 0.86%, 0.64%

LAB 83.54, -0, 63.05

 

CMYK 0 / 33 / 65 / 5

HEX #F2A254

RGB 242 162 84

HSL 29.62, 0.86%, 0.64%

LAB 73.13, 22.5, 51.66

 

CMYK 38 / 0 / 65 / 5

HEX #97F254

RGB 151 242 84

HSL 94.56, 0.86%, 0.64%

LAB 87.35, -52.59, 65.25

 

CMYK 55 / 0 / 65 / 5

HEX #6CF254

RGB 108 242 84

HSL 110.89, 0.86%, 0.64%

LAB 85.67, -65, 62.95

 

CMYK 65 / 0 / 58 / 5

HEX #54F266

RGB 84 242 102

HSL 126.84, 0.86%, 0.64%

LAB 85.17, -68.38, 54.67

 

CMYK 65 / 0 / 40 / 5

HEX #54F290

RGB 84 242 144

HSL 142.78, 0.86%, 0.64%

LAB 85.71, -62.32, 35.46

 

CMYK 65 / 0 / 23 / 5

HEX #54F2BB

RGB 84 242 187

HSL 159.11, 0.86%, 0.64%

LAB 86.49, -53.88, 14.6

 

CMYK 38 / 0 / 65 / 5

HEX #97F254

RGB 151 242 84

HSL 94.56, 0.86%, 0.64%

LAB 87.35, -52.59, 65.25

 

CMYK 38 / 0 / 65 / 5

HEX #97F254

RGB 151 242 84

HSL 94.56, 0.86%, 0.64%

LAB 87.35, -52.59, 65.25

 

CMYK 33 / 0 / 56 / 11

HEX #99E363

RGB 153 227 99

HSL 94.69, 0.7%, 0.64%

LAB 83.24, -44.33, 54.4

 

CMYK 27 / 0 / 47 / 17

HEX #9BD471

RGB 155 212 113

HSL 94.55, 0.54%, 0.64%

LAB 79.18, -35.45, 43

 

CMYK 20 / 0 / 35 / 23

HEX #9EC580

RGB 158 197 128

HSL 93.91, 0.37%, 0.64%

LAB 75.3, -25.32, 30.49

 

CMYK 12 / 0 / 21 / 29

HEX #A0B68F

RGB 160 182 143

HSL 93.85, 0.21%, 0.64%

LAB 71.5, -14.76, 17.38

 

CMYK 2 / 0 / 65 / 5

HEX #ECF254

RGB 236 242 84

HSL 62.28, 0.86%, 0.64%

LAB 92.56, -20.88, 72.31

 

CMYK 20 / 0 / 65 / 5

HEX #C2F254

RGB 194 242 84

HSL 78.23, 0.86%, 0.64%

LAB 89.68, -37.35, 68.42

 

CMYK 37 / 0 / 65 / 5

HEX #98F254

RGB 152 242 84

HSL 94.18, 0.86%, 0.64%

LAB 87.4, -52.26, 65.31

 

CMYK 55 / 0 / 65 / 5

HEX #6EF254

RGB 110 242 84

HSL 110.13, 0.86%, 0.64%

LAB 85.74, -64.5, 63.04

 

CMYK 65 / 0 / 59 / 5

HEX #54F264

RGB 84 242 100

HSL 126.08, 0.86%, 0.64%

LAB 85.15, -68.61, 55.52

 

CMYK 53 / 0 / 92 / 11

HEX #6AE211

RGB 106 226 17

HSL 94.45, 0.86%, 0.48%

LAB 80.46, -63.49, 76.45

 

CMYK 46 / 0 / 81 / 6

HEX #80EF2D

RGB 128 239 45

HSL 94.33, 0.86%, 0.56%

LAB 85.26, -61, 75.6

 

CMYK 38 / 0 / 65 / 5

HEX #97F254

RGB 151 242 84

HSL 94.56, 0.86%, 0.64%

LAB 87.35, -52.59, 65.25

 

CMYK 29 / 0 / 50 / 4

HEX #AEF57A

RGB 174 245 122

HSL 94.63, 0.86%, 0.72%

LAB 89.72, -42.56, 51.85

 

CMYK 20 / 0 / 35 / 3

HEX #C5F7A0

RGB 197 247 160

HSL 94.48, 0.84%, 0.8%

LAB 92.1, -30.85, 36.77

 

CMYK 38 / 0 / 66 / 5

HEX #96F252

RGB 150 242 82

HSL 94.5, 0.86%, 0.64%

LAB 87.29, -53.07, 65.95

 

CMYK 65 / 0 / 15 / 5

HEX #54F2CD

RGB 84 242 205

HSL 165.95, 0.86%, 0.64%

LAB 86.9, -49.75, 5.8

 

CMYK 0 / 65 / 11 / 5

HEX #F254D7

RGB 242 84 215

HSL 310.25, 0.86%, 0.64%

LAB 61.76, 73.9, -36.35

 

CMYK 38 / 0 / 66 / 5

HEX #96F252

RGB 150 242 82

HSL 94.5, 0.86%, 0.64%

LAB 87.29, -53.07, 65.95

 

CMYK 65 / 37 / 0 / 5

HEX #5498F2

RGB 84 152 242

HSL 214.18, 0.86%, 0.64%

LAB 62.3, 6.36, -51.52

 

CMYK 0 / 65 / 37 / 5

HEX #F25498

RGB 242 84 152

HSL 334.18, 0.86%, 0.64%

LAB 59.42, 65.92, -3.78

 

CMYK 38 / 0 / 66 / 5

HEX #96F252

RGB 150 242 82

HSL 94.5, 0.86%, 0.64%

LAB 87.29, -53.07, 65.95

 

CMYK 65 / 0 / 15 / 5

HEX #54F2CD

RGB 84 242 205

HSL 165.95, 0.86%, 0.64%

LAB 86.9, -49.75, 5.8

 

CMYK 29 / 65 / 0 / 5

HEX #AD54F2

RGB 173 84 242

HSL 273.8, 0.86%, 0.64%

LAB 53.64, 63.04, -64.99

 

CMYK 0 / 65 / 50 / 5

HEX #F25479

RGB 242 84 121

HSL 345.95, 0.86%, 0.64%

LAB 58.6, 62.99, 13.17

 

CMYK 38 / 0 / 66 / 5

HEX #96F252

RGB 150 242 82

HSL 94.5, 0.86%, 0.64%

LAB 87.29, -53.07, 65.95

 

CMYK 65 / 5 / 0 / 5

HEX #54E7F2

RGB 84 231 242

HSL 184.18, 0.86%, 0.64%

LAB 84.71, -35.22, -16.86

 

CMYK 29 / 65 / 0 / 5

HEX #AD54F2

RGB 173 84 242

HSL 273.8, 0.86%, 0.64%

LAB 53.64, 63.04, -64.99

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

Description

Color code: HEX #96F252 | qconv.com Color code: HEX #96F252 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 242 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 242 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 66 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 66% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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