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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F25E54 it is the complementary color #0DA1AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F25E54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F25E54 shade: #F75E4F, #FF7062, #FF8275, #FF9488 and #FFA69B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F25E54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F25E54 shade: #F25E54, #E14C41, #D03A2E, #BF281B and #AE1608

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F25E54 shade: #F25E54 and #F25454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F25E54 shade: #F25E54, #F28854, #F2B354, #F2DD54 and #DBF254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F25E54 shade matches the following richer shades: #F25E54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F25E54 shade: #F25E54, #E36B63, #D47871, #C58580 and #B6928F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F25E54 shade: #F254A0, #F25476, #F25C54, #F28654 and #F2B054

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F25E54 shade: #E21E11, #EF3A2D, #F25E54, #F5827A and #F7A6A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F25E54 shade: #F25E54, #CAF254 and #548BF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F25E54 shade: #F25E54, #54F25C and #5C54F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F25E54 shade: #F25E54, #CAF254, #54EAF2 and #7B54F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F25E54 shade: #F25E54, #9BF254, #54EAF2 and #AB54F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

Complementary color

CMYK 92 / 6 / 0 / 33

HEX #0DA1AB

RGB 13 161 171

HSL 183.8, 0.86%, 0.36%

LAB 60.35, -30.42, -15.05

 

CMYK 0 / 62 / 68 / 3

HEX #F75E4F

RGB 247 94 79

HSL 5.36, 0.91%, 0.64%

LAB 60.2, 57.68, 39.48

 

CMYK 0 / 56 / 62 / 0

HEX #FF7062

RGB 255 112 98

HSL 5.35, 1%, 0.69%

LAB 64.75, 53.52, 34.86

 

CMYK 0 / 49 / 54 / 0

HEX #FF8275

RGB 255 130 117

HSL 5.65, 1%, 0.73%

LAB 68.39, 46.3, 29.05

 

CMYK 0 / 42 / 47 / 0

HEX #FF9488

RGB 255 148 136

HSL 6.05, 1%, 0.77%

LAB 72.37, 38.93, 23.89

 

CMYK 0 / 35 / 39 / 0

HEX #FFA69B

RGB 255 166 155

HSL 6.6, 1%, 0.8%

LAB 76.62, 31.58, 19.33

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 0 / 66 / 71 / 12

HEX #E14C41

RGB 225 76 65

HSL 4.13, 0.73%, 0.57%

LAB 53.55, 57.17, 38.53

 

CMYK 0 / 72 / 78 / 18

HEX #D03A2E

RGB 208 58 46

HSL 4.44, 0.64%, 0.5%

LAB 47.79, 57.79, 41.78

 

CMYK 0 / 79 / 86 / 25

HEX #BF281B

RGB 191 40 27

HSL 4.76, 0.75%, 0.43%

LAB 42.27, 57.89, 45.17

 

CMYK 0 / 87 / 95 / 32

HEX #AE1608

RGB 174 22 8

HSL 5.06, 0.91%, 0.36%

LAB 37.1, 57.13, 47.75

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 0 / 65 / 65 / 5

HEX #F25454

RGB 242 84 84

HSL 0, 0.86%, 0.64%

LAB 57.9, 60.44, 33.72

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 0 / 44 / 65 / 5

HEX #F28854

RGB 242 136 84

HSL 19.75, 0.86%, 0.64%

LAB 67.37, 36.09, 45.07

 

CMYK 0 / 26 / 65 / 5

HEX #F2B354

RGB 242 179 84

HSL 36.08, 0.86%, 0.64%

LAB 77.14, 13.53, 56.12

 

CMYK 0 / 9 / 65 / 5

HEX #F2DD54

RGB 242 221 84

HSL 52.03, 0.86%, 0.64%

LAB 87.6, -8.12, 67.33

 

CMYK 10 / 0 / 65 / 5

HEX #DBF254

RGB 219 242 84

HSL 68.73, 0.86%, 0.64%

LAB 91.33, -27.67, 70.65

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 0 / 53 / 56 / 11

HEX #E36B63

RGB 227 107 99

HSL 3.75, 0.7%, 0.64%

LAB 59.66, 46.02, 26.94

 

CMYK 0 / 43 / 47 / 17

HEX #D47871

RGB 212 120 113

HSL 4.24, 0.54%, 0.64%

LAB 60.45, 35.07, 19.64

 

CMYK 0 / 32 / 35 / 23

HEX #C58580

RGB 197 133 128

HSL 4.35, 0.37%, 0.64%

LAB 61.83, 23.96, 12.72

 

CMYK 0 / 20 / 21 / 29

HEX #B6928F

RGB 182 146 143

HSL 4.62, 0.21%, 0.64%

LAB 63.74, 13.05, 6.72

 

CMYK 0 / 65 / 34 / 5

HEX #F254A0

RGB 242 84 160

HSL 331.14, 0.86%, 0.64%

LAB 59.67, 66.79, -8.07

 

CMYK 0 / 65 / 51 / 5

HEX #F25476

RGB 242 84 118

HSL 347.09, 0.86%, 0.64%

LAB 58.53, 62.75, 14.83

 

CMYK 0 / 62 / 65 / 5

HEX #F25C54

RGB 242 92 84

HSL 3.04, 0.86%, 0.64%

LAB 59.13, 57.13, 35.23

 

CMYK 0 / 45 / 65 / 5

HEX #F28654

RGB 242 134 84

HSL 18.99, 0.86%, 0.64%

LAB 66.95, 37.12, 44.58

 

CMYK 0 / 27 / 65 / 5

HEX #F2B054

RGB 242 176 84

HSL 34.94, 0.86%, 0.64%

LAB 76.42, 15.11, 55.33

 

CMYK 0 / 87 / 92 / 11

HEX #E21E11

RGB 226 30 17

HSL 3.73, 0.86%, 0.48%

LAB 48.43, 69.85, 56.99

 

CMYK 0 / 76 / 81 / 6

HEX #EF3A2D

RGB 239 58 45

HSL 4.02, 0.86%, 0.56%

LAB 53.56, 67.15, 49.96

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 0 / 47 / 50 / 4

HEX #F5827A

RGB 245 130 122

HSL 3.9, 0.86%, 0.72%

LAB 67.11, 43.08, 24.32

 

CMYK 0 / 33 / 35 / 3

HEX #F7A6A0

RGB 247 166 160

HSL 4.14, 0.84%, 0.8%

LAB 75.81, 29.17, 15.35

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 17 / 0 / 65 / 5

HEX #CAF254

RGB 202 242 84

HSL 75.19, 0.86%, 0.64%

LAB 90.18, -34.3, 69.1

 

CMYK 65 / 43 / 0 / 5

HEX #548BF2

RGB 84 139 242

HSL 219.11, 0.86%, 0.64%

LAB 58.75, 14.07, -57.16

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 65 / 0 / 62 / 5

HEX #54F25C

RGB 84 242 92

HSL 123.04, 0.86%, 0.64%

LAB 85.08, -69.49, 58.85

 

CMYK 62 / 65 / 0 / 5

HEX #5C54F2

RGB 92 84 242

HSL 243.04, 0.86%, 0.64%

LAB 45.67, 48.49, -78.3

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 17 / 0 / 65 / 5

HEX #CAF254

RGB 202 242 84

HSL 75.19, 0.86%, 0.64%

LAB 90.18, -34.3, 69.1

 

CMYK 65 / 3 / 0 / 5

HEX #54EAF2

RGB 84 234 242

HSL 183.04, 0.86%, 0.64%

LAB 85.58, -36.62, -15.56

 

CMYK 49 / 65 / 0 / 5

HEX #7B54F2

RGB 123 84 242

HSL 254.81, 0.86%, 0.64%

LAB 48.21, 53.38, -74.05

 

CMYK 0 / 61 / 65 / 5

HEX #F25E54

RGB 242 94 84

HSL 3.8, 0.86%, 0.64%

LAB 59.46, 56.27, 35.63

 

CMYK 36 / 0 / 65 / 5

HEX #9BF254

RGB 155 242 84

HSL 93.04, 0.86%, 0.64%

LAB 87.54, -51.27, 65.51

 

CMYK 65 / 3 / 0 / 5

HEX #54EAF2

RGB 84 234 242

HSL 183.04, 0.86%, 0.64%

LAB 85.58, -36.62, -15.56

 

CMYK 29 / 65 / 0 / 5

HEX #AB54F2

RGB 171 84 242

HSL 273.04, 0.86%, 0.64%

LAB 53.39, 62.62, -65.4

 

Description

Color code: HEX #F25E54 | qconv.com Color code: HEX #F25E54 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 94 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 94 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 65% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - 消費税8-10%時代を生き抜くための「保...
Link: http://www.hokende.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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